President Abraham Lincoln

5 artworks

  • Oscura AP Archival Print by Peter Van Flores

    Peter Van Flores Oscura AP Archival Print by Peter Van Flores

    Oscura Raised Semi-Gloss Ink Archival Pigment Fine Art Artist Proof Print on Heavy Kraft Paper by Artist Peter Van Flores, Street Pop Art Graffiti Legend. AP Artist Proof Signed 2017 Oscura Print. 13x19, Raised Semi-Gloss Ink on Heavy Kraft Paper

    $213.00

  • Lincoln Selleck Act Like Ya Know Silkscreen Print by Eddie Colla

    Eddie Colla Lincoln Selleck Act Like Ya Know Silkscreen Print by Eddie Colla

    Lincoln-Selleck- Act Like Ya Know 2-Color Hand-Pulled Limited Edition Silkscreen Print on Speckletone Recycled Paper by Eddie Colla Rare Street Art Famous Pop Artwork Artist. This 25"x19" 3 color hand screen printed poster features 2 great American icons. Abraham Lincoln and Tom Selleck, the dream team. They stand in all their glory against the backdrop of The Bay Bridge and Twin Peaks. Also featured is the Ferrari 308 GTS from Magnum P.I. The poster is screened in Black, Dark Red, and Metallic gold on 80lb Cover Speckletone recycled from the French Paper Company. Forget Crockett and Tubbs, act like ya know.

    $134.00

  • Lincoln Obama 15 President Barrack Vinyl Art Sculpture by Ron English

    Ron English- POPaganda Lincoln Obama 15 President Barrack Vinyl Art Sculpture by Ron English

    Lincoln Obama 15 President Barrack Vinyl Art Sculpture by Ron English- POPaganda Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2008 Limited Edition of 50 Artwork Size 10x15 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture. Ron English- POPaganda – Abraham Obama Vinyl Sculpture in Street Pop Art & Graffiti Artwork Ron English- POPaganda’s Abraham Obama vinyl art sculpture is one of the most audacious and conceptually layered pieces in the evolution of Street Pop Art & Graffiti Artwork. Created in 2008 during the height of President Barack Obama’s first campaign, this limited edition collectible (edition of 50) merges two of America’s most culturally significant presidents—Abraham Lincoln and Barack Obama—into a singular hybrid bust. Standing 10 inches tall by 15 inches boxed, and produced in vinyl by MINDstyle, this figure embodies Ron English- POPaganda’s signature approach: visual collision, political parody, and cultural remix, all filtered through the lens of pop surrealism and graffiti-inspired fine art. The sculpture presents Obama with Lincoln’s iconic facial hair and historical attire, challenging the viewer to reexamine not only the legacy of leadership but also the collective symbols of American hope and progress. The packaging reinforces this fusion with a bold, saturated yellow and green colorway and English’s graffiti-styled hand lettering. It’s equal parts street culture artifact and fine art satire. With this work, English transforms campaign-era idealism into a collectible statement piece, collapsing timelines and creating a new icon meant to provoke, amuse, and unsettle. Visual Satire and Political Remix in 3D Form This sculpture is more than a mashup—it’s a sculptural commentary on how America constructs its heroes. By merging Lincoln, the president who ended slavery, with Obama, the first Black president of the United States, Ron English- POPaganda uses Street Pop Art’s remix culture to speak directly to race, legacy, and the mythology of leadership. The fusion is visually seamless yet conceptually jarring, forcing viewers to ask whether America’s dreams of progress are genuine or simply surface-level branding. English has long employed pop culture icons in his work—Mickey Mouse, Ronald McDonald, superheroes—manipulating them into grotesque or exaggerated versions of themselves. In Abraham Obama, however, the satire is more refined, bordering on reverence while still critiquing the idealization of political figures. It questions whether Obama’s image was being mythologized in real time, turning him into an icon before history could judge the substance of his presidency. That complexity is central to graffiti and pop-infused art: using popular imagery not to worship, but to dissect. Street Culture Meets Designer Toy Aesthetic As part of the collectible art toy movement, Abraham Obama also bridges the gap between street-level art and gallery collectible culture. The piece follows a lineage of vinyl sculpture rooted in graffiti aesthetics, lowbrow art, and limited edition consumer drops. Much like street art stickers and mural culture, these figures carry the urgency of ephemera and rebellion—but rendered in high-quality materials with gallery-level craft. The use of vinyl makes the work accessible in both material and tone, a tactile evolution of street pop's visual ethos. These types of sculptures are the three-dimensional cousins of stenciled posters and wheatpasted satire, designed to occupy the same cultural headspace while entering private collections. Like a Banksy piece pulled from a wall, Abraham Obama is designed to be portable without losing its streetwise edge. Legacy of Political Pop in Urban Visual Culture Ron English- POPaganda’s Abraham Obama is one of the most definitive statements of political remix in the contemporary art landscape. It belongs to a genre that not only challenges political narratives but also reframes how visual culture mythologizes leadership. In the hands of a graffiti pop veteran like English, the sculpture becomes more than a novelty—it becomes an archive of American hopes, contradictions, and media-driven spectacle. Within the expanding lexicon of Street Pop Art & Graffiti Artwork, Abraham Obama stands as a hybrid icon—part toy, part bust, part satire, part prayer. It encapsulates the power of street-level aesthetics to shape and reflect the nation’s deepest cultural tensions, all while making it possible to hold a piece of visual revolution right in your hands.

    $500.00

  • Mount Rushmore AP Archival Print by Scott Listfield

    Scott Listfield Mount Rushmore AP Archival Print by Scott Listfield

    Mount Rushmore AP Artist Proof Archival Pigment Fine Art Limited Edition Print on 290gsm Coventry Rag Fine Art Paper by Artist Scott Listfield. AP Artist Proof 2020 Signed & Marked AP Size 18x26 Mount Rushmore, an iconic American monument, has been vividly reimagined in the stunning work of Scott Listfield. Known for his distinctive style, Listfield often juxtaposes familiar landscapes with unexpected elements, offering viewers a chance to reimagine the world around them. This particular piece, an AP Artist Proof from 2020, showcases Mount Rushmore in a new light, integrating it into an urban graffiti backdrop. The archival pigment fine art limited edition print is crafted on 290gsm Coventry Rag Fine Art Paper, emphasizing the intricate details and rich colors Listfield is renowned for. Listfield's approach to Mount Rushmore seamlessly merges pop art, street art, and graffiti art genres, pushing boundaries and challenging conventional representations of this monumental sculpture. The artist's decision to incorporate urban buildings and street graffiti at the base of the mountain not only adds depth and dimension to the artwork but also offers commentary on the ever-evolving nature of American culture and its intersection with urbanization and street aesthetics. Marked and signed as an AP, denoting its status as an Artist Proof, this print holds particular value for collectors and art enthusiasts. The size, 18x26, provides a broad canvas for the artist to explore detailed nuances, from the familiar faces on the mountain to the street signs and graffiti tags in the foreground. Listfield's depiction of a lone astronaut, a recurrent figure in many of his works, adds a layer of contemplation and perhaps even critique of American exploration and expansion. This piece, like much of Listfield's work, prompts reflection on societal change, historical reverence, and the evolving urban landscape.

    $532.00

  • Daredevil Sin Miedo AP Archival Print by Peter Van Flores

    Peter Van Flores Daredevil Sin Miedo AP Archival Print by Peter Van Flores

    Daredevil Sin Miedo Artist Proof Archival Pigment Fine Art Limited Edition Print on 80 Cover Stock Paper by Artist Peter Van Flores, Street Pop Art Graffiti Legend. AP Artist Proof Signed 2016 San Francisco Comic Con Daredevil Sin Miedo print. 16x20. Archival Ink on #80 Cover Stock Paper.

    $213.00

President Abraham Lincoln Graffiti Street Pop Artwork

President Abraham Lincoln in Street Pop Art & Graffiti Artwork

President Abraham Lincoln, the 16th president of the United States, has long been a potent symbol in American visual culture—and within the evolving world of Street Pop Art & Graffiti Artwork, his image has taken on new layers of meaning. Often depicted as the stoic emancipator and figurehead of national unity, Lincoln’s legacy continues to be dissected, repurposed, and reimagined by street and pop artists alike. From murals to collectible sculptures, artists use Lincoln not just as a historical subject, but as a cultural emblem through which themes of justice, identity, power, and American contradiction are explored. The image of Lincoln—top hat, beard, deep gaze—is instantly recognizable. This recognizability is key to his prevalence in pop and graffiti-influenced works. Artists use his likeness as a visual shorthand for honesty, revolution, or historical reflection. But they also manipulate and remix it to critique the very systems he once navigated. Lincoln appears in street art murals adorned with modern attire, cast in neon, or collaged against symbols of protest, making him a canvas for both homage and subversion.

Recontextualizing Lincoln Through Street Art Symbolism

In Street Pop Art, recontextualization is a core strategy. Ron English’s vinyl sculpture Abraham Obama exemplifies this, fusing Lincoln’s facial hair and clothing with Barack Obama’s face, forming a surreal hybrid that challenges linear ideas of progress and mythmaking. By merging two presidents associated with Black liberation and American ideals, English poses questions about legacy, race, and historical repetition. This fusion, rendered as a collectible sculpture and supported by a pop-artified promotional box, places Lincoln directly within the commercial-meets-political world that Street Pop Art thrives on. Street artists often employ Lincoln’s face in wheatpaste posters or stenciled works as a critique of modern politics. In some iterations, he appears alongside dollar bills—reminding viewers that the man who preserved the Union is now inseparable from America’s commercial mythology. Artists use his face to explore how historical figures are commodified, how their words are decontextualized, and how their images are used to promote ideologies they may not have endorsed.

Lincoln as a Canvas for American Duality

One reason Abraham Lincoln remains compelling in graffiti and pop-influenced art is the duality he represents. He is at once a liberator and a figure of war, a man of moral clarity and political calculation. This tension makes him an ideal subject for artists who thrive on contradiction. In urban murals, Lincoln is often juxtaposed with contemporary imagery—police brutality, protest signage, digital culture, or corporate logos—inviting viewers to draw connections between past ideals and present crises. Even his portrayal in color schemes—bold reds, stark blacks, distressed textures—evokes punk and protest art traditions. His face, when rendered in stencil or collage, becomes both monument and battleground. Artists do not simply celebrate Lincoln; they test him, reconstruct him, and force his legacy to speak in today’s language.

Street Pop Art as Historical Dialogue

The inclusion of Abraham Lincoln in Street Pop Art & Graffiti Artwork is not about nostalgia. It is about critical remembrance. Artists turn to Lincoln not just because he is revered, but because he remains unresolved. His legacy sits at the center of America's ongoing moral debates—about freedom, equity, division, and unity. By lifting him from marble memorials and inserting him into the chaotic surfaces of city walls, stickers, zines, and collectible sculpture, artists make Lincoln speak again—louder, sharper, and often with irony. In this way, Abraham Lincoln has become more than a figure of the past. He is an ongoing visual resource for artists who refuse to accept history at face value. His image, manipulated through the tools of street culture, serves as a reminder that even the most sacred symbols must be reexamined, remixed, and made to confront the present. That is the power of graffiti, street pop, and the artists who continue to transform icons into messages.
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