Print Fine Art

Slumscape Apps #8 Small Sponge Limited Edition Hand-Embellished HPM Archival Pigment Prints on Watercolor Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2021 Signed From a Series of 43 Unique archival pigment prints with a light touch of hand-embellished collage and watercolor Paper 13 x 20”, image 11.25 x 19” 2021

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Sunset On The 5 And The 110 PP Archival Print by Stephanie Buer Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 20x13 Archival Pigment Fine Art Stephanie Buer's "Sunset On The 5 And The 110 ": A Moment Captured in Urban Landscape Stephanie Buer's "Sunset On The 5 And The 110" captures a moment in time, a snapshot where the urban landscape meets the transient beauty of the sunset. This archival print, produced in 2019, is a testament to Buer's dedication to exploring the often-overlooked nooks of city life. As a Printer's Proof (PP) on 290gsm Moab Entrada fine art paper, the work is part of a limited series that has been personally overseen and approved by the artist. Each print within this limited edition is signed and marked 'PP,' distinguishing it as a direct artifact of Buer's vision. Measuring 20x13 inches, the artwork is rendered with archival pigment, ensuring that the subtle gradations of light and the vividness of the urban graffiti are preserved. Buer is known for her detailed and nuanced portrayal of derelict and abandoned urban spaces, often focusing on the textural interplay between the natural world and human-made structures. Her work in "Sunset On The 5 And The 110" is emblematic of this style, as it meticulously depicts the convergence of nature and the urban environment at a specific moment. The print showcases Buer's ability to capture the essence of street pop and graffiti artwork within a fine art context, inviting contemplation on the transient nature of the urban sprawl and the art that adorns it. The interplay of Light and Texture in Buer's Work Buer's attention to detail is evident in the realistic rendering of the scene. The contrast between the organic silhouettes of the hills and the concrete geometry of the overpass is softened by the warm hues of the sunset, encapsulating the dialogue between the built environment and the natural one. The graffiti, a hallmark of street art, is depicted not as an act of vandalism but as an intrinsic part of the urban tapestry. This perspective indicates Buer's approach to her subjects, where elements often seen as decay are portrayed with a sense of dignity and inherent beauty. The choice of Moab Entrada fine art paper speaks to the quality and longevity of the print. Known for its premium feel and ability to hold pigments without degradation, the paper complements Buer's intricate and layered technique. The archival pigment used in the printmaking process ensures that the work's refined details, down to the texture of the concrete and the fading light of the sky, are captured with fidelity. Reflections of Street Pop Art in Buer's "Sunset On The 5 And The 110" Buer's work stands at the intersection of street pop art and fine art, incorporating elements from both to create something transcending either category. "Sunset On The 5 And The 110" does not simply document a scene; it communicates the silent narratives within urban spaces. The graffiti present in the artwork is a nod to the street artists and an acknowledgment of the layers of history and expression that they contribute to the cityscape. "Sunset On The 5 And The 110" by Stephanie Buer is a poignant reminder of the beauty found in transient moments within the urban landscape. As a Printer's Proof, it holds an exceptional value for collectors and admirers of Buer's work, offering a tangible connection to her artistic process. Buer elevates the every day to the extraordinary by portraying the interplay between light, texture, and structure, inviting viewers to see the world around them through a lens of nuanced appreciation. Her work continues to resonate within the spheres of street pop art and graffiti artwork, capturing the quiet magnificence of scenes that might otherwise go unnoticed.

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The High Ground Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x13 Star Wars May the 4th Special Edition Print on Rolled Canvas. The High Ground Giclee Print by Dave Pollot: Star Wars in the American Wilderness The High Ground is a 2025 giclee print by Dave Pollot, a limited edition artwork measuring 20x13 inches on rolled canvas. Signed and numbered by the artist, this special edition was released to mark Star Wars Day, combining sci-fi iconography with classic Americana. Dave Pollot, known for recontextualizing pop culture into traditional landscapes and thrift store finds, brings Darth Vader, stormtroopers, and mallards into a serene wilderness hunting scene, transforming fan art into a contemplative and visually satirical piece within Street Pop Art & Graffiti Artwork. Star Wars and American Nostalgia Collide This artwork channels the quiet stoicism of mid-century American wildlife paintings, a genre associated with stillness, solitude, and reverence for nature. However, Pollot introduces an unexpected yet humorous disruption—Darth Vader, dressed in full regalia, holds a camouflage duck call and lifts his hand as ducks scatter across a frosty marsh. In the backdrop, stormtroopers pose as hunters with rifles raised, as if unaware they are participants in a parody. The distant trees and subdued color palette create a tranquil environment that is cleverly unsettled by these fictional intrusions. The Death Star hovers faintly in the misted moon, replacing the sun like an all-seeing presence. The balance between humor and reverence is where Pollot excels, subtly critiquing the commercialization of mythology while celebrating it at the same time. The Satirical Language of Dave Pollot Dave Pollot is an American artist celebrated for taking discarded art and reimagining it through the lens of popular culture. His works often remix vintage aesthetics with modern characters from video games, films, and television, turning forgotten or ignored canvases into sharply observed commentaries. The High Ground follows this trajectory by preserving the painting’s original sentiment—peaceful wilderness and natural observation—but replacing the human subjects with galactic legends. This method turns the familiar into the surreal and invites viewers to reassess both the imagery and the context. It functions both as a homage and a gentle subversion, seamlessly embedding Star Wars lore into the pastoral. Modern Street Pop Art on Traditional Canvas The High Ground is not just a novelty print for science fiction fans; it is a deliberate exploration of cultural layering. In the context of Street Pop Art & Graffiti Artwork, it utilizes mashup aesthetics to reflect how pop culture infiltrates memory and collective nostalgia. By printing on canvas and mimicking classical wildlife art, Pollot bridges the distance between digital-age fandom and analog artistic traditions. Released as a limited edition for Star Wars May the 4th, the print resonates beyond franchise loyalty. It becomes a narrative about cultural saturation, about how icons like Darth Vader are not simply fictional—they inhabit our landscapes, our metaphors, and our humor. Dave Pollot’s The High Ground embodies this ethos with cleverness and craftsmanship, making it a notable piece within contemporary collectible fine art.

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Galactic Empire Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Cougar Fine Art Paper by Sket One Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 80 Artwork Size 19x13 "This piece continues my style of mash ups taking everyday visuals and adding a slight twist of humor or thought to them, to think about how the items connect and intertwine trough pop culture. I wanted To pay homage to two things I love in my life: Star Wars and California." - Sket One

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Den of Foxes Artwork Giclee Limited Edition Print on 340gsm Cold Pressed Cotton Paper by Pop Artist Mandy Tsung. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 19x13 May 5th 2013

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Obey More Limited Edition 1-Color Hand Letterpress Print on Fluorescent White 100% Cotton Paper by Famous Street Modern Artists Shepard Fairey x Shantell Martin. 2022 Signed & Numbered by Shepard Fairey x Shantell Martin Limited Edition of 150 Size 10x13 Hand Deckled

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Forever | Never Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

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Kamayura Oaxaca 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Kamayura Oaxaca 2013 Giclee Print by Swoon A Visual Archive of Human Dignity in Urban Space The Kamayura Oaxaca 2013 Giclee Print by Caledonia Curry, known globally as Swoon, is a powerful example of Street Pop Art & Graffiti Artwork translated onto fine art paper. Created as part of Swoon’s Street Series Print Collection, the image captures one of her original wheatpaste street installations from Oaxaca, Mexico, depicting a striking female figure blending human and mythological attributes. This signed and numbered giclee print, released in 2016 in a limited edition of 175, measures 19 by 13 inches and is printed on heavy fine art rag paper. The artwork not only documents Swoon’s presence on walls across Latin America but also speaks to the symbolic relationship between community identity, resistance, and the ephemeral nature of street-based intervention. Stylistic Complexity and Symbolic Composition Kamayura Oaxaca 2013 reflects the intricate cut-paper aesthetics and humanitarian storytelling that define Swoon’s visual language. The figure in the image—part warrior, part mermaid—clutches twin crocodiles as scaled armor drapes over her legs. Radiating lines extend from her back like a halo, while beneath her figure is a tangled collage of snakes, architecture, and flora, all executed in precise linework. These motifs merge indigenous symbolism with modern urban decay, evoking themes of transformation, resilience, and the interconnectedness of natural and built environments. The bright yellow and deep red stucco wall behind the wheatpaste creates a dynamic color contrast, anchoring the image in its original street context while enhancing the mythic presence of the central figure. Caledonia Curry’s Global Street Narratives Swoon, born Caledonia Curry in the United States, has long been celebrated for her ability to blend classical printmaking techniques with the accessibility of street placement. Her work often features portraits of women, community figures, and allegorical representations that touch on social justice, environmental healing, and cultural storytelling. The Kamayura Oaxaca print aligns with her extensive practice of placing intricate paper cutouts directly onto decaying urban surfaces across the globe—from the walls of Brooklyn to the alleys of Haiti and Latin America. In Mexico, her work speaks directly to indigenous voices and post-colonial memory, reinforcing the role of graffiti as both an act of public beautification and political expression. The Importance of the Street Series Print Collection The Kamayura Oaxaca 2013 edition is part of the Street Series Print Collection, which serves as a tangible archive of Swoon’s ephemeral installations. Each print in the series offers collectors and admirers the opportunity to experience the artist’s street-based work in a preserved, gallery-worthy format. By transferring temporary outdoor works onto archival paper, the collection maintains the immediacy and raw power of street art while allowing it to endure beyond the natural wear of weather and urban development. This series also illustrates how Street Pop Art & Graffiti Artwork can transcend its original environment without losing its impact, narrative depth, or visual intensity.

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Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

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Burn Baby Burn 2-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 10 inches by 13 inches Edition of 450 February 2, 2021 About Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, but also the dangerous psychology of denial and nihilism that underpins the apathy toward the planet’s future (and ours)! Whether it is the defiant greed of the fossil fuel corporations or the indifference of a public comfortable with status quo habits around fossil fuels, further delay in transitioning to renewable energy sources will be catastrophic for the planet and all of its species. I know that none of us like the idea of disrupting a comfortable habit.-Shepard Fairey

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Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers Black by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers Black is a 2016 hand-pulled 2-color silkscreen print by Cleon Peterson, an American artist acclaimed for his stark allegories of violence, dominance, and control. This limited edition work is printed on 13 x 34 inch deckled fine art paper and was released in an edition of 125, each one signed and numbered by the artist. The image features six identical, stylized figures walking in strict formation, each with a sword slung over the shoulder. The figures are rendered in gold on a deep matte black background, emphasizing their ritualistic presence and evoking both ancient procession and modern conformity. The figures’ nudity, musculature, and uniform posture strip them of individual identity, instead casting them as instruments of institutional force, frozen in a silent parade of aggression. Conformity, Power, and the Aesthetic of Ritual In Marchers Black, Cleon Peterson isolates the mechanisms of systemic violence and repetition. The identical figures advance in step, their gestures calm yet loaded with menace. The blood-smeared blades on their backs are symbolic rather than graphic, suggesting not the moment of action but the aftermath—the silent normalization of brutality. The lack of expression or differentiation among the figures speaks to the erasure of individuality under oppressive structures, whether they be military, political, or societal. Their forward momentum, fixed and unrelenting, reads as both a march toward power and a descent into complicity. The black background serves not just as negative space but as psychological weight, amplifying the intensity of the gold silhouettes and enforcing a sense of visual and emotional gravity. Cleon Peterson’s Signature Themes in Street Pop Art & Graffiti Artwork Cleon Peterson is a leading voice in Street Pop Art & Graffiti Artwork, known for merging graphic minimalism with confrontational narratives. His compositions channel ancient mural traditions, propaganda design, and dystopian storytelling into modern allegories. Marchers Black exemplifies this approach by simplifying form to maximize meaning. While many artists in the genre celebrate rebellion, Peterson exposes the systems behind it—the hierarchies, the ritualistic cycles of violence, the role of submission in maintaining order. His work is not decorative but declarative, challenging viewers to confront the undercurrents of cruelty that persist beneath polished surfaces. Marchers Black is not a depiction of chaos, but of order so rigid it becomes inhuman. It visualizes the seduction and horror of control through the repetition of figures whose purpose is not to question, but to obey. Material Execution and Collector Impact Printed on premium deckled fine art paper using a two-layer silkscreen process, Marchers Black merges street aesthetics with refined printmaking tradition. The gold pigment contrasts dramatically against the matte black background, delivering a visual impact that echoes the thematic weight of the piece. Each print is hand-pulled and signed by Cleon Peterson, reinforcing its position as a deliberate and enduring object. As a limited edition of 125, it holds significant value for collectors interested in Street Pop Art & Graffiti Artwork that critiques systems of power without relying on spectacle. Marchers Black is both a visual mantra and a warning—documenting the quiet march of institutional violence, masked in symmetry, strength, and silence.

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Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

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Thalassa Braddock Pennsylvania 2012 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Thalassa Braddock Pennsylvania 2012 Giclee Print by Swoon Thalassa Braddock Pennsylvania 2012 is a powerful giclee print by American artist Caledonia Curry, known professionally as Swoon, who has become one of the most influential voices in Street Pop Art & Graffiti Artwork. This piece, photographed from a monumental wheatpaste mural on the side of a deteriorating brick structure in Braddock, Pennsylvania, was published in 2016 as a signed and numbered limited edition of 175. Printed at 19 by 13 inches on heavy fine art rag paper, the work is part of the Swoon Street Series Print Collection, which archives site-specific interventions into collectible format while preserving the physicality and spirit of street installations. Swoon’s Thalassa as a Mythic and Political Presence The figure of Thalassa in this work is emblematic of Swoon’s practice, which often blends mythological allegory with real-world commentary. Depicted with sweeping lines, intricate textures, and a radiant, upward gaze, the character emerges from a fractured surface, embodying a goddess-like form of transformation and strength. Braddock, an industrial town in Pennsylvania with a history of economic hardship, was a location that aligned with Caledonia Curry’s socially motivated projects. Thalassa, in this context, became a symbol of both resurrection and environmental awareness. Originally created as a towering installation at the New Orleans Museum of Art, the Thalassa motif here gains new resonance as it merges with a wall bearing scars of abandonment, decay, and resilience. Braddock and the Social Context of Caledonia Curry’s Artwork Caledonia Curry has long incorporated socially engaged art into her practice, and her relationship with Braddock extended into community work beyond murals. This print documents one of those key visual moments, when art transforms space and injects new meaning into neglected structures. The building’s exposed brick and fading paint contrast with the lush energy of the figure, whose tentacle-like garments spiral downward, fusing classical visual language with the urgency of street culture. The piece also includes red screenprinted motifs filling the window spaces, reinforcing the layered, handmade aesthetic that characterizes Swoon's Street Pop Art & Graffiti Artwork. These environmental and compositional decisions offer a holistic look at the way Curry reinvents urban environments into canvases for visual storytelling. Swoon Street Series Print Collection and the Preservation of Ephemeral Works The 2016 giclee edition of Thalassa Braddock Pennsylvania offers collectors a chance to preserve a fleeting piece of public art history. Part of the Swoon Street Series Print Collection, this print represents a critical era when Curry’s wheatpastes across cities like New York, Philadelphia, and Braddock gained international recognition for their ability to fuse craft, compassion, and political awareness. Printed with exceptional color fidelity and detail, this limited edition honors the original site while expanding access to those who connect with her work beyond the street. Caledonia Curry continues to influence not only the visual vocabulary of Street Pop Art & Graffiti Artwork but also the role of artists in shaping meaningful social discourse.

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A Study in Pink Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alice X Zhang. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 19x13

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Death Valley Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. CASEY WELDON 'Death Valley' Fine art print on 290gsm paper Edition of 50 Signed and numbered by the artist 12x12 inches (30x30cm)

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Long Playing AP by Shepard Fairey: A Fusion of Music and Street Pop Art The Obey Long Playing Artist Proof silkscreen print by Shepard Fairey is a striking homage to the enduring influence of music on visual culture. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and is hand-pulled as a one-color screen print on fine art paper. Signed and marked as an Artist Proof by Fairey, the print is a part of his Revolutions series, which celebrates the intersection of music and art. Through its bold, monochromatic design, this artwork captures the timeless appeal of vinyl records and the cultural legacy they represent. The design prominently features a stylized vinyl record encased in a decorative frame with ornate flourishes. The bold typography reading Obey Long Playing Records evokes the aesthetic of vintage album covers, blending nostalgia with Fairey’s contemporary Street Pop Art sensibilities. The intricate detailing in the border contrasts with the minimalist central image, creating a composition that is both visually dynamic and conceptually rich. This piece reflects Fairey’s deep connection to music as a driving force in his art, highlighting the shared energy and accessibility of music and street art. Music as a Visual and Cultural Inspiration Shepard Fairey’s connection to music runs deep, influencing much of his work, including Obey Long Playing. Growing up immersed in the punk rock scene, Fairey drew inspiration from the DIY ethos and rebellious spirit of the music. This influence is evident in his bold graphics and use of stencils, techniques rooted in the graffiti art tradition. In this piece, Fairey channels the energy and democracy of music into a visual form, celebrating its ability to unite people and transcend boundaries. The vinyl record featured in the design symbolizes a golden era of music, where physical albums and cover art played a crucial role in defining an artist’s identity. Fairey’s choice to emphasize this cultural artifact speaks to his admiration for the tangible connection between music and its audience. The print serves as a tribute to the artistry of album design and its ability to evoke powerful emotions, much like the music it represents. The Craft of Silkscreen Printing Obey Long Playing is a testament to Shepard Fairey’s mastery of the silkscreen printing process. Each print is meticulously hand-pulled, ensuring a high level of precision and quality. The one-color design allows for bold contrasts and sharp details, highlighting the intricacies of the decorative border and the clean lines of the central typography. Printed on fine art paper, the piece has a refined finish that enhances its visual impact and durability. The Artist Proof designation adds an element of rarity and exclusivity to this work, often representing the initial versions of a print used to refine the design. Fairey’s dedication to the silkscreen medium reflects his commitment to the traditions of graffiti and street art, where stenciling and hand-printing are integral to the art form. This choice of medium further emphasizes the tactile and authentic qualities that define Fairey’s work. Shepard Fairey: A Voice in Street Pop Art and Graffiti Artwork Shepard Fairey, an American artist and activist, has become synonymous with Street Pop Art and Graffiti Artwork. Known for his iconic designs that blend cultural commentary with bold aesthetics, Fairey’s work often draws on his love of music, particularly punk and hip-hop. Obey Long Playing exemplifies this connection, serving as both a celebration of music’s cultural significance and a reflection of its influence on Fairey’s art. Through his Revolutions series, Fairey explores the symbiotic relationship between music and visual art, creating works that resonate across generations. Obey Long Playing stands out as a powerful tribute to the legacy of vinyl records, blending nostalgia with modern artistic techniques. Fairey’s ability to capture the energy and spirit of music in visual form cements his place as a leading figure in contemporary Street Pop Art and Graffiti Artwork.

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The Old Man and Varaniassi With Autumn Vines Brooklyn 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. The Old Man and Varaniassi with Autumn Vines by Caledonia Curry aka Swoon The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 is a striking giclee print by Caledonia Curry, the influential Street Pop Art & Graffiti Artwork figure known as Swoon. Released as part of the Swoon Street Series Print Collection in 2016, this signed and numbered edition of 175 showcases one of her most haunting and poetic wheatpaste interventions. Captured in situ, the piece features an intricate black-and-white wheatpaste portrait of an elderly man, placed against the weathered textures of a Brooklyn wall, overtaken by creeping autumn vines and surrounded by vibrant street ephemera. The print measures 19x13 inches and is produced on museum-grade fine art rag paper, emphasizing the detail and tonal richness of the original street composition. Street Pop Art Symbolism in Swoon's Urban Portraiture Caledonia Curry's ability to breathe emotional depth into public spaces has made her a defining voice in contemporary street culture. In The Old Man and Varaniassi with Autumn Vines, the figure appears contemplative and weathered, rendered in her signature hand-drawn, cut, and pasted style. The background creates a rich tapestry of decay and life—flaking paint, tags, stickers, and ivy coexist as both natural and cultural decay and regeneration. This synergy between subject and environment reflects one of the core themes in Curry’s body of work: honoring human dignity amid the chaos of urban life. The artwork draws on the language of both graffiti and fine art, blending portraiture with the physicality of the street surface and layering in symbolism that rewards slow looking. Graffiti Pop Street Artist Caledonia Curry and Her Printmaking Legacy Caledonia Curry has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by documenting her ephemeral public wheatpastes in limited-edition fine art prints. These prints are not mere reproductions but vital reimaginings that preserve the emotional and aesthetic impact of the original installations. The Old Man and Varaniassi with Autumn Vines is a key example of how Curry translates fleeting urban moments into permanent artistic records. The dense linework, atmospheric tone, and interplay between figure and urban decay reflect her background in printmaking and her dedication to community-centered narratives. This print is both a piece of art history and a continuation of street storytelling. Preserving Urban Stories through Fine Art Editions The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 stands as an enduring document of Swoon's work in New York during a pivotal period in her career. Printed with archival inks on heavyweight fine art paper, the edition reflects the technical care and conceptual weight Curry brings to all her projects. Whether experienced on the street or as a gallery-quality print, her work communicates empathy, memory, and resilience. As part of the Swoon Street Series Print Collection, this piece allows collectors and institutions to engage with the raw immediacy of street culture in a format that honors its artistic and cultural value. Caledonia Curry continues to shape Street Pop Art & Graffiti Artwork through her visionary blend of fine art precision and social engagement.

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Vader Sphinx Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2021 Signed & Numbered Limited Edition of 100 Archival Pigment Print in Colors on Moab Entrada Fine Art Paper Artwork Size 16x13 The "Vader Sphinx" is an extraordinary piece from the collection of Ron English- POPaganda, a prominent figure in contemporary art, renowned for his unique amalgamation of pop culture references with street art aesthetics. In this particular limited edition series, English conjures up a captivating blend of ancient symbolism and modern mythology by juxtaposing the iconic visage of Darth Vader with the timeless form of the Egyptian Sphinx. Limited to a set of 100, each print has been signed and numbered by the artist himself, ensuring its value as a collectible item. The work is sized at 16x13 inches and is printed using archival pigment on Moab Entrada Fine Art Paper, a premium choice that enhances the depth and vibrancy of the artwork's colors. This print serves as a visual dialogue between past and present, invoking the power and mystery of both entities it represents. Vader, an emblem of the dark side in the "Star Wars" universe, is superimposed onto the body of a Sphinx, traditionally seen as a guardian of sacred spaces and knowledge. English's work invites contemplation on the fusion of these powerful symbols, suggesting parallels between the cultural significance of ancient deities and contemporary fictional characters. Through this lens, the print can be seen as a statement on how modern narratives have become a form of mythology and how characters such as Darth Vader have assumed a mythic status in popular culture. The use of bold and expressive colors in the print underscores the themes of power and enigma that are central to the piece. English's proficiency in drawing from graffiti and street art techniques is evident in the way the artwork commands attention and provokes thought. The "Vader Sphinx" is not merely a piece of pop art; it is an artifact of contemporary society's cultural landscape, encapsulating the fusion of historical reverence with modern-day iconography. By crafting such pieces, Ron English- POPaganda cements his role as a bridge between the subversive edge of street art and the polished sphere of fine art, creating works that are as thought-provoking as they are visually striking.

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Offering- Standard Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Taylor White Graffiti Street Artist Modern Pop Art. "This is one of a few springboard pieces into my visual exploration of bodies in motion. It evolved from the idea of the phenomenal impact of the human body in space, the dance of the soul, and the flow of forms colliding. When using the body as a tool of explosive expression, one dares to take the journey into a territory that requires immense trust, the sacrifice of oneself on the altar of vulnerability. Dance, if done fully and authentically, renders the soul completely raw. I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit." - Taylor White

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Moniferal New Orleans 2011 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Moniferal New Orleans 2011 Giclee Print by Caledonia Curry aka Swoon Moniferal New Orleans 2011 is a signed and numbered giclee print by Caledonia Curry, known in the Street Pop Art & Graffiti Artwork world as Swoon. This edition was released in 2016 in a limited run of 175 prints and measures 19 by 13 inches. The piece was produced on heavy fine art rag paper and belongs to the celebrated Swoon Street Series Print Collection. The artwork captures a moment from a site-specific installation in New Orleans, where Curry’s wheatpastes often explored vulnerability, resilience, and environmental rebirth through intimate human subjects fused into complex natural motifs. Caledonia Curry’s Swoon in New Orleans The city of New Orleans has held profound significance in the evolution of Swoon’s practice. After the devastation of Hurricane Katrina, Curry became deeply involved in collaborative recovery and rebuilding projects throughout the city. Moniferal was part of a wave of wheatpaste installations that carried emotional and symbolic resonance. This print preserves one such work that fuses portraiture and organic motifs into a visual experience of transformation. The subject appears grounded and contemplative, surrounded by intricate botanical linework that resembles both roots and wings. The muted, earthy tones and layered texture reflect the raw surfaces of the wall on which it was originally installed, making the giclee not just a documentation, but a continuation of that street-born experience. Technical Excellence in Giclee Reproduction The giclee print of Moniferal New Orleans 2011 honors the detailed linework and subtle tonal shifts of Curry’s original wheatpaste. The fine art rag paper supports the texture and depth, allowing collectors to experience the dimensionality that her murals evoke in public spaces. The choice to publish this piece as part of the Street Series Print Collection reflects its importance in capturing the fragility and strength of the human spirit—a recurring focus in Caledonia Curry’s work. As with other prints in the series, the limited edition number and artist signature confirm its place within the lineage of Street Pop Art & Graffiti Artwork adapted for the fine art context. Legacy of Swoon’s Human-Centered Street Art Caledonia Curry has long centered her practice on the power of human expression amid urban decay and social upheaval. Moniferal New Orleans 2011 serves as an artifact of both artistic innovation and humanitarian response. The figure in the composition becomes a universal stand-in for the survivor, the nurturer, or the witness, her form interwoven with hand-cut patterns and street textures. This edition captures the sensitivity of Swoon’s touch and the importance of preserving transient urban interventions in enduring form. Through Moniferal, Curry continues to redefine the aesthetic and cultural reach of Street Pop Art & Graffiti Artwork.

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Celine Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x13 Pale Woman with Flower in Her Hair. The Ethereal Beauty of Celine by Bec Winnel The giclee print titled "Celine" by the Australian artist Bec Winnel is a masterpiece that sits at the intersection of traditional portraiture and Street Pop Art, a limited edition offering that comprises only 25 signed and numbered pieces. This artwork, measuring 11.5x13 inches, captures the viewer's gaze with the delicate depiction of a pale woman adorned with a flower in her hair, a motif ripe with symbolism and quiet introspection. Bec Winnel's approach in "Celine" is one of intimate portraiture. The subject's pale visage and the soft pink tones of her hair offer a stark yet gentle contrast to the bold and often brash world of Street Pop Art and Graffiti Artwork. The flower, a timeless symbol of nature's fleeting beauty, is rendered with such care that it seems to whisper stories of life's transient nature. The artwork, though rooted in the techniques of fine art, communicates the essence of street art through its emotional impact and accessibility. The use of giclee printing ensures that each nuance of Winnel's delicate pencil and pastel work is captured with precision, allowing the fine gradations of color and detail to shine through. This form of high-quality reproduction democratizes art, aligning with the Street Pop Art ethos of making art available to a wider audience beyond the confines of galleries and exclusive collections. Bec Winnel and the Contemporary Art Scene Bec Winnel, while perhaps not as widely recognized as some street artists, has earned a respected place within the contemporary art scene for her distinct blend of realism and fantasy. Her work often features women in moments of deep contemplation, surrounded by elements of the natural world that serve to underline their connection to the environment and to the cycles of life and death. This connection resonates with the thematic preoccupations of Street Pop Art, where the dialogue between the urban landscape and nature is frequently explored. "Celine" represents a poetic pause in the hustle of the street art world, inviting viewers to reflect on the softer side of humanity. The limited edition nature of the print adds a layer of exclusivity, yet Winnel's artistry bridges the gap between the elite art world and the democratic nature of street art. By creating a fine art paper version of her work, she extends an invitation to a broader audience to engage with her art in their own spaces. The allure of "Celine" lies in its ability to evoke a sense of ethereal beauty and vulnerability, characteristics that are often overshadowed in the bustling, dynamic spaces where Street Pop Art and Graffiti Artwork typically reside. The print holds a mirror to the quieter, more reflective aspects of human experience, much like a mural tucked away in a quiet corner of a busy city street might do. The enduring impact of "Celine" is its subtle challenge to the viewer: to slow down, to appreciate the beauty in stillness, and to consider the depth of the human experience. Winnel's choice to portray a woman in a moment of vulnerability is a powerful statement within the broader context of Street Pop Art, often dominated by louder, more aggressive themes. As "Celine" finds its home with collectors and art enthusiasts, it continues to weave its narrative, one that is as relevant today as it was in 2014. It stands as a testament to the possibilities of cross-pollination between the worlds of fine art and street art, a testament to the power of beauty and vulnerability in an often harsh and unforgiving world. Through her art, Bec Winnel contributes to the evolving story of Street Pop Art and Graffiti Artwork, ensuring that the narrative remains as diverse and multifaceted as the human experience itself.

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Ice Queen Jogjakarta Indonesia Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Ice Queen Jogjakarta by Caledonia Curry aka Swoon Ice Queen Jogjakarta Indonesia is a powerful giclee print by Caledonia Curry, the American Street Pop Art & Graffiti Artwork artist internationally recognized under the name Swoon. Created in 2016 as part of her Street Series Print Collection, this work captures a moment of street intervention in Jogjakarta, Indonesia, and preserves it on 19x13 inch heavy fine art rag paper. The print is part of a signed and numbered limited edition of 175 and reflects Swoon’s enduring commitment to documenting ephemeral urban installations through high-quality archival prints that communicate the immediacy of her public work in permanent form. Street Pop Art Expression in Swoon’s Global Installations In Ice Queen Jogjakarta, Swoon presents a portrait of a regal, nature-bound figure pressed against an urban wall layered with graffiti tags and weathered textures. Rendered in her signature woodcut-inspired style, the Ice Queen wears an intricate arrangement of leaves and feathers, projecting strength, poise, and mysticism. The subject appears both delicate and formidable, staring off into the distance as the marks of graffiti culture swirl around her. The print captures the original street piece’s juxtaposition between handmade beauty and the unpredictable conditions of outdoor walls, delivering a dialogue between the natural and constructed. As with much of Swoon’s Street Pop Art & Graffiti Artwork, the work centers human presence in the urban context and makes a visual offering to the local environment. Caledonia Curry’s Practice and Global Footprint Caledonia Curry was born in the United States and emerged from the early 2000s street art movement in New York with her iconic wheatpaste portraits. As her practice evolved, she expanded her work to cities around the world, leaving pieces that speak to local identity, shared humanity, and social history. Ice Queen Jogjakarta is an example of her international reach and cultural sensitivity. The artwork not only documents her physical intervention in Indonesia but also reflects her collaborative and immersive approach to making art in unfamiliar settings. Each figure Curry creates has a presence that speaks beyond nationality, embodying archetypes of resilience and grace amid visual disorder. This piece, like others in her print catalog, is a distilled snapshot of a larger global narrative she continues to build. Preserving Street Ephemera through Fine Art The Ice Queen Jogjakarta giclee print encapsulates Curry’s ability to transform fleeting wheatpaste work into collector-grade fine art without losing its original emotional power. Printed on museum-quality rag paper, this edition respects the raw materiality of the street while elevating the work into the realm of collectible Street Pop Art & Graffiti Artwork. It stands as both an artwork and a historical document, preserving a specific moment in a foreign urban space. The entire Street Series Print Collection honors this dual purpose. For those interested in contemporary street culture and international artistic practice, this print offers a glimpse into the heart of Swoon’s creative mission and her lasting impact on public art.

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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Butterfly Kisses Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 13x13

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Pink Nature Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Pink Nature Limited Edition Archival Pigment Prints by DAIM Pink Nature by DAIM is a striking example of street pop art & graffiti artwork, demonstrating the artist’s mastery of three-dimensional lettering and depth-driven compositions. The limited edition archival pigment print on museum fine art paper represents a continuation of DAIM’s exploration of form, structure, and identity within the world of graffiti. The use of bold shading, explosive movement, and fragmented angles transforms traditional graffiti into a sculptural, almost architectural composition that pushes the boundaries of visual perception. DAIM’s Signature 3D Graffiti Technique As one of the pioneers of three-dimensional graffiti, DAIM, whose real name is Mirko Reisser, has built an unmistakable style that blends mathematical precision with organic motion. His graffiti lettering breaks free from flat surfaces, giving the illusion of objects bursting into reality. In Pink Nature, the carefully arranged sharp edges, shadowing, and light play create an almost tangible depth and texture, reinforcing his reputation as one of the most technically skilled graffiti artists in the world. His influence spans murals, street art installations, and fine art prints, all of which demonstrate his dedication to letter-based abstraction. Every line and color gradient in his work is meticulously calculated, yet the result feels spontaneous and explosive. The dynamic splashes of paint and carefully placed highlights in this print further enhance the raw energy that graffiti is known for, while maintaining a refined, futuristic aesthetic. The Concept of Self-Portrait Through Graffiti DAIM has often spoken about his graffiti name as a form of self-portrait, evolving alongside his personal and artistic growth. His focus on lettering reflects not only his technical skill but also his philosophical approach to the graffiti movement. He believes that by continuously refining and reinventing the way he presents his name, he is also capturing his own personal transformation over time. Pink Nature belongs to a series of works that encapsulate DAIM’s evolving artistic vision, emphasizing how his approach to graffiti art has matured over the years. The interplay of pink, green, and earth tones in the piece conveys a sense of organic growth and destruction, mirroring the cycle of creativity itself. The bold angular letter fragments appear to explode and reconstruct simultaneously, offering a visual representation of the tension between creation and decay that exists in street art culture. DAIM’s Impact on Modern Street Pop Art DAIM has been instrumental in pushing graffiti into the realm of contemporary art, gaining recognition not only on city walls and abandoned buildings but also in galleries and museums worldwide. His scientific approach to graffiti design, combined with his dedication to realism and depth, sets him apart in the movement. Pink Nature, with its meticulous execution and controlled chaos, embodies the fusion of graffiti and fine art, demonstrating how street pop art & graffiti artwork can be both raw and refined, explosive yet controlled. By transferring his iconic street techniques onto archival fine art prints, DAIM ensures that his work remains preserved, appreciated, and celebrated in multiple artistic spaces. His ability to translate the energy of graffiti into high-art formats continues to inspire new generations of street artists and pop art enthusiasts alike.

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Aura Canis Lupus Artwork Giclee Limited Edition Print on 340gsm Cold Pressed Cotton Paper by Pop Artist Mandy Tsung. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 19x13 The Wind of the Wolf Dog September 13th 2013

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One Love, Many Hearts Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Made514 Graffiti Street Artist Modern Pop Art. "This piece was painted in a leaf of slate rock that came from India. It’s been amazing to paint on this kind of surface because I like to paint on something live. I use to paint the shape of my letters searching curve line that is present in nature and this time I was facing a surface with a different nature pattern. The letters are based on a heart form and together they form the style in a unique heart shape It’s a kind of a metaphor about how we are all part of the same One.” - Made514

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers White by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers White is a 2016 hand-pulled 2-color silkscreen print by American artist Cleon Peterson. This signed and numbered limited edition of 125 was printed on deckled fine art paper and measures 13 x 34 inches. It features a procession of six stylized, muscular figures in a uniform line, each carrying a blood-streaked sword draped across their shoulders. The artwork is a graphic portrayal of conformity and violence, rendered in Peterson’s iconic flattened silhouette style. With clean lines and bold simplicity, the figures march in lockstep across a stark white background, forming a visual rhythm that mimics propaganda friezes and ancient relief carvings. The use of gold and red ink intensifies the contrast between elegance and brutality, a hallmark of Peterson’s visual language. Symbolism of Power, Violence, and Uniformity In Marchers White, Peterson explores the mechanization of power and the erosion of individuality within systems of control. Each figure appears identical, stripped of personal identity and locked in a hypnotic march. The red-tipped blades suggest recent violence or continuous bloodshed, reinforcing the idea that aggression has become routine, even ceremonial. The figures’ nudity, stylized musculature, and emotionless posture evoke primal force restrained within a ritual of obedience. The repeated form not only recalls ancient military parades or mythic processions, but also comments on contemporary structures of state, surveillance, and oppression. The absence of background or contextual setting forces viewers to focus entirely on the figures and their choreography, placing the act of violence and conformity at the center of the narrative. Cleon Peterson’s Allegorical Voice in Street Pop Art & Graffiti Artwork Cleon Peterson is known internationally for creating visual allegories that depict lawlessness, domination, and moral inversion. His works pull from classical art history, political propaganda, and modern editorial illustration to construct a world in collapse—where traditional boundaries between good and evil are blurred. Marchers White reflects Peterson’s ongoing examination of systemic violence and institutional complicity. While minimal in execution, the work functions as a complex statement on the banality of authoritarianism. It belongs squarely within the lineage of Street Pop Art & Graffiti Artwork, as it utilizes bold, graphic style to engage in socio-political critique. Peterson does not romanticize rebellion or glorify power—instead, he presents viewers with unfiltered snapshots of a dystopian order wrapped in seductive aesthetics. Printmaking Technique and Collector Value The Marchers White edition is crafted with the precision and attention to detail that characterizes Cleon Peterson’s fine art practice. Printed using a 2-color silkscreen method on heavyweight deckled fine art paper, the physical quality of the piece matches its conceptual weight. The crisp edges of the figures and the subtle texture of the ink application reflect a high standard of printmaking. Each print is individually signed and numbered, securing its authenticity and positioning it as a significant work within Peterson’s catalog. For collectors of Street Pop Art & Graffiti Artwork, Marchers White stands as a poignant artifact of modern discontent—a visually arresting and politically charged piece that underscores the silent march of violence accepted as structure.

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Kitty Kitty Party Party Archival Print by Casey Weldon Limited Edition on 235gsm Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 13x13 Archival Pigment Fine Art  The Distinctive Charm of Casey Weldon's Kitty Kitty Party Party The world of contemporary street pop art & graffiti artwork is a canvas for the dynamic and the unconventional, a space where the Kitty Kitty Party Party archival print by Casey Weldon finds its perfect home. Weldon, an artist renowned for his distinctive approach to modern art, brings to life a limited-edition piece that merges pop art's whimsy with street art's rebellious spirit. This 2023 signed and numbered print is a collector's dream, limited to a mere 50 editions, making each piece a treasure in its rarity. Printed on 235gsm fine art paper, the Kitty Kitty Party Party archival print speaks volumes of quality and longevity, characteristics befitting the nature of the work it represents. The choice of archival pigment for the fine art print underscores the artist's commitment to excellence, ensuring that the vibrancy of the colors and the sharpness of the details endure the test of time. Casey Weldon's Artistic Vision in Street Pop Art & Graffiti Artwork Casey Weldon's work stands out for its ability to resonate with a broad audience, drawing on universal and unique elements. The Kitty Kitty Party Party print is an embodiment of this, showcasing an array of feline faces, each with its distinct personality and charm. The convergence of these myriad cat portraits against a seamless backdrop signifies street pop art's eclectic and multifaceted nature, where diversity and individuality are celebrated. Weldon's choice to keep this collection to a limited edition run is a nod to the exclusivity often accompanying street art pieces. By doing so, he not only heightens the work's allure but also pays homage to the graffiti art tradition where pieces, by their very nature, are transient and scarce. The technique employed in creating the Kitty Kitty Party Party archival print indicates Weldon's meticulous attention to detail. Fine art paper as a medium allows for a depth and texture that would be lost in standard reproductions. The archival pigment ensures that each print retains the original's clarity and color fidelity, essential in translating Weldon's vision to a tangible form. The impact of such a work is multifaceted. It stretches beyond the aesthetic pleasure it provides, delving into social commentary. The anthropomorphic expressions of the cats in the print serve as a playful yet profound exploration of human emotions and societal roles. This is where the print crosses over from being a mere piece of art to becoming a conversation starter, a trait often associated with the most impactful street pop art & graffiti artworks. The Significance of the Artwork's Limited Edition Nature In the art world, the significance of a limited edition is manifold. For the Kitty Kitty Party Party print by Casey Weldon, this limitation to 50 editions elevates its status from a mere reproduction to an artifact of cultural significance. Each signed and numbered print represents a piece of the artist's soul, a fragment of their creative essence shared with the collector. It is this intimate exchange that imbues the artwork with its actual value. Moreover, the scarcity of the print aligns with the ethos of graffiti artwork, where the impermanent nature of the art form often makes each piece a fleeting gem. Collectors of Weldon's print can revel in the knowledge that they are among a select few to own a snapshot of the artist's more extensive commentary on contemporary society. Casey Weldon's Kitty Kitty Party Party archival print is more than just a visual delight; it is a celebration of the individuality and expression that define street pop art & graffiti artwork. Its limited edition status and the artist's signature mark it as a sought-after piece for fans and collectors alike. It offers a slice of Weldon's unique artistic universe to those who appreciate the nuanced intersection of pop culture and fine art.

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

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Bomb Dropper- Variant Limited Edition 5-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Rag Fine Art Paper by Sket-One Graffiti Street Artist Modern Pop Art. Sket One is an Los Angeles based visual artist with an old school urban background. Uniting pop culture reference, strong color, and bold type, Sket One has created a perse and impressive portfolio of work including graffiti, toys, customs, canvases, and apparel.

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Last Supper in South Park Artwork Giclee Limited Edition Print on Hahnemühle Photo Rag Pearl Paper by Pop Culture Graffiti Artist Ron English- POPaganda. South Park Studios proudly presents this museum quality fine-art reproduction of "Last Supper in South Park" by Ron English- POPaganda. Printed with Epson Pigmented inks on Hahnemühle Photo Rag Pearl paper, this unframed collector's piece is hand-signed and individually numbered by the artist. 150 prints in the edition. The creators of South Park and Ron English- POPaganda selected 15 artists to pay tribute to the 15th season of South Park at an art show that opens on March 28th at Opera Gallery in New York City.

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Presence Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "This piece is about a “presence”, higher power, greater conscience, god, or whatever you believe it to be. The words are “presence” written in many different languages to illustrate the universal presence. No one religion has a copyright on angels, they all basically come from the same source.The white of the wings and hair are the white of the paper." - Derek Hess

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New Wave Couple AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey New Wave Couple AP by Shepard Fairey: A Visual Tribute to Music and Street Pop Art The New Wave Couple Artist Proof silkscreen print by Shepard Fairey is a striking homage to the fusion of music, fashion, and cultural movements. Released in 2011, this limited-edition print measures 13 by 13 inches and is hand-pulled using a one-color silkscreen process. Signed and marked as an Artist Proof, the artwork is a rare collector’s piece that encapsulates Fairey’s talent for blending the bold aesthetics of Street Pop Art and Graffiti Artwork with the dynamic energy of musical subcultures. The design features a sharply dressed couple in mod-inspired attire, exuding the confidence and style synonymous with the new wave music era. Their checkerboard outfits and bold stances convey a sense of rhythm and rebellion, complemented by flowing musical notes that connect the figures to the larger composition. The intricate border design, combined with clean, graphic lines, creates a visually dynamic piece that pays tribute to the era's vibrant and innovative spirit. This print, part of Fairey’s Revolutions series, celebrates the cultural impact of music and its visual storytelling power. Music as a Muse in Street Pop Art Shepard Fairey has long credited music as a central influence in his work, with album covers and punk aesthetics shaping his early artistic identity. New Wave Couple captures the essence of the new wave movement, which emerged as a fresh, stylish offshoot of punk music. The sleek, checkerboard visuals and emphasis on individuality in this piece echo the movement's emphasis on self-expression and creative freedom. Fairey uses these cultural elements to craft a narrative that resonates with fans of music and art alike. The monochromatic palette and bold design evoke the aesthetics of vintage album art, aligning with Fairey’s aim to create visual counterparts to the energy and emotion of music. The print reflects the interplay between sound and style, demonstrating how music can influence fashion, art, and cultural identity. By combining these elements, Fairey crafts a piece that captures the spirit of an era while grounding it in the contemporary visual language of Street Pop Art. The Silkscreen Process and Artistic Precision The silkscreen printing process used for New Wave Couple exemplifies Shepard Fairey’s commitment to craftsmanship. Hand-pulled on fine art paper, the print achieves a high level of detail and clarity. The one-color design emphasizes contrast and precision, allowing the intricate patterns and bold imagery to take center stage. The texture of the fine art paper adds a tactile quality to the piece, enhancing its appeal as both a visual and physical work of art. The Artist Proof designation signifies the print’s unique status within the limited edition, often representing the most refined and personal iteration of the design. This rarity makes it a highly sought-after piece for collectors and fans of Fairey’s work. The silkscreen medium aligns with Fairey’s roots in graffiti art, where stenciling and printing techniques are integral to the DIY ethos of the movement. Shepard Fairey: Champion of Music-Inspired Art Shepard Fairey, a pioneer in Street Pop Art and Graffiti Artwork, has built a career on blending bold visual statements with cultural commentary. His Revolutions series, which includes New Wave Couple, reflects his passion for music and its transformative power. Fairey’s ability to translate the energy of music into striking visual compositions has made him a leading figure in contemporary art. New Wave Couple stands as a testament to Fairey’s talent for capturing the essence of musical and cultural movements. By blending nostalgic imagery with modern graphic design, he creates a work that celebrates the interconnectedness of art and music. This print is more than a visual representation; it is a celebration of individuality, creativity, and the enduring influence of new wave culture on art and society.

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Airplanes Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alice X Zhang. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 19x13

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Altered Paths AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2022 Signed & Marked AP Limited Edition 2/2 Artwork Size 10.5x13 Archival Pigment Fine Art C-3PO & R2-D2 Star Wars Robots on a Vintage Village Path. Some APs may have slight blemishes and margin differences; this was a working artist copy. The "Altered Paths AP Archival Print" is a standout piece within the contemporary pop art scene, crafted by the distinguished artist Dave Pollot. Released in 2022, this rare artwork embodies Pollot's creative prowess in repurposing and reimagining existing art pieces. This particular work, marked as an Artist Proof (AP), is a testament to the artist's attention to detail and craftsmanship, limited to only two pieces worldwide. As the second print of this exclusive series, it carries an aura of rarity and exclusivity, further increasing its allure among art enthusiasts. This exceptional piece showcases the beloved Star Wars androids, C-3PO and R2-D2, traversing a vintage village path. It's not just a piece of pop art but also a fusion of fantasy and reality. Printed on matte velvet rag fine art paper, the print delivers vibrant colors and details, maintaining the integrity of the original artwork while incorporating Pollot's unique touch. The dimensions of the artwork, 10.5x13 inches, make it a versatile piece, suitable for various display settings, from private galleries to personal collections. The unique element of this artwork is its use of archival pigment fine art, ensuring longevity and preservation of the print's quality over time. Such methods are synonymous with Pollot's commitment to maintaining high standards and reflect his dedication to his craft. The artist's signature on the print authenticates it, making it a treasured collectible for art collectors and Star Wars fans alike. As an artistic exploration of pop culture, the Altered Paths AP Archival Print pushes the boundaries of modern pop art. It serves as an intriguing example of how artists like Dave Pollot are using their creative license to reimagine familiar narratives and characters within new, unfamiliar contexts, like the vintage village path in this piece. A significant contribution to the genre, it stimulates thought about our perception of iconic characters, their places in our collective memory, and how art can transform and recontextualize these symbols in imaginative ways.

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Wall of Sleep Limited Edition Letterpress Print on 250gsm Fine Art Paper by C3 Graffiti Street Artist Modern Pop Art. 2016 SIgned & Numbered Limited Edition of 40 Artwork Size 20x13 "The concept first came about because I was toying around with the idea of dreams and/or dreams that there was no awakening from. That led to the idea of life as a dream and the questioning of true reality. After that I started relating it to both the stories of Christ and the Buddha, but since my world is a sort of fairytale western horror it took form the way it did. Once I had the idea and image in mind I got some friends together, rented a car and drove out around Santa Rose, CA. Originally I was going to take a picture near a huge tree somewhere but lucked out and found this great abandoned house. It proved to be the best spot we could have found." - C3

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Super Sporm Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Keo X-Men. 2021 Signed & Numbered Limited Edition of 20 Artwork Size 17x13 Super Sporm printed on Moab Entrada Rag Bright 290 GSM archival paper, 17x13 inches. Hand-signed and numbered by KEO in a limited edition of 20.

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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$500 Dollar Bill- Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 1995 Signed Custom Framed Front of the United States $500 dollar bill money from 1934 featuring US President William McKinley. $500 Dollar Bill Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman The $500 dollar bill Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas is a striking piece of Street Pop Art and Graffiti Artwork by Steve Kaufman, a legendary modern pop artist. The artwork is a signed and custom-framed rendition of the front of the United States $500 bill from 1934, featuring President William McKinley. This piece, created in 1995, stands as a powerful example of Kaufman’s signature approach to transforming historical and cultural symbols into vibrant modern masterpieces. Steve Kaufman and His Impact on Street Pop Art and Graffiti Artwork Steve Alan Kaufman, born in 1960 in the United States, was a student and assistant to Andy Warhol before developing his own unique artistic voice. He expanded on Warhol’s pop art techniques by incorporating hand embellishments, graffiti elements, and unconventional color schemes, making his works one-of-a-kind collectibles. Kaufman’s contributions to Street Pop Art and Graffiti Artwork involved a deep engagement with American cultural imagery, including currency, historical figures, and iconic consumer symbols. His work frequently explored themes of capitalism, nostalgia, and the power of recognizable images to evoke emotion and commentary. This $500 dollar bill print is an excellent representation of Kaufman’s ability to fuse financial iconography with street art aesthetics. Through the use of hand-applied oil paint embellishments and silkscreen techniques, the piece achieves a tactile richness that contrasts with the traditional design of American currency. By reimagining the bill in bold colors, Kaufman breathes new life into an object typically associated with economic power and exclusivity. Symbolism of the $500 Bill in Pop Art and Street Graffiti Culture The $500 bill, particularly the 1934 series featuring President William McKinley, is a rare and discontinued form of U.S. currency. While once in circulation, these high-denomination bills were removed from general use and now exist mainly as collectors’ items. In the context of Street Pop Art and Graffiti Artwork, the depiction of large-denomination currency serves as a commentary on wealth, value, and the transient nature of money. Kaufman’s reinterpretation of the bill in vivid green and yellow hues transforms it from a monetary instrument into a striking visual statement. The contrast between the structured, official design of the original banknote and the expressive, graffiti-inspired application of color creates an engaging tension. This reimagining forces the viewer to reconsider the meaning of money beyond its traditional role in transactions, turning it into an artistic expression of power, history, and cultural significance. Kaufman’s use of layering, texture, and freehand detailing adds an urban, almost rebellious energy to the piece, making it stand out in any collection of modern pop art. Legacy of Kaufman’s $500 Dollar Bill Artwork Steve Kaufman’s limited edition $500 dollar bill Green HPM silkscreen print exemplifies his approach to combining financial symbolism with artistic innovation. The custom-framed piece is more than a decorative statement; it encapsulates the essence of Street Pop Art and Graffiti Artwork by challenging traditional notions of wealth and status. The bold color palette, hand-embellished details, and large-scale reinterpretation of a historical banknote ensure that this piece remains both visually captivating and intellectually thought-provoking. Through works like this, Kaufman cemented his legacy as a pivotal figure in modern pop art, influencing artists who continue to blend fine art techniques with urban street culture. His reinterpretation of the $500 bill serves as a lasting testament to his ability to elevate ordinary objects into extraordinary pieces of art that capture the energy and complexity of contemporary society.  

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Phase 1 PP Printer Proof Archival Print by Sket-One Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x13 Archival Pigment Fine Art Phase 1 Colorway Rainbow Colorful Drip Smiley Face. Sket-One's "Phase1 PP Printer Proof": A Chromatic Symphony in Street Pop Art "Phase1 PP Printer Proof" by Sket-One represents a vivid intersection of street pop art and graffiti artwork with the vibrant aesthetics of pop art. This limited edition print on 310gsm museum fine art paper showcases Sket-One's ability to manipulate color and form to create a visually arresting piece. As a signed and marked Printer's Proof from 2016, it captures the essence of Sket-One's artistic philosophy, combining the dynamism of street art with the polished finish of modern pop art in a singular, compelling artwork. The dimensions of "Phase1," at 24x13 inches, provide a broad canvas for Sket-One's colorway rainbow, a spectrum that is both a technical marvel and a feast for the eyes. His colorful drip technique imbues the piece with movement and fluidity, suggesting a moment frozen in time where colors run and blend into each other. This movement is juxtaposed with the iconic smiley face, a motif synonymous with the artist's work. The smiley face in this piece is deconstructed, its elements scattered across the composition, playing with the viewer's perception and inviting them to piece it back together visually. The archival pigment used in "Phase 1" ensures that the print's colors remain as vivid and impactful as the day they were printed. This high-quality ink and fine art paper guarantees longevity and resistance to the elements, a crucial consideration for collectors and enthusiasts of street pop art and graffiti artwork. The PP designation is critical, as Printer's Proofs are often considered more valuable than standard prints due to their limited quantity and role in the printmaking process. Sket-One's work has always been at the forefront of street pop art, a genre that borrows from the iconography and accessibility of pop culture and infuses it with the raw energy of street art. "Phase 1" is no exception. It is a bold declaration of the artist's command over his medium and his willingness to push the boundaries of what is possible within the confines of a print. The piece is not just a reflection of Sket-One's artistic prowess but also of the broader movement of street pop art, which continues to challenge and redefine the limits of contemporary art. Sket-One's "Phase 1 PP Printer Proof" symbolizes the transformative power of street pop art and graffiti artwork. It is a testament to the artist's vision and contribution to the evolution of these genres. The print is a dialogue between the artist and the audience. This colorful exploration bridges the gap between street art's rebellious spirit and the art gallery's curated experience. As such, it is both a valuable piece of modern art and a vibrant addition to pop and street art discourse in the 21st century.

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