Princess & Queen

2 artworks

  • Once Upon A Time No More Lenticular Giclee Print by Mimi Yoon

    Mimi Yoon Once Upon A Time No More Lenticular Giclee Print by Mimi Yoon

    Once Upon A Time No More- Lenticular Holographic Changing Limited Edition Giclee Print on Vision Shifting Paper by Mimi Yoon Counter-Culture Street Artist Art. 2021 Signed Limited Edition Artwork Size 21x27

    $820.00

  • Once Upon A Time No More 2 Lenticular Print by Mimi Yoon

    Mimi Yoon Once Upon A Time No More 2 Lenticular Print by Mimi Yoon

    Once Upon A Time No More 2 Artwork Lenticular Giclee Limited Edition Print on Lenticular Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 2021 Signed & Numbered COA Lenticular Artwork Size 21x27. The image changes according to the direction of view. Chicago Dior, Nike Shoes. Pop culture, graffiti, and street art have been playing an instrumental role in the contemporary art scene, presenting unique takes on traditional motifs and embracing the amalgamation of different artistic forms. Mimi Yoon, a celebrated artist in this sphere, has achieved commendable success with her artwork titled "Once Upon A Time No More 2". This creation stands as a testament to her ingenious approach, seamlessly merging classic fairy tale imagery with modern cultural symbols. Rendered as a giclee print, a method renowned for its ability to reproduce color accurately and with high-resolution detail, the artwork is presented on lenticular fine art paper. This particular choice of medium is what sets "Once Upon A Time No More 2" apart. Lenticular printing is a technology that employs lenticular lenses to produce images with an illusion of depth or the ability to change when viewed from different angles. This dynamic visual effect means that the image morphs depending on the viewer's perspective, offering a multifaceted and interactive experience. Mimi Yoon's decision to use this technique infuses an element of dynamism and modernity into her artwork, allowing the narrative to evolve with the observer's movement. The subject matter of the artwork is both captivating and thought-provoking. It portrays a reimagined Cinderella, juxtaposed with the iconic Nike shoes from Chicago Dior, challenging the traditional Cinderella narrative where glass slippers play a pivotal role. This deliberate blend of a fairy tale princess with contemporary streetwear reflects a cultural shift, suggesting a modernized fairy tale where brand logos and urban style have a significant place. The presence of the bird and mouse, familiar figures from the Cinderella story, further intertwines the old with the new, cementing Yoon's narrative of a modern-day fairy tale. The year 2021 marked a milestone for "Once Upon A Time No More 2", as it was released as a limited edition piece. Each print carries the signature of Mimi Yoon, ensuring authenticity and a personal touch from the artist herself. Further enhancing its exclusivity, the artwork is accompanied by a Signed & Numbered Certificate of Authenticity. With dimensions of 21x27 inches, it's poised to be a statement piece, capturing attention and evoking discussions. Mimi Yoon's "Once Upon A Time No More 2" is more than just an artwork; it is a reflection on contemporary society's interplay with age-old tales. By positioning Cinderella in Nike shoes, Yoon not only challenges but also refreshes the narrative, making it relevant to today's audience. As a representation in the broader context of pop art, graffiti, and street art, this piece exemplifies how artists like Yoon are rewriting norms and pushing boundaries. It serves as a reminder that art is ever-evolving, constantly influenced by societal shifts, technological advancements, and the artist's own perspectives. Through "Once Upon A Time No More 2", Mimi Yoon invites observers to witness and engage with a fairy tale that is firmly rooted in today's zeitgeist.

    $737.00

Princess & Queen
Princesses and queens have long been a recurrent theme in popular culture, often symbolizing beauty, power, and status. In the world of contemporary art, particularly in pop art, street art, and graffiti, these figures have been adopted and reimagined, often with a touch of subversion or social commentary. Instead of depicting the traditional imagery of fairy tales and monarchies, artists delve into complex narratives, challenging norms and questioning societal constructs through their work. Pop art, a movement that emerged in the mid-20th century, draws inspiration from popular and commercial culture. Artists such as Roy Lichtenstein and Andy Warhol have used imagery from mass media and advertising, and similarly, princesses and queens have been depicted in this context. For instance, Warhol's iconic prints of Queen Elizabeth II, part of his "Reigning Queens" series, utilized the pop art style to portray the monarch in a different light, transforming her from a royal figure into a pop culture icon. This reflects pop art's essence, which often aims to blur the boundaries between 'high' art and 'low' culture. Similarly, in street art and graffiti, princesses and queens play a significant role. As a largely unregulated form of expression, these art forms offer artists the chance to provide commentary on social and political issues. Banksy, one of the most notable street artists, often includes powerful female figures in his work. His stenciled graffiti piece of Queen Victoria sitting on a woman's face is a perfect example of this approach, challenging the traditional depiction of queens and highlighting themes of sexuality and power dynamics. While Banksy uses satire to critique power, other artists like Shepard Fairey use these royal figures to promote empowerment and equality. Fairey's "Obey Giant" campaign, known for its iconic image of Andre the Giant, also features a queen figure as part of its imagery. This queen, with her crown replaced by the word "Obey," is a call to challenge authority and societal norms. In a different vein, the New York-based street artist Swoon uses the imagery of princesses and queens to explore themes of femininity and resilience. Her life-sized wheatpaste prints often feature women in regal, queen-like attire, yet in everyday, urban settings. Her work aims to celebrate the strength and beauty of women, positioning them as queens of their own domains. The work of these artists underscores the versatility of princess and queen imagery in pop art, street art, and graffiti. By reinterpreting these traditional figures, they challenge societal norms, question power structures, and celebrate female strength. They take symbols of royalty and transform them into something relatable and accessible, bridging the gap between the high-culture association of royalty and the everyday reality of the streets. In the world of graffiti and street art, the representation of princesses and queens goes beyond mere portraiture or iconography. It's about making statements, pushing boundaries, and challenging the status quo. Whether it's Banksy's satirical take on Queen Victoria, Shepard Fairey's queen figure as a symbol of rebellion, or Swoon's celebration of everyday queens, the princess and queen theme serves as a powerful tool for social commentary and critique. As we continue to witness the evolution of pop art, street art, and graffiti, the portrayal of princesses and queens will undoubtedly remain a vital part of the artistic discourse. These depictions, while drawn from traditional symbols of power and beauty, have been reimagined to resonate with contemporary audiences, offering insightful perspectives on society, culture, and the human experience. In this way, the princess and queen theme in these art forms serves as a reflection of our times, capturing the zeitgeist and opening dialogues on critical issues.
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