Original Artwork

The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Bubbles PNB RAW 8673 Green Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Green Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8673 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8673, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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What Lies Beneath Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Signed What Lies Beneath Original Colored Pencil Drawing by Brandon Sopinsky

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Processed and Enriched Original Painting Oil on Found Art Canvas by Dave Pollot Graffiti Street Artist Modern Pop Art. ‘Processed and Enriched’-Original oil on found art by Dave Pollot- Background is a framed painting on canvas- Signed in oil by Artist-Includes signed Measures 17.5 x 24″ including frame

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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Digital Pistachio Ice Cream Original Spray Paint Art Can by Buff Monster Sculpture Artwork by Iconic Pop Culture Modern Artist. 2018 Signed Original Spray Paint Mixed Media Spray Paint Can Painting Artwork Size 3x8 Creative Expression on Unconventional Mediums "Pistachio Ice Cream" by Buff Monster is a vibrant original spray paint art on a can, embodying the playfulness and innovation that marks the artist's contribution to the modern pop culture and street art movement. Created in 2018, this signed original mixed media artwork measures 3x8 inches and is a standout example of how everyday objects can be transformed into works of art. Buff Monster's work is instantly recognizable for its bright, bold colors and motifs that draw inspiration from various sources, including Japanese culture, heavy metal music, and classic ice cream flavors. "Pistachio Ice Cream" is no exception. It features the artist's iconic melty motifs, a signature synonymous with his name. The spray paint can, an instrument often associated with graffiti and street art, serves as the canvas for this piece, further blurring the lines between the tool and the resulting artwork. This playful juxtaposition highlights Buff Monster's ability to see the potential for beauty in the mundane and to repurpose it with a sense of irreverence and joy. Buff Monster's Impact on Street Pop Art & Graffiti Artwork Buff Monster is a pivotal figure in the Street Pop Art and graffiti Artwork genre, consistently pushing the boundaries of how art can be experienced and where it can be found. His work extends beyond the traditional spaces allocated for art, encouraging viewers to see creativity in unexpected places. "Pistachio Ice Cream" is a sculptural piece that captures the essence of street art's spontaneity and pop art's accessibility, creating a direct, intimate, engaging dialogue with the audience. In the landscape of contemporary art, "Pistachio Ice Cream" and similar works by Buff Monster represent a movement that is not afraid to challenge the status quo and to reinvent spaces and objects as platforms for artistic expression. His creations celebrate the street art ethos, embodying the spirit of freedom and the joy of creation. The artwork's size and medium make it a unique collector's item, a tangible piece of the vibrant energy that Buff Monster brings to the art world.

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Abstraction Pollock Red Green Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 12.25x14.5 Signed Original

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Eyes Like Those Original One of a Kind Mixed Media Spray Paint Collage Painting Artwork on Stretched Canvas by Pop Artist Indie184- Soraya Marquez. 2017 Signed Original One of a Kind Painting Size 35.5x48 Unlined canvas.

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Abstract Abstraction Green Original One of a Kind Oil Painting Artwork on Cardboard by Post Modern Artist Samuel Kamen. 20th Century 10.5x14 Signed Original

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Untitled- Shark Creatures Running Original One of a Kind Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Street Art Pop Culture Artist El Pez. 2015 Signed Original Spray Paint & Silkscreen Marked 1/1 Painting Size 19.75x27.63 El PEZ (b. 1976) Untitled, early 21st-century Screenprint with spray paint hand-embellishments on paper 27-5/8 x 19-3/4 inches (70.1 x 50.2 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along lower edge

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Sexphyllum Classicum #03 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Turtle Island Ganas Collage Original One of a Kind Sprayed Paint Stencil Painting Artwork on Cotton Rag Art Paper by Street Art Pop Culture Artist Ernesto Yerena Montejano- Hecho Con Ganas. 2022 Signed Original Spray Paint Painting Size 20.5"x26.5" Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges Signed and Numbered by Ernesto Yerena Montejano 1-Off The Artistic Expression of "Turtle Island Ganas Collage" by Ernesto Yerena Montejano Ernesto Yerena Montejano is an artist deeply rooted in the cultural crossroads of street pop art and graffiti artwork. His piece, "Turtle Island Ganas Collage," is a vibrant celebration of cultural identity, resilience, and the spirit of resistance. This original one-of-a-kind sprayed paint stencil painting on cotton rag art paper encapsulates the ethos of Montejano's artistic vision—Hecho Con Ganas, or "made with effort and desire." Signed by the artist, this 20.5"x 26.5" artwork reflects Montejano's commitment to creating pieces that are not only visually captivating but also imbued with social and political commentary. Symbolism and Technique in Montejano's Work In "Turtle Island Ganas Collage," Montejano employs the turtle, a creature revered in many indigenous cultures for carrying the world on its back, as a central figure symbolizing the earth and the interconnectedness of life. The term "Turtle Island" is a name for the North American continent used by several Native American tribes, and its inclusion in the title ties the piece to themes of heritage and land. Montejano's choice of materials—100% cotton rag paper with hand-deckled edges—complements the organic subject matter, grounding the piece in tradition and craftsmanship. The hand-sprayed stencils create a sharp contrast characteristic of graffiti art, while the intricate details and layering echo the complexities of pop art imagery. Ernesto Yerena Montejano's Contribution to Street Pop Art Montejano, a Mexican-American artist, contributes to the rich tapestry of street pop art through works like "Turtle Island Ganas Collage," which speak to identity, community, and activism issues. His work often reflects the experiences of the borderlands between the United States and Mexico, serving as a visual commentary on the socio-political landscape. By integrating motifs from indigenous and Chicano culture, Montejano bridges the past with the present, creating a dialogue between historical narratives and contemporary issues. His artwork transcends the traditional boundaries of street art, offering a narrative that is both universal and deeply personal. Through his art, Montejano invites viewers to engage in broader conversations about social justice, heritage, and the human condition, solidifying his place in the pantheon of street pop art and graffiti artists.

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MQ Silver Tag Dollar Original Marker Drawing by MQ Planet- Mque on USA Currency 1 Dollar Bill &  100 Lot Modern Street Pop Artwork. 2023 Signed by Tag Original Silver & Black Permanent Marker Drawing Size 6x2.75 On Real USA 1 Dollar Bill Currency. Also Includes 2x 100 Dollar Bill Printings That Include Either a Printed Tag or Marker Tags, I Can't Tell, The Ink is Shiney Speckled on Tag. MQ Planet's "MQ Silver Tag Dollar": A Currency of Street Pop Art MQ Planet, known to the world by his birth name Mque, transcends traditional art forms by merging the mediums of street pop art and graffiti artwork with the emblematic canvas of currency. The "MQ Silver Tag Dollar," a 2023 signed original artwork, is a sterling example of how the raw energy of street art can be encapsulated on the canvas of a real USA 1-dollar bill currency. Measuring 6x2.75 inches, this piece features a silver and black permanent marker drawing, underscoring the artist's innovative approach to modern street pop art. Monetary Medium: A New Avenue for Expression Using currency as a canvas is not merely a choice but a statement, a way for MQ Planet to embed its message within the very fibers of everyday transactions. Imprinting his iconic tag onto a dollar bill is provocative; it transforms the bill from a piece of legal tender into a piece of art, challenging the viewer to reconsider the value we place on money versus art. The "MQ Silver Tag Dollar" exemplifies how the artist capitalizes on the ubiquity of currency to disseminate his vision, ensuring that his art circulates as freely as the dollar itself. The piece is not just art; it becomes a vehicle for transmitting street pop culture. MQ Planet: An Artistic Alchemist In the hands of MQ Planet, the dollar bill transcends its monetary purpose, becoming alchemized into something of far greater cultural significance. With the "MQ Silver Tag Dollar," Mque performs an act of artistic alchemy, turning the ordinary into the extraordinary. His choice of a silver marker is deliberate, contrasting the verdant green of the dollar bill and giving the tag a chrome-like sheen that demands attention. The tag, a bold representation of the artist's signature, is both a personal mark and a universal symbol within the graffiti community. It signifies ownership and presence, a graffiti artist's claim over space—even on something as small as a dollar bill. The "MQ Silver Tag Dollar" is a testament to the enduring versatility and adaptability of street pop art and graffiti artwork. It exemplifies how artists like MQ Planet continuously push the boundaries of their craft, finding new ways to engage with audiences and leave an indelible mark on the cultural landscape. Through works like this, MQ Planet leaves his signature on a physical object and imprints his vision onto the very fabric of pop culture.

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Flower Bouquet 87 Original Oil Painting by Peter Keil, is one-of-a-kind artwork on a Masonite Panel by The Wild Man of Berlin,  a famous contemporary artist. 1987 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Flower Vase Bouquet. Peter Keil's "Flower Bouquet '87": A Celebration of Color and Form "Flower Bouquet '87," a remarkable original oil painting by Peter Keil, showcases the signature style of the artist known affectionately as "The Wild Man of Berlin." Created in 1987 and boldly signed, this 24x24 inch painting on a Masonite panel captures Keil's work's vibrancy and dynamic energy. Known for his thick application of paint, Keil's artistry in this piece displays the potential for texture and dimension within the medium of oil paint. Over time, some of this textural paint has flaked, which is common in Keil's work, lending a historical quality to the painting that chronicles its journey through time. The artwork features a vase of flowers, a classic still-life subject, which Keil reinterprets with his unique blend of expressionism and street art flair. In "Flower Bouquet '87," the traditional theme of the still life is revitalized through Keil's lens, which introduces the exuberant aesthetic of Street Pop Art and graffiti Artwork. The painting eschews subtlety in favor of bold, direct presentation, with flowers rendered in a style that borders the abstract. The whimsical shapes and exaggerated colors speak to the influence of pop art, while the freeform line work and vivid hues echo the raw appeal of graffiti. The artwork serves as a bridge, merging the historically distinct worlds of fine art and urban street art, and invites viewers to engage with the work on a visceral level. The Artistic Merit of Keil's Approach Keil's "Flower Bouquet '87" artistic merit lies in its unabashed celebration of color and form. Keil's work defies the constraints of traditional still-life painting, breathing new life into the genre with his innovative approach. Using Masonite as a substrate reinforces Keil's preference for sturdy, reliable materials that can support his vigorous application of oil paint. The Masonite's smooth surface is the perfect canvas for the thick, sculptural layers of paint, which add depth and complexity to the composition. Furthermore, Keil's painting is a testament to the enduring nature of art. The presence of paint flaking reveals the effects of time yet also highlights the intrinsic beauty found in the natural aging of artwork. This aspect of Keil's work is particularly resonant with the ethos of street and pop art, which often embrace the concept of impermanence and the beauty inherent in decay. "Flower Bouquet '87" does not just depict a scene; it tells a story of its existence through its evolving state. Keil's Legacy in the Fusion of Art Genres "Flower Bouquet '87" is emblematic of Peter Keil's legacy in the fusion of art genres. His approach to the still life reflects a more significant trend in contemporary art of breaking down barriers between high and low culture, between the gallery and the street. Keil's work challenges preconceived notions of fine art, pushing the boundaries of expression and medium. With its energetic brushstrokes and striking palette, this painting is a powerful example of Keil's influence on modern art, particularly within Street Pop Art and graffiti Artwork. Keil's contribution to contemporary art is significant in his stylistic choices and his philosophy towards the creation and consumption of art. He democratizes art by bringing the sensibilities of street art into the gallery space, making it accessible and relatable to a broad audience. "Flower Bouquet '87," as a representation of Keil's oeuvre, underscores the artist's ability to capture the viewer's imagination and to convey emotion through the vibrant language of paint. "Flower Bouquet"'87" stands as a '87" statement to Peter Keil's profound and positive contribution to art. Its textured surface, vibrant colors, and dynamic presence offer a fresh perspective on the still-life genre while honoring the traditions of Street Pop Art and graffiti Artwork. Keil's painting continues to enchant and engage audiences; it reaffirms the artist's place as a significant figure in contemporary art, whose work transcends time and continues to inspire dialogue and passion for the arts.

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Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Untitled Canvas I Original of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 The Visual Language of Crash in "Untitled Canvas I" "Untitled Canvas I," an original piece by the renowned graffiti artist John Matos, alias Crash, is a striking example of street pop art and graffiti artwork's capacity to capture the visual lexicon of urban life. This 12x12 inch mixed media acrylic and spray paint painting on gallery-wrapped canvas, created in 2022, is a testament to Crash's enduring influence on the graffiti art scene. As a signed original, it exemplifies the unique blend of meticulous skill and spontaneous expression that defines his body of work. Crash's Exploration of Form and Color The artwork presents a symphony of vibrant colors and abstract forms, each element meticulously layered to create a harmonious composition. Crash's use of spray paint is evident in the soft, atmospheric backgrounds and sharp, angular lines, which give the piece its characteristic graffiti texture and depth. Acrylics add richness and solidity to the forms, highlighting the artist's versatility and range. "Untitled Canvas I" is a vibrant dance of color and shape that speaks to the dynamic energy of the streets from which Crash hails. Intersection of Street Art and Pop Art in Crash's Work "Untitled Canvas I" symbolizes Crash's ability to merge street art's rawness with pop art's bold imagery. This piece, with its compelling use of pop culture motifs and street art techniques, reflects a profound understanding of both genres. Matos's work's fusion of these styles has been pivotal in elevating graffiti art from the streets to the gallery, bridging the gap between disparate artistic realms. John Matos' Contribution to Contemporary Art Through works like "Untitled Canvas I," John Matos has solidified his place as a pioneer in street pop art and graffiti. His contributions have helped to dismantle the barriers between high art and street culture, enabling a dialogue that has enriched the contemporary art discourse. Like many of his creations, this piece is not merely an artifact but a living part of the vibrant and continually evolving narrative of street art. In essence, "Untitled Canvas I" by Crash is more than a piece of art; it is a narrative, a statement, and a celebration of the culture that has shaped John Matos as an artist. It is a vibrant testament to the power of street pop art and graffiti to communicate, challenge, and captivate.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Night Bear's Original Kind Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Nicole Gustafsson. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Night Bear: A Glimpse into the Whimsical World of Nicole Gustafsson The Artistic Journey of Night Bear Nicole Gustafsson's "Night Bear," an original acrylic painting on fine art paper, emerges as a unique piece in street pop and graffiti art genres. Created in 2014, this artwork diverges from the urban grittiness typically associated with street art, inviting the viewer into a more whimsical and storybook-like world. Framed and matted at 8.5 by 8.5 inches with the actual image measuring 3x3 inches, the piece is a treasure trove of intimate craftsmanship. It stands out as an original signed work, bearing the distinct aesthetic that Gustafsson is celebrated for— a fusion of enchanting landscapes and engaging characters that tell a story beyond their contained canvas. The Whimsy of Street Pop Art in Gustafsson's Work In "Night Bear," we witness the convergence of street art's accessibility and pop art's mass appeal with a narrative quality that is deeply personal and illustrative. Gustafsson's work is characterized by her ability to craft vibrant and serene scenes, encapsulating moments that seem to be taken from a dream or a far-off fantasy land. Unlike the often transgressive nature of graffiti, her work leans toward the enchanting and the magical, making it an endearing anomaly in the street pop-art landscape. With its delicate portrayal of a bear and its ghostly companion, this piece conjures a sense of companionship and wonder, themes that resonate with viewers across different backgrounds. The Signature Style of Nicole Gustafsson Nicole Gustafsson's style is a breath of fresh air in street pop art and graffiti artwork, where bold lines and loud messages often dominate. Her approach is subtle yet impactful, drawing in the observer with intricate details and a soft color palette that can turn a small 3x3 image into a portal to another realm. The "Night Bear" is a testament to her skillful brushwork and ability to create depth and texture with acrylics, which lends a tactile quality to the visual narrative. Each stroke is intentional, contributing to the overall harmony of the artwork. Reflection on "Night Bear" and Its Place in Street Pop Art "Night Bear" may seem like a departure from the edgy roots of street pop art and graffiti, but it is a reminder of the spectrum this art form can encompass. Gustafsson's piece offers a playful and poignant narrative, highlighting the versatility of street pop art to adapt and embrace different storytelling methods. This artwork does not shout from the rooftops but instead whispers a tale that draws viewers in, asking them to pause and reflect. It's a quiet yet powerful statement in the bustling world of street art, proving that the genre is not monolithic but rather a mosaic of various artistic expressions.

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Cup & Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size XXX BMW Car Logo on Tall Slim Cup with Paintbrushes in It That Have Been Used With Colorful Paint Statue. Joshua Vides, a renowned name in the street and graffiti art scene, has taken a divergent turn in his creative journey with the unveiling of his latest series titled "Shattered Dreams." This exhibition, which took place in Los Angeles, California, from August 18 to 25, 2023, marked Vides' inaugural venture into an exclusively ceramic-centric realm. A significant piece from this collection, the "Cup & Brushes," serves as a testament to the artist's boundless versatility and keen eye for merging contemporary concepts with traditional mediums. At first glance, the "Cup & Brushes" sculpture is more than a mere ceramic creation; it's a tangible narrative of the artist's transformative journey. Hand-molded and meticulously painted by Vides in his studio, this particular sculpture captivates viewers with its emblematic portrayal of the BMW car logo on a statuesque, slim cup. Nestled within the cup are paintbrushes, each vividly stained with remnants of colorful paint, illustrating the fusion of utility and artistry. The juxtaposition of the revered automotive emblem with the rudimentary tools of a painter not only reiterates the theme of shattered expectations but also challenges the conventions of pop art. Vides' dedication to handcrafting each piece in the "Shattered Dreams" series accentuates the personal touch and authenticity infused in every artwork. This transition from his graffiti roots to ceramics, while retaining the essence of street art, showcases the evolution of an artist who isn’t afraid to shatter boundaries while dreaming big.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Psychedelic Fusion- 03 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

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Bud Heads Original One of a Kind Acrylic Painting Artwork on Marijuana Test Packaging by Popular Street Graffiti Artist Ben Frost. 2021 Signed Original Bevis & Butthead MTV Cartoon Weed Tests Acrylic on At-Home Marijuana Drug Test Box Size: 7.3125 x 5.375 Inches Release: November 26, 2021 Depicting Bevis & Butthead from MTV Cartoon TV Fame on a Real upcycled Marijuana Drug Test Box. Ben Frost, a renowned street graffiti artist, has long been acclaimed for his unique approach to pop art. His ability to infuse contemporary culture with iconic imagery has made his artwork resonate with enthusiasts and critics alike. In 2021, Frost unveiled a piece that is both nostalgic and thought-provoking: an original acrylic painting on a genuine at-home marijuana drug test package. This piece measures 7.3125 x 5.375 inches and was officially released on November 26, 2021. What makes this artwork especially captivating is the portrayal of Beavis & Butthead, the infamous duo from MTV's hit cartoon series. Their caricatured expressions, combined with the thematic context of the drug test, create a satirical commentary on pop culture, substance use, and societal norms. By employing an actual upcycled marijuana drug test box as his canvas, Frost challenges the boundaries between street art and everyday objects, blurring the lines between the mundane and the artistic. Frost's choice of Beavis & Butthead, figures deeply embedded in 90s culture, taps into a sense of nostalgia. Yet, by juxtaposing them with the marijuana drug test, he also prompts a dialogue about changing perceptions of cannabis and its place in popular culture. The artwork serves as a testament to how iconic characters can be reimagined in unexpected contexts, sparking fresh conversations. This piece is emblematic of the transformative power of street and graffiti art. By taking everyday objects and recontextualizing them, artists like Ben Frost challenge societal perceptions and encourage viewers to question the world around them. His "Bud Heads" piece on the marijuana test packaging is not just a tribute to a beloved cartoon duo but a profound commentary on the shifting cultural landscape.

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Bugged Out Original One of a Kind Acrylic Painting Artwork on Marijuana Test Packaging by Popular Street Graffiti Artist Ben Frost. Signed Original Warner Brothers Loony Toons Bugs Bunny Weed Tests Acrylic on At-Home Marijuana Drug Test Box Size: 7.3125 x 5.375 Inches Release: November 26, 2021 Depicting Bugs Bunny from Looney Tunes Cartoon TV Fame on a Real upcycled Marijuana Drug Test Box. Ben Frost's innovative artistry consistently pushes the boundaries of contemporary street and graffiti art. A prime example of this can be found in his "Bugged Out" piece, an original acrylic painting masterfully created on an actual at-home marijuana drug test package. This intriguing artwork measures 7.3125 x 5.375 inches and was unveiled on November 26, 2021. Drawing from the rich pop culture tapestry, Frost chose to depict the iconic Bugs Bunny from Warner Brothers' beloved Looney Tunes series. The mischievous smile and familiar pose of the cartoon rabbit is instantly recognizable, offering a dash of nostalgia. However, it's the contrast of this playful character with the serious undertones of a marijuana drug test that creates a powerful visual and conceptual juxtaposition. This choice stimulates conversation about societal norms, substance use, and the evolving landscape of popular culture. Using an upcycled drug test box as his canvas, Frost challenges the traditional paradigms of art. It speaks to the ethos of street and graffiti art, where unconventional mediums are often embraced to make bold statements. The decision to pair Bugs Bunny with this particular backdrop is not merely aesthetic; it invites viewers to ponder the interplay between recreational substances and the entertainment world and how perceptions change over time. In "Bugged Out", Ben Frost has once again demonstrated his uncanny ability to intertwine cultural icons with contemporary issues, delivering a piece that resonates on multiple levels and solidifying his reputation as a visionary in street art.

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Rich People Shit Original Spray Paint Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Massive Artwork Size 80x100 Small Cute To Right Area "Rich People Shit," an original spray paint painting by Atomik, represents an explosive convergence of pop art, street art, and graffiti art. Atomik, a Miami-based artist known for his vibrant orange, bold visuals and irreverent approach to societal norms, has once again pushed the boundaries with this work. Distinguished by its unflinching commentary on wealth disparity and consumer culture, the painting is awash with Atomik's characteristic bright colors, which serve to highlight its potent message. The title of the work, "Rich People Shit," directly conveys its subject matter. It teases apart the excesses and indulgences of the upper crust, showcasing Atomik's biting satire and his knack for stirring dialogue through his art. The narrative embedded within the painting brings to life the often surreal experiences and commodities associated with immense wealth, boldly questioning the societal structures that uphold such a lifestyle. As an amalgamation of pop art, street art, and graffiti art, "Rich People Shit" exhibits all the crucial elements of these genres. From the populist appeal and familiar imagery of pop art, the gritty spontaneity and defiance of street art, to the unconventional canvas and daring statements of graffiti art - Atomik deftly blends these into a powerful commentary. The artist's prolific use of spray paint not only anchors the piece firmly within the graffiti art tradition but also infuses it with a raw energy that lends an immediacy to its critique. This painting, through its vivid imagery and incisive commentary, has managed to spark a broad conversation about the societal implications of wealth and its distribution. Atomik's "Rich People Shit" remains a significant piece in the contemporary art scene, serving as a bright beacon of subversive thought in the crossroads of pop, street, and graffiti art.

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Tooth For Tooth is an Original Acrylic Painting by RT Vegas, a Kind of Artwork on Canvas Ready to Hang by Street Art Pop Artists. 2010 Signed Acrylic on Stretched Ready to Hang Canvas Painting Original Artwork Size 22.5x16. RT Vegas: A Vibrant Voice in Street Pop Art The original acrylic painting "Tooth For Tooth" by RT Vegas exemplifies street pop art's dynamic and expressive power. Created in 2010, this work is a signature piece by RT Vegas, a street art pop artist known for his bold visuals and thought-provoking imagery. Signed by the artist, this ready-to-hang canvas measures 22.5x16 inches and serves as a compelling piece within the oeuvre of contemporary street art. RT Vegas's approach to art marries the grit of street art with the allure of pop art, resulting in works that are visually arresting and rich in commentary. "Tooth For Tooth" is a canvas awash with striking contrasts, fluid forms, and a haunting anthropomorphic display that captures the eye and engages the mind. Using acrylics allows for vibrant, enduring colors that pop against the canvas, a characteristic that has become a trademark of Vegas's work. The painting is a conversation piece that evokes the raw, unfiltered expression of graffiti and pop art's boldness. RT Vegas has honed a unique visual language that speaks volumes in the public discourse, often bringing to the forefront societal issues and human emotions that resonate with a diverse audience. The artwork's title, "Tooth For Tooth," hints at themes of reciprocity and balance, perhaps alluding to more profound reflections on justice or retribution. Street Art's Evocative Power in RT Vegas's Work RT Vegas's "Tooth For Tooth" is a testament to the artist's ability to communicate complex themes through street pop art. The power of his work lies in its capacity to convey universal and deeply personal messages, utilizing street art's accessibility and pop art's widespread appeal. Vegas's paintings often encapsulate a moment, reflecting the artist's reactions to the world around him. In Thisepiece'spressionistic faces and curved lines create a sense of movement and intensity typical of Vegas's style. The stretched canvas serves as a window into the artist's psyche, distilling the external world into a series of emotional vignettes. Like much of Vegas's work, this painting is not simply a static image but a living entity that communicates with those who encounter it. "Tooth For Tooth" is a compelling example of RT Vegas's commitment to the street pop art genre. His work is a beacon in contemporary art, highlighting the importance of street art and graffiti as valid and vital forms of artistic expression. Through his vivid compositions and engaging subject matter, RT Vegas continues to capture the attention of art lovers and collectors alike, cementing his position as an influential figure in street pop art.

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Man In The Mirro Original Permanent Marker USPS Box End Drawing Art on Cardboard by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 7.5x4.5 Marker Tagged on USPS Priority Mailing Box End.

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ENV Original One of a Kind Mixed Media Spray Paint Painting Artwork on Canvas by Canbot Canz Street Art Pop Culture Artist Czee13. 2022 Signed Original Mixed Media Spray Paint Painting Size 24x20

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Abstraction Pollock Beige Original One of a Kind Oil Painting Artwork on Black Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 18.5x23 Signed Original

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Winona Ryder- Rakugaki 3 126 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. The artwork measures 8.5 x 11 inches.

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Relax Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul is a daring and enigmatic graffiti artist whose unique style and innovative approach have left an indelible mark on the contemporary street art scene. Known for his ability to blend thought-provoking messages with eye-catching visuals, Vandul's work has become synonymous with bold, unapologetic creativity. His dynamic characters and striking color palettes challenge traditional perceptions of graffiti, inviting audiences to question societal norms and reflect on the world around them.

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Arrow Pulse Spring Original Hand-Painted Multiple Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow. I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19

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Life Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Hand Titled Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 "Life In Every Breath" Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Diaspora Rua Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew One Diaspora Rua Original Enamel Acrylic Painting by Askew One is a work of art created by the artist Elliot O'Donnell, also known as Askew One. Born in Auckland, New Zealand, in 1979, Askew One is a self-taught artist who gained prominence in the international street art scene, known for his unique blend of graffiti and contemporary urban art. His works typically showcase vibrant colors, abstract designs, and intricate patterns, and often explore themes related to his Maori and Irish heritage, as well as issues of identity and culture. The Diaspora Rua Original Enamel Acrylic Painting likely continues in this vein, offering a visually stunning and thought-provoking piece.

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A-Z Lettering 9185 Original Spray Painting by Seen UA One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 22x28 The LEtter Z IN Graffiti Bubble Letter Style Blue "A-Z Lettering 9185 Original Spray Paint Painting by Seen UA One of a Kind Artwork on Canvas by Street Art Pop Artist" is a standout piece from the prolific pop street artist Seen UA. Renowned for his contributions to the graffiti and street art scene, Seen UA has uniquely established himself as a pioneer in the evolution of pop art, infusing elements of street art to convey vivid and bold expressions. His career spans several decades; his work continues to shape and influence a diverse audience. The A-Z Lettering 9185 is an original artwork on canvas, created using spray paint, Seen UA's medium of choice. This choice of medium is a tribute to the artist's roots in the gritty, energetic world of urban graffiti, a realm where spray paint reigns supreme. The application of spray paint lends a distinct texture to the artwork, with layers of color creating a stunning visual depth. These layers embody the raw energy and vibrancy of street art, transported to a canvas context that enables viewers to appreciate the subtleties of graffiti art in a gallery setting. Focusing on the letter Z, the final letter of the alphabet, the artwork adopts the artist's trademark graffiti bubble letter style. This choice might be viewed as a comment on the ending or culmination of a series, theme, or concept. The letter Z stands proudly in the composition, represented in a striking shade of blue. The choice of color adds a sense of calm and depth to the artwork, juxtaposing the traditionally rebellious connotations of graffiti art with a soothing tone. This bold blue hue, combined with the intricate layers of spray paint, results in a dynamic visual display that is quintessentially Seen UA. Signed and dated 2023, the artwork measures 22x28 inches. Its compact size allows for an intimate viewing experience, fostering a personal connection between the viewer and the artwork. By transitioning his graffiti art from the vast, expansive walls of city streets to the confined borders of a canvas, Seen UA challenges the boundaries between high art and street culture. This shift reflects a broader movement in contemporary art where street art has been increasingly accepted and celebrated within fine art. The A-Z Lettering 9185 is not merely a showcase of Seen UA's exceptional skill and creativity in spray paint. It is a testament to the artist's continuous exploration of lettering styles, colors, and textures, as well as the evolution of graffiti from a form of rebellious expression to a respected form of contemporary art. As a unique and original piece, it encapsulates Seen UA's innovative spirit and commitment to pushing the boundaries of street art, pop art, and everything in between.

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Thriller Original Painting Acrylic, House Paint & Aerosol on Cradled Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2015 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 24x36 The Artistic Fusion of Shark Toof's 'Thriller' "Thriller," an original painting by Shark Toof, is a dynamic foray into graffiti street art and modern pop art. Crafted in 2015, this mixed media artwork—acrylic, house paint, and aerosol on cradled wood—displays Shark Toof's signature blend of street influence and acceptable art discipline. The piece, measuring 24x36 inches, is signed by the artist, providing authenticity to this vibrant representation of his multifaceted style. Shark Toof, recognized for his powerful visual statements in the street art community, brings his graffiti roots to the forefront in this piece. His work is not confined to the traditional expectations of pop art; instead, it ventures into a realm where iconoclasm meets iconography. In "Thriller," the influence of street art is palpable, with the raw energy of graffiti translating into a structured yet spirited composition on wood. Shark Toof's approach to his work reflects a conscious decision to merge his established voice with a playful irreverence, challenging the viewer to consider the icons of our time and their mutable significance. The artwork encapsulates Shark Toof's philosophy that art should not always be taken too seriously, suggesting that there is power in subverting one's creations. This notion of 'vandalizing' one's icons is a commentary on the impermanence of fame and the fluidity of cultural symbols in our society. This blend of introspection and external commentary positions "Thriller" within a unique space in contemporary art. Shark Toof and the Do-It-Yourself Ethos of Street Art Shark Toof's preference for Detroit as a backdrop for his creative process tells of his affinity for the do-it-yourself, or DIY, ethos often associated with street art. His connection to the city, known for its prosperous industry and innovation history, mirrors his artistic journey. In Detroit, a city that has experienced grandeur and grit, Shark Toof finds a kindred spirit—a landscape that is both a canvas and a catalyst for creativity. "Thriller" embodies this DIY spirit not only in its creation but also in its presentation. Using cradled wood as a substrate is a nod to the makeshift surfaces often employed in street art, where any space or material can become the foundation for expression. Shark Toof's choice of materials—house paint and aerosol—further echoes the vernacular of street art, where the medium's immediacy matches the message's urgency. Shark Toof's "Thriller" celebrates the evolving narrative of street pop art and graffiti artwork. His work is a testament to street art's power to transcend its urban origins and find resonance in a gallery setting. Through his bold use of color, form, and medium, Shark Toof continues challenging and redefining what it means to be a street artist in the contemporary art world. His work is a dialogue with the viewer, an invitation to explore the deeper meanings behind the images we see and the icons we create.

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Diaspora Ono Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew Elliot O'Donnell, famously known as Askew One, is a self-taught artist born in Auckland, New Zealand in 1979. He has gained worldwide recognition in the street art community for his exceptional blend of graffiti and contemporary urban art. Askew One's pieces feature vivid colors, abstract designs, and complex patterns that delve into topics related to his Irish and Maori roots, as well as identity and culture. One of his stunning works of art is the Diaspora Ono Original Enamel Acrylic Painting. This visually striking piece is abstract, exploring the same themes as his other works. With a blend of graffiti and contemporary urban art styles, Askew One's Diaspora Ono Original Enamel Acrylic Painting is a must-see for any art enthusiast.

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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Josh Has Dysentery Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist J-Flood. 2010 Original Painting Signed in Verso 24x10 Some light hairline cracking

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East 149th St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: September 02, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Friends Teal Red Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 220gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2023 Signed Mixed Media Spray Paint Stencil Painting Artwork Size 27.56x19.68 The artistic creations of El Pez are defined by their striking, lively hues and lighthearted, upbeat themes. He often incorporates his trademark grinning fish into his pieces, alongside an array of other characters such as felines, birds, and assorted anthropomorphic beings. El Pez's signature fish can be found adorning walls and surfaces across the globe in cities like Barcelona, Miami, London, Paris, and beyond. This recurring emblem embodies the essence of life's simple pleasures and happiness, which is the message El Pez endeavors to convey through his art. A leading presence in the urban art and graffiti world, El Pez has taken part in numerous festivals and art events, and his creations have been displayed in galleries worldwide. Collaborating with other renowned street artists, El Pez is regarded as a pivotal figure in the realm of contemporary street art.

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Tanuki Fighter Original One of a Kind Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Nicole Gustafsson. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Nicole Gustafsson's Artistic Vision Gustafsson's work, including "Tanuki Fighter," is often marked by an infusion of vibrant colors and imaginative elements that speak to the innocence of childhood fantasies and the complex narratives in urban street art. Her technique involves using acrylics—a medium known for its bright, opaque colors and quick drying times—allowing for the dynamic and layered compositions that have become her signature. The "Tanuki Fighter" is a testament to her skill in manipulating this medium, resulting in a visual spectacle that is as much a fine art piece as an emblem of pop culture. The "Tanuki Fighter" is an original acrylic painting on fine art paper by Nicole Gustafsson, whose work has significantly influenced street pop art and graffiti artwork. This particular piece, created in 2014, is a quintessential example of Gustafsson's unique aesthetic, which merges the whimsy of pop art with the raw edge of street art, creating a distinctive and recognizable oeuvre that has captivated a global audience. Depiction and Symbolism The painting depicts a tanuki, a creature often found in Japanese folklore, known for its mischievous spirit and shapeshifting abilities. Gustafsson has given this mythical creature a contemporary twist, portraying it as a fighter with a determined expression and a fighting stance. The choice of a tanuki as the subject matter is a nod to the playful and often fantastical themes prevalent in street pop art while also embodying graffiti artwork's transformative and rebellious spirit. The tanuki is presented in a simplistic yet expressive style, with attention to the textural details that give the character a lifelike presence. Its pose and attire are reminiscent of a sumo wrestler, adding a layer of cultural reference and humor to the piece. Using a monochromatic color scheme for the tanuki against a contrasting vibrant green background emphasizes the figure, drawing the viewer's eye directly to the subject. Composition and Framing "Tanuki Fighter" is not just notable for its subject and style but also for its presentation. The original image, measuring 3x3 inches, is custom framed and matted to an overall size of 8.5x8.5 inches. This deliberate framing choice highlights the artwork's intimacy and intricacy. The piece's scale, when paired with the boldness of its content, plays with the viewer's perception, demanding a closer look and personal engagement with the work. The framing choice also speaks to Gustafsson's understanding of her artwork's role as standalone pieces and as part of a larger narrative in someone's living space. A framed piece of art carries a different weight and presence compared to unframed street art, and "Tanuki Fighter" bridges these two worlds, bringing the raw energy of street art into the curated environment of home galleries. Cultural Impact and Collectibility As an original piece by a famous street graffiti artist, "Tanuki Fighter" holds significant value for collectors and enthusiasts of street pop art. Original works represent a tangible connection to the artist's vision and narrative, offering an authentic slice of the culture and era that produced it. Moreover, the piece's status as a one-of-a-kind artwork elevates its desirability, making it a sought-after item for those looking to own a piece of contemporary art history. The work's uniqueness is further solidified by Gustafsson's hand in its creation, with the artist signing the piece. This assures its authenticity and marks it as an integral part of Gustafsson's artistic journey. Collectors of such pieces often view them as investments, not just in financial terms but also as cultural artifacts that capture the essence of a particular artistic movement or style. In summary, Nicole Gustafsson's "Tanuki Fighter" embodies the playful spirit and cultural blending that defines street pop art and graffiti artwork. Its clever use of folklore, combined with a modern aesthetic and presentation, makes it a standout piece that captures the imagination and reflects the evolving nature of contemporary art. As an original, signed, custom-framed piece, it holds a special place within Gustafsson's body of work and the broader context of street-inspired art.

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