Print Fine Art

277 artworks

  • Omniscient Blotter Paper Archival Print by Tara McPherson

    Tara McPherson Omniscient Blotter Paper Archival Print by Tara McPherson

    Omniscient Blotter Paper Archival Print by Tara McPherson Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

    $360.00

  • Hiatus Kaiyote Tigercorn Blotter Paper Archival Print by Lauren YS

    Lauren YS Hiatus Kaiyote Tigercorn Blotter Paper Archival Print by Lauren YS

    Hiatus Kaiyote Tigercorn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Tigercorn by Lauren YS: Psychedelic Iconography in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Tigercorn is a vivid, limited edition archival pigment print created by Lauren YS, an American visual artist known for her neon-infused surrealism and work rooted in street art and lowbrow pop culture. Released on April 19, 2021, this 7.5 x 7.5 inch print was produced on perforated blotter paper and signed, numbered, and accompanied by a certificate of authenticity. Each edition was hand-perforated by Zane Kesey, reinforcing its connection to the rich visual history of blotter art and the psychedelic movement. The artwork’s unmistakable visual force and playfully aggressive imagery make it a standout within contemporary Street Pop Art & Graffiti Artwork, combining musical tribute, personal mythology, and psychotropic aesthetics in one explosive design. The central figure, a tiger-unicorn hybrid bursting with saturated green and blue tones against a radiant pink vortex backdrop, is both fantastical and confrontational. The creature's striped body cleverly incorporates the name Hiatus Kaiyote, celebrating the boundary-pushing Australian music group known for their fusion of soul, jazz, and electronic sound. The print radiates energy through its swirling background and exaggerated character design, with bold outlines and psychedelic patterns creating the visual equivalent of an electric current. The hand-drawn look and use of saturated, fluorescent color reflect Lauren YS’s signature approach, which bridges studio illustration and mural work while engaging with themes of transformation, empowerment, and altered perception. Lauren YS and the Language of Neo-Psychedelia Lauren YS has made a name through a body of work that embraces fantasy, mutation, and cultural remix. Their art often merges human and animal forms with dreamlike elements, pulling inspiration from science fiction, mythology, and subcultural symbology. With Hiatus Kaiyote Tigercorn, the choice of blotter paper as a medium is a deliberate nod to psychedelic visual traditions, and its scale and format mimic the exact dimensions of traditional LSD blotters. This connection is not just aesthetic but historical. Psychedelic blotter sheets were often canvases for visual experimentation, carrying illustrations that paralleled or enhanced the psychedelic experience. By using this format to immortalize a psychedelic feline hybrid, Lauren YS both honors and modernizes the lineage of this artform. As with all street-infused works, immediacy and impact are key. Hiatus Kaiyote Tigercorn achieves this with its chaotic energy and saturated palette, which would feel equally at home on a gallery wall or the side of a building. The animal's surreal form and hyperexpressive features suggest both humor and intensity, making it impossible to ignore. This aligns with Street Pop Art & Graffiti Artwork’s emphasis on creating emotional impact through image and color, particularly within public or alternative formats. Symbolism, Identity, and Surrealism in the Psychedelic Format The hybrid creature at the center of Hiatus Kaiyote Tigercorn is more than a decorative concept. Its features—striped body, unicorn horn, bared teeth—convey tension and duality. It is simultaneously fierce and whimsical, graceful and dangerous. These contradictions reflect the dual nature of many psychedelic experiences, which oscillate between beauty and chaos. The typography integrated into the tiger's stripes highlights the influence of sound and rhythm, visually representing the impact of Hiatus Kaiyote’s music. This combination of auditory and visual stimulation mirrors the synesthetic experiences often reported under psychedelics, reinforcing the relevance of this format in contemporary psych-pop culture. Lauren YS’s use of street art influences, comic surrealism, and layered visual metaphors adds depth to what may initially seem like a playful design. The exaggerated style and mythical creature format evoke dream states and imagined worlds. Their artistic language finds common ground with graffiti and pop surrealism, both of which champion distorted figures, bright palettes, and social resistance through fantasy. The use of perforated blotter paper brings this rebellious spirit to a tactile surface historically associated with radical freedom and mind expansion. Blotter Paper as Canvas in Contemporary Street Pop Art Hiatus Kaiyote Tigercorn exemplifies how contemporary artists are reclaiming blotter paper not merely as nostalgic reference but as a legitimate platform for art. When Zane Kesey hand-perforates each print, he embeds a cultural and material authenticity that connects these works to an underground tradition of chemically-induced exploration and revolutionary aesthetics. Lauren YS’s contribution stands out for its immediacy, symbolic boldness, and high-octane color scheme, transforming each sheet into a portal of visual and conceptual intensity. As part of the broader revival of blotter art within Street Pop Art & Graffiti Artwork, this print operates at the crossroads of music, psychedelia, and visual storytelling. Lauren YS continues to redefine how street-influenced art can engage with legacy formats while expanding its boundaries into new mythologies and imaginative terrains. Through their bold characters and kaleidoscopic visuals, they offer not just an image, but an invitation to perceive, question, and celebrate altered ways of seeing.

    $352.00

  • Psychedelic Andre- ‘92 Obey Giant Blotter Paper Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Psychedelic Andre- ‘92 Obey Giant Blotter Paper Print by Shepard Fairey- OBEY

    Psychedelic Andre- ‘92 Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

    $384.00

  • High Fashion Chanel Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion Chanel Blotter Print by Denial- Daniel Bombardier

    High Fashion Chanel Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Chanel Reimagined in Street Pop Art & Graffiti Artwork The unmistakable double C logo of Chanel has long stood as a symbol of luxury, status, and timeless fashion, yet in the world of Street Pop Art & Graffiti Artwork, it takes on a new identity. Chanel, founded by Gabrielle Chanel in France during the early twentieth century, revolutionized fashion through clean lines and modern elegance. In the context of urban art, its pristine image is often recontextualized as a critique, satire, or celebration of wealth culture and identity. Artists like Daniel Bombardier, also known as Denial, use this emblem to explore the commodification of status and the blending of luxury and rebellion. Luxury Disrupted: Daniel Bombardier’s Artistic Commentary In 2024, Daniel Bombardier released a limited edition blotter paper artwork titled High Fashion Chanel. With an edition of only thirty-five, this archival pigment print was applied on hand-perforated blotter paper by Zane Kesey, a figure associated with psychedelic culture. The medium alone offers a layered context, hinting at altered states and counterculture movements. The bold Chanel logo dominates a minimalist yet highly repetitive background, turning the monogram pattern into both a celebration and subversion of consumerist branding. What traditionally represents refinement and class is reframed as something mass-produced and industrial, raising questions about the values consumers assign to logos and heritage. Visual Language and the Power of the Symbol The use of blotter paper in this edition is more than a stylistic decision. Its association with underground psychedelia adds another layer to the interpretation, aligning the visual impact of the work with ideas of transformation, critique, and satire. Bombardier is known for blending commercial aesthetics with provocative messages, and this Chanel print is no exception. The composition presents a clean layout that invites viewers to engage with how deeply symbols have embedded themselves into culture. The repetition of the Chanel monogram mimics advertising saturation, while the clean lines reference the brand's original design ethos, creating tension between reverence and critique. Street Pop Art & Graffiti Artwork Meets Fashion Iconography High Fashion Chanel reflects how street-level art forms engage with fashion not only as design but as commentary. This blotter print stands as both an homage and interrogation of luxury’s influence on identity, class, and aspiration. Denial’s work joins a broader conversation where fashion logos are used as tools for expression, resistance, or humor in urban visual culture. Through precise design, unexpected mediums, and intentional appropriation, Chanel’s image is reworked into something both familiar and radically transformed—making it an ideal subject within the language of Street Pop Art & Graffiti Artwork.

    $500.00

  • 1943 Blotter Paper Archival Print by El Pez

    El Pez 1943 Blotter Paper Archival Print by El Pez

    1943 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Double Vision Blotter Paper Archival Print Print by Ces

    Ces One- Rob Provenzano Double Vision Blotter Paper Archival Print Print by Ces

    Double Vision Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by CES pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Never Trust A Junkie Blotter Paper Archival Print by UFO907

    UFO907 Never Trust A Junkie Blotter Paper Archival Print by UFO907

    Never Trust A Junkie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. 2020 Signed/COA Limited Edition of 75 Blotter Artwork Size 7.5x7.5 As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

    $352.00

  • Spraying Clouds Blotter Paper Archival Print by El Pez

    El Pez Spraying Clouds Blotter Paper Archival Print by El Pez

    Spraying Clouds Blotter Paper Archival Print by El Pez Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

    $360.00

  • Baelyn As Conduit Blotter Paper Archival Print By Brandon Boyd

    Brandon Boyd Baelyn As Conduit Blotter Paper Archival Print By Brandon Boyd

    Baelyn As Conduit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. INFO

    $352.00

  • Pinnacle Indian Blotter Paper Archival Print by John Van Hamersveld

    John Van Hamersveld Pinnacle Indian Blotter Paper Archival Print by John Van Hamersveld

    Pinnacle Indian Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. With this Indian image it goes from the original poster in 1968, then to the Traffic poster, then to the Hippie Nation poster in 2007, then the image we have today as a blotter." - John Van Hamersveld

    $352.00

  • Acid Test Diploma Blotter Paper Archival Print by Zane Kesey

    Zane Kesey Acid Test Diploma Blotter Paper Archival Print by Zane Kesey

    Acid Test Diploma Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Zane Kesey pop culture LSD artwork. Zane Kesey is the son of the infamous psychedelic icon and author Ken Kesey. He currently owns and operates Key-Z Productions, a small mail-order company out of Pleasant Hill Oregon. His hope is to enlighten people of their psychedelic past and to enable them to learn about the people who brought them to the present.

    $352.00

  • Lizard Blotter Paper Archival Print by Stanley Mouse

    Stanley Mouse Lizard Blotter Paper Archival Print by Stanley Mouse

    Lizard Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $533.00

  • Gris Blotter Paper Archival Print by El Pez

    El Pez Gris Blotter Paper Archival Print by El Pez

    Gris Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Summer of Love LSD Blotter Paper Archival Print by Bob Masse

    Bob Masse Summer of Love LSD Blotter Paper Archival Print by Bob Masse

    Summer of Love LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $503.00

  • Rockin Skull Blotter Paper Archival Print by John Van Hamersveld

    John Van Hamersveld Rockin Skull Blotter Paper Archival Print by John Van Hamersveld

    Rockin Skull Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Happy Hits 2 Blotter Paper Archival Print by Rich Browd

    Rich Browd Happy Hits 2 Blotter Paper Archival Print by Rich Browd

    Happy Hits 2 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Gas Mask Mickey Blotter Paper Archival Print by Ron English

    Ron English- POPaganda Gas Mask Mickey Blotter Paper Archival Print by Ron English- POPaganda

    Gas Mask Mickey Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.6 Inches Release: April 19, 2021. These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

    $371.00

  • Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost

    Ben Frost Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost

    Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Pikachu Pokemon Limited blotter editions are hand-perforated by Zane Kesey. The "Gotta Take 'Em All Blotter Paper Archival Print" by Ben Frost stands out as a distinct fusion of pop culture and fine art, encapsulated in a medium as unconventional as its visual messaging. Launched on April 19, 2023, this work is a limited edition, with only 100 signed and numbered prints available, offering a sense of exclusivity to collectors and fans of contemporary art. Measuring 7.5 x 7.5 inches, the artwork is meticulously crafted on perforated blotter paper, a nod to the artist's unique canvas choice and the potential historical context of the material's use. Ben Frost is known for his bold commentary on consumerism, blending iconic pop culture characters with themes that provoke thought on modern society's state and psyche. The image of Pikachu, the beloved Pokémon character, juxtaposed with the branding of Prozac, a well-known antidepressant, creates a striking statement on the pharmaceutical industry's role in contemporary life. It's a thought-provoking mix that confronts the viewer with the juxtaposition of innocence and the complex realities of mental health treatment. Adding to the authenticity and intricacy of the piece, each blotter is hand-perforated by Zane Kesey, suggesting meticulous attention to detail and craftsmanship. This element of human touch interplays with the mass-produced imagery of pop culture, creating a personalized and tangible connection to the art. As a topic in pop art, street art, or graffiti art, Frost's work maintains a sharp relevance. It taps into the zeitgeist of today's visual culture, stirring a dialogue that is as much about the imagery it appropriates as it is about the medium it inhabits. This piece, much like the rest of Frost's work, offers an arresting visual experience that both celebrates and critiques the pervasive nature of consumerist imagery in our daily lives. For art collectors and enthusiasts, "Gotta Take 'Em All" is not just a piece of art; it's a conversation piece that embodies the crossroads of contemporary culture, mental health, and artistic expression.

    $491.00

  • Two Muses Blotter Paper Archival Print By Brandon Boyd

    Brandon Boyd Two Muses Blotter Paper Archival Print By Brandon Boyd

    Two Muses Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. Brandon Boyd’s work as a singer, songwriter, both as a solo artist and with his platinum-selling rock band, is well documented and universally acclaimed. But now his other life’s work -- that of a painter -- has been garnering increasing attention and devoted audiences of its own.

    $352.00

  • Happy Hits 3 Blotter Paper Archival Print by Rich Browd

    Rich Browd Happy Hits 3 Blotter Paper Archival Print by Rich Browd

    Happy Hits 3 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Summer of Love Full Blotter Paper Archival Print by Bob Masse

    Bob Masse Summer of Love Full Blotter Paper Archival Print by Bob Masse

    Summer of Love- Full Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 4.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Light Cult Crypto Club Bulbhead Blotter Paper Archival Print by Ron English

    Ron English- POPaganda Light Cult Crypto Club Bulbhead Blotter Paper Archival Print by Ron English- POPaganda

    Light Cult Crypto Club- Bulbhead Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ron English- POPaganda. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $371.00

  • The Big Wave Blotter Paper Archival Print by John Van Hamersveld

    John Van Hamersveld The Big Wave Blotter Paper Archival Print by John Van Hamersveld

    The Big Wave Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. "Originally you’ll see the cat as a wave, then you’ll see the next wave, then you’ll see the print image with a slight variation, and then you’ll see the big wave we have today. " - John Van Hamersveld

    $352.00

  • Sunshined Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Sunshined Blotter Paper Archival Print by Denial- Daniel Bombardier

    Sunshined Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2021 Signed Limited Edition of 50 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

    $385.00

  • Puff, Puff, Pass Blotter Paper Archival Print by Skel

    Skel Puff, Puff, Pass Blotter Paper Archival Print by Skel

    Puff, Puff, Pass Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Skel. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $352.00

  • Peace Blotter Paper Archival Print by Roachi

    Roachi Peace Blotter Paper Archival Print by Roachi

    Peace Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Roachi pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Vortex Portal Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    HoxxoH- Douglas Hoekzema Vortex Portal Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    Vortex Portal Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

    $352.00

  • Cosmic Vacation Blotter Paper Archival Print by Bunnie Reiss

    Bunnie Reiss Cosmic Vacation Blotter Paper Archival Print by Bunnie Reiss

    Cosmic Vacation Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bunnie Reiss pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Love Tripping- Blue Blotter Paper Archival Print by Mr André Saraiva

    Mr André Saraiva Love Tripping- Blue Blotter Paper Archival Print by Mr André Saraiva

    Love Tripping- Blue Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $450.00

  • LSDetroit Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier LSDetroit Blotter Paper Archival Print by Denial- Daniel Bombardier

    LSDetroit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

    $385.00

  • High Score Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Score Blotter Paper Archival Print by Denial- Daniel Bombardier

    High Score Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2020 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

    $385.00

  • A Sphere In The Heart Of Silence III Blotter Paper Archival Print by JM Rizzi

    JM Rizzi A Sphere In The Heart Of Silence III Blotter Paper Archival Print by JM Rizzi

    A Sphere In The Heart Of Silence III Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist RM Rizzi. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $352.00

  • Vices Blotter Paper Archival Print by Sheefy McFly- Tashif Turner

    Sheefy McFly- Tashif Turner Vices Blotter Paper Archival Print by Sheefy McFly- Tashif Turner

    Vices Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Sheefy McFly- Tashif Turner. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $352.00

  • Bird Bath Blotter Paper Archival Print by Morgan McPeak

    Morgan McPeak Bird Bath Blotter Paper Archival Print by Morgan McPeak

    Bird Bath Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Morgan McPeak pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

    $352.00

  • Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost

    Ben Frost Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost

    Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

    $550.00

  • Flat Earth Sunset Blotter Paper Archival Pigment Print by Ricky Watts

    Ricky Watts Flat Earth Sunset Blotter Paper Archival Pigment Print by Ricky Watts

    Flat Earth Sunset Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ricky Watts pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • I Can See the Music Blotter Paper Archival Print by Skel

    Skel I Can See the Music Blotter Paper Archival Print by Skel

    I Can See the Music Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Surfing Eyeball Blotter Paper Archival Print by Rick Griffin

    Rick Griffin Surfing Eyeball Blotter Paper Archival Print by Rick Griffin

    Surfing Eyeball Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rick Griffin pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

    $352.00

  • High Fashion I Louis Vuitton Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion I Louis Vuitton Blotter Print by Denial- Daniel Bombardier

    High Fashion I Louis Vuitton Archival Blotter Paper Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Luxury Satirized in Street Pop Art & Graffiti Artwork High Fashion I Louis Vuitton by Denial, the alias of Canadian artist Daniel Bombardier, is a limited edition archival pigment print presented on perforated blotter paper. Released in April 2024 in an edition of 35, this work merges the aesthetics of luxury branding with a provocative medium traditionally associated with underground psychedelic culture. The iconic Louis Vuitton monogram and checkerboard pattern are front and center, layered in a meticulous design that plays with status, obsession, and commodification. Each edition is hand-perforated by Zane Kesey, creating a textural and conceptual connection between art, counterculture, and consumption. Daniel Bombardier’s Weaponized Iconography Daniel Bombardier has long explored the themes of consumerism and propaganda through his Street Pop Art & Graffiti Artwork. Under the name Denial, his pieces critique mass media, brand worship, and political manipulation. High Fashion I Louis Vuitton continues this practice by spotlighting a fashion house that represents wealth and global prestige. Bombardier’s use of a blotter sheet format, with its history in psychedelic counterculture and illicit print art, directly confronts the polished commercialism of high fashion. The tension between drug ephemera and elite design language becomes a visual statement about escapism, identity, and class divisions. Blotter Paper as Cultural Canvas The use of blotter paper is not just stylistic—it is symbolic. In the underground art world, perforated blotters serve as miniature canvases for satire and resistance. When applied to corporate logos or social icons, they become critiques of power and conformity. This edition's precision printing and clean finish contrast sharply with its renegade medium. Bombardier subverts the traditional format by maintaining luxury’s polished aesthetic while embedding it in a context known for anti-establishment expression. Each square of the print, though undosed, carries the historical weight of psychedelia and the DIY ethos of protest art. Reclaiming Commercial Imagery through Street Pop Commentary High Fashion I Louis Vuitton is a synthesis of controlled craftsmanship and critical commentary. The fusion of luxury branding with the modular form of blotter tabs invites questions about replication, status, and the ritual of purchasing identity. This is not simply appropriation; it is transformation. In the hands of Denial, Louis Vuitton’s visual empire becomes a satirical map, charting the boundaries between aspiration and illusion. Within the context of Street Pop Art & Graffiti Artwork, this piece asserts that nothing is above reinterpretation—not even fashion’s most sacred icons.

    $500.00

  • Dynamite Felix Blotter Paper Archival Print by Ziero Muko

    Ziero Muko Dynamite Felix Blotter Paper Archival Print by Ziero Muko

    Dynamite Felix Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $533.00

  • MK-Ultra III Blotter Paper Archival Print by Copyright

    Copyright MK-Ultra III Blotter Paper Archival Print by Copyright

    MK-Ultra III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Copyright pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $450.00

  • Where Is My Mind? Blotter Paper Archival Print by Richey Beckett

    Richey Beckett Where Is My Mind? Blotter Paper Archival Print by Richey Beckett

    Where Is My Mind? Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Where Is My Mind? by Richey Beckett: Blotter Paper Art and the Psychedelic Thread in Street Pop Art & Graffiti Artwork Where Is My Mind? is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper released on April 19, 2021, by Welsh illustrator Richey Beckett. This limited edition artwork was signed, numbered, and accompanied by a certificate of authenticity. Hand-perforated by Zane Kesey, son of Ken Kesey and steward of a cultural lineage intertwined with psychedelic exploration, this edition pays homage to a rich visual and countercultural history. Through Beckett’s meticulous ink work and symbolic imagery, the piece situates itself as a vital contribution to the evolution of Street Pop Art & Graffiti Artwork. The artwork’s composition centers on the serene face of a woman, surrounded by flowing hair and ornamental floral details, rendered with a delicate balance of hallucinogenic color and fine linework. The blend of purples, reds, greens, and gold evokes the mind-altered visual field of psychedelic experience. The choice to print on blotter paper ties directly to the cultural tradition of LSD distribution art, connecting this work not only to the underground 1960s art scene but to a broader rebellion against aesthetic and political norms. Beckett’s signature precision and reverence for ancient motifs lend this piece a sacred quality while simultaneously celebrating chaos, dream states, and emotional openness. Visual Storytelling Rooted in Psychedelic Print Culture Where Is My Mind? reflects Beckett’s ability to fuse visual elegance with symbolic resonance. The closed eyes and tranquil expression of the central figure suggest a journey inward, a disconnection from physicality, and an immersion into a psychological or metaphysical space. This moment of quiet dissolution mirrors the experience associated with psychedelic substances and their ability to distort or amplify human perception. By printing the piece on blotter paper, Beckett reactivates a format that has long served both as a functional delivery system for LSD and as an art form intended to transport the viewer. In doing so, he contributes to the preservation and reinterpretation of a visual language often excluded from traditional art history but foundational to the aesthetics of Street Pop Art & Graffiti Artwork. This piece extends far beyond the visual. Its medium invites viewers to remember or imagine the tactile and spiritual act of transformation. Just as graffiti transforms neglected architecture into message boards for cultural dissent, blotter paper transforms a temporary substance into a permanent artifact. Beckett’s work, while refined and intricate, carries that same ethos of transformation and confrontation. Symbolic Density and Format as Rebellion The symbolism in Where Is My Mind? is multi-layered. The relaxed figure appears almost weightless, floating in a tapestry of organic forms and golden bursts. These decorative flourishes suggest botanical symbolism, possibly referencing the natural origins of psychedelics and their ceremonial use in ancient cultures. The decision to create such a detailed and meditative composition on blotter paper is both a reverent act and a subversive one. It elevates a disposable, outlawed item into the fine art conversation without sanitizing its roots. Like much of Street Pop Art & Graffiti Artwork, the work embraces duality—between control and release, structure and chaos, tradition and defiance. Where Is My Mind? uses ink, color, and medium to reframe the act of viewing into something akin to experience. The work is not passive. It demands that viewers slow down, examine detail, and reflect. In a world of mass-produced imagery and digital distraction, Beckett offers something tactile and intentional. It is this focus that resonates so deeply with collectors, fans of psych art, and advocates of art forms that exist outside of academic permission. Richey Beckett’s Influence on Contemporary Psychedelic Street Pop Art Richey Beckett, based in South Wales, continues to shape the visual direction of countercultural art by merging classical pen and ink craftsmanship with formats and themes that challenge conventional art norms. His work in blotter paper editions—especially this 2021 release—is a clear example of how Street Pop Art & Graffiti Artwork has matured while maintaining its radical edge. These limited pieces operate on multiple levels: as high-end collector items, as cultural preservation tools, and as meditative visual narratives. The collaboration with Zane Kesey deepens the cultural significance of the work, grounding it in a legacy that spans decades of visual resistance and expanded consciousness. Where Is My Mind? reminds viewers that the boundaries of art are not dictated by canvas or gallery walls, but by intention, format, and emotional resonance. Beckett’s blotter paper pieces stand as living testaments to a time-honored artistic rebellion made modern through craft, color, and consciousness.

    $352.00

  • Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $352.00

  • Buffalo Head Blotter Paper Archival Print by John Van Hamersveld

    John Van Hamersveld Buffalo Head Blotter Paper Archival Print by John Van Hamersveld

    Buffalo Head Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Chillin' In Da Woods Blotter Paper Archival Print by Mark Bode

    Mark Bode Chillin' In Da Woods Blotter Paper Archival Print by Mark Bode

    Chillin' In Da Woods Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Cialis Le Pew Blotter Paper Archival Print by Ben Frost

    Ben Frost Cialis Le Pew Blotter Paper Archival Print by Ben Frost

    Cialis Le Pew Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Pharmaceutical Aesthetics and Cartoon Satire Cialis Le Pew by Ben Frost brings together cartoon absurdity and adult pharmaceutical branding in a limited edition archival blotter paper print released in 2025. Known for his provocative Street Pop Art & Graffiti Artwork, Frost takes viewers on a subversive ride by merging the suggestive character of Pepé Le Pew with the visual identity of Cialis, a well-known medication for erectile dysfunction. Printed on 7.5 x 7.5 inch perforated blotter paper and hand-perforated by Zane Kesey, this piece sits at the intersection of consumer critique and visual comedy. With bold linework and an unmistakable pharmaceutical color scheme, Frost uses satire to expose the contradictions of health, desire, and fantasy in commercial culture. Reinterpreting Brand Messaging Through Street Pop Ben Frost’s work frequently co-opts the visual language of consumer goods, particularly those related to pharmaceuticals and fast food. In this print, the formal structure of a Cialis package is preserved: dosage information, branding, and corporate insignia are all present. But the addition of Pepé Le Pew lounging provocatively transforms the message entirely. The piece is not about medical treatment—it becomes a conversation on romantic projection, toxic masculinity, and mass-market seduction. Frost intentionally plays with taboos by inserting a controversial cartoon figure into the branding of a real-world medication, using humor as a mechanism for cultural interrogation. Blotter Format as Conceptual Canvas The decision to present this print on perforated blotter paper deepens the commentary. Traditionally associated with psychedelic culture, blotter art has been a platform for anti-establishment graphics since the 1960s. In this format, Frost’s image carries connotations of altered states, drug dependency, and societal disillusionment. The material becomes a message in itself, encouraging viewers to consider how they consume information, media, and identity. The perforations serve not just as a nod to underground drug culture but as a device that dismantles the sterile clinical distance of pharmaceutical packaging. Ben Frost and the Language of Visual Irony Ben Frost, an Australian contemporary artist, has made a career out of weaponizing logos, mascots, and visual trademarks. Through satirical juxtaposition, he addresses addiction, overconsumption, and the contradictions of modern branding. With Cialis Le Pew, he continues this trajectory by turning a prescription drug box into a visual metaphor for desire and farce. The artwork challenges the passive viewer, inviting questions about how intimacy and commodification intersect. It is both a punchline and a statement—a collision of cartoon innocence and adult marketing that leaves a lasting visual impact.

    $550.00

  • YinYang Blotter Paper Archival Print by Roachi

    Roachi YinYang Blotter Paper Archival Print by Roachi

    YinYang Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Roachi pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Acid B & V Blotter Paper Archival Print by Glenn Barr

    Glenn Barr Acid B & V Blotter Paper Archival Print by Glenn Barr

    Acid B & V Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Glenn Barr pop culture LSD artwork. Glenn Barr's surreal creatures, specters and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan or as he coins the phrase “B Cultural-ism”.

    $352.00

Print Fine Art Graffiti Street Pop Artwork

Print Art in the Context of Street Pop Art and Graffiti Artwork

Concerning Street Pop Art and Graffiti Artwork, print art represents a dynamic and influential medium that has played a crucial role in the dissemination and evolution of these art forms. Historically, printmaking has been a vital tool for artists to reproduce their work efficiently and accessibly, allowing them to reach a broader audience. In street and pop art, print art encompasses various techniques, including screen printing, stencil printing, and lithography, each offering unique possibilities for artistic expression and mass distribution. This medium has enabled artists to challenge traditional notions of art, bringing their work from the streets to the galleries and vice versa.  

 

Evolution and Techniques of Print Fine Art in Street and Pop Art

The evolution of print art within the street and pop art genres is marked by its adoption by iconic artists like Andy Warhol and Keith Haring, who utilized screen printing techniques to create vibrant, high-impact images. This approach allowed for the repetition of bold graphics and bright colors, typical of pop art aesthetics. In street art, printmaking techniques, especially stenciling, became instrumental for artists like Banksy and Shepard Fairey. Stencils allowed for quick, reproducible designs that could be executed rapidly in public spaces. These techniques not only facilitated a more efficient way of producing art but also contributed to the signature styles of these artists, making their work instantly recognizable. The journey of print art within street and pop art has been one of innovation, adaptation, and significant influence. Iconic figures like Andy Warhol and Keith Haring played pivotal roles in this evolution. Warhol, a leading figure in the pop art movement, revolutionized the concept of art production through his use of screen printing. His technique, characterized by the repetition of photographic images and the use of bold, vivid colors, challenged traditional notions of originality and artistic genius. This approach was perfectly aligned with the pop art movement's ethos, which sought to blur the lines between 'high' art and 'low' cultural imagery, often derived from mass media and consumer culture. Keith Haring, another seminal artist, leveraged print art to create dynamic, high-energy works that were accessible and relatable. His art, often filled with simple yet impactful imagery, was rooted in the street culture of New York City. Haring's use of bold lines and bright colors became synonymous with the visual language of the 1980s and left a lasting imprint on the pop art landscape. His work also exemplified the democratizing power of print art, as he often produced prints of his work to make it more accessible to a broader audience.

Print Art's Impact on Accessibility and Distribution

One of the most significant impacts of print art in Street Pop Art and Graffiti Artwork is its role in democratizing art. By enabling mass production, print art has allowed street and pop artists to distribute their work widely, challenging the exclusivity of traditional art forms and galleries. This accessibility has been essential in shaping public perception of street and pop art, transforming them from subcultural expressions to respected and sought-after art forms. Furthermore, the affordability of prints has made it possible for a broader audience to own and engage with art, breaking down barriers between the artists and the public. Print art has served as a vehicle for mass communication and cultural critique in street and pop art. The ability to produce multiple copies of a single image has allowed artists to reach a wider audience, spreading their visual messages far and wide. This aspect of print art aligns well with the ethos of street and pop art, which often comment on consumerism, political issues, and societal norms. The replication of images in print art echoes the mass-produced nature of consumer goods and media imagery that these art movements often critique.

Print Fine Art Contemporary Trends and Future Directions

Print art stands at the crossroads of tradition and innovation in the current artistic milieu. Digital technology has ushered in a new era for printmaking, allowing artists to infuse time-honored techniques with cutting-edge processes. This fusion has created hybrid works that blur the lines between analog and digital, handcrafted and machine-produced, tangible and virtual. Such innovations reflect the fluid nature of Street Pop Art and Graffiti Artwork, where staying static is not an option, and evolution is the norm. Artists entrenched in street pop art and graffiti are redefining the scope of print art by incorporating elements of 3D modeling, digital collage, and algorithmic design. The textures, colors, and forms that were once exclusive to the digital realm are now being translated into physical prints, expanding the artists' visual vocabulary and offering new experiences to the audience. As these digital techniques become more sophisticated, the ability to manipulate images and create complex layers has resulted in prints that are not only artworks but also technical marvels. Integrating augmented reality (AR) and virtual reality (VR) with traditional print art is another frontier being explored. AR-enabled prints can transform static images into interactive experiences, engaging viewers in a multisensory journey.

Similarly, VR can take the essence of a print and expand it into an immersive environment, allowing the audience to step into a world crafted by the artist. These developments are expanding the canvas for artists and redefining the relationship between the artwork and the viewer. Environmental sustainability is also shaping the future of print art. As the world becomes more ecologically conscious, artists are seeking ways to reduce the environmental impact of their work. This has led to exploring eco-friendly inks, recycled materials, and alternative energies in creating prints. The street pop art and graffiti scenes, which have always had a dialogue with the urban environment, are now extending this conversation to the planet's wellbeing, making art that speaks to societal issues and treads lightly on the earth. The democratization of art through digital platforms has significantly impacted print art. Social media and online galleries have made it easier for artists to showcase their work and for collectors to discover and acquire new pieces. This accessibility breaks down the barriers between artists and audiences, fostering a global community of creators and enthusiasts. The ease of sharing and selling prints online not only boosts the visibility of artists but also contributes to the cultural and economic vitality of the art market.

Looking forward, print art is poised to embrace even more radical transformations. Biotechnology and materials science advances could lead to living prints that change over time, grow, or even respond to their environment. Exploring space and celestial bodies as new canvases for art is another realm that printmaking could venture into. The ethos of street pop art and graffiti, with their roots in challenging the status quo and pushing boundaries, aligns perfectly with these forward-thinking prospects. In the grand tapestry of Street Pop Art and Graffiti Artwork, print art continues to be a thread that weaves the past and future together. It stands as a testament to the resilience and adaptability of these art forms, evolving to meet the moment while never losing sight of their foundational principles. As technology progresses and society changes, print art will undoubtedly remain at the forefront of artistic innovation, capturing the imagination of artists and audiences alike for generations to come. 

The Enduring Legacy of Print Art in Modern Art Movements

The enduring legacy of print art in Street Pop Art and Graffiti Artwork lies in its ability to amplify the artist's voice and reach a diverse audience. Its influence extends beyond art creation to social and political activism, where prints have often been used for communication and protest. As artists continue to explore and reinvent printmaking techniques, the medium remains a vital component of these vibrant and ever-evolving art forms. Print art, with its rich history and innovative future, continues to be a testament to the power of art to transcend boundaries and connect people across different cultures and backgrounds. Print art's continued evolution and adaptation within street and pop art underscore its significance in these genres. As new technologies and materials emerge, artists find innovative ways to incorporate printmaking into their work, pushing the boundaries of what can be achieved visually and conceptually. Digital printing, for example, has opened up new possibilities for complexity, precision, and experimentation in color and form. The journey of print art in street and pop art is a testament to these artistic movements' dynamic and ever-changing nature. From Warhol's screen prints to Banksy's stenciled walls, print art has been instrumental in defining the visual and conceptual landscape of street and pop art. It continues to be a vital medium for artists to express their visions, engage with audiences, and comment on the world around them.
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