Print Fine Art

Vote! Stop Fascism Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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Emotions- Orange Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2020 Signed & Numbered Hand Stenciled Limited Edition of 20 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO The contemporary art landscape has been graced by the entrancing creations of artist Aiko, and among her oeuvre, "Emotions- Orange Stencil" stands as a testament to her mastery in pop art. This 2-color silkscreen limited edition print, meticulously produced on superior fine art paper, is a vivid representation of Aiko's distinctive blend of pop, street, and graffiti artistry. The piece, which hails from 2020, carries the mark of authenticity with Aiko's signature, and is a special hand-stenciled limited edition, one among an exclusive set of 20. Its size, a commendable 20x24, ensures each detail is accentuated, inviting viewers to immerse themselves in its depth. Aiko's artwork often channels poignant narratives, and "Emotions- Orange Stencil" is no exception. The piece, pulsating with color and emotion, serves as a reflection on the evolving dialogue on gender equality. Aiko recognizes the progress of recent times, observing the promising perspectives of newer generations. Yet, her work also serves as a reminder of the enduring challenges faced by women and minorities, particularly in domains like education, employment, and health. In "Emotions- Orange Stencil", Aiko articulates a hope, one shared by many: that opportunities for equitable living become universally accessible, enabling all to make the most of every day. This artwork is more than just a visual spectacle; it embodies a call for societal reflection and change, echoing through the vibrant corridors of contemporary art.

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Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

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Dokidoki Donpen Archival Pigment Print & 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Aya Takano x TM/KK Rare Street Art Famous Pop Artwork Artist. 2020 Signed Archival Pigment Print + Silkscreen 14 4/5 × 18 9/10 in 37.6 × 48.1 cm Edition of 50 TM/KK

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Smiley Days with Ms. Flower to You! 8-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 19.7x19.7 Rare Takashi Murakami TM/KK Ms. Mr. Rainbow Flower Silkscreen Print Artwork 19.7x19.7 Signed 2020 Edition of 100

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LSDelinquent Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Encaged Minnie AP Archival Print by Super A Artist Proof Archival Pigment Fine Art Limited Edition Print on 300gsm Archival Cotton Rag Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition of 5AP Artwork Size 20x30 "Encaged Minnie" stands as a testament to the imaginative prowess of artist Super A, blending the realms of pop art, street art, and graffiti art in a visually captivating manner. Crafted in 2020, this artwork offers viewers a fresh lens through which to perceive and interpret the familiar. The iconic character of Minnie Mouse is brilliantly deconstructed, intertwined with layers of colorful, ribbon-like structures and punctuated by the presence of lifelike mice. The merging of fictional characters with tangible reality prompts the viewer to reflect on the blurred lines between representation and reality in the modern world. Technically, "Encaged Minnie" holds its own as a paragon of fine art printing. As an Artist Proof (AP) archival pigment fine art print, it emphasizes the importance of long-lasting quality and preservation of artwork. The use of 300gsm archival cotton rag paper ensures not only the vibrancy of the colors but also lends a tactile depth to the artwork, heightening the experience for art aficionados and casual viewers alike. Super A's meticulous attention to detail is further exemplified by the limited nature of this piece. With only five artist proofs available, each one is carefully signed and marked by the artist, ensuring its exclusivity. Measuring 20x30, it is adaptable for a variety of display environments, from intimate home settings to grander exhibition spaces. In "Encaged Minnie", Super A has woven a narrative that traverses the boundaries of art forms, presenting a harmonious amalgamation of pop, street, and graffiti art influences. The piece resonates with contemporary artistic sensibilities, positioning Super A as a trailblazer in the ever-evolving landscape of modern art.

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Credit Limit- Until Debt Do Us Part Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Until Debt Do Us Part Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Stormtrooper Messiah- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Destroy America- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. SP State Artist Proof 2020 Signed SP Edition of 25 Rare Takashi Murakami TM/KK Ms. Rainbow Flower Silkscreen Print Artwork 19.68x19.68in 50x50cm The Allure of Limited Editions in Street Pop Art: Takashi Murakami's Ms. Rainbow Flower Takashi Murakami's "Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper" vividly represents the symbiotic relationship between street pop art and limited edition prints. Takashi Murakami, a stalwart in the pop art movement, extends his canvas to street art, blurring the lines between commercial and high art. This piece, an Artist Proof (AP) from 2020, stands as a testament to Murakami's unique style that combines traditional Japanese aesthetics with contemporary pop culture, creating a colorful and optimistic depiction that resonates with pop art's ethos and street art's rawness. The work is part of an exclusive SP (Special Proof) edition of 25, highlighting the art market's rarity and desirability of limited editions. Artist Proofs are traditionally the first prints pulled from a run, kept aside due to their special status, and often marked by the artist's hand. Murakami's signature on "Ms. Rainbow Flower" authenticates the print and signifies its importance as a direct offspring of the artist's creative process. Each of the 13 colors is pulled by hand, a meticulous and labor-intensive process, which ensures that every print is imbued with a sense of individuality despite being part of a series. Takashi Murakami and His Influence on Modern Pop and Street Art Murakami's influence on modern pop and street art is substantial, with his art often characterized by its bright, explosive colors and incorporation of motifs from traditional and popular Japanese culture. His creation, "Ms. Rainbow Flower," with its cheerful persona and psychedelic hues, exemplifies 'Superflat'—a post-modern art movement pioneered by Murakami that flattens the image and merges the boundaries between different artistic genres. This particular piece, with its hand-pulled silkscreen technique, also pays homage to the methods of street art and graffiti, where the hand of the artist is central to the work's authenticity. At 19.68x19.68 inches (50x50cm), this silkscreen print is a collectible size, making it accessible to art enthusiasts and serious collectors. The edition size of 25 reinforces its rarity and elevates its status within the sphere of street pop art and graffiti artwork. Collectors of Murakami's work appreciate the visual appeal and the underlying commentary that the artist often embeds within his creations. Murakami's "Ms. Rainbow Flower" is not merely a decorative piece; it carries the weight of cultural symbols and the playfulness of pop art, infused with the artist's philosophical questions about the art world and its intersection with commerce. The Role of Limited Editions in Street Pop Art and Graffiti Artwork Limited edition prints like "Ms. Rainbow Flower" are crucial in disseminating street pop and graffiti artwork. They allow these traditionally ephemeral art forms to be preserved and appreciated over time. In the case of "Ms. Rainbow Flower," the limited edition run is particularly significant, as it represents a moment in Murakami's artistic journey, capturing the essence of his style during the year 2020. Owning such a piece means participating in the history of street pop art as it evolves from the streets and into the galleries and homes of art lovers. The Artist Proof status of this print positions it as a bridge between Murakami's archive and the public sphere. It underscores the intimate relationship between the artist and his work, offering insight into his process and the development of the final edition. For the artist, these proofs can function as a creative playground where they can experiment before the last series is completed. For the collector, they provide a piece of the artist's legacy, enriched with the potential of increased value over time due to their scarcity and the prestige associated with limited editions. In summary, Takashi Murakami's "Ms. Rainbow Flower- SP" is more than a mere representation of street pop art and graffiti artwork; it is a cultural artifact that encapsulates the spirit of its time and the artistic vision of one of contemporary art's most influential figures. Its existence as a limited edition print emphasizes the importance of rarity and artist interaction in art, offering collectors a chance to own a part of Murakami's expansive and colorful universe.

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Multicolor Double Face White SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. SP State Artist Proof 2020 Signed & Numbered Limited Edition of SP25 Artwork Size 23.3x19.68 Silkscreen of a Twin Merging At Center Multicolor Rainbow Flower Smiling Faces on White Background "Multicolor Double Face White SP" stands as a testament to the dynamism and evolution of contemporary art. Crafted by the internationally acclaimed artist, Takashi Murakami, this artwork showcases a 13-color hand-pulled limited edition silkscreen print on fine art paper, marking it as a distinctive and highly sought-after piece within the realm of modern art. Dating back to 2020, the art piece was meticulously developed as a State Artist Proof and boasts the exceptional detail and vibrancy that Murakami is renowned for. Emerging from the global conversations of pop and street art, Murakami’s piece bridges traditional Japanese art with the pulsating energy of contemporary graffiti. With a restricted edition of just SP25, each print is both signed and numbered, underscoring its rarity and significance. Spanning an impressive 23.3x19.68 inches, the silkscreen showcases a twin merging at the center, radiating with a multicolor rainbow. The symmetrical layout provides a harmonious balance, drawing the viewer into the very heart of the artwork where multicolored flower smiling faces stand out brilliantly against a pristine white backdrop. Murakami's distinct style has long been associated with reinventing the aesthetics of pop art, bringing forth fresh perspectives and methodologies. "Multicolor Double Face White SP" is no exception, marrying the playful and the profound in a visual spectacle. The artwork doesn’t merely represent the aesthetics of street art; it also encapsulates the essence of our times, highlighting the ever-blurring lines between genres, cultures, and mediums. Such pieces by Murakami not only solidify his standing as a vanguard of modern art but also challenge and inspire generations of artists and enthusiasts alike.

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Stop The Virus Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 28 x 19" black and red screen print. Printed on 290gsm Arches Rag paper with decked edges. Each print is signed and numbered. Limited edition of 100. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Indivisible HPM Limited Edition Hand Pulled 4-Color Serigraph Print on Coventry Rag Archival Paper by Saber Graffiti Street Artist Modern Pop Art. This is a large print. -40"x28" in -Serigraph/ mixed media, spray paint, pencil on Coventry Rag archival paper -Each print is unique with spraypaint and pencil -Hand deckled edges "This print was an experiment from start to finish. This is a multi-dimensional mixed media print in the sense the original was created as a conceptual digital-video piece. From this video experiment I was able to capture the final image to be translated into the print format. This was tricky breaking the American Flag that was printed on glass and capturing the right moments as it shattered, but as this process evolved so did the outcome. I really went all out on these with the hand-touching. Within the print layers are raw spray-paint tags buried under multi-colored split fountains. I also penciled and spray-painted on top of the prints weaving these colors and gestures through the image." -Saber

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In The Treasure of Time Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. 2020 Signed & Numbered Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 21.25” / 42 x 54 cm Signed & Numbered Hot Wax Seal Stamped Edition: 55 . AR Augmented Reality: https://vimeo.com/518617123 Uses the Artivive App

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Emotions- Green PP Printers Proof Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. PP Printers Proof 2020 Signed & Marked PP Hand Stenciled Limited Edition 1/1 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green PP Printers Proof" is an avant-garde, 2-color silkscreen limited edition print meticulously crafted on fine art paper by the prodigious artist AIKO. Renowned for her contemporary pop artwork, AIKO masterfully blends traditional stencil techniques with the vibrant energy of street and graffiti art. This particular piece stands out not just for its compelling visual narrative but also for its exclusivity. Marked as a PP (Printers Proof) from 2020, it carries the unique distinction of being a 1/1 edition, measuring an impressive 20x24. Each detail, each stroke, reflects the artist's unparalleled dedication and painstaking precision. Diving deeper into the layers of the artwork, one can discern AIKO's fervent passion for addressing societal themes. The dynamics between men and women, and the continuing discourse on gender equality, are potently expressed. Through her art, AIKO captures the evolving perspectives on gender roles, noting the significant progress from our grandparents' era to the present. However, her work also serves as a poignant reminder of the prevailing challenges. Issues like education disparities, unequal job opportunities, and healthcare discrepancies faced by women and minorities are still pressing concerns. AIKO's hope, as mirrored in her artwork, is for a world where fairness is not just an ideal but a lived reality. "Emotions- Green PP Printers Proof" is more than just a visual feast; it's a clarion call for societal change, urging every individual to seize their day and champion the cause of equality. Through this piece, AIKO magnifies the power of art, not just to depict but to inspire and instigate meaningful dialogue and action.

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Revenge Is A Dish- Pig Limited Edition Digital Pigment Print on Ceramic Plate Artwork by famous graffiti street artist Luke Chueh. Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design. He was then employed by the Ernie Ball Company, working in-house as a designer/illustrator where he created several award-winning designs and was featured in the design annuals of Communication Arts and Print Magazine.

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Credit Limit- Chasing The Blues Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Chasing The Blues Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Revenge Is A Dish- Dog Limited Edition Digital Pigment Print on Ceramic Plate Artwork by famous graffiti street artist Luke Chueh. Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design. He was then employed by the Ernie Ball Company, working in-house as a designer/illustrator where he created several award-winning designs and was featured in the design annuals of Communication Arts and Print Magazine.

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Smokey PP Printers Proof Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Scott Listfield Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 16x23

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Credit Limit- Less is More Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Less is More Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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And Then Things Got Better- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Revenge Is A Dish- Cow Limited Edition Digital Pigment Print on Ceramic Plate Artwork by famous graffiti street artist Luke Chueh. Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design. He was then employed by the Ernie Ball Company, working in-house as a designer/illustrator where he created several award-winning designs and was featured in the design annuals of Communication Arts and Print Magazine.

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Credit Limit- Chase Your Tail Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Chase Your Tail Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Night Lights PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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Picnic Limited Edition Hand-Embellished Hand-Painted Stencil on Prolux 300gsm Base Paper by MAD Graffiti Street Artist Modern Pop Art. Picnic Unique HPM Stencil Print by Mad He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

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Untitled Simulator Interface II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Untitled Simulator Interface IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Sugar Cube Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Stanley found a niche in the Detroit hot rod culture by detailing extraordinary paint jobs on vehicles until no quality hot rod in town could be seen without a Mouse pin-striping job. Soon after, he began applying his favorite subjects to T-shirts with an airbrush. In the tenth grade, Stanley did some graffiti on the high school hang out and was expelled from high school, the silver lining being that he then enrolled in art school.

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Rode Vlinder in Vuur Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. Art print giclée 315 gsm Etching Cotton Rag 16.5" x 20.5” / 42 x 52 cm (image and paper size) Signed & Numbered Logo Embossed Edition: 77 2020 AR Augmented Reality: https://vimeo.com/416245862 Uses the Artivive App

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Worlds Collide- Gold Limited Edition 1-Color Hand-Pulled Silkscreen Print on 100lb. Gold Foil Lined Paper by Lefty Out There x Louis De Guzman Graffiti Street Artist Modern Pop Art. 2020 Signed By Both Artists & Numbered Limited Edition of 10 Artwork Size 36x24 Bumbs & Handling Creases To Some Areas In Middle, Fair Condition Lefty Out There X Louis De Guzman 24" x 36" Edition of 10 1 Color Screen Print on 100 lb. Gold Foil Lined Paper. Printed by Fugscreens Studios.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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I Asked for Scrambled Limited Edition Digital Pigment Print on Ceramic Plate Artwork by famous graffiti street artist Luke Chueh. Revenge Is A Dish Collectors Plate- Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design. He was then employed by the Ernie Ball Company, working in-house as a designer/illustrator where he created several award-winning designs and was featured in the design annuals of Communication Arts and Print Magazine.

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Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Blending Iconography with Contemporary Critique "Happiness Overdose Azul Mariano_P" is a captivating example of Madsaki's work, exemplifying the essence of Street Pop Art and graffiti Artwork through its graphic simplicity and poignant symbolism. This 2020 offset lithograph print on wove fine art paper, signed and numbered as a limited edition of only 100, showcases a unique blend of street art's rawness with the mass appeal of pop art. The artwork, measuring 19.75x19.75 inches, presents a stylized smiley face with a blue hue and a notable addition: a bloody nose. This visual twist plays with the universally recognized symbol of happiness, the smiley face, subverting it to convey a more profound, more complex message. Madsaki's choice to depict the smiley with a bloody nose might be interpreted as a commentary on the excesses of contemporary society, where the pursuit of happiness can sometimes lead to self-destructive behaviors. The use of a singular bold color, Azul Mariano, lends the piece a striking visual presence, with the blue acting as both a backdrop and a critical element of the artwork. The color choice may invoke various emotional responses, from calmness to melancholy, further enriching the artwork's interpretive layers. Artistic Expression in Street Pop Art & Graffiti Artwork Madsaki's "Happiness Overdose Azul Mariano_P" is a testament to the power of Street Pop Art and graffiti Artwork to communicate complex ideas through seemingly simple imagery. The expressive capacity of the work is amplified by its minimalist approach, where the absence of intricate details forces the viewer to confront the unsettling juxtaposition of the smiley's cheerful connotations with the graphic indication of distress. As with much of Street Pop Art and graffiti Artwork, there's an inherent accessibility in Madsaki's lithograph. The smiley face, a pervasive icon of modern digital communication, becomes a canvas for social commentary, allowing the artwork to resonate with a diverse audience. The limited-edition nature of "Happiness Overdose Azul Mariano_P" elevates it from a piece of street art to a sought-after collectible, bridging the gap between graffiti's ephemeral nature and fine art's permanence. In conclusion, the piece serves as a work of art and a cultural critique, encapsulating the dualities in pursuing happiness in the modern age. The choice to produce a limited run of prints ensures that each piece remains a unique and valuable addition to contemporary art discourse. Madsaki's "Happiness Overdose Azul Mariano_P" stands as a compelling intersection of pop iconography and street art sensibility, a visual exploration of the highs and lows of the human condition.

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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Fuckitol 100mg Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Signed Limited Edition of 25 Artwork Size 18x24 Fuckitol 100mg, Fuck It All, Fuck This Shit Selfie Clout Drug Company, Advertisement Pop Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 330gsm Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Bitter Tweet Fiction- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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McSupersized- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Gravity AP Giclee Print by James Bullough Artwork Limited Edition Print on 300gsm Smooth Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition Artwork Size 20x30 Exploring the Essence of James Bullough's 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' by James Bullough is a testament to the seamless integration of delicate art sensibilities with the raw energy of street art. This limited edition print, produced on 300gsm smooth fine art paper, showcases Bullough's commitment to quality and his dedication to the craft of creating Street Pop Art and graffiti Artwork. The artwork size, a substantial 20x30 inches, allows the viewer to fully engage with the intricacies and nuances of Bullough's technique. Artistic Features and Significance James Bullough's 'Gravity AP Giclee Print' is a visual narrative that captures the fluidity and motion inherent in our physical world. The subject, depicted with a remarkable level of detail, exudes a sense of movement that is both dynamic and arresting. Using a fragmented style, a signature motif in Bullough's work, adds a layer of complexity, inviting viewers to consider the interplay of form and space. This print is exceptional as an Artist Proof (AP), marked and signed by Bullough in 2022. This distinguishes the piece as a part of a select group of prints, valued for their closeness to the original work and often sought after by collectors. The Interplay of Realism and Abstraction In 'Gravity AP Giclee Print,' Bullough continues to explore the juxtaposition of realism with abstract elements. The subject's hyper-realistic representation contrasts with the conceptual background, creating a striking visual tension. This contrast is further heightened by the bold color choices and the use of geometric shapes that propel the fragmented form forward. Bullough's expertise in rendering the human form is evident, as is his ability to disrupt the conventional portrayal with unexpected and thought-provoking twists. The Influence of Street Art on Bullough's Work The influence of graffiti and street art is palpable in the 'Gravity AP Giclee Print.' Bullough's background in street art informs his approach, as he brings the spontaneity and authenticity of graffiti culture to the piece. The print does not just represent an image; it embodies the spirit of street art, characterized by its accessibility, engagement with the urban landscape, and challenge to traditional art norms. This piece exemplifies how street art can transition from public spaces to the more private realms of personal collections while retaining its inherent vibrancy and immediacy. The Cultural Impact of 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' is a powerful example of how Street Pop Art and graffiti Artwork can transcend their origins to become a part of the broader conversation within the art world. As a limited edition print by James Bullough, it encapsulates the artist's vision and skill, and its availability to collectors allows for a broader appreciation of the art form. The piece is a cultural artifact that speaks to the enduring influence of street art and its capacity to challenge and redefine artistic boundaries. Through works like this, Bullough contributes to the ongoing dialogue about the value and place of street art in contemporary society.

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Psychedelic Andre- Pinnacle Blue Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Mono Print 23- The Last Batch Limited Edition Hand-Embellished HPM 5-Color Silkscreen Print on 300gsm Silver Fine Art Paper by RYCA- Ryan Callanan Pop Art Graffiti Artist. 2020 Signed Original One of a Kind Hand Painted Silkscreen Print of Smiley Face & Marilyn Monroe 5 Layer Silkscreen Print on Silver Paper 45x45cm 18x18" Signed Each Print Is Uniquely Hand Finished Using Oil Based Paint Sticks, Pens, and paint 5 Layer Silkscreen Print on Silver Paper 45x45cm 18x18" Signed Each Print Is Uniquely Hand Finished Using Oil Based Paint Sticks, Pens and Paint Delving into RYCA's Mono Print 23 - The Last Batch Mono Print 23 - The Last Batch by RYCA, Ryan Callanan's pseudonym, is a limited edition piece that encapsulates the essence of street pop art and graffiti artwork, merging iconic imagery with the tactile sensibility of hand embellishments. Created in 2020, this signed original 5-color silkscreen print on 300gsm silver fine art paper represents a convergence of popular culture and fine art, measuring 45x45cm (18x18 inches). Callanan's work stands out for its vibrant aesthetic and the unique hand-finished touch he applies to each print using oil-based paint sticks, pens, and paint. This piece, featuring a hybrid image of a smiley face overlaid with the likeness of Marilyn Monroe, showcases RYCA's ability to blend the immediacy and rawness of street art with the layered complexity of silkscreen printing. The choice of silver paper is particularly striking, providing a metallic sheen that interacts with the overlaying colors, creating a luminous and dynamic effect. This interaction symbolizes how street art often plays with its environment, transforming spaces with color and form. RYCA's Technique and Artistic Vision The process involved in creating Mono Print 23 - The Last Batch is intensive and deeply personal. The five-layer silkscreen process requires precision and patience, with each layer adding depth and detail to the final image. RYCA's hands-on approach in the finishing process ensures that every print in the series is a singular work of art, with individualized embellishments that speak to the artist's momentary inspirations and interventions. The decision to feature iconic imagery, such as the smiley face and Marilyn Monroe, ties back to RYCA's roots in street pop art. This genre often appropriates and recontextualizes well-known visual elements. The smiley face, a symbol of happiness and counterculture, and Marilyn Monroe, an emblem of classic Hollywood glamor, are reimagined through a modern lens, inviting commentary on celebrity, happiness, and their representations in media. The hand-embellished details underscore each piece's uniqueness, bridging the gap between mass-produced imagery and singular artistic expression. Reflections on Street Pop Art Through RYCA's Work In reflecting on street pop art through the lens of RYCA's Mono Print 23 - The Last Batch, one observes a celebration of the visual language that defines this artistic movement. With its roots in the urban graffiti culture, street pop art is known for its engagement with contemporary themes and ability to speak to a broad audience. RYCA's work exemplifies this, presenting familiar symbols in unfamiliar ways, thus igniting a dialogue about the interplay between art and the everyday. RYCA, with his unique approach to silkscreen printing and hand embellishments, contributes to the evolving narrative of street pop art and graffiti artwork. As the art form continues to gain traction and evolve, his work serves as a testament to the limitless possibilities of expression within this space. Mono Print 23 - The Last Batch stands as a beacon of street pop art's potential, demonstrating that even the most familiar symbols can be infused with new life and meaning through the vision and hand of the artist.

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