Original Artwork

2 artworks

  • Totem Melty Misfits Jumbo Unique Giclee Print by Buff Monster

    Buff Monster Totem Melty Misfits Jumbo Unique Giclee Print by Buff Monster

    Totem Melty Misfits Jumbo Unique Giclee Print by Buff Monster Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Dated with COA Framed Unique 1-of-a-Kind Giclee Original Artwork Size 8.5x11.5 Framed "This certificate verifies the authenticity of the accompanying artwork by Buff Monster. This one-of-a-kind giclee print is signed by the artist and features one of the characters created for The Melty Misfits Jumbo series. The museum glass that accompanies this piece provides UV protection; as with any artwork, it should be displayed away from direct sunlight and areas of high humidity." -Buff Monster Totem Melty Misfits Jumbo Unique Giclée Print by Buff Monster Buff Monster’s Totem Melty Misfits Jumbo Unique Giclée Print exemplifies the fusion of whimsical character design with modern Street Pop Art & Graffiti Artwork sensibilities. Known for infusing joyful colors with darker undertones, Buff Monster continues this signature approach in this framed giclée, highlighting both his established themes and his inventive experimentation with form and presentation. Printed on fine art paper and paired with official back markings and Melty Misfits branding, this piece stands out as a collector-grade artifact in contemporary pop-driven street culture. A Totemic Tribute to Melty Culture The front of the piece displays a stacked totem composed of various signature Melty Misfits characters. Each level of the totem blends psychedelic eyeball motifs with mutated dessert creatures rendered in vibrant digital tones. The background features a serene outdoor landscape with a stylized blue sky and treetop line, contrasting the oddity of the figures with a calm natural setting. This composition cleverly nods to Native American totems while simultaneously creating a satirical cartoon mythology rooted in Buff Monster’s universe. The exaggerated features, wild expressions, and gooey textures give the illusion of melting vinyl toys, all constructed with perfect symmetry to evoke both structure and chaos. Street Pop Art in Framed Form Printed using giclée technology, the artwork achieves sharp detail and brilliant coloration, essential to capturing Buff Monster’s gradient-rich linework. The format is particularly rare, presented in a professionally mounted frame with matted border that enhances its gallery-ready aesthetic. On the back, a certificate of authenticity is fixed securely beneath The Melty Misfits logo, providing the provenance expected of limited-run Street Pop Art & Graffiti Artwork. A fluorescent sticker seals the presentation as a hallmark of Buff Monster’s brand identity. The tactile qualities of the piece—combined with its hand-assembled framing and character narrative—anchor it as more than just a print. It is a three-dimensional statement of visual rebellion masked in candy-coated fantasy. Buff Monster’s Legacy in the Designer Toy and Pop Art Movement Buff Monster, born in the United States, has earned his place at the forefront of hybrid pop and street art culture through decades of mural work, toy production, and experimental prints. From New York alleyways to Tokyo art fairs, his work remains instantly recognizable. The Totem Melty Misfits Jumbo Print reflects not only his consistent dedication to The Melty Misfits project but also his ability to evolve the format of street art into framed, collectible masterpieces. Each element in this print represents Buff Monster’s intent to make joy subversive and satire digestible. By anthropomorphizing sweet snacks into grotesque pop gods, he constructs a new iconography for a post-ironic generation. This piece is a compact, vivid document of the surrealist humor and graphic intensity that continues to define one of pop surrealism’s most celebrated graffiti artists.

    $845.00

  • Companion Model Drawing Original Graphite Drawing by Robert Lazzarini

    Robert Lazzarini Companion Model Drawing Original Graphite Drawing by Robert Lazzarini

    Companion Model Drawing Original Graphite Drawing by Robert Lazzarini on Fine Art Paper Modern Street Pop Artwork. 2010 Signed Original Graphite Pencil Drawing Size 11.5x14.5. Robert Lazzarini (b. 1965) Companion Model Drawing, c. 2010 Graphite on paper 14-1/2 x 11-1/2 inches (36.8 x 29.2 cm) (sheet) Signed in pencil to lower right. Exploring Robert Lazzarini's Companion Model Drawing in the Context of Street Pop and Graffiti Art American contemporary artist Robert Lazzarini was born in 1965 and is renowned for his mind-bending sculptures that manipulate everyday items such as guns, chairs, and skulls. These pieces challenge our understanding of reality, incorporating a mix of computer-aided design and traditional sculpting methods. Lazzarini completed his studies at the School of Visual Arts in New York City, earning his BFA in 1990. His artwork has been showcased in numerous galleries and museums across the globe, with some of his most notable exhibitions being held at the Virginia Museum of Fine Arts, the Hirshhorn Museum, and the Whitney Museum of American Art. Lazzarini's sculptures are famous for their ability to distort and alter our spatial perception. His creations' unconventional shapes and dimensions make the viewer question the objects themselves and the reality they occupy. Lazzarini's artwork challenges us to reconsider our assumptions and preconceptions about the world around us by presenting familiar objects in unfamiliar ways. The art world is an ever-evolving landscape, and within its broad spectrum lies the fusion genre of Street Pop Art, a style that embodies the rebellious spirit of street art with the mass appeal of pop art. It's within this creative milieu that Robert Lazzarini's "Companion Model Drawing," a graphite-on-paper creation, finds its place. This artwork, dating back to circa 2010, represents a significant contribution to the genre, offering a unique blend of street art's grit and pop art's accessible imagery. Born in 1965, Lazzarini has been a prominent figure in the contemporary art scene, known for his distortion of familiar objects and icons, effectively challenging viewers' perceptions and expectations. The "Companion Model Drawing" is a testament to his distinctive approach, as it presents the viewer with a sketch that appears to be simple at first glance but reveals complex undercurrents upon closer inspection. The piece size, 14-1/2 x 11-1/2 inches, is intimate, inviting personal engagement, and the graphite medium gives it a raw, unfinished quality that resonates with the ethos of street art. Interpreting Lazzarini's Artistic Technique and Street Pop Art Aesthetic Lazzarini's work is often characterized by a meticulous technique that belies the chaotic impression it leaves. This is evident in the "Companion Model Drawing," where the lines are deliberate and precise, yet the overall effect is disorientation and altered reality. Though rendered in graphite, this drawing carries the visual weight and immediacy often associated with graffiti artwork. The boldness of the lines and the shading techniques contribute to a three-dimensional effect, making the drawing leap off the fine art paper. While not a traditional example of graffiti art, the artwork embodies the movement's spirit through its engagement with popular culture and subversive elements. The subject of the drawing, which can be described as a deconstructed character, resonates with the iconography typical in street and pop art. Lazzarini's signature in pencil at the bottom right corner adds a personal touch to the piece, anchoring it firmly within the artist's body of work. The Cultural Relevance of Lazzarini's Work in Modern Art Discourse Street Pop Art is not merely an aesthetic; it's a cultural phenomenon that speaks to societal narratives, often acting as a visual language for urban experiences. Lazzarini's "Companion Model Drawing" engages with this dialogue through its subject matter and execution. The choice of a companion model, a figure that could be interpreted as a guide or an alter ego, reflects the personal yet universal themes that street art explores. The artwork blurs the lines between high art and the more democratically accessible street art, embodying the inclusive nature of modern art movements. Moreover, Lazzarini's drawing bridges the immediacy of street art and the enduring nature of fine art. While graffiti is ephemeral, often painted over or washed away, the permanence of graphite on paper allows this piece to become a lasting record of artistic expression. It captures a moment in time within the street pop art movement, preserving it for future generations to appreciate and study. Conclusion: The Impact of Lazzarini's Companion Model Drawing In conclusion, Robert Lazzarini's "Companion Model Drawing" is a significant piece at the intersection of Street Pop Art and Graffiti Artwork. Its execution in graphite on fine art paper transcends the temporary nature of street art, allowing it to be appreciated as a long-lasting artifact. The piece showcases Lazzarini's technical prowess and embodies the essence of street pop art—a blend of subcultural depth and pop culture iconography. As a signed original graphite pencil drawing from 2010, it carries the hallmarks of Lazzarini's style: a thought-provoking distortion of reality that challenges and engages the viewer. This artwork remains a crucial reference point for those interested in the evolution of street-inspired art within contemporary art discourse.

    $7,594.00

Original Artwork

Original Artwork as a Core Medium in Street Pop Art & Graffiti Artwork

Original artwork remains the most direct and impactful form of creative expression within Street Pop Art & Graffiti Artwork. These works, executed by hand in a single iteration, serve as the foundation of an artist’s visual identity. Whether composed on canvas, wood, street signs, found objects, or walls, original pieces are where experimentation, emotion, and intent are fully visible. Artists working in this space often blend graffiti-based techniques with graphic aesthetics, using materials like aerosol, ink, acrylic, and marker to develop layered compositions. Each original artwork stands apart from multiples or editions because it is singular—a one-off that embodies the gesture and immediacy of the artist’s hand. In a culture shaped by tagging, repetition, and stylized language, the original work holds particular weight, not only as an object of authenticity but as a form of raw communication.

Technique, Surface, and Raw Process

The process of creating original artwork within Street Pop Art & Graffiti Artwork is often defined by speed, layering, and material responsiveness. Many artists trained in graffiti culture carry with them a commitment to direct mark-making and improvisation. Surfaces are selected not only for their texture or durability but for their connection to the urban environment. Metal panels, salvaged signage, shipping crates, and concrete slabs are all commonly repurposed as canvases. Paint application varies from clean, graphic block-outs to expressive drips, fades, and sprays. In many cases, the energy of the piece lies in its imperfections—overspray, buffed areas, or abrupt transitions are not hidden, they are celebrated as part of the visual language. The use of stencil, sticker layering, and raw brushwork reflects the ongoing influence of the street, where control and chaos are in constant negotiation.

Artist Voice and Cultural Positioning

Original artwork allows for full expression of the artist’s intent without the boundaries of format, size, or duplication. Within Street Pop Art & Graffiti Artwork, artists like OG Slick, Shepard Fairey, Retna, and Futura have all built careers around the strength of their original pieces. These works often carry deeper commentary than their commercial counterparts, diving into themes such as consumerism, rebellion, identity, and coded language. The ability to paint freely, to make permanent decisions without concern for replication, creates a space where risk and vision intersect. Many artists return to original works as a way to evolve or reset their approach. It is within the one-of-one painting or sculpture that new techniques are often born—then carried forward into print runs, murals, or product design.

Collectors and Institutional Value of One-of-One Works

Original artwork within Street Pop Art & Graffiti Artwork has gained significant attention in both private and institutional collections. As the line between contemporary and urban art continues to dissolve, these unique pieces are now featured in museum collections, major exhibitions, and fine art auctions. The scarcity of originals elevates their value, not just in market terms but in cultural significance. Each piece represents an unfiltered snapshot of the artist’s mindset at a specific moment. While prints and editions extend reach and accessibility, originals are held as archives of the creative process, where surface, intent, and execution converge. In a visual culture often saturated by digital imagery and mass production, the original artwork asserts itself as irreplaceable—standing as a document, a statement, and a physical presence that reflects the urgency and influence of Street Pop Art & Graffiti Artwork.
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