Painting Original Artwork

2 artworks


  • New $100 Bill Drizzle Original Oil Painting by Steve Kaufman SAK New $100 Bill Drizzle Original Oil Painting by Steve Kaufman SAK

    Steve Kaufman SAK New $100 Bill Drizzle Original Oil Painting by Steve Kaufman SAK

    New $100 Bill Drizzle Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 1998 SAK Signed Canvas Original One Hundred Dollar Bill. STEVE KAUFMAN. For sale: "100 dollar bill" is a painting with the originality of the artist, this is a RARE work of art - TOTALLY by the late great assistant of Andy Warhol - STEVE KAUFMAN! They are rare and highly collectible. Absolutely beautiful! Size: 23.8 x 14.3 inches.

    $3,527.00

  • Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Add Fuel Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.

    $8,331.00

Painting Original Artwork
Graffiti is an art form that originated on the streets and has gained recognition as a legitimate form of artistic expression. Graffiti artists use various materials and mediums to create their works, including spray paint, markers, and stickers. While graffiti is often associated with the urban environment and public spaces, it has also made its way into galleries and museums as fine art. Both canvas and fine art paper are great options for displaying graffiti art, and the choice ultimately depends on the artist's preference and the desired effect of the artwork. Canvas may be preferred for larger, more expressive works, while fine art paper may be better suited for detailed or intricate designs. Graffiti paintings on canvas and fine art paper are two popular mediums for displaying graffiti art. Graffiti paintings on canvas typically involve using spray paint and other materials to create an image on a canvas surface. The canvas provides a durable and long-lasting surface for the artwork and can be easily stretched and framed for display. Fine art paper, on the other hand, is a high-quality paper designed for printing fine art prints. Graffiti artists can create digital designs that are then printed onto the paper, resulting in a high-quality print that can be framed and displayed like traditional art. Nowadays, graffiti art has found its way into the world of more traditional disciplines too, such as painting. In this case, it is not uncommon that the artwork is based on the same techniques and resources as traditional graffiti. As a result, the use of typical spray paint can be used in creating graffiti paintings as well. Nonetheless, it is, also, possible that artists use other kinds of resources, more usually found inside art studios, such as pens, watercolors, oil paint e.tc, which are not conventionally utilized for the creation of works on the streets. Simultaneously, graffiti in the form of paintings, digital or handmade, allows the artists to take their time and focus on the creative process, especially taking into consideration the legal consequences of creating on public sites. Thus, frequently both the preparatory process and the potential exhibition of the painting works can be made indoors, making apparent how much graffiti has evolved over the decades. Finally, graffiti in the form of paintings seems to last longer in comparison with art on the streets, where local authorities tend to clean or cover up numerous pieces due to their illegal status. On the other hand, exactly due to their creation behind closed doors, such pieces tend to win less visibility since they are not exposed to the public on an everyday basis. Graffiti emerged in the US during the late 1960s, and, naturally, almost 50 years later, this art has gone through many stages of reformation. Aspects of the creative process, such as the materials in use and the techniques, have evolved tremendously, as well as the perception of graffiti as a respectable form of art.  On top of that, the former “writers” or “taggers” are now referred to as artists, a development that arose with the evergrowing institutionalization and commercialization of graffiti. Needless to say, graffiti has never ceased to exist in public sight and, with time, authorities all over the world have come to accept to a certain extent the presence of it inside the city web. As a result, the legal status of “writing” has enabled artists to experiment more freely with new materials and techniques, a development that has emerged especially during the past decade. Painting Original Artwork & Painting Original Artwork Graffiti Street Pop Art

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