Police & Cops

67 artworks

  • Riot Cop 1000% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Brandalism & Brandalised Riot Cop 1000% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

    $863.00

  • Police Grin Gay Empire Figure Art Toy by Ron English

    Ron English Police Grin Gay Empire Figure Art Toy by Ron English

    Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English x Suckadelic. 2022 Signed & Numbered Hand cast and painted 3.75" scale carded resin figure. Numbered out of 100.

    $229.00

  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $26,253.00

  • Die Hard Silkscreen Print by Matt Dye- Blunt Graffix

    Matt Dye- Blunt Graffix Die Hard Silkscreen Print by Matt Dye- Blunt Graffix

    Die Hard Silkscreen Print by Matt Dye- Blunt Graffix Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Silkscreen Print of Bruce Willie From the Movie Die Hard Die Hard Silkscreen Print by Matt Dye – Blunt Graffix Die Hard Silkscreen Print by Matt Dye of Blunt Graffix is a powerful example of Street Pop Art & Graffiti Artwork, capturing the intensity and grit of the legendary action film. Created in 2013, this hand-pulled silkscreen print is a signed and numbered limited edition of 60, measuring 18x24 inches. The artwork features Bruce Willis as John McClane, the iconic protagonist of Die Hard, depicted in a bold, high-contrast composition that merges classic action film poster aesthetics with the raw energy of street art. The use of a striking red, black, and halftone pattern gives the piece a vintage, propaganda-style feel while maintaining a sharp, modern edge. Stylistic Approach and Composition Matt Dye is known for his ability to elevate pop culture imagery into dynamic Street Pop Art & Graffiti Artwork, and this print is a testament to that expertise. The composition is meticulously crafted, with Bruce Willis front and center, gripping a handgun with an intense, determined expression. The background features a high-contrast cityscape, reinforcing the urban chaos of Die Hard's setting in Nakatomi Plaza. The typography is bold and aggressive, with the film title in heavy block letters and the famous tagline positioned prominently beneath. The use of halftone shading adds a retro comic book feel, a signature technique often seen in Blunt Graffix prints. The hand-pulled screenprinting process enhances the depth and texture, making each print a unique piece of collectible artwork. Street Pop Art & Graffiti Artwork Influence Matt Dye’s work under Blunt Graffix blends the rebellious nature of graffiti with the refined craftsmanship of silkscreen printmaking. His prints often feature cult movie characters, rock legends, and comic book icons, aligning with the visual language of Street Pop Art & Graffiti Artwork. The bold contrasts and stencil-like qualities in this Die Hard piece mimic the aesthetics of urban wheatpaste posters and large-scale murals, where pop culture imagery is frequently recontextualized. The rough, distressed textures and vibrant color blocking evoke the raw energy of street art while maintaining the precision of a finely executed print. The imagery of John McClane, a lone hero taking on impossible odds, resonates with the themes often explored in street-based art—resistance, perseverance, and defiance against the system. Collectibility and Cultural Impact As a limited edition of 60, this Die Hard print is a sought-after collectible among fans of both the film and Street Pop Art & Graffiti Artwork. The hand-pulled nature of each piece ensures that no two prints are exactly alike, making them unique artifacts of contemporary print culture. Matt Dye’s ability to transform cult cinema into highly stylized screenprints has made Blunt Graffix a respected name in the printmaking world. This piece, with its raw intensity and striking visual composition, stands as a prime example of how film, pop art, and street-inspired techniques can merge into a single work of art. The continued demand for his prints highlights the lasting influence of handcrafted artwork in a digital era, reinforcing the value of silkscreen as a medium that bridges pop culture with street-inspired artistic expression.

    $225.00

  • Duality Fox Mulder X FIles Silkscreen Print by Jeremy VanCleef

    Jeremy VanCleef Duality Fox Mulder X FIles Silkscreen Print by Jeremy VanCleef

    Duality Fox Mulder X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Fox Mulder X FIles. Duality Fox Mulder X-Files Silkscreen Print by Jeremy VanCleef Duality Fox Mulder is a limited edition silkscreen print created by Jeremy VanCleef in 2013, featuring a haunting interpretation of the iconic character from The X-Files. This hand-pulled screenprint, measuring 18x24 inches, was produced in a signed and numbered edition of only 25, making it a rare and highly collectible piece. The artwork captures the psychological complexity of Fox Mulder, using a bold, minimalist composition combined with high-contrast halftone textures and neon green accents. The print reflects VanCleef’s signature fusion of Street Pop Art & Graffiti Artwork, where pop culture subjects are reimagined through an urban, contemporary lens. Concept and Visual Symbolism The composition of Duality Fox Mulder plays with the themes of truth, paranoia, and perception, central to The X-Files narrative. Mulder’s portrait is partially fragmented, with sections of his face missing, replaced by stark, negative space. This deconstruction reinforces the character’s struggle between belief and skepticism, reality and illusion. The hollowed-out eyes add a ghostly effect, suggesting his relentless search for answers has made him both enlightened and consumed by obsession. The surrounding typography includes phrases like Trust No One and The Truth Is Out There, iconic to the series, enhancing the sense of mystery and intrigue. The grainy, distressed background texture mimics photocopied conspiracy files, further reinforcing the idea of secrecy and government cover-ups. The limited color palette, dominated by green and black, directly references the eerie glow often associated with extraterrestrial themes in science fiction, making the print feel both vintage and futuristic. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef’s work often draws from the aesthetics of Street Pop Art & Graffiti Artwork, and this print is no exception. The use of halftone printing techniques, stencil-inspired portraiture, and distressed text elements are reminiscent of the wheatpaste posters seen in urban environments. The neon green accents give the piece a cyberpunk, underground zine quality, reinforcing the DIY ethos of street art culture. The layering of text and imagery, as well as the calculated use of negative space, allows for an interplay between structured design and raw, unfiltered expression. This technique mirrors how graffiti artists use walls as their canvas, layering different visual elements to create an evolving narrative. The deliberate imperfections in the ink application further connect the piece to the handcrafted, analog processes that define the screenprinting movement within street art. Collectibility and Cultural Impact With only 25 prints in existence, Duality Fox Mulder stands as an exclusive collectible within the world of Street Pop Art & Graffiti Artwork. Jeremy VanCleef’s ability to reinterpret pop culture figures through a subversive, street-inspired approach makes this print highly sought after by collectors of both contemporary printmaking and science fiction memorabilia. The X-Files continues to be a cultural touchstone, with themes of government secrecy, alien life, and truth-seeking remaining relevant in modern discourse. This print captures that ongoing relevance, using street art techniques to elevate Mulder’s character into an iconic visual statement. The meticulous craftsmanship of the hand-pulled silkscreen process ensures that each print retains a unique quality, reinforcing its place as a significant piece in the fusion of urban art and cult television mythology.

    $250.00

  • Duality Dana Scully X FIles Silkscreen Print by Jeremy VanCleef

    Jeremy VanCleef Duality Dana Scully X FIles Silkscreen Print by Jeremy VanCleef

    Duality Dana Scully X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Dana Scully X FIles. Duality Dana Scully X-Files Silkscreen Print by Jeremy VanCleef Duality Dana Scully is a limited edition silkscreen print created by Jeremy VanCleef in 2013, presenting a visually striking interpretation of the iconic character from The X-Files. This hand-pulled screenprint, sized at 18x24 inches, is part of a signed and numbered edition of only 25, making it a rare and sought-after piece. The artwork captures the essence of Dana Scully through a minimalist yet haunting composition, incorporating fragmented portraiture, high-contrast halftone textures, and bold typography. The use of a red and black palette intensifies the psychological depth of the piece, aligning with the visual aesthetics commonly found in Street Pop Art & Graffiti Artwork. Concept and Visual Symbolism Duality Dana Scully explores the tension between logic and belief, a core theme in The X-Files. Her face is partially removed, leaving an open void that suggests the struggle between science and the unknown. The stark white cutout interrupts her form, reinforcing the duality between skepticism and faith that defines her character. Her hollowed-out eyes, a recurring motif in VanCleef’s work, add an eerie, almost supernatural quality, mirroring the unsettling mysteries she investigates. The background features distressed textures and muted grain, reminiscent of aged documents and conspiracy files, further reinforcing the secretive undertones of the composition. Text elements such as Logic, Reason, and Skeptic punctuate the artwork, emphasizing the defining attributes of her character. The inclusion of a small, floating cross necklace subtly acknowledges her spiritual dilemma, adding an additional layer of complexity to the piece. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef employs techniques rooted in Street Pop Art & Graffiti Artwork, incorporating stencil-like portraiture, distressed typography, and layered textures that evoke urban wheatpaste posters. The rough, unpolished aesthetic, combined with sharp-edged design elements, mimics the feel of underground zine culture and guerrilla street art. The limited color scheme of deep reds and monochrome tones creates a high-impact visual statement, much like the bold graphics found in stencil graffiti. The interplay between printmaking traditions and digital deconstruction gives the artwork a sense of immediacy and rawness, qualities often seen in modern street murals. VanCleef’s ability to distort familiar imagery while maintaining strong cultural references aligns with the core principles of urban artistic expression, where themes of rebellion, questioning authority, and challenging perception play a central role. Collectibility and Cultural Impact As a signed and numbered edition of 25, Duality Dana Scully holds significant value within the world of Street Pop Art & Graffiti Artwork. The scarcity of this print makes it highly desirable among collectors, especially those who appreciate the intersection of science fiction and contemporary urban aesthetics. The X-Files remains a cultural touchstone, and this artwork encapsulates the enduring mystery and intellectual depth of the series. Jeremy VanCleef’s reinterpretation of Dana Scully transforms her from a television character into an abstract symbol of truth-seeking and existential inquiry. His handcrafted silkscreen process ensures that each print maintains a unique, tactile quality, reinforcing the authenticity and artistic integrity of the work. The continued relevance of conspiracy theories, government secrecy, and scientific skepticism makes this piece a powerful visual representation of the ongoing dialogue between fact and belief, securing its place as a defining example of pop culture-inspired street art.

    $250.00

  • Fargo North Dakota Silkscreen Print by Justin Van Genderen

    Justin Van Genderen Fargo North Dakota Silkscreen Print by Justin Van Genderen

    Fargo North Dakota Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print Cop Shooting at Lake Fargo North Dakota  Fargo North Dakota Silkscreen Print by Justin Van Genderen Fargo North Dakota Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that transforms a stark, frozen landscape into a haunting piece of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and part of a signed and numbered limited edition of 100, this artwork captures the isolation, tension, and stark beauty associated with the setting of Fargo. The minimalist composition and restrained color palette bring an atmospheric quality to the piece, making it an instant conversation starter while maintaining the aesthetic precision that defines Van Genderen’s work. A Study in Minimalism and Suspense This screenprint is a striking example of how minimalism can create an emotionally charged visual experience. The vast negative space dominates the upper portion of the composition, reinforcing the feeling of emptiness and desolation. In the lower portion, a small figure stands on the shoreline of a frozen lake, arm extended, firing a gun into the distance. The muted grays and whites of the landscape contrast with the icy blue of the water, while subtle texturing gives the piece a weathered, cinematic feel. The scene immediately evokes the quiet tension and understated menace associated with the region, particularly through its connection to the film and television series Fargo. While not explicitly referencing the storyline, the artwork plays on the themes of violence, isolation, and the stark beauty of the Midwest. The placement of the lone figure and the vast, empty space surrounding him create an immediate sense of narrative, leaving the viewer to interpret what has happened or what may come next. Street Pop Art & Graffiti Artwork Elements Justin Van Genderen’s approach to Street Pop Art & Graffiti Artwork relies on a fusion of clean, modernist design and raw urban texture. The halftone shading in the trees and distant hills gives the piece a printed, almost grainy quality, reminiscent of vintage posters or old newspaper photographs. This technique aligns with the visual language of screenprinting, a medium frequently used in street art to produce bold, high-contrast imagery that retains a handmade quality. The piece embraces a restrained, muted color scheme, allowing the stark white background to act as both a visual element and an emotional tool. The faded edges and distressed textures create a sense of imperfection, reinforcing the idea that this is a world shaped by rough environments and human intervention. The red typography in the bottom corner is an intentional choice, subtly injecting a sense of urgency or danger into an otherwise cold and distant landscape. The Power of Narrative in Urban-Inspired Art Fargo North Dakota Silkscreen Print by Justin Van Genderen exemplifies how Street Pop Art & Graffiti Artwork can go beyond aesthetics to create compelling visual narratives. The stark contrast between man and nature, action and stillness, makes the piece feel cinematic, as if it captures a single frame from a larger story. This kind of storytelling through composition and simplicity is a key characteristic of contemporary urban art, where symbols, figures, and spaces are used to evoke deep emotional responses. As a limited-edition silkscreen print, this piece holds significance for collectors who appreciate the intersection of film-inspired artwork and the raw, stripped-down energy of street culture. Whether displayed in a private collection or as part of an urban-themed gallery, this print stands as a testament to how minimalism, negative space, and subtle visual cues can create something both visually arresting and emotionally evocative. Fargo, as a place and a cultural reference, continues to hold a unique place in artistic interpretation, and this piece captures its essence with an unforgettable, striking simplicity.

    $225.00

  • Breathe Right Original Oil Painting by David Molesky

    David Molesky Breathe Right Original Oil Painting by David Molesky

    Breathe Right Original Painting Oil On Linen w/ Custom Walnut Frame by David Molesky Graffiti Street Artist Modern Pop Art. 2014 Signed & Custom Framed Original Oil Painting Artwork Size 24x20 "This painting is from my series of paintings based on media images of the revolution in Kiev. Its the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I’ve dropped that dogma. I love that the subject is current, and also contains elements that seem from another era." - David Molesky

    $4,458.00

  • Sale -35% FTP Archival Print by Dave Persue

    Dave Persue FTP Archival Print by Dave Persue

    FTP Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 25 Artwork Size 12x12 "These pieces are from “Touchy Subjects” show at the Seventh Letter’s flagship store in Los Angeles. I showed it with Dabs, Myla, and Rime. These paintings show a darker side of BunnyKitty’s universe. Spotlighting police brutality, riots, wet dreams, and women of pleasure. Subjects that are touchy to some, but presented in a cute aesthetic.I tend to daydream a lot. These paintings come directly from those daydreams. I start by sketching rough ideas in my journal--not even complete ideas--and use them as a reference, then go straight into painting. No pencil or transfer paper was used in the making of this work." - Persue

    $138.00 $90.00

  • The Doctor Who Silkscreen Print by Jillian Nickell

    Jillian Nickell The Doctor Who Silkscreen Print by Jillian Nickell

    The Doctor Who Silkscreen Print by Jillian Nickell Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 175 Artwork Size 16x20 Silkscreen Print of Doctor Who Tardis Police Box Spaceship & the Doc. From 50th Anniversary of Doctor Who Show. The Doctor Who Silkscreen Print by Jillian Nickell The Doctor Who silkscreen print by Jillian Nickell is a striking tribute to the 50th anniversary of one of the most influential science fiction series in television history. This limited edition hand-pulled screenprint, created in 2013, captures the essence of the Doctor and his iconic time machine, the TARDIS, in a visually immersive composition. Signed and numbered on the back, with only 175 pieces produced, this 16x20-inch artwork exemplifies the fusion of street pop art & graffiti artwork with the timeless appeal of science fiction. The intricate detailing and carefully chosen color palette make this a standout piece in both pop culture collectibles and contemporary art. The Visual Composition and Artistic Approach Jillian Nickell’s design presents a meticulously detailed depiction of the TARDIS alongside the Doctor, who stands confidently in the foreground holding his sonic screwdriver. The deep blue tones dominate the composition, emphasizing the mystery and vastness of space. The use of stippling and halftone shading techniques enhances the texture, creating depth and atmosphere within the artwork. The glowing effect around the TARDIS windows and the stars scattered throughout the background contribute to a dreamlike aesthetic, reinforcing the show’s themes of time travel and exploration. The Doctor’s expression is one of quiet determination, with his stance suggesting movement as if he is about to embark on another journey. The way Nickell captures the folds of his clothing, the illuminated tip of the sonic screwdriver, and the subtle shading on his face showcases a masterful attention to detail. The stylization of the TARDIS, with its softened edges and glowing outlines, gives the impression that it is materializing, a technique that mirrors the visual distortions often used in street pop art & graffiti artwork. This blending of realism with abstraction makes the print both dynamic and captivating. The Influence of Doctor Who in Street Pop Art & Graffiti Artwork Doctor Who has long been a source of inspiration in street pop art & graffiti artwork, with its iconic symbols appearing in urban murals, wheatpaste posters, and stencils around the world. The TARDIS, as a recurring motif, represents adventure, mystery, and the limitless possibilities of time and space. Street artists frequently incorporate its recognizable police box form into their work, often placing it in surreal or unexpected locations to create a sense of displacement and wonder. Nickell’s print captures this same spirit by emphasizing the ethereal qualities of the TARDIS while keeping the Doctor grounded in reality. The composition echoes the layering techniques found in street art, where multiple elements interact to form a cohesive narrative. The contrast between the solid figure of the Doctor and the more fluid, almost glowing TARDIS creates a striking juxtaposition that reinforces the tension between the known and the unknown. This duality is a fundamental aspect of both street pop art & graffiti artwork, where artists often use contrasts to provoke thought and emotion. The Significance of the Limited Edition Screenprint As a hand-pulled silkscreen print, The Doctor Who by Jillian Nickell carries a unique level of craftsmanship that digital reproductions cannot replicate. The layered application of ink on fine art paper gives the piece a tactile quality, making each print slightly unique. The limited edition nature of this artwork adds to its exclusivity, making it a valuable collectible for both fans of the series and admirers of street pop art & graffiti artwork. The 16x20-inch format allows for intricate details to be fully appreciated, whether displayed in a private collection or a curated gallery space. Nickell’s ability to merge a deep appreciation for the Doctor Who universe with the stylistic elements of modern screenprinting results in a piece that transcends typical fan art. This print is not just a celebration of the show’s 50th anniversary but also a testament to the lasting impact of its themes and imagery in contemporary urban art culture. By blending detailed illustration techniques with the energy of street pop art & graffiti artwork, Nickell has created a piece that captures both the nostalgia and the ongoing relevance of Doctor Who in the artistic landscape.

    $175.00

  • patRIOT The Legacy Art Toy Sculpture by Abell Octovan

    Abell Octovan patRIOT The Legacy Art Toy Sculpture by Abell Octovan

    patRIOT- The Legacy Limited Edition Polystone Sculpture Artwork by graffiti street artist modern pop artist Abell Octovan. From the mind that brought us bold statement pieces such as Anti-Supremacy and The Beauty of Rebellion, comes patRIOT (The Legacy) by Abell Octovan. Inspired by classic Greek sculptures, patRIOT features perfect curls, contrapposto, and a buttery smooth marble-like effect. Crafted using premium polystone, the perennial patRIOT will leave you pondering about the state of the world. The word "PATRIOT" is graffitied across the sculpture's face and partially struck through.

    $529.00

  • Fuck The Law Mixed Media Painting by Sechor

    Sechor Fuck The Law Mixed Media Painting by Sechor

    Fuck The Law Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 16x20 on Unstretched Canvas

    $529.00

  • Bigger on the Inside Dr Who Silkscreen Print by Tracie Ching

    Tracie Ching Bigger on the Inside Dr Who Silkscreen Print by Tracie Ching

    Bigger on the Inside Dr Who Silkscreen Print by Tracie Ching Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24 Silkscreen Print of Doctor Who Tardis Police Box Spaceship. From 50th Anniversary of Doctor Who Show. Bigger on the Inside Doctor Who Silkscreen Print by Tracie Ching The Bigger on the Inside Doctor Who silkscreen print by Tracie Ching is a stunning tribute to the 50th anniversary of one of the most beloved science fiction series of all time. This limited edition hand-pulled screenprint, created in 2013, captures the essence of the Doctor’s iconic time-traveling spaceship, the TARDIS, in a striking, layered composition. Signed and numbered on the back, with only 40 pieces in existence, this artwork blends the aesthetics of street pop art & graffiti artwork with a futuristic, almost hypnotic approach. The silkscreen technique used in its production gives it a rich texture and depth, making it a visually dynamic piece that feels both nostalgic and contemporary. The Visual Concept and Design of the Print Tracie Ching’s interpretation of the TARDIS plays with the idea of movement and time distortion, two core elements of the Doctor Who universe. The print features multiple overlapping images of the blue police box, creating a cascading effect that suggests the ship is phasing between dimensions. The sharp geometric edges and high-contrast lighting add to the sense of kinetic energy, making the artwork feel alive. The deep blue tones, combined with a carefully executed halftone shading technique, give the piece a sense of atmospheric depth that resonates with the mystery and excitement of time travel. Typography plays a significant role in the composition, with the words Doctor Who presented in a clean, futuristic style. The incorporation of the show’s logo and the phrase The Fiftieth Anniversary at the bottom of the print reinforces the celebratory nature of the piece. The minimalistic yet bold approach allows the TARDIS to remain the focal point while still acknowledging the historic milestone of the series. This balance between graphic design and artistic craftsmanship makes the print stand out as both a collectible and a striking work of contemporary street pop art & graffiti artwork. The TARDIS as an Icon in Street Pop Art & Graffiti Artwork The TARDIS has long been a subject of fascination in street pop art & graffiti artwork, representing adventure, escape, and the limitless possibilities of time and space. Street artists have often depicted it in murals, stencils, and wheatpaste posters, placing it in unexpected urban settings to create the illusion of it materializing in the real world. The police box design itself is an iconic image, instantly recognizable even to those unfamiliar with Doctor Who, making it a powerful visual symbol in public art. Ching’s rendition of the TARDIS takes this concept further by exploring its metaphysical properties. By illustrating the police box as if it is shifting between different moments in time, the print mirrors the way graffiti and street art function—temporary, ever-changing, and existing in multiple states of being. The overlapping layers of the TARDIS in the print reflect the way street art often builds upon itself, with artists adding new tags, designs, and textures to existing works, creating an evolving canvas of visual storytelling. This parallel between time travel and the fluid nature of street pop art & graffiti artwork reinforces the TARDIS as more than just a sci-fi artifact but as a symbol of artistic reinvention. The Significance of the Limited Edition Screenprint As part of a hand-pulled silkscreen print edition, Bigger on the Inside carries a unique craftsmanship that digital reproductions cannot replicate. The layering of ink, the texture of fine art paper, and the precision of the printing process all contribute to its distinctiveness. With only 40 pieces available, the artwork is an exclusive collector’s item that merges the fandom of Doctor Who with the aesthetics of street pop art & graffiti artwork. The limited edition nature of the print increases its desirability, ensuring that each piece holds value both as a cultural artifact and as a work of fine art. Tracie Ching’s ability to merge pop culture with intricate, modern design techniques makes this silkscreen print a standout piece in the world of contemporary urban art. Her vision of the TARDIS encapsulates the excitement and wonder of Doctor Who while pushing the boundaries of visual storytelling. Through its dynamic composition, rich textures, and conceptual depth, this artwork serves as a testament to the power of combining science fiction mythology with the expressive, ever-evolving world of street pop art & graffiti artwork.

    $275.00

  • Murphys Law Silkscreen Print by Tim Doyle

    Tim Doyle Murphys Law Silkscreen Print by Tim Doyle

    Murphys Law Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Tim Doyle. 2012 Signed & Numbered Limited Edition of 150 Series 2 Artwork Size 18x24 Tim Doyle "Murphy Delivers the Law" 4 color screenprint on 100# cougar signed and numbered edition of 150 18" x 24"

    $236.00

  • Sale -36% Cubs Leaders WW2 Troop Motorcycle Cop Cubs Original Collage Baseball Card Art by Pat Riot

    Pat Riot Cubs Leaders WW2 Troop Motorcycle Cop Cubs Original Collage Baseball Card Art by Pat Riot

    Cubs Leaders- WW2 Troop Motorcycle Cop- Cubs Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Cubs Leaders- WW2 Troop Motorcycle Cop- Cubs

    $25.00 $16.00

  • Hopper Taos Deckled Serigraph Print by Aelhra

    Aelhra Hopper Taos Deckled Serigraph Print by Aelhra

    Hopper Taos- Hand Deckled Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 Artist: Aelhra Technique: Serigraph Size: ca. 18" X 24" Markings: Signed & Numbered Hand Deckled Edition

    $225.00

  • Sale -25% Kissing Coppers Platinum Polystone Sculpture by Brandalised

    Brandalism & Brandalised Kissing Coppers Platinum Polystone Sculpture by Brandalised

    Kissing Coppers- Platinum Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2022 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual-identities by society and humanising a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love.

    $620.00 $465.00

  • Sale -35% Cornetto Trilogy Hot Fuzz Lithograph Print by Patrick Connan

    Patrick Connan Cornetto Trilogy Hot Fuzz Lithograph Print by Patrick Connan

    Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

    $106.00 $69.00

  • Sadistic Dog Walker- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Sadistic Dog Walker- Red Silkscreen Print by Shepard Fairey- OBEY

    Sadistic Dog Walker- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Screen Print SADISTIC DOG WALKER (RED) 24 inches by 33 inches Edition of 450 November 15, 2021 I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of police dogs being used to attack civil rights protesters, which contrasts intensely with the blissful perspective of white dog owners who pamper their dogs and hire dog walkers. Some of us never have to think about how the police abuse their power more frequently in non-white and lower-income communities. This “Sadistic Dog Walker” image encourages us to be aware of the “two Americas.” – Shepard

    $474.00

  • Rick Grimes Chillin Original Graphite Drawing by Mark Hammermeister

    Mark Hammermeister Rick Grimes Chillin Original Graphite Drawing by Mark Hammermeister

    Rick Grimes Chillin Original Pencil Graphite Hand Drawing on Thin Fine Art Paper by modern trending street art artist Mark Hammermeister. 2014 Signed Orignal Graphite Art Drawing of Rick Grimes from Walking Dead TV Show in Police Uniform. Walking Dead as a Subject in Street Pop Art & Graffiti Artwork The Walking Dead has become a significant influence in Street Pop Art & Graffiti Artwork, inspiring artists to reinterpret its characters, themes, and dystopian imagery through bold, urban aesthetics. As one of the most culturally impactful television series and comic book franchises of the modern era, its dark, post-apocalyptic world naturally lends itself to the visual language of street art. The show’s themes of survival, morality, and chaos resonate with the rebellious spirit of graffiti and pop-inspired street prints, making it a popular subject for murals, screenprints, and stencil-based artwork. Whether portraying its iconic characters or referencing its haunting themes of destruction and resilience, artists have embraced the series as a symbol of defiance and endurance within the contemporary art landscape. Iconic Characters and Visual Symbolism The Walking Dead is known for its deeply developed characters, many of whom have become icons in Street Pop Art & Graffiti Artwork. Figures like Rick Grimes, Daryl Dixon, and Michonne are often depicted in large-scale murals and limited-edition screenprints, their likenesses reimagined through stencil techniques, halftone textures, and bold color blocking. The gritty nature of their survival journeys aligns with the aesthetic of urban street art, where raw, high-contrast visuals carry emotional depth. Many artists incorporate religious iconography into their portrayals, casting characters as saints or mythological figures, reinforcing the show’s themes of sacrifice and redemption. The recurring imagery of skulls, decayed landscapes, and haunting typography further enhances the apocalyptic aesthetic, making each piece feel like a relic of a world lost to chaos. Street Pop Art & Graffiti Artwork Techniques Many artists working within Street Pop Art & Graffiti Artwork utilize stencil layering, wheatpaste posters, and screenprinting to bring The Walking Dead to life in urban spaces. The stark contrast between life and death in the series is mirrored through aggressive black-and-white compositions, blood-red accents, and distressed textures that resemble decaying posters on city walls. The use of metallic inks and high-gloss overlays adds a contemporary element, elevating these works beyond traditional graffiti into fine art print editions. Some murals blend realistic portraiture with exaggerated comic book elements, reflecting the franchise’s roots in graphic novels while maintaining the expressive freedom of street art. The inclusion of text from the series, often in bold, distressed fonts, serves as a reminder of the existential struggles faced by the characters and the real-world anxieties mirrored in the show’s dystopian themes. Cultural Impact and Artistic Relevance The Walking Dead has left an indelible mark on Street Pop Art & Graffiti Artwork by serving as a powerful metaphor for survival, societal collapse, and human resilience. Its presence in street murals, silkscreen prints, and mixed-media works speaks to its ability to connect with audiences beyond television, influencing a visual culture that thrives on rebellion and reinvention. Artists continue to reinterpret its imagery, using its themes to comment on contemporary issues such as isolation, fear, and the fight for hope in a fractured world. The enduring visual impact of The Walking Dead within street art ensures that it remains a source of inspiration for those who seek to capture the raw, visceral emotion that defines both the series and the urban artistic movement.

    $350.00

  • Sale -35% True Detective Giclee Print by Conrad Roset

    Conrad Roset True Detective Giclee Print by Conrad Roset

    Bird Oysho Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

    $106.00 $69.00

  • Sale -25% Kissing Coppers Gold Rush Polystone Sculpture by Brandalised

    Brandalism & Brandalised Kissing Coppers Gold Rush Polystone Sculpture by Brandalised

    Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

    $620.00 $465.00

  • 3 Lil Piggies Pink Pasadena HPM Silkscreen Print by OG Slick

    OG Slick 3 Lil Piggies Pink Pasadena HPM Silkscreen Print by OG Slick

    3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

    $1,938.00

  • Frank Sinatra Mugshots Pair AP HPM Serigraph Print by Steve Kaufman SAK

    Steve Kaufman SAK Frank Sinatra Mugshots Pair AP HPM Serigraph Print by Steve Kaufman SAK

    Frank Sinatra Mugshots Pair Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas Framed by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2007 Oil on canvas Custom Guilded Frame. When stretched it should be about 24”-30” Brightly colored In good condition. Signed on verso. Great image. Frank Sinatra was arrested by the Bergen County, New Jersey sheriff in 1938 and charged with carrying on with a married woman (yes, you could get popped for that

    $2,188.00

  • Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson

    Cleon Peterson Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson

    Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Cleon Peterson's Gritty Reflection in "Cruelty Is the Message Bone" "Cruelty Is the Message Bone," a powerful silkscreen print by Cleon Peterson, presents a stark tableau as provocative as it is aesthetically arresting. Released in 2024, it forms part of a limited edition of 125 pieces, each bearing the artist's signature and individual number, confirming its exclusivity and importance in contemporary art. This artwork, measuring 44x14 inches, is printed on hand-deckled 290gsm Coventry Rag fine art paper, underscoring Peterson's commitment to quality and durability in his works. Dissecting the Visual Language of Conflict Peterson's monochromatic palette, dominated by bone-like whites and unforgiving blacks, delves into the dichotomy of chaos and order, power and vulnerability. Each figure is interlocked in scenes of violence and domination, creating a narrative that reflects on the inherent brutality within societal structures. The artwork resonates with the rawness of street pop art and graffiti artwork, carrying an unfiltered expression of human behavior stripped to its most primal forms. The imagery in "Cruelty Is the Message Bone" is characteristic of Peterson's oeuvre, wherein themes of conflict, authority, and aggression are recurrent. He employs a visual lexicon that is both universal and timeless, drawing parallels between historical cycles of power and contemporary instances of systemic violence. Peterson's work is a commentary not only on the societal but also on the personal realms of struggle and survival. The Impact of Peterson's Silkscreen on Street Art Discourse Peterson's work stands at the intersection of fine art and street art, drawing the meticulousness of printmaking into the often fleeting world of graffiti art. "Cruelty Is the Message Bone" is a testament to the potential of street pop art to transcend its origins and find a place within the more traditional art settings, all while retaining its edge and ability to provoke thought. The limited edition print's presence in the art market is a reminder of the genre's evolving dynamics, showcasing the shifting boundaries between high art and street art. With his stark depictions, Cleon Peterson captures the essence of the times, challenging viewers to confront uncomfortable truths about the world and their role within it. Cleon Peterson's "Cruelty Is the Message Bone" is a striking embodiment of the spirit of street pop art and graffiti artwork. It is a visual feast that delves into the depths of societal unrest and personal upheaval, serving as a mirror to the chaos and order that define the human condition. With its distinctive style and provocative themes, Peterson's work continues to contribute to the conversation around art's role in reflecting and shaping the socio-political landscape.

    $1,787.00

  • Revandalism Red Silkscreen Print by Outis

    Outis Revandalism Red Silkscreen Print by Outis

    Re-Vandalism- Red 11-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Outis Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Edition 44 by the Artist Outis Red Variant 11 Colour Screen Print on Somerset 300 gsm paper. 70 x 52cm Artwork of a Graffiti Tag Throw Up in an Art Gallery Industrial Setting with a Crowd of People Taking Photos and Admiring Street Art. Re-Vandalism Red by Outis Re-Vandalism Red is a powerful and thought-provoking 11-color hand-pulled silkscreen print created by the enigmatic street pop artist Outis. Released in 2015 as a limited edition of just 44 pieces, this print blends the rebellious essence of graffiti artwork with the refined setting of an art gallery. Measuring 70 x 52 cm and printed on 300gsm Somerset Satin paper, the artwork explores themes of urban expression, cultural acceptance, and the evolving relationship between street art and institutionalized fine art. A Bold Commentary on Art and Culture This print depicts a striking scene of a graffiti tag in vibrant red, styled in a throw-up fashion, prominently displayed on a pedestal in an art gallery. The setting, complete with an admiring crowd, detailed framed classical paintings, and a security guard, creates a fascinating juxtaposition. The red graffiti text boldly declares "Street Art" against a brick wall background, challenging viewers to reconsider how street pop art and graffiti artwork are perceived when placed in a traditional fine art context. The vibrant red serves as a focal point, drawing attention to the clash between the raw energy of urban art and the polished atmosphere of the gallery. The Artistic Vision of Outis Outis, whose name references the Greek word for "nobody," is a mysterious figure celebrated for his sharp social commentary and unique approach to street pop art. His work often critiques societal norms, highlighting the shifting boundaries between vandalism, rebellion, and art. Re-Vandalism Red encapsulates this ethos by placing street art in a space traditionally reserved for fine art, questioning notions of legitimacy, value, and cultural hierarchy. The use of meticulous 11-color silkscreen printing demonstrates Outis’ commitment to craftsmanship while maintaining the raw edge of graffiti-inspired themes. A Limited Edition Collectible Re-Vandalism Red is part of a highly exclusive limited edition of 44 prints, each signed and numbered by Outis. The use of high-quality 300gsm Somerset Satin paper ensures that the vibrant colors and intricate details are preserved, making the piece both visually striking and enduring. The relatively large size of the artwork enhances its presence, making it a standout addition to any collection of contemporary art. The combination of its limited availability, bold visual narrative, and cultural significance elevates it to the status of a prized collectible. Re-Vandalism Red by Outis is a celebration of the transformative power of street pop art and graffiti artwork. By placing graffiti in an institutionalized art setting, it challenges viewers to rethink cultural biases and explore the evolving definitions of art. This limited-edition print is not just a work of art but a statement on the ongoing dialogue between tradition and rebellion, making it a must-have for collectors and enthusiasts alike.

    $598.00

  • The Cops Red Yellow Blotter Paper Archival Print by Niagara

    Niagara The Cops Red Yellow Blotter Paper Archival Print by Niagara

    The Cops- Red & Yellow Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. "We had a driving job delivering Porsches and Ferraris to writers in Los Angeles. The Colonel was an ex-race car driver. We never stopped for “The Cops’’ and never were caught...until the night of the following day." - Niagara

    $371.00

  • Sale -35% True Detective Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler True Detective Silkscreen Print by Jeremy Wheeler

    True Detective Limited Edition 1-Color Hand-Pulled Glow in the Dark Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

    $106.00 $69.00

  • Sale -35% Pleasure Paradise Giclee Print by Dxtr

    Dxtr Pleasure Paradise Giclee Print by Dxtr

    Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $150.00 $98.00

  • Revandalism Blue Silkscreen Print by Outis

    Outis Revandalism Blue Silkscreen Print by Outis

    Re-Vandalism- Blue 11-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Outis Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Edition 101 by the Artist Outis Blue Variant 11 Colour Screen Print on Somerset 300 gsm paper. 70 x 52cm Artwork of a Graffiti Tag Throw Up in an Art Gallery Industrial Setting with Crowd of People Taking Photos and Admiring Street Art. Re-Vandalism Blue by Outis Re-Vandalism Blue is an evocative 11-color hand-pulled silkscreen print created by Outis, a highly regarded name in street pop art and graffiti artwork. Released in 2015, this signed and numbered limited edition of 101 showcases Outis’ bold commentary on the intersection of street art and traditional fine art. Printed on 300gsm Somerset Satin paper, this 70 x 52 cm masterpiece features a vibrant blue graffiti throw-up displayed prominently in a gallery setting, surrounded by an admiring crowd. The work brilliantly merges the raw energy of graffiti with the refined context of an art gallery, challenging the boundaries of artistic expression. A Bold Statement in Street Pop Art Re-Vandalism Blue captures the tension between institutionalized art and the raw, rebellious spirit of graffiti. The central focus is a graffiti tag in vibrant blue, styled in the form of a throw-up, boldly displayed in an ornate gallery setting typically reserved for classical works. The juxtaposition of the urban art form against a backdrop of framed masterpieces creates a thought-provoking visual narrative. A crowd of people, depicted in detailed black-and-white, stands in awe, snapping photos and admiring the piece, highlighting the growing acceptance and appreciation of street art as a legitimate art form. The Visionary Creativity of Outis Outis, a mysterious figure in the street art world, is celebrated for his ability to bridge the worlds of graffiti artwork and pop art. His work often explores themes of identity, rebellion, and the evolving perception of urban art within mainstream culture. Re-Vandalism Blue exemplifies Outis’ talent for blending sharp social commentary with visually arresting imagery. The title itself suggests a reclamation of graffiti’s roots while placing it in a context that forces viewers to rethink its role in the art world. Through this piece, Outis blurs the lines between vandalism and fine art, creating a dialogue that resonates deeply within contemporary art circles. A Collectible Masterpiece The limited-edition nature of Re-Vandalism Blue enhances its appeal among collectors. With only 101 pieces in existence, each signed and numbered by the artist, this artwork is a rare and valuable addition to any collection. The 11-color silkscreen printing technique results in vibrant, textured imagery that draws the viewer’s eye, while the high-quality 300gsm Somerset Satin paper ensures its durability and premium presentation. The large format of the piece further amplifies its impact, making it a striking centerpiece in any collection or exhibition. Re-Vandalism Blue by Outis is a compelling piece that celebrates the power of graffiti artwork while critiquing its institutionalization. The combination of bold visuals, cultural commentary, and limited availability makes this artwork a testament to the enduring relevance and versatility of street pop art in the modern art landscape.

    $483.00

  • Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY

    Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.

    $6,126.00

  • Hands Up Green Silkscreen Print by Sever

    Sever Hands Up Green Silkscreen Print by Sever

    Hands Up- Green Limited Edition 11-Color Hand-Pulled Silkscreen Print on 50pt Chipboard by Sever Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Hands Up," a limited edition artwork by Sever, is a compelling embodiment of the street pop art and graffiti movement. This 9-color hand-pulled silkscreen print, created on robust 50pt chipboard, showcases Sever's intelligent approach to modern pop art through street-inspired graphics. Completed in 2016, each piece within the limited edition of 50 is meticulously signed and numbered by the artist, marking its authenticity and exclusivity in the world of collectible art. The artwork, measuring 24x18 inches, presents a flipped police car with the words "Police" clearly visible, surrounded by a crowd of silhouetted figures with their hands raised. The scene is both a graphic exploration of form and color and a stark commentary on the societal tensions and confrontations that have become synonymous with street protests and public demonstrations. Sever uses the visual language of graffiti, with its bold lines and vivid colors, to capture the intensity and energy of such moments, transforming them into a statement that resonates on both aesthetic and sociopolitical levels. "Hands Up" is not merely a reflection of Sever's skills as an artist but also a mirror to the times, capturing the essence of street art's ability to comment on and engage with current events. The artwork's raw and expressive style is characteristic of Sever's oeuvre, often characterized by a blend of satire and critique leveled at modern society's issues. Through works such as "Hands Up," Sever contributes to the broader narrative of street pop art and graffiti artwork, continually serving as a barometer for cultural sentiment and a platform for expression within the urban landscape.

    $371.00

  • Eyes On The King Verdict Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Eyes On The King Verdict Silkscreen Print by Shepard Fairey- OBEY

    Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

    $384.00

  • Frank Sinatra Mug Shot Rainbow AP HPM Serigraph Print by Steve Kaufman SAK

    Steve Kaufman SAK Frank Sinatra Mug Shot Rainbow AP HPM Serigraph Print by Steve Kaufman SAK

    Frank Sinatra Mug Shot- Rainbow Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from artist in 2005

    $4,011.00

  • Graffiti Dream Silkscreen Print by Mr André Saraiva

    Mr André Saraiva Graffiti Dream Silkscreen Print by Mr André Saraiva

    Graffiti Dream 2-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb Cougar Fine Art Paper by Rare Street Art Famous Pop Artwork Artist Mr André. Andre Saraiva Graffiti Dream 24" x 36" 4 Color Hand-Pulled Screen Print on Cougar White 100 lb cover Edition of 150 Signed and numbered by Andre

    $371.00

  • Razor Gun Silkscreen Print by Maximilian Wiedemann

    Maximilian Wiedemann Razor Gun Silkscreen Print by Maximilian Wiedemann

    Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

    $224.00

  • Mugshot Original Acrylic on Wood Painting by AL Grime

    AL Grime Mugshot Original Acrylic on Wood Painting by AL Grime

    Mugshot Original Acrylic on Wood Panel Painting by AL Grime One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Original Painting Size 12x12 AL Grime's Mastery of Medium and Form "Mugshot," an original acrylic on wood panel painting by AL Grime, represents a compelling fusion of the raw essence of street art with the meticulous detail of fine art. Created in 2023, this signed 12x12 inch painting epitomizes the spirit of Street Pop Art and graffiti Artwork with its one-of-a-kind portrayal that captures the attention of art critics and enthusiasts alike. AL Grime demonstrates a profound command over acrylics, utilizing its versatility to produce stark contrasts and nuanced textures that give "Mugshot" its life-like depth and intensity. The wood panel is an unconventional canvas that adds a natural texture to the artwork, echoing the often improvised surfaces used in street art. The artwork's aesthetic is a complex interplay of geometric and organic forms, creating a visual language that speaks to the chaos and order found within urban environments. This dichotomy is a hallmark of graffiti art, which often finds beauty in the overlap of the planned and the spontaneous. AL Grime's "Mugshot" is no exception, with its layered composition that invites viewers to delve into a deeper narrative beyond the surface. Innovation in Street Art As a piece of modern Street Pop Art and graffiti Artwork, "Mugshot" does more than occupy space; it serves as a cultural commentary, reflecting the artist's perspective on contemporary issues. The title suggests an exploration of identity and perception, themes that are recurrent in AL Grime's body of work and resonate with the broader discourse in modern art. AL Grime's innovative approach to traditional portraiture through "Mugshot" showcases the evolving nature of street art. The fragmented, almost digital-like representation challenges conventional concepts of portraiture, blending them with the disruptive energy of street art to create something entirely new and thought-provoking. The impact of "Mugshot" within the art community is underscored by its originality and the artist's signature, marking it as a significant piece within the Street Pop Art and graffiti Artwork movement. It stands as a testament to the enduring nature of street art and its capacity to push the boundaries of artistic expression continually. "Mugshot" by AL Grime is a powerful representation of contemporary art's intersection with street culture, offering a fresh perspective on the medium of acrylic painting and the traditional wood panel. It exemplifies the transformative potential of street art and its ability to convey complex narratives through a visually striking and accessible form.

    $2,188.00

  • Sale -35% Crime is a disease. Meet the cure Giclee Print by Joe Vetoe

    Joe Vetoe Crime is a disease. Meet the cure Giclee Print by Joe Vetoe

    Crime is a disease. Meet the cure. Limited Edition Giclee Print on Fine Art Paper by Joe Vetoe counter-culture street artist art. Based on the Sylvester Stallone classic 1980s movie Cobra.

    $106.00 $69.00

  • The Cops Blue Cobalt Blotter Paper Archival Print by Niagara

    Niagara The Cops Blue Cobalt Blotter Paper Archival Print by Niagara

    The Cops- Blue & Cobalt Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. "We had a driving job delivering Porsches and Ferraris to writers in Los Angeles. The Colonel was an ex-race car driver. We never stopped for “The Cops’’ and never were caught...until the night of the following day." - Niagara

    $371.00

  • Sale -35% Peanuts Runner Snoopy Spinner Giclee Print by Raid71

    Raid71 Peanuts Runner Snoopy Spinner Giclee Print by Raid71

    Peanuts Runner Snoopy Spinner Giclee Print by Raid71 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 5x5 Giclee Print by Raid71 Peanuts Charlie Brown x Blade Runner. "Peanuts" is a popular American comic strip created by Charles M. Schulz that was first published on October 2, 1950. The strip revolves around a group of children, with the central character being Charlie Brown, who is often accompanied by his pet beagle, Snoopy. The strip explores themes such as friendship, love, and the challenges of growing up. "Peanuts" has become one of the most popular and influential comic strips in history, and its characters are widely recognized and loved around the world. "Blade Runner" is a science fiction film directed by Ridley Scott that was released in 1982. The film is set in a dystopian future in which genetically engineered beings called replicants have been created to perform dangerous or undesirable jobs on off-world colonies. When a group of replicants escape and come to Earth, a specialized police officer called a blade runner is tasked with hunting them down and "retiring" them. The film explores themes such as the nature of humanity, the ethics of creating artificial life, and the consequences of technological advancement. "Blade Runner" has become a cult classic and is widely regarded as one of the most influential science fiction films ever made.

    $89.00 $58.00

  • Anti-Graffiti Propaganda Case Study No.1 Archival Print by Roger Gastman

    Roger Gastman Anti-Graffiti Propaganda Case Study No.1 Archival Print by Roger Gastman

    Anti-Graffiti Propaganda Case Study No.1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Roger Gastman Graffiti Street Artist Modern Pop Art. "This piece continues within the Tools of Criminal Mischief series of spray paint cans and markers prints that I've been doing with 1xRun. I have a large collection of anti-graffiti paraphernalia: pamphlets, signs, pins, tee shirts, etc. This image was revisited and fine-tuned in 2013 but it's taken years and years of collecting and digging along with close friends sending me stuff. I am always on the hunt for more. A few years ago, Caleb Neelon and I wrote a book for Harper Collins, "The History of American Graffiti" and the endsheet patterns for that book were a collage of the items on this print. Whenever I give someone the book or they see it somewhere, they love the end sheet patterns and want to know more about it and how I got all of the items. I decided to open the files back up and add some color and re-envision the design to create a collage of the anti-graffiti propaganda. " - Roger Gastman

    $233.00

  • Riot Cop 100% & 400% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Brandalism & Brandalised Riot Cop 100% & 400% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Riot Cop 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toy Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

    $314.00

  • The Disappeared Silkscreen Print by Cleon Peterson

    Cleon Peterson The Disappeared Silkscreen Print by Cleon Peterson

    The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

    $759.00

  • The Juice is Loose Skateboard Art Deck by Hot Fire For Hire

    Hot Fire For Hire The Juice is Loose Skateboard Art Deck by Hot Fire For Hire

    The Juice is Loose Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Hot Fire For Hire.

    $269.00

  • Fame City Giclee Print by Ces

    Ces One- Rob Provenzano Fame City Giclee Print by Ces

    Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

    $664.00

  • Conqueror Blue Silkscreen Print by MAD

    Mad Conqueror Blue Silkscreen Print by MAD

    Conqueror- Blue Hand-Pulled 5-Color Silkscreen Print on 300gsm Bristol Fine Art Paper by Pop Graffiti Artist MAD Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 15 Artwork Size 15.69x15.75

    $371.00

  • Robocopus Hypercubus Silkscreen Print by Tim Doyle

    Tim Doyle Robocopus Hypercubus Silkscreen Print by Tim Doyle

    Robocopus Hypercubus Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Bijou Metro & Blunt Graffix event, Eugene OR. Tim Doyle’s hit mash-up between religious icons Robocop and Salvador Dali. This hand-printed 18×24 silkscreen poster is signed and numbered by the artist in an edition of only 100 worldwide.

    $236.00

  • Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick

    OG Slick Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick

    Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Limited Edition Pop Artwork Street Artist Fine Art. 2023 Signed COA Mixed Media Helmet With Stand Sculpture Limited Edition of 25 Riot Piggy Helmet Sculpture Clean Edition Sculpture by OG Slick Box Painted Cast Resin Helmet with Stand 8x12x10 & Hand Painted Hard Shell, Case Box Handcrafted in the United States, each helmet in this collection presents an impeccable blend of craftsmanship and art. These are not mere protective gear but artistic masterpieces crafted from cast resin, then painted meticulously to perfection. This collection is an exclusive edition limited to only 25 pieces worldwide. Each helmet is created on a 1/1 scale, adding to the authenticity and value of the piece. Along with the helmet, you'll receive a specially designed stand, perfect for display and showcasing the intricate details of the piece. Moreover, to assure its legitimacy and value, each piece is accompanied by a Certificate of Authenticity (COA) signed personally. This attests to the meticulous attention to detail and the high craftsmanship invested in each helmet. This is not just a purchase; it's an investment in a piece of art that blends functionality with aesthetics, transcends the norm, and breaks the boundaries of traditional design. It's a true testament to American craftsmanship, brought to life through cast resin.

    $2,712.00

Police & Cops Graffiti Street Pop Artwork

Authority in Art: Police Depictions in Street Pop Art and Graffiti

The imagery of police and law enforcement has been a significant and provocative subject within street pop art and graffiti. Artists often utilize the symbol of the police officer to discuss power structures, critique social issues, and express a range of emotions from respect to resistance within their work.

Authority Figures in Urban Art Narratives

In the narrative of urban art, the figure of the police officer often appears as a symbol of authority. Their depiction can vary greatly among artists and artworks. For some, police are portrayed as guardians, contributing to the safety and order of city life. For others, they become representations of state power and are depicted in ways that critique their role in societal control and surveillance.

Cultural Commentary Through Police Imagery

Street pop art and graffiti have long been mediums for cultural commentary, and the depiction of police within these forms is particularly charged. In this context, police can be portrayed heroically, satirically, or even villainously, depending on the artist’s message. The representation of police in urban art often reflects current events and societal tensions, making it a form of real-time historical documentation.

Graffiti and Street Art as Dialogue with Law Enforcement

The act of creating graffiti itself can be a point of contention with law enforcement, as it often falls in legal gray areas. This relationship adds a layer of complexity to the depiction of police in street pop art, where the very act of painting can be seen as an act of defiance against the authority that police represent. In many cases, artists use their work to engage in a visual dialogue about the role of policing, creating pieces that respond to the community's perceptions and interactions with law enforcement.

Pop Art's Influence on Police Portrayals

Pop art's influence extends into the portrayal of police, often using bold colors and recognizable iconography to draw attention to their presence within society. The use of pop art aesthetics can serve to amplify the impact of the artwork’s message, whether it is a critique or an endorsement of police and their role.

Police in Street Art: A Reflective Mirror

Street art often serves as a reflective mirror of society, and depictions of police within this art form can reveal much about a community's relationship with law enforcement. These artworks can evoke conversations, challenge perceptions, and sometimes even offer a space for healing and understanding between the public and police. In the evolving canvas of the urban landscape, depictions of police in street pop art and graffiti are a testament to the nuanced and sometimes contentious relationship between authority and expression. As street artists continue to engage with this theme, the portrayal of police in their work remains a powerful commentary on community, power, and the role of art in society.
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