Print Fine Art

The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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River of Blood Gold Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Deckled Coventry Rag Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of 3 Nude Stylized Women Depressed or Sad or in Confusion in a River. Diving deep into the modern dimensions of artistry, Cleon Peterson's "River of Blood Gold" captures raw emotion with eloquence and profundity. This meticulously hand-pulled 2-color silkscreen print, set on the rich texture of deckled Coventry Rag fine art paper, speaks to the confluence of visceral human experiences and abstract artistic expression. Through the haunting portrayal of three nude, stylized women seemingly immersed in feelings of despair, sadness, or confusion, Peterson manages to convey a narrative that resonates with the chaos and introspection often inherent in the human experience. Rendered 18x24 inches, the artwork's striking monochromatic scheme is punctuated with intricate details, bringing forth an evocative depth. Each figure's posture and expression beckon the viewer to introspect, contemplate, and find a personal connection, thereby transcending the boundaries of mere observation. As they lay amidst the mysterious river, their presence becomes a potent symbol of vulnerability, inner turmoil, and the omnipresence of emotions in our lives. Peterson's piece, a signed and numbered limited edition of only 100, embodies the essence of pop, street, and graffiti art. It exemplifies the artist's ability to harness conventional artistic forms and infuse them with layers of meaning, inviting appreciation and deep contemplation. "River of Blood Gold" stands as a testament to Peterson's prowess, his understanding of human nuances, and his undying commitment to pushing the boundaries of visual storytelling.

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GI Jane Hand-Embellished Mixed Media Limited Edition Print Art on 700gsm Recycled Cardstock by Artist Denial Contemporary Pop Artwork. 2018 Signed & Numbered HPM Hand Embellished Limited Edition of 10 Artwork Size 13x19

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Jordan 1's Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist CES. 17 inch by 22 inch archival cotton paper. From an edition of 25 signed and numbered by the artist.

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Mighty Vibras Offset Lithograph Print on Wood Panel by J Balvin x Matt Gondek with Tote Bag Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 14x23 Tattooed Up Astro Boy with Chanel Glasses. Bag Has Minor Spot Staining in Upper Area. Artwork Perfect to Near Perfect. J Balvin x Matt Gondek Cultural Synthesis in Street Pop Art The "Mighty Vibras" offset lithograph print on a wood panel is a dynamic fusion of music, street culture, and contemporary art. A collaborative piece by Colombian reggaeton superstar J Balvin and Los Angeles-based artist Matt Gondek, this artwork captures the essence of Street Pop Art and graffiti Artwork. Released in 2018, the limited edition of 300 signed and numbered pieces reflects the global influence of urban art forms and the increasingly porous boundaries between art, music, and fashion. The "Mighty Vibras" piece vividly portrays a tattooed-up Astro Boy, complete with Chanel glasses, a symbol of luxury infused with urban grit. This character, an icon of Japanese manga, is reimagined through the lens of street culture and high fashion, signifying the interconnected nature of global pop culture. Gondek's deconstructive style, known for taking apart characters and piecing them back together, is evident in the artwork's fragmented features, which are visually arresting and thematically resonant. J Balvin's influence on the piece brings a cross-cultural element that is palpable in the artwork's bold colors and the inclusion of the word "Familia" tattooed across the character's chest, a nod to the themes of kinship and belonging that pervade Balvin's music. The size of the artwork, at 14x23 inches, makes it a statement piece that stands out in any setting, from a casual living room to a high-end gallery. Intersection of Art and Merchandise Accompanying the print is a tote bag featuring the same design, highlighting the growing trend of art becoming wearable and usable in daily life. This approach to art merchandise expands the artwork's reach beyond the traditional confines of the art world, allowing it to become a part of the consumer's everyday experience. The tote bag is a mobile canvas, spreading the visual impact of the "Mighty Vibras" artwork to a broader audience. The synthesis of J Balvin's musical heritage and Matt Gondek's artistry in "Mighty Vibras" exemplifies the potential of collaboration across different creative industries. It also illustrates the power of street art to transcend its origins, infiltrating mainstream culture and fashion and becoming an emblem of contemporary lifestyle. "Mighty Vibras" is more than just an artwork; it is a cultural artifact that encapsulates the spirit of the times. It stands as a testament to the creative synergy between J Balvin and Matt Gondek, blending street art's raw energy with pop culture's gloss and, in doing so, creating a new visual language that speaks to a diverse, global audience. The limited edition nature of the piece, along with its associated merchandise, cements its status as a collectible item that holds both artistic and cultural value.

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Dissection Of A Black Widow Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Nychos. 2021 Signed & Numbered Limited Edition of 111 Size 20.4x24. This Artwork Is Based On The Mural 'Dissection Of A Black Widow" & Can Be Admired Since 2014 In Hamburg's Gängeviertel. Intersection of Science and Street Pop Art "Dissection of a Black Widow" is a standout piece in the oeuvre of Nychos, a modern artist renowned for his intricate pop artwork and deep roots in street and graffiti art. This limited edition giclée print on fine art paper captures the essence of the original mural imposed in Hamburg's Gängeviertel since 2014. The work, numbered and signed, with only 111 editions, measures 20.4x24 inches and exemplifies the artist's fascination with anatomical dissection in a style that merges biological precision with urban artistry. Nychos's approach to the black widow dissection is both clinical and creative, revealing the layers of anatomy in a style reminiscent of medical textbooks yet transformed through a pop art lens. His use of vibrant colors to illustrate the innards of the black widow against the stark contrast of its dark exterior invites a dialogue between the often-opaque nature of street art and the vivid, transparent qualities of scientific illustration. Technique and Craftsmanship in Nychos's Work The artist's "Dissection of a Black Widow" technique is a meticulous layering of color and form that showcases his deft hand and deep understanding of the subject matter and the medium. The giclée printing process, known for its ability to capture the nuance of the original artwork, perfectly complements Nychos's detailed work, preserving the mural's dynamic range of textures and hues. The transition of "Dissection of a Black Widow" from a large-scale mural to a collectible print represents the fluidity with which Street Pop Art and graffiti Artwork can traverse different spaces and contexts. Nychos's art not only graces urban landscapes but also finds a place within the intimate setting of personal collections, bringing the raw energy of the streets into harmony with the cultivated environment of modern art enthusiasts. The black widow, a symbol often associated with danger and charisma, is recontextualized in Nychos's work, becoming a canvas for exploring the complexity of life forms. This piece goes beyond mere representation; it explores the hidden intricacies that lie beneath surfaces, a theme that resonates with the layered nature of graffiti and street art. Legacy of "Dissection of a Black Widow" "Dissection of a Black Widow" is a testament to Nychos's legacy in Street Pop Art and graffiti Artwork. The limited edition print holds an esteemed position, reflecting the evolution of street art into a form that transcends the boundaries of outdoor spaces and enters the realm of fine art collectibles. Nychos's work, particularly this piece, is a testament to the transformative power of street art and its ongoing dialogue with pop culture and contemporary art movements. "Dissection of a Black Widow" is a visual spectacle and an invitation to delve deeper into the intersections of art, science, and the urban landscape, encouraging a reevaluation of what constitutes modern art in our collective consciousness.

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1942 AP Artist Proof Giclee Print by Brian Viveros Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2017 Signed & Marked AP Limited Edition Artwork Size 14x20 The Significance of Limited Edition Prints in Street Pop Art and Graffiti Artwork Within the expansive domain of modern art, Street Pop Art and Graffiti Artwork have emerged as powerful currents, blending the visceral force of street-level expression with the allure of pop culture. The practice of releasing limited edition prints has become a vital aspect of this art movement, bridging the gap between the exclusivity of original art pieces and the broader audience that craves ownership of such works. A standout piece in this category is the "1942 AP Artist Proof Giclee Print" by the acclaimed artist Brian Viveros, known for his unique fusion of themes and styles. Brian Viveros and the Allure of the '1942 AP Artist Proof Giclee Print' Brian Viveros has carved out a distinctive niche within pop and street art spheres. His work is marked by raw power and delicate beauty, predominantly featuring female figures that exude strength and sensuality. The "1942 AP Artist Proof Giclee Print" exemplifies Viveros' artistry, intertwining elements of surrealism and symbolism with a distinct pop art sensibility. The rarity of Artist Proof prints adds a layer of exclusivity and desirability, as these are limited runs typically held back for the artist's collection or use, often highly prized by collectors. The Artistic and Cultural Context of Viveros' Work Limited edition prints like Viveros' "1942" offer a compelling narrative through their visual composition. Including the year "1942" in the artwork invites interpretation, carrying historical weight and potential symbolic significance. The choice of fine art paper as the substrate for this 14x20 print underscores the commitment to quality, ensuring that the work's vibrant hues and elaborate details endure. Blurring Boundaries: Street Art's Evolution into the Fine Art Pantheon The emergence of street art as a recognized form of fine art is one of the defining trends of contemporary artistic expression. Artists like Viveros have been instrumental in this shift, as their works embody the merging of street art's spontaneity and subversive edge with the precision and refinement traditionally associated with high art. The "1942 AP Artist Proof Giclee Print" is a testament to this cultural evolution, standing as both a piece of art history and a vibrant example of the dynamism present in today's art scene. In the hands of artists like Viveros, limited edition prints become more than mere reproductions; they are singular statements and historical artifacts. They capture the essence of Street Pop Art and Graffiti Artwork, representing their ongoing ability to engage, provoke, and inspire a diverse audience. Viveros' "1942 AP Artist Proof Giclee Print" is not only a representation of artistic fusion but also a piece that continues to resonate with and challenge contemporary viewers.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Big Rock Limited Edition Giclée Fine Art Prints on 290gsm Entrada Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Big Rock Giclée Print with Silkscreen Gloss by Scott Listfield 24" x 20" Giclée print with silkscreen Gloss on 290 GSM entrada paper Edition of /50 Signed

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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The Long Night Print on Wood Panel Framed Ready to Hang by Glenn Barr Modern Pop Artist. 9 x 9 in. (22.86 x 22.86cm) Exclusive fine art wood print on 3/4" sustainable Birch, bright white finish. Limited edition of 50 fine art wood canvas prints hand signed by Glenn Barr. Betty Rubble From the Classic Cartoon TV Show Flintstones

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Not Again Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Chaos Mandala 2 Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all." -Shepard Fairey- OBEY Chaos Mandala 2 by Shepard Fairey - Street Pop Art & Graffiti Artwork on Paper Chaos Mandala 2 by Shepard Fairey, released in 2025 as a limited edition silkscreen print of 550 on cream Speckletone fine art paper, stands as a powerful fusion of structure and disorder in contemporary Street Pop Art & Graffiti Artwork. The piece centers on a mandala form, built from layers of precise symmetry and complex visual balance, erupting from a distressed background of chaotic spray textures, stencil overlays, drips, and fragmented imagery. Fairey, who was born in the United States and remains one of the leading figures in modern street culture, continues to explore themes of order and entropy in the visual fabric of public space through his Obey series. This print, measuring 18 by 24 inches, is both a meditation and a protest, simultaneously aesthetic and confrontational. Layering Symbolism in Street-Rooted Geometry Mandala structures have long held associations with spiritual practices, yet in Fairey’s hands, they become emblems of cultural saturation, reassembled from fragments of mass media, signage, protest imagery, and architectural pattern. Chaos Mandala 2 brings heightened clarity to this contradiction, as its meticulously layered central structure radiates through fractured, decayed, and vibrant backgrounds pulled from urban visual language. The use of red, white, and blue combined with distressed textures channels American iconography while destabilizing it through visual noise and unrest. Fairey’s signature star emblem sits at the core, not as a static symbol of authority but as a continuously contested motif—a remnant of branding, protest, and political critique. Printmaking as Street Extension Though made for fine art paper, Chaos Mandala 2 reads like an artifact peeled from a building wall or street billboard. The silkscreen process, hand-pulled and layered with care, mirrors the raw techniques of wheatpaste, stencil bombing, and flyer layering found in graffiti zones. The drips and stencil textures appear as if weathered by time and exposure, mimicking the natural degradation of illegal art left to erode in public view. This intentional decay, preserved in ink, anchors the work in a state of visual tension. The handmade quality of the screenprint, including its signed and numbered nature, honors the DIY ethos central to street practice while elevating the piece into a collectible format for both art and graffiti audiences. Harmony Amidst Urban Breakdown Shepard Fairey’s exploration of chaos and harmony through the mandala motif reflects his ongoing investigation into urban culture’s layers and ruptures. Chaos Mandala 2 is not an isolated design but a philosophical stance rendered in ink and form. The mandala, historically used to find peace and focus, is now reimagined as a tool to navigate disruption. Through this print, Fairey transforms the ephemerality of city street art into a lasting expression of visual resistance and aesthetic order. The result is a commanding work that embodies the push and pull of contemporary culture through the language of Street Pop Art & Graffiti Artwork.  

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Mickey Hiroshima Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Rag Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 30 Size 14x9 "I am from the suburbs of Detroit, Michigan. In the late 1980s, I was a Peace Corps volunteer in Nepal for two years. During this two-year stint, I visited every major city in India, finding myself exploring the huge slums found there. On my return home, I moved from the Mid-West to escape the snow to teach High School Art in Orange County, California. Since finishing my MFA at Cal State Fullerton, I have been exhibiting in galleries both at home and abroad. My work is most often landscapes. A major portion of my output is paintings of slums of the developing world, where I often add an element of western cultural privilege (and oblivion) into settings of urban blight. Inspiration for what I call “Slumscapes” comes from the first-hand experience of traveling. Most often I return over and over to my favorite destination: India. In the vast poverty-stricken fringes of its vast megalopolises, I trip out on how the economic disparities are obscenely extreme. I’ve been spending a lot of time in Mumbai slums: photographing, filming, creating Plein Aire paintings, and creating interactive street art. Besides depicting slums, my artwork portrays post-apocalyptic debris fields, landfills, and detritus-cluttered deserts. The Juxtaposition of Disney themes and beloved characters (i.e.: Mickey Mouse) with all these dystopias best conveys my personal views. Pondering contemporary social, political, economical and philosophical conundrums, I can’t help but feel absurdly helpless, pessimistic and humored about the future of Western Civilization…" - Jeff Gillette

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New Sheriff Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Slegh pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Cut it Up Do it Yourself 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 550 Print Size 18x24 May 8, 2018 "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17.5x22.5 Silkscreen Print Event Gig Poster by Frank Kozik. Red Baron-like monster flying bi-wing plane drinking beer.  Frank Kozik Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining figure in the evolution of gig posters into collectible Street Pop Art & Graffiti Artwork. The Red Max Voodoo Liquor Hotrod Tour 1997 silkscreen print exemplifies his bold, irreverent style during the peak of the 1990s poster movement. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was released as a signed and numbered limited edition of 300. Created as an event poster for the Voodoo Liquor Hotrod Tour, the print reflects Kozik’s ability to merge music culture, underground illustration, and sharp graphic design into a format that transcends simple promotion and enters the sphere of fine art multiples. Illustrative Satire and High-Impact Graphic Style The composition features a grotesque, Red Baron-inspired monster piloting a bright red bi-wing airplane while clutching a beer stein, blending wartime aviation imagery with punk absurdity. The exaggerated green face, jagged teeth, bulging eyes, and extended tongue create a manic energy that mirrors the loud, aggressive tone of alternative music culture in the 1990s. Flames, mechanical details, and bold black outlines heighten the sense of motion, while the vivid primary color palette reinforces the immediacy typical of Street Pop Art & Graffiti Artwork. The Gothic-inspired Red Max lettering across the top anchors the composition with dramatic presence, balancing the chaotic illustration below. Kozik’s disciplined silkscreen technique ensures flat, saturated color fields that remain crisp and visually commanding even decades after printing. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik played a pivotal role in transforming event posters into limited edition artworks that collectors actively sought out and preserved. By signing and numbering editions such as this run of 300, he reinforced the legitimacy of gig posters within the broader art market. The Red Max Voodoo Liquor Hotrod Tour print captures a moment when underground music, hot rod culture, and cartoon-influenced satire converged within Street Pop Art & Graffiti Artwork. Rather than serving as disposable advertising, works like this stand as enduring examples of how hand-pulled silkscreen printing, rebellious imagery, and bold typography reshaped contemporary print culture.

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Kamayura Oaxaca 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Kamayura Oaxaca 2013 Giclee Print by Swoon A Visual Archive of Human Dignity in Urban Space The Kamayura Oaxaca 2013 Giclee Print by Caledonia Curry, known globally as Swoon, is a powerful example of Street Pop Art & Graffiti Artwork translated onto fine art paper. Created as part of Swoon’s Street Series Print Collection, the image captures one of her original wheatpaste street installations from Oaxaca, Mexico, depicting a striking female figure blending human and mythological attributes. This signed and numbered giclee print, released in 2016 in a limited edition of 175, measures 19 by 13 inches and is printed on heavy fine art rag paper. The artwork not only documents Swoon’s presence on walls across Latin America but also speaks to the symbolic relationship between community identity, resistance, and the ephemeral nature of street-based intervention. Stylistic Complexity and Symbolic Composition Kamayura Oaxaca 2013 reflects the intricate cut-paper aesthetics and humanitarian storytelling that define Swoon’s visual language. The figure in the image—part warrior, part mermaid—clutches twin crocodiles as scaled armor drapes over her legs. Radiating lines extend from her back like a halo, while beneath her figure is a tangled collage of snakes, architecture, and flora, all executed in precise linework. These motifs merge indigenous symbolism with modern urban decay, evoking themes of transformation, resilience, and the interconnectedness of natural and built environments. The bright yellow and deep red stucco wall behind the wheatpaste creates a dynamic color contrast, anchoring the image in its original street context while enhancing the mythic presence of the central figure. Caledonia Curry’s Global Street Narratives Swoon, born Caledonia Curry in the United States, has long been celebrated for her ability to blend classical printmaking techniques with the accessibility of street placement. Her work often features portraits of women, community figures, and allegorical representations that touch on social justice, environmental healing, and cultural storytelling. The Kamayura Oaxaca print aligns with her extensive practice of placing intricate paper cutouts directly onto decaying urban surfaces across the globe—from the walls of Brooklyn to the alleys of Haiti and Latin America. In Mexico, her work speaks directly to indigenous voices and post-colonial memory, reinforcing the role of graffiti as both an act of public beautification and political expression. The Importance of the Street Series Print Collection The Kamayura Oaxaca 2013 edition is part of the Street Series Print Collection, which serves as a tangible archive of Swoon’s ephemeral installations. Each print in the series offers collectors and admirers the opportunity to experience the artist’s street-based work in a preserved, gallery-worthy format. By transferring temporary outdoor works onto archival paper, the collection maintains the immediacy and raw power of street art while allowing it to endure beyond the natural wear of weather and urban development. This series also illustrates how Street Pop Art & Graffiti Artwork can transcend its original environment without losing its impact, narrative depth, or visual intensity.

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Dali Pop Street Artwork Hand Painted Multiple HPM Limited Edition Giclee Print on 300gsm Somerset Satin Paper by Urban Graffiti Modern Artist PANG - Fipsi Seilern. Signed HPM Edition of 40 Giclee print on 300 gsm Somerset Satin paper Hand Finished by the artist all unique signed by the artist Dimensions: 60 x 72 cm 2021

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Vandalism Print on Wood Panel Framed Ready to Hang by Johnny Rodriguez (KMNDZ) Street Art Modern Graffiti Pop Artist. Nothing New Under the Sun Wood Panel Archival Print by Johnny Rodriguez (KMNDZ) 11 x 14 in. (20.32 x 25.4 cm) Fine art wood print on 3/4" sustainable Birch, bright white finish Hand signed and numbered edition of 50 A special release for Designer Con 2014

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Scorned Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Lost Fables- Gold Archival Pigment Fine Art Limited Edition Print on Gold Foil Paper by Pop Artist Copyright Modern Artwork. 2021 Signed & Numbered Limited Edition of 5 Artwork Size 27.56x19.67 "Lost Fables, Gold combines the stencil and tattoo-imagery that defines Copyright’s oeuvre." -Enter Gallery

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Hands Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2021 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x8 Archival Pigment Fine Art Close Up Of Hands From Michelangelo's Creation of Adam in Glitch Style In the dynamic realm of modern art, where street, graffiti, and pop art converge, Adam Lister emerges as a beacon of innovation. His 'Hands Archival Print' is a testament to this creative genius, offering a fresh perspective on a revered classic. Drawing inspiration from the iconic "Creation of Adam" fresco by Michelangelo, this piece distills a moment of profound connection into an 10x8, introducing a contemporary glitch style twist. Lister's decision to focus on the hands—the touch of the divine and the human—invites contemplation. The pixelated, almost digital rendition adds layers of modernity, suggesting the blending of time, from the renaissance to the digital age. The archival pigment used ensures the artwork's vibrancy remains unaltered over time, capturing the soft hues and stark contrasts in perpetuity. Rendered on a 300gsm hot press matte fine art paper, the texture of the canvas complements the artwork's digital essence, producing a tactile experience that contrasts with its pixelated visual. The limited-edition nature of the print, with only 50 signed and numbered pieces in existence, elevates its value, making it a sought-after piece for collectors. Adam Lister's 'Hands Archival Print' transcends conventional art boundaries. By juxtaposing ancient art with modern techniques, Lister paves the way for discussions on the evolving nature of art, human connection, and the digital transformation that shapes our perception of both.

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Stellar Hand-Pulled 4-Color Silkscreen Print on Hand Deckled 320gsm Coventry Rag Vellum Paper by Pop Artist Lefty Out There Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 40 Size 24x36 Lefty Out There Stellar 2022 Silkscreen Print Lefty Out There, born in the United States in 1992, is known for his instantly recognizable continuous line style that has become a defining signature within Street Pop Art & Graffiti Artwork. Stellar, released in 2022, is a hand-pulled 4-color silkscreen print measuring 24 x 36 inches and produced in a signed and numbered limited edition of 40. Printed on hand deckled 320gsm Coventry Rag vellum paper, the work highlights the artist’s disciplined approach to repetition, pattern, and optical movement while reinforcing his reputation for transforming simple line work into immersive visual environments. Continuous Line Pattern and Optical Movement in Street Pop Art & Graffiti Artwork The composition is built entirely from interconnected, maze-like lines that weave across the surface in an all-over pattern. Rendered in layered tones of blue, green, and yellow against a light ground, the lines create a vibrating optical effect that shifts as the viewer’s eye travels across the print. There is no central focal point; instead, the artwork functions as a unified field of motion, echoing mural practices and large-scale street installations where pattern becomes architecture. This hypnotic repetition is a hallmark of Street Pop Art & Graffiti Artwork, merging graffiti’s rhythmic tagging traditions with contemporary graphic abstraction. Limited Edition Craftsmanship and Contemporary Collectibility As a 4-color hand-pulled silkscreen, Stellar demonstrates precise registration and clean layering, essential for maintaining the crisp separation between each color band. The hand deckled edges of the 320gsm Coventry Rag vellum paper add a tactile, fine art quality that contrasts with the bold, urban energy of the design. With a limited edition of only 40, this print represents a rare and highly collectible example of Lefty Out There’s studio work. Stellar captures the balance between minimal visual language and maximum visual impact, reinforcing the artist’s role in advancing pattern-driven abstraction within contemporary Street Pop Art & Graffiti Artwork.

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Arrow Pulse Strawberries n Cream Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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UTLA- Stand With LA Teachers 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican-American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 300 Size 18x24 Embodying the spirit of advocacy and the essence of communal solidarity, Ernesto Yerena Montejano's "Stand With LA Teachers" emerges as a powerful example of art as a vessel for social message and cultural identity. This 2019 limited edition silkscreen print is a visual anthem created to support the Los Angeles teachers' fight for student rights, aptly produced under the artist's studio moniker Hecho Con Ganas. Each of the 300 signed and numbered prints, sized at 18x24 inches and pulled by hand, captures the enthusiasm of the United Teachers Los Angeles (UTLA) movement, celebrating educators' roles as pillars in the democratic framework. Yerena Montejano, widely recognized for his Mexican-American pop artwork, weaves together vibrant hues and bold graphic lines to craft a visage that is as evocative as it is iconic. This piece showcases a harmonious blend of reds, yellows, and teals—colors traditionally symbolizing passion, energy, and clarity. These colors leap from the fine art paper, igniting a sense of urgency and unity in support of the educational community. His style echoes the sentiments of classic pop art with a contemporary twist, making his work an intersection of fine art and street art. What sets this artwork apart in pop and graffiti art is its unmistakable purpose. It's not just an image but a declaration, a call to the public to recognize the crucial role that educators play in shaping the future. The striking image of a teacher in this print embodies the dedication and resilience of those in the profession. At the same time, the textual message “Community Schools Build Democracy” underscores the belief in education as a foundational element of societal progress. "Stand With LA Teachers" stands as more than a mere decorative piece; it's a historical timestamp and a socio-political tool that bridges the world of art with the concrete realities of educational activism. Montejano's work reverberates through the landscape of pop art, carrying with it the voices of educators and the strength of community-based advocacy.

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Electric Eliminators- Come Out To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Boneface. Come Out To Play- an illustrated tribute series to 1979 cult movie classic The Warriors!

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Some Velvet Morning- Wood Variant Hand-Pulled 16-Color Silkscreen Print on 110lb Cover Wood Veneer Paper by Pop Artist Eric Pause Rare Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 10 Size 30x24

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Alliance of Magicians Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Gold Metallic Ink Arrested Development Tribute

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Animals- Cow Limited Edition Hand-Embellished HPM Serigraph Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. Artist: Steve Kaufman Title: Animals- Cow Dimensions: 10in. by 12in. Edition: From the rare limited edition of unique works using the same colors and patterns 13/50 Medium: Original oil painting on canvas Signature Details: Hand signed and numbered by the artist verso After graduating from SVA with a Bachelor of Fine Arts, Kaufman held art shows in London and eventually left The Factory to establish his own studio, named “SAK”, after the nickname Warhol had given to him based on his initials. Already an activist, having participated in an early AIDS awareness demonstration in which he was arrested, Kaufman attempted to make an impact on the Homeless issue by hiring homeless New Yorkers to assist him at his studio. He went on to raise millions for the homeless cause.

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Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr Ready to Hang Graffiti Street Artist Modern Pop Art. 2020 Signed Unique 1-of-a-Kind Print on Metal Mounted To Wood Cradle Frame Print Artwork Size 12x8.5 of Cold Crush Brothers Hip Hop Rap Music Artists in a Club Performing. Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel The Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr. is a one-of-a-kind modern art piece that captures the raw energy of early hip-hop culture. Created in 2020, this signed, unique print is mounted on a durable wood cradle frame and showcases a dynamic performance scene of the legendary Cold Crush Brothers in a club setting. The artwork measures 12x8.5 inches and is ready to hang, blending the timeless aesthetics of Street Pop Art and Graffiti Artwork with the vivid history of hip-hop music. This piece not only immortalizes a pivotal moment in music history but also reflects the artistic vision of Joe Conzo Jr., a pivotal figure in documenting the rise of urban culture. The Iconic Cold Crush Brothers and Their Influence The Cold Crush Brothers were instrumental in shaping the early hip-hop scene, bringing unparalleled charisma, lyrical prowess, and stage presence to their performances. As pioneers of the genre, their influence extended far beyond music, inspiring graffiti artists, dancers, and fashion trends that defined urban culture. Joe Conzo Jr., often called hip-hop’s first photographer, captured these defining moments through his lens, creating a visual archive of this groundbreaking era. This particular print depicts the group performing in a packed club, surrounded by an electrified audience, illustrating the cultural significance and infectious energy of their performances. Joe Conzo Jr. and the Intersection of Music and Street Pop Art Joe Conzo Jr., born in 1963 in New York City, is celebrated for his role in preserving the history of hip-hop and graffiti culture through photography. His work is deeply rooted in the ethos of Street Pop Art and Graffiti Artwork, focusing on the authentic and unfiltered expression of urban life. This metal plate photo print is a testament to his talent for capturing the vibrancy and resilience of the Bronx during the birth of hip-hop. The juxtaposition of Conzo’s crisp black-and-white imagery with the industrial feel of the metal plate adds a contemporary edge to this artwork, making it a bridge between past and present. The Artistic and Collectible Value of the Metal Plate Photo Print Mounted on a cradled wood panel, this artwork combines craftsmanship with functionality, ensuring durability and ease of display. The use of a metal plate as the medium gives the photograph a sleek, modern aesthetic while preserving the raw intensity of the image. Signed by Joe Conzo Jr., this unique, one-of-a-kind piece holds significant value for collectors of Street Pop Art, Graffiti Artwork, and hip-hop memorabilia. Its intimate size of 12x8.5 inches allows it to fit seamlessly into any art collection or living space while commanding attention as a cultural artifact. This artwork serves as a vivid reminder of the artistic and cultural revolution driven by hip-hop, graffiti, and street art during the late 20th century.

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Into The Great Wild Open Limited Edition Hand-Embellished HPM 28-Color Silkscreen Print on 300gsm Somerset Satin Paper by Alice Pasquini Graffiti Street Artist Modern Pop Art. 28 color screenprint on 300 gsm somerset paper hand finished in Windsor & Newton inks & Posca Pen’s all unique. edition of 100 signed and numbered by the artist 52.5 x 72cm 2015

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Pride Anaglyphic 9-Color Hand-Pulled Limited Edition Silkscreen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin by Artist Insane51 Rare Art Famous Pop Artwork. 2021 Signed Limited Edition 9-Color Screen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin Size: 23.62 x 23.62 Inches (60 x 60cm) Release: April 10, 2021 Run of 125. In nine colors, each print is a multilayered silkscreen with spot varnish and hand-deckled edges. The limited Special variant features a split-fountain background with metallic gold ink embellishments. Insane51 is a 26-year-old Greek muralist, based in Athens, and is one of the pioneers of large-scale 3D murals. He started in 2007 as a graffiti writer, and since then he has never stopped doing what he wants.

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Everything Under the Sky- The Saved HPM Acrylic 1-Color Hand-Pulled Limited Edition Hand-Painted Multiple Silkscreen Print on Lenox Fine Art Paper by Faile Rare Street Art Famous Pop Artwork Artist. Everything Under the Sky (The Saved), 2012 Acrylic and screenprint in colors on Lenox paper 19 x 12-1/2 inches (48.3 x 31.8 cm) (sheet) Ed. 75/250 Signed in pencil along lower edge; stamped, numbered, and dated to reverse Published by the artist. Several pieces of hinging tape to reverse. The sheet is loose. Unframed.

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Celine Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x13 Pale Woman with Flower in Her Hair. The Ethereal Beauty of Celine by Bec Winnel The giclee print titled "Celine" by the Australian artist Bec Winnel is a masterpiece that sits at the intersection of traditional portraiture and Street Pop Art, a limited edition offering that comprises only 25 signed and numbered pieces. This artwork, measuring 11.5x13 inches, captures the viewer's gaze with the delicate depiction of a pale woman adorned with a flower in her hair, a motif ripe with symbolism and quiet introspection. Bec Winnel's approach in "Celine" is one of intimate portraiture. The subject's pale visage and the soft pink tones of her hair offer a stark yet gentle contrast to the bold and often brash world of Street Pop Art and Graffiti Artwork. The flower, a timeless symbol of nature's fleeting beauty, is rendered with such care that it seems to whisper stories of life's transient nature. The artwork, though rooted in the techniques of fine art, communicates the essence of street art through its emotional impact and accessibility. The use of giclee printing ensures that each nuance of Winnel's delicate pencil and pastel work is captured with precision, allowing the fine gradations of color and detail to shine through. This form of high-quality reproduction democratizes art, aligning with the Street Pop Art ethos of making art available to a wider audience beyond the confines of galleries and exclusive collections. Bec Winnel and the Contemporary Art Scene Bec Winnel, while perhaps not as widely recognized as some street artists, has earned a respected place within the contemporary art scene for her distinct blend of realism and fantasy. Her work often features women in moments of deep contemplation, surrounded by elements of the natural world that serve to underline their connection to the environment and to the cycles of life and death. This connection resonates with the thematic preoccupations of Street Pop Art, where the dialogue between the urban landscape and nature is frequently explored. "Celine" represents a poetic pause in the hustle of the street art world, inviting viewers to reflect on the softer side of humanity. The limited edition nature of the print adds a layer of exclusivity, yet Winnel's artistry bridges the gap between the elite art world and the democratic nature of street art. By creating a fine art paper version of her work, she extends an invitation to a broader audience to engage with her art in their own spaces. The allure of "Celine" lies in its ability to evoke a sense of ethereal beauty and vulnerability, characteristics that are often overshadowed in the bustling, dynamic spaces where Street Pop Art and Graffiti Artwork typically reside. The print holds a mirror to the quieter, more reflective aspects of human experience, much like a mural tucked away in a quiet corner of a busy city street might do. The enduring impact of "Celine" is its subtle challenge to the viewer: to slow down, to appreciate the beauty in stillness, and to consider the depth of the human experience. Winnel's choice to portray a woman in a moment of vulnerability is a powerful statement within the broader context of Street Pop Art, often dominated by louder, more aggressive themes. As "Celine" finds its home with collectors and art enthusiasts, it continues to weave its narrative, one that is as relevant today as it was in 2014. It stands as a testament to the possibilities of cross-pollination between the worlds of fine art and street art, a testament to the power of beauty and vulnerability in an often harsh and unforgiving world. Through her art, Bec Winnel contributes to the evolving story of Street Pop Art and Graffiti Artwork, ensuring that the narrative remains as diverse and multifaceted as the human experience itself.

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Velociraptor Dinosaur Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 18x12 Reviving the Cretaceous: Ron Guyatt's Velociraptor in Silkscreen The Velociraptor, a creature that has captivated the imagination of many since its discovery, leaps from fossil records into the realm of modern art through the hands of Ron Guyatt. His limited edition 2-color hand-pulled silkscreen print on fine art paper is a testament to the enduring fascination with these ancient predators. The 2013 artwork, part of a limited edition series of 50, sized at 18x12 inches, captures the essence of the Velociraptor with a stark, impactful design that resonates with the boldness of street pop art and graffiti artwork. Street Pop Art: A New Habitat for Ancient Predators Though long extinct, the Velociraptor finds a new habitat within the urban jungle through the pieces of street and pop artists like Guyatt. The streets, known for their vibrant dynamism, serve as an unexpected yet fitting backdrop for the representation of these prehistoric creatures. In the form of graffiti and street pop art, dinosaurs become symbols of a primal force, untamed by modern civilization's rules. While more aligned with fine art than illicit street tagging, Guyatt's work carries the same raw energy that fuels the graffiti art movement. The Silkscreen Technique and Its Impact on Pop Art The technique of silkscreen printing, used by Guyatt in creating his Velociraptor piece, holds a special place in the history of pop art. This method, known for its ability to produce vibrant, clean lines and layers of color, has been a favorite of pop artists since its popularization in the art world. Guyatt's choice of this technique for depicting the Velociraptor aligns with a long tradition of pop artistry, echoing the methods used by predecessors to bring their subjects into sharp, graphic relief. With its tactile quality and visual depth, the silkscreen print adds a contemporary dimension to the prehistoric subject, marrying the ancient with the cutting-edge in a piece of art that is both a collector's item and a statement piece. In Ron Guyatt's Velociraptor, the boundaries between past and present, between art and artifact, are blurred. This piece stands as a reminder of the power of art to transcend time, to resurrect the past, and to inspire awe and wonder in the future. Through street pop art and silk screen printing, the Velociraptor is not just a subject of scientific fascination but also a symbol of artistic innovation and the enduring human spirit of exploration.

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Spirit Fox Artwork Giclee Limited Edition Print on 340gsm Cold Pressed Cotton Paper by Pop Artist Mandy Tsung. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 13x19 #50 of 50 June 7th 2013

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Stormtrooper Messiah- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English- POPaganda. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Fast Life Limited Edition 6-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Slower You Move Faster You Die. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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3113 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Johann Sebastian Bach Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Johann Sebastian Bach, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Cathedral Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. 2017 Signed & Numbered Limited Edition of 25 Giclee Artwork Size 18x18 "Cathedral," a giclée print on 290gsm fine art paper by Kari-Lise Alexander, is a captivating piece that blends pop culture's aesthetics and graffiti art's raw authenticity. This 2017 signed and numbered limited edition of 25 pieces, measuring 18x18 inches, is a testament to Alexander's unique vision within contemporary art. While distinct from traditional street pop art and graffiti, her work carries the same spirit of personal expression and cultural resonance that characterizes these art forms. Alexander's "Cathedral" is a piece that invites introspection and admiration, holding a special place in the collections of modern art enthusiasts.

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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The Empresses- H10-1 Wu Zetian Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 2853 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet The Butterfly Effect in Street Pop Art: 'The Empresses - H10-1 Wu Zetian' In the landscape of street pop art, the works of Damien Hirst stand as monumental achievements that merge historical reverence with modern artistic practices. One such work, 'The Empresses - H10-1 Wu Zetian' by Hirst, is a splendid example of how contemporary art can pay homage to historical figures while employing modern techniques and mediums. This limited edition artwork, signed and numbered by Hirst, is a collector's piece and a profound visual narrative that encapsulates the essence of Wu Zetian's rule. At the core of 'Wu Zetian,' a vibrant artwork inspired by the cunning and effective Chinese ruler, lies a unique arrangement of butterfly wings. Wu Zetian (624-705 CE) ascended to power as empress in 655 CE when she married Emperor Gaozong. Her reign witnessed brutal eliminations of political opponents but also stabilized the Tang Dynasty during a critical period. The central element of the piece is a solitary set of butterfly wings encircled by pairs of wings, forming a striking and symmetrical hexagonal pattern. The composition emphasizes the number six, a recurring symbol of good fortune in Chinese culture. Additionally, the hexagon symbolizes the six directions (North, South, East, West, Heaven, and Earth), signifying completeness, harmony, and balance. These notions reflect Wu Zetian's rule, marked by her intelligence, courage, and firm decision-making. Elaborate red-winged butterfly arrangements fill the canvas's four corners, featuring a seamless interplay between singular and paired wings. This complex composition lends an alluring dynamism to the artwork, creating an impression of perpetual change and imbuing the butterflies with a lifelike sense of movement. 'Nūr Jahān' is another artwork featuring intricate patterns of single or paired butterfly wings rendered in stunning red and black hues. The symmetrical designs radiate from the center, forming mesmerizing, kaleidoscopic patterns. At the composition's heart lies a focal square that encloses the central set of wings, drawing the viewer's eye inward. This refined configuration echoes the architectural mastery of Nūr Jahān and the exquisite mosaic tiles adorning the Agra tomb. A continuous metamorphosis characterizes the arrangement of 'Nūr Jahān.' As viewers observe the artwork and shift their position, they uncover new sequences of extraordinary wing patterns. The large black and red pairs encircling the composition create a distinctive, uneven frame. This imbues the structured composition with energy and vitality, capturing the butterflies in a moment of multidirectional flight. Symmetry, Significance, and Symbolism At the heart of 'The Empresses - H10-1 Wu Zetian', viewers are enveloped in a spectacle of symmetry and symbolism. Damien Hirst, an English artist whose work has often sparked dialogue within the art community, crafts a visual representation of Wu Zetian, the only female emperor in Chinese history. The artwork is meticulously constructed with butterfly wings arranged to form a hexagonal pattern, a shape deeply rooted in Chinese symbolism. The hexagon represents the harmonious union of the six directions, embodying Wu Zetian's strategic prowess and the balance she maintained during her reign. The solitary set of wings at the center of the piece may signify Wu Zetian herself, surrounded by the intrigues and courtiers that defined her rule. The intricate patterns of single and paired wings, rendered in striking red hues, resonate with power, passion, and transformation themes. Red, a color of great importance in Chinese culture, symbolizes good fortune and joy, which intricately ties the aesthetic choice to the cultural context of the artwork. Artistic Techniques and Contemporary Interpretations Damien Hirst's choice of medium—giclee and glitter screenprint on an aluminum sheet—further enhances the luminosity and texture of the work, allowing the intricate details and reflective qualities to shine. This choice aligns with his fascination with unconventional materials and methods, a hallmark of his approach to art. The aluminum surface lends the piece a contemporary edge, aligning with the ethos of street pop art, where traditional graffiti has evolved into a sophisticated form of artistic expression. The artwork's technique and composition invite an interactive experience. As the viewer's perspective shifts, so does the appearance of the wings, suggesting the fluidity of power and the fleeting nature of life, themes that were all too familiar to Wu Zetian as she navigated the treacherous waters of political intrigue. The work's dynamic nature reflects the constant motion and change inherent in street pop and graffiti artwork, where the context and environment play crucial roles in interpreting the art. In synthesizing the historical narrative of Wu Zetian with the transformative medium of street pop art, Hirst allows for a contemporary reimagining of a figure who shaped history. This piece does not merely represent a figure from the past; it brings her into the present, allowing for reflection and discourse on the nature of power, the role of women in history, and the enduring impact of a legacy left behind centuries ago. Through 'The Empresses - H10-1 Wu Zetian', Hirst contributes to the narrative of street pop art. This genre continues to redefine itself and expand the parameters of what art can communicate and commemorate.

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Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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Mario's Regret Artwork Giclee Limited Edition Print on Watercolor Fine Art Paper by Pop Culture Graffiti Artist Nick Derington. KICKSTARTER STRETCH GOAL! "Mario's Regret" is an 8x10 archival quality giclee print, on cold press natural watercolor paper, signed and numbered by Nick Derington.

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27 Club- Hendrix 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2012 Edition of 200 Blunt Graffix in Oregon invited us to be a participating artist in their upcoming group show "Dead Rockstars: A Tribute to the Mortal Gods of Sound". We decided to explore the 27 Club, a meme regarding popular musicians who all died at the age of 27. Each print is a mini 4.625" x 5.375" four color screen print with an edition of 200.

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