Lil Helpers Pretty N Kink Janky SuperPlastic Art Toy by Guggimon Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist. 2022 Limited Run of 2000 SuperJanky Janky Superplastic Vinyl Art Toy Artwork Size 6x15 New In Box

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Origin of Species Evolution Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Gold Tooth Skull Flower Original Pink Purple Marker Drawing by Tara McPherson on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 9x11.5 of a Skull Flower with Gold Tooth "Gold Tooth Skull Flower," an original marker drawing by Tara McPherson, is a striking example of modern street pop artwork that blends the macabre with the delightful. Created in 2006, this signed piece, measuring 9x11.5 inches, illustrates a skull flower characterized by a single gold tooth—a symbolic feature that offers a glimpse into McPherson's unique artistic universe. Rendered in pink and purple marker on card stock paper, the drawing exemplifies McPherson's approach to her subjects, which often intertwines themes of the surreal with human emotions. The skull, a symbol frequently associated with mortality and the transience of life, is given a new lease on life by transforming it into a flower—a representation of growth, beauty, and renewal. The gold tooth adds a playful twist to the otherwise sad symbol of the skull, injecting humor and lightness into the piece. This juxtaposition is a common thread in McPherson's work, where she seamlessly merges contrasting themes to create artwork that is both thought-provoking and accessible. This work stands out in street pop art for its distinctive style and the engaging way it invites viewers to reinterpret familiar symbols. McPherson's art often graces both the walls of city streets and the halls of galleries, reflecting the growing acceptance and appreciation of street art within the broader art community. In "Gold Tooth Skull Flower," McPherson continues to explore the endless possibilities of simple materials such as magic markers, proving that impactful art is not confined to traditional mediums or methods. Her work remains a celebrated part of the street pop art movement, known for its ability to challenge perceptions and delight audiences with its whimsical take on the everyday.

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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Sleight of Hand Archival Print by Sarah Joncas Limited Edition on Hand Deckled 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 40 Artwork Size 16x20 Archival Pigment Fine Art Head & Face of a Strawberry Blond Young Woman With Smoke Coming From A Crack In Her Neck The creative expanse of the contemporary art world, where artists continually break boundaries and redefine genres. Among the most compelling creators in this diverse field is Sarah Joncas, an artist renowned for her unique fusion of pop, street, and graffiti art. Noteworthy among her collection is the highly sought-after "Sleight of Hand," now available in a limited edition archival print. Executed with profound depth and an extraordinary palette, "Sleight of Hand" embodies Joncas's ability to delve into the metaphysical realm while staying true to her roots in pop and street art. The limited edition archival print is thoughtfully produced on 290gsm Moab Entrada Fine Art Paper, offering a depth and texture that not only enhances the viewer's visual experience but also pays homage to the traditional mediums of the art world. The work is set in a convenient 16x20 format, making it an ideal choice for art lovers seeking to add a touch of contemporary intrigue to their collection. "Sleight of Hand" presents the viewer with a striking portrayal of a strawberry blond young woman, her gaze intense and mysterious. The artwork's power resides not only in the depicted persona but also in the puzzling phenomenon happening at her neck. Wisps of smoke seep from a crack, an uncanny yet riveting detail that stirs curiosity. Joncas skilfully captures this element of surrealism, adding an additional layer to her work. This narrative-rich detail not only intrigues but also challenges viewers to consider potential metaphors and interpretations. Joncas's work taps into the realm of pop art through the bold and graphic portrayal of her subject, echoing the genre's characteristic blend of high and low culture. The bright hues of the woman's hair and the pronounced features are reminiscent of pop art's emphasis on popular imagery and color. Yet, this piece also evokes a certain rawness and authenticity associated with street and graffiti art. Joncas's background in these art forms is evident in her work's fearless expressiveness and in the urban and gritty atmosphere that permeates her pieces. It's this distinct merging of styles that sets Joncas apart in the contemporary art world, with her work resonating with a diverse audience. Exuding an aura of modernity, "Sleight of Hand" embodies Joncas's signature style of encapsulating the female form and modern culture within a surreal landscape. The piece is from a limited edition of 40, each signed and numbered by the artist, enhancing its appeal to art collectors and enthusiasts. Every print ensures a high-quality reproduction of the original artwork through the use of archival pigment fine art, preserving the vibrancy of the colors and the depth of the textures. In the realm of modern art, Sarah Joncas is a force to be reckoned with. Her talent for seamlessly integrating pop, graffiti, and street art elements has resulted in a unique artistic signature, and "Sleight of Hand" is a perfect exemplification of her prowess. This limited edition archival print provides art lovers an opportunity to own a piece of Joncas's imaginative world, a testament to the limitless possibilities of contemporary art.

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Flower Child Dayglow Paint HPM Archival Print by Glenn Arthur Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Day Glow Blacklight Paint Print Limited Edition of 20 Artwork Size 14x18 Archival Pigment Fine Art Glenn Arthur is a contemporary artist known for his exquisite and intricate mixed media artworks. He first gained recognition in the art world through his unique approach to portraiture, blending realistic depictions of human subjects with surreal and imaginative elements. In recent years, Glenn Arthur has also made a name for himself in the world of graffiti art prints and street art prints. Glenn Arthur's graffiti art prints and street art prints showcase his mastery of blending different mediums, including spray paint, stencils, and digital imagery. His work often features vibrant colors and bold imagery that convey a powerful message. He frequently explores themes of identity, gender, and social justice in his artwork, making his pieces both visually stunning and socially relevant.

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Soak Up Art When You Can CYMK PP Silkscreen Print by Kunstrasen Printers Proof Hand-Pulled 6-Color on 300gsm Somerset Fine Art Paper Limited Edition Artwork. PP Printers Proof 2018 Signed & Marked P/P Limited Edition Artwork Size 19.68x27.56 Silkscreen Print. The "Soak Up Art When You Can CYMK PP" is a thought-provoking silkscreen print by Kunstrasen, whose work fluidly combines the aesthetics of Street Pop Art and Graffiti Artwork. Created in 2018, this piece is a Printers Proof (P/P), indicating it is one of the unique copies typically reserved for the artist's approval before the final edition is run. This status often makes the P/P prints more desirable due to their rarity and role in printmaking. The artwork is hand-pulled, a traditional technique that ensures each print has a unique touch, and it features a vibrant 6-color palette on 300gsm Somerset fine art paper, known for its superior quality and texture, enhancing the visual depth of the print. Kunstrasen's choice of the CMYK color model, a cornerstone of printing technology, cleverly bridges the technical world of printmaking with the visceral experience of viewing art. The dimensions of the piece, 19.68x27.56 inches, offer a substantial canvas for the artist's vision, where the striking interplay of color blocks and the depicted figure invites contemplation on the role of art in public and personal spaces. With its significant name "Soak Up Art When You Can," this print serves as both a manifesto and a reflection on the ephemeral nature of street art and the importance of engaging with art in all its forms. The work is both a literal and metaphorical splash of color against the structured backdrop of CMYK, suggesting the transformative power of art to disrupt and animate the routine patterns of life. The silhouette of the figure against the bold splashes of paint is reminiscent of graffiti's spontaneous nature, while the structured composition speaks to the calculated precision of pop art. Kunstrasen's work often resides in this dual nature, navigating the nuances between planned artifice and impulsive creativity. For enthusiasts and collectors, owning a piece like "Soak Up Art When You Can CYMK PP" means holding a snapshot of the artist's critical engagement with the world. This piece symbolizes the ongoing dialogue between the street and the gallery.

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They are looking Up a Round Silkscreen by Buff Monster Hand-Pulled 3-color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 200 Artwork Size 12 Round "This edition features a happy melty head looking up, a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster. Signature Elements in Buff Monster's Artwork Buff Monster's "Looking Up Round Silkscreen" vividly represents the artist's iconic aesthetic, a harmonious blend of Street Pop Art and graffiti Artwork that has become instantly recognizable to fans and collectors alike. Known for his bright, optimistic color palette and characters that exude a sense of joy, Buff Monster's work is a staple in modern pop and street art. The limited edition hand-pulled screen print is a testament to Buff Monster's mastery over color and form. Featuring a "happy melty head" that gazes upwards, the artwork encapsulates a sense of hope and upward aspiration. This character, set against a backdrop of pixilated spray paint splatter, showcases Buff Monster's unique ability to blend digital and traditional techniques. The pixelation effect adds a contemporary touch and nods to the artist's roots in street art, where the urban environment often serves as a canvas and inspiration. The limited run of 200 pieces signifies the exclusivity and collectibility of Buff Monster's work. Each piece, numbered and signed by the artist, is a slice of the larger narrative that Buff Monster weaves through his career. The artist's commitment to street pop art and graffiti Art is evident in how he maintains a consistent theme across his body of work while still pushing the boundaries of the medium. His work is not merely a visual treat but also a commentary on the joyful aspects of life, inviting viewers to interpret the world through a lens of playful optimism. Cultural Relevance and Collectibility With the year 2022 marking its creation, the "Looking Up Round Silkscreen" stands as a cultural marker, reflecting the artistic zeitgeist of the time. Collectors and enthusiasts of Buff Monster's work recognize the intrinsic value of such pieces, which go beyond their aesthetic appeal to embody a moment in the timeline of street art's evolution. With its round format and bold color scheme, this artwork challenges the conventional rectangular canvases, further cementing Buff Monster's reputation as an innovator within the art community. Buff Monster's choice of materials and techniques is deliberate, with the circle of fine art paper serving as a non-traditional canvas that complements the unconventional nature of his subjects. His three-color screen print process is both an homage to traditional printmaking and a showcase of his technical skill. By hand-pulling each print, Buff Monster ensures that every piece is imbued with a human touch, a stark contrast to the often impersonal nature of mass-produced art. Artist's Vision and Expression Buff Monster's vision is clearly articulated through this edition. His work does not shy away from expressing blatant optimism, an increasingly valuable characteristic in contemporary art discourse. The happy, melty head, looking up, serves as a beacon of positivity, a visual metaphor for looking towards brighter days. The artist's signature color scheme, dominated by vibrant shades of pink, is not merely a stylistic choice but also a brand identifier that has garnered him a global following. The "Looking Up Round Silkscreen" by Buff Monster is more than just a piece of art; it celebrates the intersection of joy, color, and urban culture. It is a vibrant example of how Street Pop Art and graffiti Artwork can challenge the status quo, engage viewers, and leave an indelible mark on the canvas of contemporary art.

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Rise Against the System- Pink 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Pink" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of a Pink palette not only draws the eye but also may represent the idea of 'going Pink' or womanhood consciousness, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Pink" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Pop Sub Final #2 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Baizley Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #2 by John Baizley: A Vivid Collision of Decay and Desire Pop Sub Final #2 is a hand-pulled silkscreen print created by American artist John Baizley and released in 2014 as part of a numbered limited edition of 100. Measuring 12x12 inches and executed in four striking colors, the artwork combines the aesthetics of horror, iconography, and surrealism with the visual punch of Street Pop Art & Graffiti Artwork. The central image is a fusion of a bright violet apple and a human skull, masterfully rendered with intricate linework and surreal anatomical blending. Floating against a golden yellow background, the apple-skull hybrid pulses with visual tension—temptation and mortality locked in a single symbolic form. The work is immediately engaging and powerfully disturbing, pushing pop symbolism into darker terrain without sacrificing design clarity or impact. John Baizley: Musician and Street Pop Visionary John Baizley is a multidisciplinary creative based in the United States, widely recognized as the frontman and visual artist for the band Baroness. His contributions to the visual arts often explore themes of life, death, beauty, and corruption, all channeled through a precise illustrative style. Baizley’s artworks consistently merge symbolic storytelling with gothic sensibilities, positioning him uniquely in the Street Pop Art & Graffiti Artwork movement. His pieces feel both ancient and modern—referencing religious iconography, botanical studies, and comic book panels—while embracing the raw, bold aesthetics of silkscreen street prints. Pop Sub Final #2 is a clear extension of his visual ethos: detailed, emotionally evocative, and unafraid of confronting the darker truths hidden beneath seductive imagery. The Apple and Skull: A Pop Street Paradox This print centers on a singular image—a fruit with a skull embedded within its flesh. The apple’s familiar shape recalls cultural references to temptation, sin, and forbidden knowledge, while the embedded skull disrupts that familiarity with a message of inevitability and rot. The surreal juxtaposition evokes themes of consumption and consequence, presented with enough vibrancy to seduce before shocking. In the context of Street Pop Art & Graffiti Artwork, this visual strategy is essential. It lures with surface aesthetics but delivers substance through contradiction and discomfort. The use of bold pinks and golds, as well as the high-contrast rendering style, makes the image feel like it belongs on a wall, a poster, or a protest—alive in public, not locked in a gallery. Limited Print as Cultural Emblem Produced in a strictly limited edition of 100, Pop Sub Final #2 reinforces the handmade authenticity that defines effective street pop art. Each 12x12 print was screenprinted by hand, giving the work a tactile, material presence that mirrors the grit and immediacy of its subject. Unlike digital reproductions, this piece carries the imperfections and textures of the printing process, reinforcing the physicality of the art form. Baizley’s contribution to the Pop Sub series is not just an exercise in visual storytelling, but a testament to the role of contemporary printmakers in pushing graffiti and street aesthetics into layered, fine-art territories. This piece reminds the viewer that street pop can be both seductive and scathing, decorative and deadly.

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Good Morning Starshine Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Pink Party Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Art Pop Culture Artist Serge Gay Jr. 2011 Signed Original Acrylic Painting Size 40x30 Ready To Hang On Stretched Canvas Serge Gay Jr.'s "Pink Party": A Vibrant Fusion of Pop Culture and Fine Art "Pink Party," an original acrylic painting on stretched canvas by the acclaimed pop culture artist Serge Gay Jr., is a striking embodiment of the fusion between the worlds of high art and popular culture. This 2011 signed original artwork, measuring 40x30 inches, exemplifies Gay's ability to capture the zeitgeist of his era through a vibrant tableau that is at once playful, provocative, and poignant. The painting, ready to hang and enjoy, offers a window into the artist's vision where the lines between street art, pop art, and graffiti blur, creating a narrative that resonates on both an aesthetic and conceptual level. The artwork's visual lexicon is rich with symbolism and iconography, characteristic of Gay's style, which often weaves together elements of street pop art and graffiti artwork. "Pink Party" is no exception, with its bold colors, dynamic composition, and juxtaposition of imagery that speaks to the societal narratives and pop culture references. The painting's scene is a carnival of motifs that engage with themes of identity, celebration, and the undercurrents of social commentary, inviting viewers into a dialogue with the piece that goes beyond its surface beauty. Exploring the Layers in Serge Gay Jr.'s Artistic Expression The layers of meaning in Serge Gay Jr.'s "Pink Party" are a testament to the depth of his artistic expression. Each element within the canvas works in concert with the others to create a cohesive narrative that is both deeply personal and universally relevant. Gay's work often touches on the intersectionality of identity, culture, and the vibrant energy of urban life, and this painting is a celebration of those themes, presented with the flair and finesse that only a master of his craft can achieve. Gay's approach to pop culture is nuanced and layered, often reflecting on the past while commenting on the present. The imagery in "Pink Party" draws from a broad palette of cultural references, from music and fashion to social movements and everyday life. His ability to distill these elements into a single, harmonious composition is a hallmark of his work, making each piece a complex conversation starter. The use of acrylic paint adds a tangible texture to the work, emphasizing the physicality of the street art influence in his practice. The Cultural Relevance of "Pink Party" in the Artistic Landscape "Pink Party" holds a place of cultural relevance in the contemporary artistic landscape. It is reflective of a time when the boundaries between different art forms are increasingly porous, and the influence of pop culture on traditional art practices is undeniable. Serge Gay Jr.'s work is situated at the heart of this cultural shift, using the canvas to explore and explode the conventions of what fine art can be. This original piece by Gay not only exemplifies his skill as a painter but also his insight as a cultural commentator. Through his art, Gay captures the spirit of the times, embodying the energy, challenges, and triumphs of modern society. "Pink Party," with its captivating visual narrative and layered meanings, continues to resonate with audiences, securing its place as a significant work in the canon of 21st-century pop art. In the broader context of Street Pop Art & Graffiti Artwork, "Pink Party" represents the evolving nature of these genres, showcasing how they can transition from the walls of the city to the walls of a gallery without losing their impact or authenticity. The painting is a celebration of the street art ethos — accessible, engaging, and unapologetically bold. Serge Gay Jr.'s ability to bridge the gap between these worlds with such fluency is a testament to his role as a leading figure in the contemporary art scene. As a unique art object, "Pink Party" is not only a visual feast but also a piece of history, capturing the essence of an era where art is increasingly becoming a vehicle for social change and personal expression. It stands as a beacon of the creative possibilities that arise when the street meets the studio, and the result is a work that is as thought-provoking as it is beautiful.

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Spectrum Keep Watch Rug Limited Edition Designer Art Object Collectible Artwork by Punk Artists Mishka NYC- МИШКА. 2021 Limited Edition 35x35 Spectrum Keep Watch Rug Art Object by Mishka NYC- МИШКА. Gently Used In Great Condition. The Spectrum Keep Watch Rug by Mishka NYC In the landscape of contemporary design where punk ethos meets plush comfort, the Spectrum Keep Watch Rug by Mishka NYC stands as a bold statement. Released as a limited edition in 2021, this art object bridges the gap between practicality and punk-inspired art, bringing a vibrant burst of street pop art into private spaces. A Vibrant Addition to Mishka NYC's Artistic Arsenal Mishka NYC's Spectrum Keep Watch Rug is a testament to the brand's commitment to artistry that transcends conventional fashion. Measuring 35x35 inches, this rug features the iconic 'Keep Watch' eyeball motif, reimagined in a spectrum of vivid colors that radiate outward. This piece is more than just a functional rug; it's a designer art object that encapsulates the spirit of Mishka's street art origins. The craftsmanship of the rug—with its finished stitched edge—ensures durability, while its soft and fluffy texture invites touch, offering an interactive experience often absent in traditional artwork. The result is a collectible that is not only visually captivating but also withstands the test of time and use. Integrating Street Art into Everyday Living The Keep Watch eye has been a recurring symbol in Mishka NYC's visual language, representing a vigilant gaze that is ever-present in the brand's narrative. With the Spectrum Keep Watch Rug, this symbol is transformed into a rainbow-hued spectacle, embodying the dynamism and diversity inherent in street pop art and graffiti artwork. It's a piece that demands attention, whether placed in a living room, office, or 'dungeon' as the brand playfully suggests. By blending the subversive qualities of graffiti art with the color play of pop art, Mishka NYC elevates the humble rug to an expression of individuality. It's a declaration that art is not confined to walls or galleries but is a part of the everyday fabric of life. The Spectrum Keep Watch Rug by Mishka NYC exemplifies how punk art continues to influence and infiltrate various aspects of consumer culture, from clothing to home decor. It is a celebration of the brand's roots in the streets of New York and its evolution into a multifaceted artistic force. As a limited edition piece, it not only adds aesthetic value to any space but also stands as a collectible artwork that captures the zeitgeist of street-inspired artistry.

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Critical Condition 4-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb French Speckletone Paper by Al Diaz x Dave Navarro x Lifeafterdeath Rare Street Art Famous Pop Artwork Artist. 2019 Al Diaz and lifeafterdeath "Critical Condition" - 4 Color Screen Print, Limited Edition of 25 - 19 x 25" Critical Condition • 4 layer hand-pulled screenprint on French Speckletone 100 lb paper• 19 x 25 inches Hand-signed and numbered by artists Al Díaz and Dave Navarro in a limited edition of 25 "Distortion Skull" ink stamping on verso hand-applied by Dave Navarro Hand-produced in Albany, NY by Pepper Spray Press NYC

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Diamond FAILEdoodle- Black/Black 2-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Spraypaint, Silkscreen Ink and Glitter Print on Archival Lenox Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2022 Diamond FAILEdoodle: Black/Black 19 x 25 Inches Each variant an edition of 25 Acrylic, Spraypaint, Silkscreen Ink and Glitter on Archival Lenox 100 Signed, Stamped and Embossed A new breed of Faile Dog was born last year. First found on the streets of New York this pup found its way into the studio and really came to life. We've been pushing our shimmering print process lately and this felt like the perfect print to introduce this into our practice. Four different editions, two in red glitter and two in black glitter. All stained, sprayed, painted and printed; it's all the hallmarks of a studio print now with a lot more shine. Using the words of the artists themselves, the artwork “gives a person the sense that it is there just for them. That they've stumbled across this great little gem amidst the chaos of daily life that can really speak to them. We try to build in a certain ambiguity that leaves the door open for the viewer to find themselves within the story.” This relational character of the FAILE’s art corresponds and becomes amplified by their consistent travel and lack of a permanent studio until the mid-2000s. This resulted in the duo’s embracement and utilization of urban streets and, naturally, gave the produced work a “site-specific” character since public art inevitably adjusts itself to the location of the display.

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Communion Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Tara McPherson. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Never Say Never Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 35 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 14, 2021 Run of: 35 Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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FL-001 Mini Pointman Transparent Pink Vinyl Figure Art Toy by Futura 2000- Leonard McGurr Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Signed Artwork Size 2x6 New In Box Transparent Pink Pointman Figure. Scaled down to a mighty 6 inches, this mini figure commands attention whether displayed proudly on its own or encased in its crystal-clear habitat. Drenched in a vibrant fluorescent pink and edged in deep blue linework, it’s built to mesmerize, surprise, and stand apart from the stars. FL-001 Mini Pointman Pink Vinyl Figure by Futura 2000 – Leonard McGurr The FL-001 Mini Pointman Transparent Pink Vinyl Figure is a striking 2025 limited edition sculpture from American artist Leonard McGurr, known in the Street Pop Art & Graffiti Artwork world as Futura 2000. Known for pioneering abstract graffiti in the 1970s New York scene, Futura’s influence extends far beyond the streets and train cars of his early days. This vinyl figure is a compact but powerful representation of his iconic Pointman character, measuring just 2 x 6 inches and housed in a clear display box. The figure’s vibrant translucent pink shell and fine blue detailing transform a small form into an energetic focal point, radiating the visual dynamism that defines McGurr’s decades-spanning career. The Pointman Legacy in Contemporary Sculpture Pointman first emerged in Futura’s visual language as a futuristic, humanoid figure with elongated limbs, angular motion, and expressive minimalism. It symbolized a departure from traditional graffiti lettering into more conceptual and stylized imagery. This mini version carries the same ethos—lean, fluid, and assertive. The transparent vinyl body gives the figure a spectral presence, while the sharp edges and antenna-like protrusion on the back suggest both technology and alien intelligence. With blue linework drawn like circuitry or armor, the figure seems to hover between character and symbol. Signed by the artist, this edition holds weight both as a collector's piece and as a functional sculptural translation of Futura’s two-dimensional works. Vinyl Art and the Aesthetic of Transparency What sets this figure apart within the category of Street Pop Art & Graffiti Artwork is its transparent construction. The choice of fluorescent pink with subtle opacity creates a play between light and shadow, motion and stillness. It echoes the artist’s history of painting with aerosol in layered bursts of energy and light. Encased in its crystal-clear box packaging, the piece becomes a floating relic—a preservation of McGurr’s radical visual experimentations. Transparency in this context becomes a metaphor for evolution, as the Pointman has continually shifted through murals, canvas, clothing, and now sculptural form. The mini size does not compromise its presence; if anything, it intensifies it, commanding focus through compact density. Collectible Relevance in Street Pop Art & Graffiti Artwork This signed, boxed figure is not just a display object; it is an extension of a legacy that redefined graffiti as a platform for fine art and futurism. Leonard McGurr’s FL-001 Mini Pointman serves as a reminder that Street Pop Art & Graffiti Artwork can be both intimate and monumental. It invites collectors to see beyond surface and scale, and to appreciate the conceptual clarity packed into six inches of vinyl. Whether exhibited in a home, gallery, or store like SprayedPaint.com, the figure reflects a trajectory rooted in rebellion and refined into precision. With its sci-fi silhouette and luminous finish, the FL-001 Mini Pointman becomes a futuristic messenger from one of graffiti’s most influential minds.

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Forget Archival Print by Casey Weldon Limited Edition on 235gsm Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 100 Artwork Size 9x12 Archival Pigment Fine Art

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Electric Six- Boston 2008 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof. 12 x 32 – 3 color silkscreen – S/N edition of 200. Electric 6 Rock On Concert Cruiz, Boston Massachusetts, August 15th 2008

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Train 24 is an original acrylic on HO Scale model train box-car sculpture artwork by graffiti street artist and modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Introducing "Train 24" by LushSux: A Canvas on Rails "Train 24" emerges as a distinct piece within the oeuvre of the audacious street artist LushSux. Known for his exquisite murals and daring street pop art, LushSux transitions his artistry onto an unconventional medium—an HO-scale model train box-car—melding the meticulous craft of model train enthusiasts with the rebellious streak of graffiti art. Signed and created in 2014, this original piece represents the scale-defying nature of graffiti art, demonstrating that the spirit of this street-bound art form can be encapsulated within the 14x3 inches of a model train. LushSux's Signature Style in Miniature Form The artwork "Train 24" features a graffiti tag, commonly called a throw-up, characterized by its bubbly letters and quick execution—a style that is a staple in LushSux's street art repertoire. The vibrant pink hue of the tag punctuates the otherwise subdued palette of the model train car, drawing the eye and challenging the viewer's perception of space and art. In bringing his craft to such a miniature scale, LushSux blurs the lines between the subversive nature of graffiti and the controlled precision of model train painting. The tag, sprawled across the length of the train, becomes a moving narrative, a literal vehicle for the artist's expression. The Artistic and Collectible Value of "Train 24" "Train 24" stands not only as a piece of modern pop art but also as a coveted collectible item within the subculture of model train collecting. Fusing this niche hobby with the dynamic world of street art creates a cross-cultural artifact that appeals to a diverse group of collectors and enthusiasts. As an original signed by LushSux, the piece carries the weight of authenticity and the prestige of ownership that is highly sought after in both the art world and the model train community. This work is a testament to LushSux's versatility as an artist and to the expansive possibilities of graffiti artwork as a genre that continues to challenge and redefine itself. "Train 24" is a locomotive sculpture that symbolizes the journey of street pop art from the fringes into the spotlight of mainstream collectibility and artistic recognition.

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Dollie XL Lenticular Print by Pose- Jordan Nickel Hand-Pulled 3 Phase Holographic Like Deckled Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 22.5x36 Lenticular Changing Print That Shifts Colors Across A Woman With Large Bee Hive Hair Cut. Pose, or Jordan Nickel, further establishes his position in the contemporary art world with his groundbreaking work titled "Dollie XL Lenticular". Evoking a sense of nostalgia while pioneering modern techniques, Pose demonstrates a mastery of pop and street art traditions, encapsulated within this transcendent artwork. Spanning a generous 22.5 x 36 inches, "Dollie XL Lenticular" is a limited masterpiece with only 50 pieces available, each bearing the signature of the artist, attesting to its authenticity. Crafted in 2021, the lenticular print technique employed offers a dynamic visual experience. Depending on the viewer's position, the optical colors shift, creating a mesmerizing, almost holographic effect. Central to this play of color and light is an arresting depiction of a woman characterized by her voluminous beehive hairstyle, an iconic symbol that has transcended time and resonates with pop culture aficionados. One of the standout features of this artwork is its deckled edges, which give the print a raw, tactile feel, further adding to its uniqueness. Accompanying each piece is a Certificate of Authenticity, a seal of the quality and genuineness of the work, ensuring collectors and art enthusiasts of their acquisition's value. In "Dollie XL Lenticular", Pose seamlessly blends historical motifs with innovative art techniques, crafting a piece that both pays homage to traditional pop and street art while signaling the future of these genres. The work stands as a testament to the enduring and evolving nature of visual expression, ever resonant and ever-evolving.

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Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami TM/KK Hand-Pulled on Wove Fine Art Paper Framed Limited Edition Screenprint Artwork. 2003 Signed & Numbered Louis Vuitton x Takashi Murakami Limited Edition of 50 Artwork Size 6.9x11.75 Silkscreen Print in Custom Copper Style Frame. Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami The Eye Love Superflat Pink silkscreen print, created in 2003 by Takashi Murakami in collaboration with Louis Vuitton, represents a critical moment in the convergence of high fashion and contemporary street pop aesthetics. This hand-pulled silkscreen, produced in a limited edition of 50, is printed on wove fine art paper and features Murakami’s signature fusion of luxury iconography and playful visual language. Measuring 6.9 x 11.75 inches, this artwork exemplifies the Japanese artist’s influential position within the movement of Street Pop Art & Graffiti Artwork during the early 2000s. Murakami’s Superflat Philosophy in Fashion and Art This print merges the bold branding of Louis Vuitton with Murakami’s signature Superflat style, a term he coined to describe the aesthetic and cultural flattening of traditional and digital art, consumerism, and fine art. The work presents a centrally aligned vertical composition featuring Louis Vuitton emblems—two Monogram Flowers and the iconic LV initials—framing Murakami’s jellyfish-eye motif at the center. The eye, detailed with contrasting jewel tones and dynamic, cartoon-like lashes, is one of Murakami’s recurring characters, reflecting both playfulness and cultural commentary. The stark contrast between the clean white vertical strip and the surrounding off-white border amplifies the minimalist elegance of the piece. Framed in a lavish copper-toned custom frame, the presentation further highlights the intersection between Murakami’s subversive artistry and the world of luxury branding. The juxtaposition of street culture aesthetics with the world-renowned Louis Vuitton brand underscores a larger commentary on consumerism and identity in the 21st century. Collaborative Cultural Significance The collaboration between Louis Vuitton and Murakami was a landmark event in the evolution of both street pop and luxury branding. Murakami’s reinterpretation of the LV monogram led to an iconic rebranding of the fashion house’s image, energizing it with a youthful, irreverent tone. The Eye Love Superflat series became a crucial collectible component of this moment, celebrated for its rare print editions and its position at the forefront of fashion-art collaborations. Each silkscreen is signed by Takashi Murakami and marked with edition numbering, reinforcing its status as a museum-quality fine art multiple. The use of hand-pulled silkscreen techniques gives the work a tactile and layered depth, contrasting the flatness of the Superflat theory while embracing the visual simplicity of Murakami’s cartoon-inspired visual storytelling. Legacy and Collectible Appeal This print, created during the height of Murakami’s engagement with global luxury, continues to resonate with collectors and cultural institutions alike. Its value is driven not only by its scarcity—limited to just 50 signed pieces—but by its historical significance as part of an artist-brand alliance that changed the dialogue around fashion, art, and consumerism. The framed presentation elevates it beyond print into the realm of formal art display, reinforcing the seriousness of Murakami’s playful yet incisive visual commentary. As an emblem of Street Pop Art & Graffiti Artwork, the Eye Love Superflat Pink silkscreen remains a pivotal expression of postmodern art culture.

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Happy House- Martini Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2015 Signed & Numbered 9x12 Edition of 20

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End Of Season Archival Print by Dulk- Antonio Segura Donat Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2018 Signed & Numbered Print Limited Edition of 50 Artwork Size 20x20 Archival Pigment Fine Art of a Stylistic Bird Comprised of Colorful Flowers in a Surreal Fantasy Setting. The Artistic Essence of "End Of Season" by Dulk - Antonio Segura Donat "End Of Season" is a striking archival print by the artist Dulk, the moniker of Antonio Segura Donat, who is acclaimed for his forays into pop art, street art, and graffiti art. This 2018 limited edition work is distinctive, with only 50 signed and numbered prints, each measuring 20x20 inches. Crafted on fine art paper, the piece showcases Dulk's capacity for blending natural elements with surrealistic overtones, presenting a stylistic bird that is an amalgamation of colorful flowers set against a fantasy backdrop. The artwork stands as a testament to Dulk's vision, where flora and fauna merge to create a bird that does not exist in reality but is vivid in the imagination. This bird is comprised of a diverse palette of flowers, each petal and color carefully selected to contribute to the overall harmony of the piece. The surreal landscape in which the bird resides further accentuates the fantastical theme, inviting viewers into a world where the end of a season brings about a literal and metaphorical transformation. Technical Brilliance and Symbolism in Dulk's Work In creating "End Of Season," Dulk employs archival pigment fine art printing, a method renowned for its long-lasting quality and ability to reproduce artworks' original colors and details faithfully. This technique ensures that each print retains the vibrancy and depth of the artist's original painting, allowing the artwork to stand the test of time. Fine art paper adds a tactile dimension to the prints, giving them a presence that resonates with the weight of a gallery piece. The symbolism in "End Of Season" is multilayered, reflecting the artist's commentary on the cycle of life and the transient beauty of nature. The bird, a creature often associated with freedom and the changing of seasons, is depicted in a state of splendid decay, as its body of flowers is both blooming and wilting, signifying the inevitable passage from life to death, from vibrancy to dormancy. Street Pop Art & Graffiti Artwork: Dulk's Contribution to Contemporary Art Dulk is an artist who straddles the lines between street art, pop art, and fine art, with "End Of Season" being a prime example of his ability to create works that are as much at home on the walls of a city as in a collector's private gallery. The piece's limited edition status adds to its desirability, marking it as a unique treasure in the landscape of modern art. The artist's influence on Street Pop Art and graffiti Artwork is considerable. His vibrant colors and fantastical themes capture the essence of graffiti's boldness and pop art's mass appeal. Dulk's work resonates with a broad audience, appealing to those captivated by the beauty and complexity of nature and those drawn to the fantastical and surreal elements of street art. "End Of Season" contributes significantly to the dialogue of what constitutes modern artwork in the street art genre. It transcends traditional boundaries, challenging viewers to find brief beauty and appreciate the artistry that can turn a season's end into a visual celebration of life's cyclical nature. Dulk's artistic narrative speaks to the transformative power of art, whether on the canvas of the natural world or the concrete surfaces of urban environments.

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Trinity Mao Limited Edition Giclee Print on 330gsm archival cotton paper by David Foox counter-culture street artist art. PP Printers Proof 2011 Signed & Marked PP Limited Edition Artwork Size 5.5x12.5 "The three-headed Mao represents the mental dictatorship of the different faculties of human perception. The two third eyes on the left and right represent both the left (logic and reason) and the right (creativity and emotionality) as well as the negative and positive effects of the duality of the pineal gland i.e. the mind's ability to endow inanimate objects or ideas with spiritual value. The third and center Mao head represents the objective self and the pineal gland is represented by the tetragrametron which signifies the god consciousness, and the infinite unchanging laws of mathematics, chemistry, and physics. The rabbit represents the animalistic forces of nature that embue the constellations with life, and the pyramid represents the human urge to transform matter into a perfect form." - by Liam McMullan on behalf of artist David Foox (FOOX)

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Hercules- Pixel Hand-Pulled 5-Color Silkscreen Print on Cotton Rag Paper by Pop Graffiti Artist Buff Monster Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Pixel Variant Limited Edition of 25 Artwork Size 18X24 Buff Monster (b. 1979) Hercules (Pixel), 2019 Screenprint in colors on Cotton Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 25 Signed, numbered, and dated in pencil along lower edge Published by the artist The allegory of Hercules At The Crossroads is about the choice we make about the path we lead; will it be a virtuous life or a sinful life? Hercules is caught in the middle, trying to choose (though I always show him looking towards the light). In this version of the scene, the characters are rendered in pixelated lines. Each print is silkscreened with 5 screens featuring a variety of colors. Nice cotton rag paper, 18x24”, signed and numbered in an edition of only 25.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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Mr Dob A Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 400 Complexcon x BAITx Takashi Murakami 10 3/5 × 13 2/5 × 10 1/5 in New in Box.  Mr. Dob A Vinyl Sculpture by Takashi Murakami: Maximalist Expression in Street Pop Art & Graffiti Artwork Mr. Dob A is a 2017 limited edition vinyl art sculpture created by Takashi Murakami in collaboration with BAIT and released during ComplexCon. This collectible, limited to 400 pieces, measures approximately 10.6 x 13.4 x 10.2 inches and comes in its original box featuring custom illustrated artwork by Murakami. The sculpture captures the artist’s recurring character Mr. Dob, rendered in high-gloss vinyl with overwhelming detail, pattern, and color. With wild tentacles, spinning eyes, jagged rainbow teeth, and hypnotic surface design, Mr. Dob A functions as a physical embodiment of Murakami’s Superflat aesthetic and his exploration of modern pop culture excess. It represents a key convergence of Japanese fine art, consumer spectacle, and the bold visual energy of Street Pop Art & Graffiti Artwork. Design, Symbolism, and Sculptural Technique This sculpture of Mr. Dob A is both fantastical and threatening. The figure’s gaping mouth is a cavernous rainbow vortex surrounded by colorful triangular teeth, while octopus-like limbs coil outward, each covered in eye motifs and concentric patterns. With swirled ears and bulging eyeballs, the character plays between kawaii and kaiju, innocence and menace. The gloss finish reflects Murakami’s obsession with polished perfection, a nod to toy manufacturing and the clean surface of anime production. Every curve is intentional, exaggerated, and infused with chaos. The precision of the vinyl cast and paintwork transforms the piece into more than just a toy—it is a surreal object of fine art, produced with the exactness of a designer good but pulsing with visual anarchy. Mr. Dob is not simply a mascot but an ever-evolving figure that symbolizes the collision of mass media, mythology, and personal madness. Takashi Murakami’s Cultural Role and Street-Level Influence Takashi Murakami, born in Japan in 1962, is internationally recognized for his ability to unify high art and commercial culture into a single visual framework. His signature concept of Superflat compresses traditional Japanese painting with post-war consumerism, anime, and otaku culture. Mr. Dob is one of Murakami’s earliest and most significant characters—serving as both alter ego and critique of cultural saturation. The Mr. Dob A edition reflects Murakami’s connection to contemporary art fairs and urban collectibility, debuting at ComplexCon, a marketplace driven by fashion, art, and hype culture. In the world of Street Pop Art & Graffiti Artwork, Murakami’s work exists as a portal where tradition and disruption coexist, and where figures like Mr. Dob become both symbols and products of global visual identity. Limited Vinyl Edition as a Fine Art Collectible Object Each Mr. Dob A sculpture is housed in a custom display box that mirrors the character’s expression, rendered in bold vector style across every surface. The packaging and figure are inseparable in narrative—they work as one collectible unit. As a limited edition of 400, the work occupies a rarefied position between commercial object and cultural artifact. Unlike mass-produced vinyl figures, this release is anchored in Murakami’s conceptual art lineage and collectible strategy. Its presence in galleries, private collections, and museums places it in direct dialogue with the broader conversation around the function of toys in fine art. Within the expanding world of Street Pop Art & Graffiti Artwork, Mr. Dob A stands as a hybrid sculpture—unapologetically loud, self-referential, and reflective of a global audience hungry for art that merges spectacle, subversion, and surface.

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Marilyn Pure Joy Oxblood 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Aqua Pink Oxblood. Marilyn Pure Joy Oxblood by Pure Evil in Street Pop Art & Graffiti Artwork Marilyn Pure Joy Oxblood is a bold 2025 limited edition silkscreen by Charles Uzzell-Edwards, widely recognized in contemporary art as Pure Evil. Printed in three colors and hand-pulled on 300gsm Somerset fine art paper with a deckled edge, this work measures 16 by 20 inches and continues the artist’s ongoing portrait series that pays homage to historic icons through the lens of modern subversion. Marilyn Monroe, arguably one of the most recognizable faces in pop culture history, is depicted here in high-contrast oxblood pink and white, with icy highlights and Pure Evil’s signature teardrop motif bleeding downward in stark visual contrast. The color palette used here transforms Monroe from nostalgic relic to striking subject of introspective commentary, revealing how fame and fragility coexist. Recontextualizing Icons in the Street Pop Art Tradition The piece draws upon the language of both traditional pop art and the coded signals of street art, combining high fashion aesthetics with raw commentary. Pure Evil uses silkscreen printing in the same spirit as Andy Warhol but pivots into darker emotional territory by introducing the black teardrop, a motif he has explored throughout his career. The teardrop is not only a stylistic mark but a narrative device, suggesting a sense of mourning for innocence lost or a critique of how fame consumes individuality. By situating Monroe in a saturated oxblood tone, the print emphasizes drama, sensuality, and emotional intensity, adding new depth to a figure often idealized and flattened by commercial culture. The Role of Color and Print Technique in Emotional Impact The oxblood palette plays a central role in how this version of the Pure Joy series communicates urgency and sorrow. It deviates from the traditional warm Hollywood palettes typically used to represent Monroe. The deep red suggests passion, obsession, or even violence in its undertone. Set against sharp white fields and shadowed detailing, the silhouette of Monroe becomes even more haunting. Silkscreen printing, with its defined edges and clean layering, reinforces the duality between aesthetic control and emotional chaos. The deckled edge of the Somerset paper adds a tactile, physical quality that grounds the artwork, bridging its gallery-worthy presence with its roots in stencil-based urban practices. Pure Evil’s Commentary Through Celebrity Portraiture Pure Evil’s reinterpretation of Monroe is more than a pop cultural remix. It is a quiet indictment of how beauty, iconography, and emotional exploitation are packaged in mass media. Monroe’s image, once framed in soft glamour, now stares from this work with a complex tension between allure and trauma. The oxblood tone gives voice to her human vulnerability without removing her symbolic power. Charles Uzzell-Edwards, operating under the name Pure Evil, has developed a recognizable style that merges graffiti mark-making with screenprint precision. Through the Marilyn Pure Joy Oxblood edition, he contributes to a broader conversation within street pop art and graffiti artwork that challenges viewers to reconsider what lies behind the celebrity image and to reckon with its costs.

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Summer Vacation 2014 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Near Down Town LA Razor Wire Study Original Mixed Media Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Embossed Archival Card Sheet by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 7.5x5 "NEAR DTLA RAZOR WIRE STUDY I've been painting small studies of LA scenes at night. This is a series of hand-painted originals. Mixed media on embossed archival card sheets Size- 7.5" x 5' in signed and numbered Very limited; only a tiny batch is created with each series." -Saber. Immersing in the Urban: Saber's "Near Down Town LA Razor Wire Study" Saber's "Near Down Town LA Razor Wire Study" is a striking original mixed-media painting that offers a gritty yet beautiful snapshot of Los Angeles's urban landscape. This 2023 artwork, signed by the artist, is a unique piece meticulously created on a 7.5x5 inch embossed archival card sheet. Saber, a revered figure in the street art pop scene, captures the essence of downtown LA with a raw and expressive technique that blends spray paint and acrylics, revealing the city's character beneath its nocturnal veil. This series of hand-painted originals by Saber is more than a mere representation of the city's physical attributes; it's a deep dive into the soul of the urban environment. The mixed media on the embossed archival card accentuates the textural contrast between the harshness of razor wire and the ethereal quality of the city's skyline at night. Using spray paint, a medium synonymous with street art, imparts authenticity to the artwork, resonating with the spontaneous energy of graffiti. Saber's choice to focus on LA scenes at night tells of his intent to explore themes of isolation, boundary, and freedom. The razor wire, a symbol often associated with division and confinement, is set against the backdrop of a city known for its boundless creativity and dreams. This juxtaposition invites contemplation about the barriers—both physical and metaphorical—that define urban spaces and the lives within them. The "Near Down Town LA Razor Wire Study" is part of a minimal series emphasizing the exclusivity and collectibility of Saber's work. Each piece in the series is numbered, highlighting its position within a broader narrative that Saber constructs through these visual explorations. Collectors of street pop and graffiti artwork will find a convergence of street-level rawness and delicate art sophistication in these pieces. Saber's work stands as a compelling example of the potential of street pop art to transcend its origins and become a powerful form of contemporary fine art. The artist's ability to convey the complexity of the urban experience through the interplay of mediums, textures, and colors is a testament to his mastery of the form. His paintings are not just art objects but windows into the urban psyche, reflecting city life's vibrant and sometimes chaotic spirit. In essence, the "Near Down Town LA Razor Wire Study" series embodies the evolution of graffiti into a form of street pop art that challenges, engages, and captivates. It underscores the ongoing conversation about the value of street art within the artistic canon and its capacity to capture and comment on the essence of contemporary urban existence. Through his intimate and visceral portrayals of Los Angeles, Saber solidifies his position as a leading voice in street art pop, shaping how we perceive and interact with the surrounding cityscapes.

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Secret Heart AP Artist Giclee Print by Sarah Joncas Pop Street Artwork Limited Edition Print on Museo Portfolio Rag Paper Graffiti Pop Street Artist. AP Artist Proof 2015 Signed & Marked AP Limited Edition of 50 Artwork Size 16x20

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A Delightful Balance Original Watercolor Painting by Bwana Spoons One of a Kind Artwork on Deckled Wove Fine Art Paper by Street Art Pop Artist. 2006 Signed Watercolor Painting Original Artwork Size 5.5x7.5 A Delightful Balance by Bwana Spoons – Playful Equilibrium in Street Pop Art & Graffiti Artwork A Delightful Balance is a 2006 original watercolor painting by Bwana Spoons, executed on 5.5 x 7.5 inch wove fine art paper. Known for his whimsical characters, radiant color palettes, and deeply imaginative world-building, Bwana Spoons brings his signature blend of innocence, strangeness, and narrative abstraction into a compact composition full of visual delight. The painting features a fantastical character—half humanoid, half creature—juggling or balancing a dish on their head while riding or interacting with a stylized turtle. Surrounded by swirling floral motifs, loose color washes, and dense brush textures, the scene becomes a metaphor for composure amidst chaos. It evokes emotional calm while still exploding with energy. As a standalone work within the genre of Street Pop Art & Graffiti Artwork, it represents Bwana Spoons’ dedication to fantasy storytelling through accessible, painterly forms. Character, Gesture, and Symbolic Motion The figure at the center of A Delightful Balance is rendered with exaggerated limbs, stylized facial features, and expressive lines that combine cartoon logic with surreal motion. The character’s outstretched arms and lifted legs suggest both acrobatics and a moment of suspended movement. The wide smile, bright blue nose, and swirl of green hair enhance the overall whimsy, turning the figure into a visual protagonist in a wordless story. The turtle beneath the character anchors the piece in slow movement and grounded energy, reinforcing the theme of balance. Bwana Spoons' approach to character design is non-linear and playful, refusing conventional anatomy in favor of shapes that feel fluid and emotionally coded. Within Street Pop Art & Graffiti Artwork, these characters operate as emotional reflections, channeling energy through visual abstraction. Watercolor Technique and the Handcrafted World Bwana Spoons’ use of watercolor is dense, layered, and richly textural. Rather than soft washes or translucent minimalism, his approach embraces color collisions, thick brush gestures, and vibrant gradients. The pinks, greens, blues, and earth tones in A Delightful Balance blend into one another with intentional harmony, creating a background that feels like a fantastical natural setting without locking into realism. The use of opaque color in some sections pushes the boundaries of the medium, suggesting the layering seen in mural work or screen printing. The hand-torn edges of the wove paper further highlight the intimate scale and handcrafted nature of the work. Every part of the image vibrates with movement, making even stillness feel alive. In the language of Street Pop Art & Graffiti Artwork, this painting is a small-scale expression of large-scale imagination. Bwana Spoons and the Celebration of Emotional Design A Delightful Balance exemplifies Bwana Spoons’ ability to inject kindness, weirdness, and narrative into every stroke. His work does not seek to critique or confront—it offers escape, humor, and introspection in equal measure. By creating strange creatures in vibrant harmony with their environment, Spoons invites the viewer to pause, observe, and reconnect with a form of visual joy that is often absent in urban contemporary culture. The balance he explores is not just literal—it is emotional and visual. As a figure in Street Pop Art & Graffiti Artwork, Bwana Spoons continues to offer a portal into worlds that feel both personal and universal. This piece reminds us that art can be soft and ecstatic at once—that balance, while fleeting, is always worth painting.

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Work Well Together- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Nai Palm Snake Priestess Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 4.25 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Pink Nose Limited Edition Giclee Print on 308gsm Hahnemuhle Cotton Paper by Modern Artist Mysterious Al. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 23.62x23.62 Mysterious Al Pink Nose Limited Edition Giclee Print Pink Nose is a 2022 limited edition giclee print by contemporary pop artist Mysterious Al. Produced on 308gsm Hahnemühle cotton fine art paper, this 23.62 x 23.62 inch square edition is hand-signed and numbered in a run of 50. The piece highlights the artist’s signature bold linework and playful abstract character design. Bold Contrast and Playful Abstraction The composition features two wide-eyed, cartoon-like figures formed from thick black shapes layered over pastel tones of mint green, sky blue, and soft pink. White polka dots create rhythm across the background, while a vivid pink diagonal form cuts across the center, becoming the dominant focal point. Pops of red and orange add energy and depth, balancing the heavy black contours with vibrant color fields. Collectible Contemporary Pop Artwork Printed as a high-quality giclee on premium cotton paper, Pink Nose delivers sharp detail and rich saturation. With only 50 signed and numbered examples available, this edition stands as a strong collectible within Mysterious Al’s evolving body of modern pop and street-influenced artwork. Bold, graphic, and instantly recognizable, Pink Nose embodies the artist’s energetic and mischievous visual language.

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Carpe Diem Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Buff Monster Graffiti Street Artist Pop Art. Signed HPM 2022 Limited Edition of 70 Unique 9x12 At the core of Mister Melty's identity is that like us, he isn't going to be around forever. Much like the contemplative vanitas paintings of the Renaissance, the skull is a symbol of the certainty of death and a reminder to enjoy today. But we, like Mister Melty, are unwavering in our happiness and optimism despite our unavoidable fate. As I've done a few times before, I've taken some old sold-out prints and cut them down, spray painted them, and silkscreened them. There is so much variation in them; so they're all unique! Each one is 9 x 12" and will be signed and numbered.

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Deluxx Fluxx Arcade Book Studio Run Television Cover by Faile x Bast- Michael Polimeni Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2015 Signed by Faile 1986 Limited Edition of 300 Book Size 8x10 "The Faile & Bast Deluxx Fluxx Arcade Book Studio Run Television Cover. The Fusion of Faile and Bast in "Deluxx Fluxx Arcade": A Chronicle of Street Pop Art Faile, a Brooklyn-based artistic collaboration, and Bast, known as Michael Polimeni, has resulted in a remarkable project: "The Faile & Bast Deluxx Fluxx Arcade Book Studio Run Television Cover." This rare limited edition piece, a convergence of modern pop graffiti and urban culture artwork, encapsulates a pivotal moment in street art history. The 2015 signed edition by Faile, limited to 300 copies, is a testament to the creativity and synergy between these two giants in the street art community. Capturing Urban Culture Through Mixed Media The "Deluxx Fluxx Arcade Book" is not merely a collection of images but a historical record of the evolution of street pop art and graffiti artwork. Through its pages, one can trace the journey of Faile and Bast from the streets to the revered spaces of art studios and galleries. The book's television cover edition, with its size of 8x10 inches, is a kaleidoscope of colors, textures, and patterns. It chronicles the studios' forays into the arcade world, where the interactive nature of games becomes a new medium for artistic expression. The cover, a vibrant melange of purples and blacks, speaks to street art's dynamic and often disruptive nature, as it takes familiar visuals and repurposes them in unexpected ways. Legacy of the "Deluxx Fluxx Arcade": A Cultural Milestone The significance of "The Faile & Bast Deluxx Fluxx Arcade Book" within the street art narrative cannot be overstated. It captures a moment when the lines between high art and street culture blur, a period where artists like Faile and Bast redefined the parameters of pop art. This book serves as both a visual feast and an academic reference for those studying the impacts of street art on modern culture. Each page, each image, is a piece of a giant puzzle that, when assembled, reveals the full scope of Faile and Bast's impact on the art world. This collaborative project between Faile and Bast, encapsulated in the "Deluxx Fluxx Arcade Book," represents a significant chapter in the story of street pop art and graffiti. It is a vibrant, living document of the creativity and cross-pollination of ideas that define the genre. For collectors and enthusiasts alike, the limited edition book is a treasure, a slice of history, and a source of endless inspiration. It is a vibrant manifesto of the transformative power of collaboration in the art world.

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Giddyup Honeybear Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2020 Signed & Numbered 11x14 Edition of 20

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Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Hangry Giclee Print by Brett Crawford Artwork Limited Edition Print on Somerset Fine Art Paper Graffiti Pop Street Artist. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 24x24.  Hangry by Brett Crawford – Childhood Chaos Meets Street Pop Art & Graffiti Artwork Hangry is a 2019 limited edition giclee print by American artist Brett Crawford, known for his vivid imagination and cultural remixing. Printed on Somerset fine art paper in a large 24 x 24 inch format, this edition was released in a run of only 25 signed and numbered pieces. The artwork centers on Cookie Monster—one of the most recognizable characters from American television—engaged in an explosive moment of mischievous joy as he grips a giant tricycle and hurtles across the frame. In one hand he clutches a cracked cookie mid-chomp, while Oscar the Grouch, reimagined as a toy figure embedded in the handlebars, reacts with comic alarm. Behind them, the oversized word BIG dominates the composition in bold magenta and yellow lettering, creating a retro pop typography backdrop that is both playful and iconic. Satire, Scale, and Childhood Iconography Brett Crawford's Hangry taps into nostalgia while dismantling it with energy and humor. Cookie Monster, in this image, is not a gentle puppet but a symbol of chaotic appetite—literally hangry. The absurd scale of the trike, the manic tilt of motion, and the exaggerated expression all point to an emotional state somewhere between joyride and meltdown. This portrayal is not for children, but for adults who grew up with these characters and now see them as symbols of emotion, memory, and marketing. Within the context of Street Pop Art & Graffiti Artwork, Crawford’s rendition becomes a critique of overindulgence and commercial culture, disguised as slapstick. It is candy-coated irony painted in glossy perfection. Medium Mastery and Vibrant Detail Printed using advanced giclee techniques, Hangry delivers high-impact color and crispness that preserve the artist’s original depth and layering. Somerset fine art paper, known for its archival quality and subtle texture, supports the saturated hues and dynamic shading that define Crawford’s work. From the texture of Cookie Monster’s blue fur to the reflection on the plastic body of the toy vehicle, every detail is rendered with precision and clarity. The composition captures motion and volume with a painter’s sensitivity while honoring the flatness and boldness of pop visual language. The scale of the print enhances its presence, making it feel larger-than-life—much like its subject. Brett Crawford and the Evolution of Play into Pop Commentary Hangry is a pure expression of Crawford’s ongoing exploration of pop culture through exaggeration and surreal humor. By combining recognizable figures from children’s media with oversized props and exaggerated emotions, he reinvents nostalgia as satire. The addition of Oscar the Grouch as a passive object, almost decorative, adds layers of subtext about consumer culture and the domestication of rebellion. Cookie Monster’s primal hunger turns into a metaphor for modern impulse—whether for food, fame, or fun. Through this vibrant and unapologetically loud composition, Crawford transforms a simple scene into a complex visual narrative. As a work of Street Pop Art & Graffiti Artwork, Hangry stands as a colorful and confrontational piece that is equal parts childhood memory and adult commentary.

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