Painting Original Artwork

2 artworks


  • No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo

    No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

    $7,000.00

  • Enjoy Original Stencil Spray Paint Painting by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Enjoy Original Stencil Spray Paint Painting by Denial- Daniel Bombardier

    Enjoy Mixed Media On Cradled Wood Panel Original Painting by Denial Graffiti Street Artist Modern Pop Art. Ready To hang. "Recently this piece was not allowed into a show I had wanted it to be in. In Dubai, they have strict rules on obscenity and vulgarity. I had been wanting to paint this piece for a long time and was looking for just the right image to use as a base in it. I finally found it amongst the bowels of the internet. This painting is a visualization of an amazing Bill Hicks joke from his stand-up routine. In his stand up Bill goes into great detail about the evils of advertising when left unchallenged and unchecked. He imagines and describes an ad in the not-so-distant future that one day may exist. This painting is of that ad. Bill Hicks was a fucking genius and I only hope I did his work the justice it deserves. He was so inspirational in forming my current mindset, a true artist and rebel. I take inspiration from different artists in different ways. I like to visualize things like songs or speech or comedy and play with the different elements I come up with. I have a very playful mind." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $9,954.00

Painting Original Artwork
Graffiti is an art form that originated on the streets and has gained recognition as a legitimate form of artistic expression. Graffiti artists use various materials and mediums to create their works, including spray paint, markers, and stickers. While graffiti is often associated with the urban environment and public spaces, it has also made its way into galleries and museums as fine art. Both canvas and fine art paper are great options for displaying graffiti art, and the choice ultimately depends on the artist's preference and the desired effect of the artwork. Canvas may be preferred for larger, more expressive works, while fine art paper may be better suited for detailed or intricate designs. Graffiti paintings on canvas and fine art paper are two popular mediums for displaying graffiti art. Graffiti paintings on canvas typically involve using spray paint and other materials to create an image on a canvas surface. The canvas provides a durable and long-lasting surface for the artwork and can be easily stretched and framed for display. Fine art paper, on the other hand, is a high-quality paper designed for printing fine art prints. Graffiti artists can create digital designs that are then printed onto the paper, resulting in a high-quality print that can be framed and displayed like traditional art. Nowadays, graffiti art has found its way into the world of more traditional disciplines too, such as painting. In this case, it is not uncommon that the artwork is based on the same techniques and resources as traditional graffiti. As a result, the use of typical spray paint can be used in creating graffiti paintings as well. Nonetheless, it is, also, possible that artists use other kinds of resources, more usually found inside art studios, such as pens, watercolors, oil paint e.tc, which are not conventionally utilized for the creation of works on the streets. Simultaneously, graffiti in the form of paintings, digital or handmade, allows the artists to take their time and focus on the creative process, especially taking into consideration the legal consequences of creating on public sites. Thus, frequently both the preparatory process and the potential exhibition of the painting works can be made indoors, making apparent how much graffiti has evolved over the decades. Finally, graffiti in the form of paintings seems to last longer in comparison with art on the streets, where local authorities tend to clean or cover up numerous pieces due to their illegal status. On the other hand, exactly due to their creation behind closed doors, such pieces tend to win less visibility since they are not exposed to the public on an everyday basis. Graffiti emerged in the US during the late 1960s, and, naturally, almost 50 years later, this art has gone through many stages of reformation. Aspects of the creative process, such as the materials in use and the techniques, have evolved tremendously, as well as the perception of graffiti as a respectable form of art.  On top of that, the former “writers” or “taggers” are now referred to as artists, a development that arose with the evergrowing institutionalization and commercialization of graffiti. Needless to say, graffiti has never ceased to exist in public sight and, with time, authorities all over the world have come to accept to a certain extent the presence of it inside the city web. As a result, the legal status of “writing” has enabled artists to experiment more freely with new materials and techniques, a development that has emerged especially during the past decade. Painting Original Artwork & Painting Original Artwork Graffiti Street Pop Art

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