Print Fine Art

Bird Bath Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Morgan McPeak pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Hefe POP Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Clint Wilson. 2013 Signed & Numbered Limited Edition of 100

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Only The Finest Poison Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print "This “Only the Finest Poison” print is a critique of the many methods the oil industries use to maintain business as usual, including deceptive marketing, bribing politicians, discrediting science, and concealing the truth. The news clipping included in the piece is a portion of an article revealing that ExxonMobile has known, based on their internal scientific research, for over 40 years that burning fossil fuels is warming the planet. Yet, they hid the research and publicly denied the impact of fossil fuels on climate change. It is challenging to break through the formidable layers of deterrence put in place by the powerful corporations who put profits before people and the planet, but breaking through is essential to a healthy future. A portion of proceeds from this print will benefit Greenpeace USA to support their work to fight climate change. Thanks for caring. The speckletone paper used in this print is composed of recycled material." -Shepard Fairey "Only the Finest Poison" is an exceptional work of art by Shepard Fairey, a renowned figure in the pop and street art scene. Released in 2023, this silkscreen print showcases Fairey's adeptness in merging provocative political commentary with visually compelling artistry. Limited to an edition of 550, each piece is hand-pulled on Speckletone Fine Art Paper, a unique medium composed of recycled material, further emphasizing the artist's commitment to environmental responsibility. The artwork stands as a stark critique of the global oil industry and its harmful practices. Fairey powerfully employs the use of imagery and text to shed light on the industry's egregious actions—distorting facts, undermining science, bribing political figures, and prioritizing profit over the planet's wellbeing. A crucial element of the piece is the inclusion of a news clipping, a snip from an exposé revealing ExxonMobile's long-concealed knowledge of the detrimental climate effects of burning fossil fuels. Fairey's print is an example of how art can serve as a powerful medium for social and political critique, calling viewers to contemplate the issues presented and challenging them to take action. Echoing the urgent need for change, Fairey's print not only criticizes the oil industry but also extends a helping hand towards environmental causes. A percentage of the proceeds from the sale of this print is donated to Greenpeace USA, an organization known for its relentless fight against climate change. This brilliant artwork, in its thematic exploration and socio-political impact, is a testament to Fairey's role as a critical commentator in the realm of street and pop art.

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High Time- High All Day Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Marwan Shahin's "High All Day" Collectors edition of only 5 prints of each. From High Time series, Debuting in 2015, Released for the first time produced by Shahin Studios, released in celebration of the new year. Only 5 Available of each2015 18 inches x 22 inches Giclée on Photographique Rag Signed, Numbered, Embossed and Branded High Time: High All Day by Marwan Shahin – A Radiant Fusion of Time, Status, and Enlightenment High All Day is a standout piece from Marwan Shahin’s acclaimed High Time series, crafted in 2015 and released in an extremely limited edition of only five prints. Produced on 18 x 22 inch Photographique Rag paper and finished with Shahin’s signature embossing, branding, and numbering, this giclée print extends the series’ surreal reinterpretation of luxury timepieces as profound cultural and symbolic artifacts. In High All Day, Shahin replaces the watch dial with a celestial face encircled by golden rays, transforming the wristwatch into a sun deity—a visual metaphor for illumination, opulence, and modern obsessions with visibility and value. The radiant gold of the spiked bezel bursts outward like a sun crown, each point merging elements of a timepiece's mechanics with solar symbolism. At the center of the dial, the intricately detailed face gazes out hypnotically with spiral-rendered features and reddened eyes, echoing the dreamy haze found in High All Night. However, where High All Night explores the twilight haze of indulgence, High All Day evokes the blinding clarity of the spotlight—fame, materialism, and constant awareness. Time as Power, Time as Currency Marwan Shahin continues his exploration of modern symbolism through the framework of Street Pop Art & Graffiti Artwork. The work critiques the societal glorification of luxury, fame, and hyper-productivity. The gilded wristwatch—a universal symbol of affluence and achievement—is elevated into a mythic idol, reminiscent of both solar gods and corporate logos. The crown at the top of the watch dial references Rolex, reinforcing the link between luxury branding and cultural deification. This stylized anthropomorphization of the timepiece underscores the duality of time as both liberator and captor. The spiraling background, rendered in precise linework, creates a kinetic energy around the figure. The radial blue field suggests motion, light, and expansion, as if the sun-like figure is actively emitting influence. This energy resonates with Shahin’s intent to depict how fame and status radiate outward—both elevating and consuming those who orbit them. Graffiti Philosophy Meets Symbolic Precision As with the rest of the High Time series, High All Day is grounded in a meticulously detailed aesthetic. The symmetry of the design, the geometric rhythm of the band, and the finely etched facial features show Shahin’s background in architecture and classical draftsmanship. Yet it remains rooted in street pop culture through bold iconography and visual commentary. The glowing red eyes signal both fatigue and vigilance, implying that in today’s digital age, even daylight is infused with the pressure to perform and stay visible. This piece pushes the viewer to consider how contemporary society equates time with productivity, productivity with value, and visibility with validation. In this way, High All Day not only satirizes luxury watches but transforms them into a canvas for spiritual and sociopolitical critique. A Daylight Manifesto in Giclée Form Marwan Shahin’s High All Day serves as a radiant counterpoint to High All Night, reflecting the relentless pulse of daytime hustle and social exposure. With only five prints ever made, it offers rarity that mirrors the exclusivity it critiques. Both sacred and satirical, it merges ancient sun symbolism with modern material culture, making it a powerful artifact for collectors of contemporary street pop art. Through High All Day, Shahin continues his exploration of the ways humans personify time, idolize wealth, and seek transcendence through possession.

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Flower Vine Black Red AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2009 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Flowers Growing on Vines in a Luxury Stylized Pattern. In the landscape of contemporary art, Shepard Fairey's influence is significant, especially when considering the intersection of pop culture and art activism. His "Flower Vine Black Red AP" silkscreen print exemplifies the fusion of aesthetic allure and cultural commentary. This Artist Proof, dated 2009, presents a vibrant juxtaposition of black floral and vine patterns against a striking red background. Hand-pulled on cream speckle tone fine art paper, each piece in this limited edition is signed and marked by Fairey, adding a dimension of exclusivity and authenticity. The artwork measures 18x24 inches, a size that allows the intricate details and the boldness of the colors to stand out, making a statement that is visually arresting. The use of just two colors in the print showcases Fairey's mastery of the silkscreen technique, where the limited palette enhances the work's graphic strength rather than diminishes its complexity. The pattern of flowers growing on vines carries a dual symbolism; it reflects growth and natural beauty while alluding to the intertwining of nature with human civilization, a theme often revisited in street and graffiti art. Fairey, widely recognized for his OBEY campaign and the iconic Barack Obama "Hope" poster, often infuses his work with socio-political undertones. "Flower Vine Black Red AP" can be viewed within this context as a piece that speaks to the luxury of aesthetics while possibly critiquing the commodification of nature in pop culture. As a leading figure in the street art movement, Fairey's work challenges viewers to reinterpret familiar visual elements in new and thought-provoking ways. This print, as with much of Fairey's work, is more than just a decorative piece; it is a commentary embedded in the medium of pop art. It stands at the crossroads of fine art and street aesthetics, making it a distinctive work in the collection of modern art enthusiasts who appreciate the blend of street art's raw energy with the finesse of a fine art silkscreen.

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UnReal Estate- The Gunslinger Followed Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Produced for Tim Doyle's 5th Unreal Estate show at Spokeart in New York. Print is signed and numbered by the artist in an edition of 125. This print measures 16x20 inches.

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The Sea Also Rises: The Beast 7-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb Cougar Cover Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. The Sea Also Rises: The Beast by Tim Doyle Limited edition of 100 (signed & numbered) 7-color screenprint on 100lb Cougar Cover Oversized at 24" x 36" Printed with ♥ by Nakatomi Inc. "The idea of rising sea levels, and the animals of the sea (mythic or otherwise) coming into areas they aren't normally seen is fascinating to me" -Tim Doyle

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Mayfly Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Thoroughbred- Pocket Watch White Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Naturel Graffiti Street Artist Modern Pop Art. "Thoroughbred came from the way folks covet Polo from Ralph. Seeing all the old Lo pieces from 94 is like seeing a beautiful nude woman riding bareback!" - Naturel

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Yo Yo- Tar Paper Limited Edition Metallic Silkscreen Ink on Hand Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville 2016 Hand Signed & Numbered Limited Edition of 80 Artwork Extra Thick Tar Paper Size 24x16 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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Union Pacific Building America Blotter Paper Archival Print by Lyric One Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Rubus- Green 6-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Canson Guarro Superalfa Fine Art Paper by Violeta Hernández Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered 6-Color Screen Print on 250gsm Canson Guarro Superalfa Fine Art Paper Size: 17.7 x 17.7 Release: January 17, 2022 Run of: 50

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After Dark Archival Print by Jessica Hess Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x20 Archival Pigment Fine Art  The Allure of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have emerged as vibrant staples in modern art galleries, embodying the pulsating energy and raw expression of urban environments. These forms of artistic expression have transcended their rebellious origins to be celebrated in high-end art markets and esteemed exhibitions. Among the artists who have championed this movement, Jessica Hess stands out with her meticulous renditions of graffiti and urban landscapes. Her works, such as the "After Dark Archival Print," continue to dazzle collectors and enthusiasts with their attention to detail and striking visual narratives. Jessica Hess: A Modern Chronicler of the Urban Canvas Jessica Hess, an American artist, brings the ephemeral nature of street art into a permanent state through her archival prints. The limited-edition "After Dark" print is a testament to her ability to capture the raw essence of street culture. Created on 290gsm Moab Entrada Fine Art Paper, this artwork demonstrates the delicate balance between graffiti's impermanence and fine art's longevity. Born in the United States, Hess is still active in the art scene, contributing to the contemporary narrative of street-inspired artworks. Her skillful hands translate the graffiti-splashed walls into works that command contemplation and admiration. The "After Dark" print is particularly notable for portraying the urban landscape as a canvas of nocturnal beauty. Limited to a series of 50, each piece is signed and numbered by Hess, offering a sense of exclusivity and connection to the artist's vision. The artwork's size, 24x20, provides a substantial window into the scene, allowing viewers to immerse themselves in the detailed interplay of shadows, light, and the vibrant graffiti adoring the city walls. The Intersection of Fine Art and Urban Expression Jessica Hess's "After Dark" print exemplifies the evolution of graffiti from street corners to the white walls of galleries. This shift signifies a broader acceptance and appreciation for street pop art as a legitimate and profound form of fine art. By presenting graffiti in an archival pigment fine art print, Hess not only preserves the fleeting nature of street art but also elevates it to a form that can be reversed over time. The limited edition nature of "After Dark" underscores the fine art world's practice of rarity and collectability, yet the subject matter remains staunchly grounded in the accessible and democratic roots of street art. Hess' approach to capturing these street scenes is more than mere replication; it is an act of homage and preservation. Her fine art prints, including "After Dark," serve as a conduit between the rugged street corners and the polished gallery spaces, enabling a dialogue between two worlds that were once considered opposing forces. This dialogue is essential in the ongoing discourse surrounding the value and impact of street pop and graffiti artwork within the larger art community. In examining "After Dark," one can see a vibrant example of the complex interplay between urban decay and artistic creation. The graffiti is not simply an act of vandalism but a form of self-expression, a voice given to the voiceless, and a color splash against the monochrome fabric of the urban landscape. Hess captures this dynamic through her archival prints, giving it a permanence that street art often lacks. Preservation of the Ephemeral: The Significance of Archival Prints Archival prints like "After Dark" are critical in preserving street art. While the original graffiti may fall victim to weather, city clean-up, or other graffiti artists, Hess' prints offer a way to immortalize the art beyond its physical lifespan. High-quality Moab Entrada Fine Art Paper ensures that the prints resist degradation, allowing the rich colors and intricate details of the original work to endure through the ages. The archival pigment ensures that each print retains the vibrancy and clarity of the original scene, becoming a piece of history itself. The significance of Jessica Hess's work lies in the aesthetic appeal of her prints and in her contribution to documenting and preserving an often transient form of art. "After Dark" and similar works are historical records, capturing a specific moment and place in the ever-changing cityscape. They witness the urban transformations and communication layers etched onto the walls by anonymous artists. The "After Dark Archival Print" by Jessica Hess offers a glimpse into the nuanced world of Street Pop Art and Graffiti Artwork, encapsulating the ephemeral nature of street art within the permanence of fine art. Hess's ability to bridge these two worlds in her archival prints elevates the status of street art within the art hierarchy. It preserves the cultural significance of these urban markings for future generations. As limited edition pieces, each print from Hess is a cherished artifact, a piece of urban history, and a testament to the rich dialogue between the streets and the galleries.

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Love To Watch You Grow 4-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Coventry Rag Fine Art Paper by Efdot x Jessie Mordine Young Street Art. 2022 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 18x24 Collaboration screen print by Efdot and Jessie Mordine Young. Originally painted as a street art mural at 96 Knickerbocker Ave in Bushwick, Brooklyn. Edition of 40, signed & numbered fine art screen prints on Coventry Rag 250 gsm with 4 colors (cerulean blue, sky blue, light teal & translucent pink). The bold overlapping colors and shapes produce unique imperfections on each print.

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Last Angel LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Chateau Marmont Black Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Letterpress Print Move Fast Move Smooth Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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LIE 2 Ben Bernanke Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2011 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Pixel Icons AP Silkscreen Print by Buff Monster Artist Proof Hand-Pulled Screen Print on 250gsm Cotton Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 of the Classic Melty Misfit One Eyed Ice Cream Drippy Monster in Pixel Style. A Digital Twist on a Street Pop Art Icon Pixel Icon AP Silkscreen Print by Buff Monster transforms the artist’s signature Melty Misfit character into a pixelated rendition, blending the nostalgia of early video game aesthetics with the vibrant energy of Street Pop Art & Graffiti Artwork. This 2023 Artist Proof, sized at 18x24 inches and printed on 250gsm cotton fine art paper, reimagines Buff Monster’s one-eyed, dripping ice cream creature in blocky, pixel-like shapes. The shift from smooth, organic drips to rigid, digital edges results in a striking visual contrast that merges two distinct artistic influences: the raw, expressive forms found in urban street culture and the nostalgic charm of 8-bit video game graphics. Rendered in a playful palette of green, pink, and yellow, the piece retains the creature’s quirky personality while immersing it in a new stylistic universe. The digital pixel effect brings a sense of retro gaming culture into Buff Monster’s well-established world of melting monsters. Despite the change in technique, the artwork remains instantly recognizable, proving that Buff Monster’s character design is so distinct that it can exist across multiple visual formats without losing its identity. The single, oversized eye stares directly at the viewer, drawing them into a world that fuses digital nostalgia with the unpredictability of pop-inspired street art. Street Pop Art & Graffiti Artwork Meets Digital Aesthetics Buff Monster’s work consistently pulls from bold, high-contrast colors and graphic compositions that align with the principles of Street Pop Art & Graffiti Artwork. However, this print introduces an unexpected layer of digital distortion by rendering the melting figure in pixel form. This artistic decision bridges the tactile and the virtual, referencing both the painted surfaces of city murals and the pixel-based constraints of early arcade games. The visual connection between these seemingly opposing aesthetics creates a unique hybrid, demonstrating that street art is not confined to physical spaces but can evolve through different cultural touchpoints. The halftone textures frequently seen in Buff Monster’s traditional prints take a backseat here, replaced by crisp, blocky edges that mimic digital renderings. The melting effect remains, though it appears structured, as if glitches in a video game environment are causing the character to dissolve in slow motion. This unexpected take on the classic Melty Misfit form introduces a fresh dynamic to Buff Monster’s ever-growing catalog, showing how elements of graffiti-inspired works can be adapted to new stylistic directions while maintaining their core energy. Artist Proof and Unique Collector Appeal Artist Proof editions often carry a heightened sense of rarity, serving as test prints or early variations that exist outside standard production runs. This particular AP print, marked and signed by Buff Monster, holds an exclusive status for collectors who appreciate experimental variations. The pixelated reinterpretation of the Melty Misfit character offers a unique departure from Buff Monster’s usual smooth, dripping lines, making it a standout piece for those who follow his evolving creative journey. The meticulous craftsmanship of the hand-pulled screen printing process contrasts with the intentionally jagged visual effect, emphasizing the intersection between digital aesthetics and traditional printmaking. Every layer of ink is carefully applied to retain the crisp edges of the pixel blocks, reinforcing the illusion of a digital screen while maintaining the tactile quality of fine art paper. This duality makes Pixel Icon AP an intriguing addition to collections that celebrate both contemporary street art and the broader pop culture movements that inform it. A Celebration of Nostalgia and Reinvention Pixel Icon AP Silkscreen Print encapsulates the essence of Buff Monster’s ability to reinvent his iconic characters while remaining true to his artistic roots. The fusion of video game nostalgia with the vibrant, rebellious energy of Street Pop Art & Graffiti Artwork results in a print that feels both familiar and refreshingly new. Fans of Buff Monster’s work will recognize the unmistakable charm of the Melty Misfit character, now reimagined in a form that pays homage to early digital aesthetics. This print challenges traditional expectations of what street-inspired artwork can be, demonstrating that visual storytelling in pop-infused street art can evolve across different mediums and styles. The pixelated approach does not diminish the organic humor and personality of Buff Monster’s work but rather amplifies it, proving that his artistic language transcends format. Whether viewed as a playful nod to retro gaming culture or a bold reinterpretation of a beloved character, this Artist Proof serves as both a collectible gem and an exciting visual experiment within Buff Monster’s ever-expanding creative world.

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Blackbook- A Realistic Awareness Builds Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14 Small Crease To Extreme Lower Left Facing Edge. Blackbook - A Realistic Awareness Builds by DocTC5 Blackbook - A Realistic Awareness Builds is a striking example of Street Pop Art & Graffiti Artwork by DocTC5, a foundational figure in the legacy of New York graffiti. This 2019 limited edition giclee print captures the bold spirit of blackbook culture while paying tribute to the foundational aesthetics that shaped early graffiti movements. DocTC5, a long-standing member of the historic crew The Crazy 5 (TC5), brings decades of style writing mastery into a single composition that blends wildstyle lettering, figurative illustration, and symbolic motifs in a format traditionally reserved for sketchbook experimentation. Tribute to Style Writing and TC5 Legacy The work features DocTC5’s signature fusion of elaborate lettering and playful character design. The central graffiti piece, rendered in layered hues of magenta, burnt orange, and yellow, spells out ZAPRC in a stylized format characteristic of 1970s and 1980s NYC train-era wildstyle. The surrounding design elements are saturated with symbolism—the bold TC5 initials above the work reference one of the most influential graffiti collectives in the history of urban art. Beneath the piece, a female character in a diving motion floats over a white circle and luminous yellow-edged star containing the number 5, a visual cue linking the print back to The Crazy 5. The acronym ARAB—A Realistic Awareness Builds—appears in precise handstyle in the lower right corner, cementing the print’s narrative and purpose as a call to authenticity, evolution, and knowledge in graffiti practice. Giclee Fine Art with Street Authenticity Produced as a fine art giclee on archival paper, this edition balances museum-quality printmaking with raw street aesthetics. Measuring 17x14 inches, the print preserves the feel of an original blackbook page while offering a refined visual texture. This signed and numbered edition of 25 includes the artist’s embossed seal in the lower right corner, signaling both provenance and artistic intent. The slight crease noted on the lower left edge speaks not to damage, but to the lived quality that defines much of the graffiti world’s most valuable artifacts—these pieces are handled, shared, and carried, often reflecting the rough texture of the culture itself. Graffiti as Cultural Message and Collective Memory DocTC5’s Blackbook - A Realistic Awareness Builds is more than a nostalgic homage. It is a transmission of knowledge from one of the original New York graffiti writers to the contemporary audience, packaged in a format that echoes the sacred personal blackbooks of early graffiti. It blends vivid color palettes with structured complexity and energetic flow, reminding viewers that graffiti is more than public vandalism—it is a codified language, a form of rebellion, and a deeply expressive culture. With this edition, DocTC5 preserves the legacy of The Crazy 5 while inviting a new generation to explore what it means to write, remember, and evolve.

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Scale Up Archival Print Photo by Vhils- Alexandre Farto x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Vhils- Alexandre Farto & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Intersecting Visions: Vhils and the Fabric of Street Art "Scale Up," an archival print brought to life by the creative confluence of Vhils (Alexandre Farto), Martha Cooper, the 1UP Crew, and Nika Kramer, encapsulates a collaborative spirit that is at the heart of street pop art and graffiti artwork. This limited edition piece, signed by Vhils and numbered out of 40, is a testament to urban art's intricate layers and profound storytelling. Sized at 19.75x24 inches, the work is a fusion of Farto's unique subtractive artistry and the documentary acumen of Cooper and Kramer, presented by the 1UP Crew and the MOG Museum of Graffiti. Each artist's contribution to "Scale Up" forms a distinct thread in the rich tapestry of the print. Vhils' excavation technique is evident, stripping layers to reveal an underlying narrative. Meanwhile, Martha Cooper and Nika Kramer bring their iconic photographic perspectives, immortalizing the essence of the street in a single frame. The 1UP Crew, synonymous with unity and power in street art, bridges these visions, while the MOG offers a platform for their convergence, cementing the work's place in modern art discourse. Alexandre Farto's Artistic Alchemy Alexandre Farto, known as Vhils, has revolutionized the street art scene with his chiseled portraits that delve into the substrata of urban environments. His involvement in "Scale Up" presents a poignant portrayal of the human condition amidst the chaos of city life. Farto's art is a dialogue between creation and destruction, where removing material is as significant as the image revealed. His technique is a metaphor for the human experience—each layer stripped away uncovers stories etched into the walls by time and history. Vhils' approach to street art extends beyond mere aesthetics. It interrogates themes of identity, memory, and the relentless pace of urban development. By signing "Scale Up," Farto imbues the work with his ethos, marrying the transient nature of street art with the permanence of fine art. The piece is a visual feast and a philosophical inquiry into the spaces we occupy and the marks we leave behind. The Collective Pulse of "Scale Up" "Scale Up" is a collaborative heartbeat of the street art community, echoing the sentiments of artists who view the city as canvas and muse. The inclusion of Martha Cooper and Nika Kramer in this project bridges generations, uniting the trailblazing spirit of Cooper's seminal street art photography with Kramer's contemporary cultural lens. Their collective eye frames the raw beauty of street art, capturing its fleeting magic in a lasting medium. The 1UP Crew, through its publication of "Scale Up," reinforces its commitment to collective action in art creation. The Crew's ethos is palpable in print, representing a more extensive, unified narrative of resistance, resilience, and artistic freedom. Supported by the MOG Museum of Graffiti, the print becomes a piece of history. This limited-edition narrative speaks to the enduring power of collaboration in the street art world. In the art community, "Scale Up" is recognized as a convergence of titans, a harmonious blend of individual talents and visions that together tell a story more remarkable than the sum of its parts. As street pop art and graffiti artwork continue to shape the cultural landscape, the contributions of Vhils, Martha Cooper, Nika Kramer, and the 1UP Crew will be celebrated for their ability to capture the zeitgeist of urban art and its unyielding drive to challenge, redefine, and inspire.

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Magnolia Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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Studio Session 613 #3/8 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #613, Limited Edition of 8 prints, print #5/8. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with two deckled edges and two natural edges.

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Girl With Heart PP Printer Proof Archival Print by Nicer- Hector Nazario Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 14x17 Archival Pigment Fine Art. Unveiling "Girl With Heart" by Nicer - Hector Nazario "Girl With Heart" is a vibrant archival print by Nicer, also known as Hector Nazario, who is a revered figure in the street pop art and graffiti art scene. As a signed Printer's Proof (PP) from 2021, this limited edition print reflects Nicer's deep graffiti roots and ongoing dialogue with pop art aesthetics. The 14x17-inch artwork is printed using archival pigment in fine art 290gsm Moab Entrada Fine Art Paper, ensuring that the rich colors and bold lines stand the test of time. Nicer's Artistic Expression in Street Art This piece showcases a playful yet poignant character—a hallmark of Nicer's work. The figure, a whimsical representation of a woman with a heart, illustrates Nicer's deft ability to infuse his subjects with emotion and narrative. The background, featuring the artist's name in bold, stylized graffiti lettering, anchors the piece firmly within the urban art tradition. The juxtaposition of the animated character with the more traditional graffiti elements reflects the complex layers of street pop art, where the lines between street culture and mainstream iconography are blurred. Nicer's expertise in graffiti is evident in the precision of the lines and the balance of colors, demonstrating that street art is not just an act of rebellion but a sophisticated form of visual communication. Through "Girl With Heart," Nicer invites the viewer into a world where the rawness of the streets meets the allure of cartoons, where graffiti is not vandalism but a legitimate and compelling art form. The print is a testament to the enduring legacy of street art and its evolution from the fringes of society to the walls of collectors and enthusiasts. It is evidence of Nicer's impact on the genre, encapsulating his role as both an artist and an innovator. "Girl With Heart" is not just an artwork; it's a narrative piece that speaks to the transformative power of street pop art and its ability to encapsulate complex human emotions and societal trends. In the broader scope of Nicer's work, "Girl With Heart" is a vivid example of the potential for street art to transcend its origins and become a respected and celebrated form of contemporary art. It embodies the spirit of hip-hop culture—a culture that Nicer has helped to propagate and elevate through his art. Through his continued exploration and innovation, Nicer-Hector Nazario secures his place as a pivotal figure in modern art, bridging the gap between the street and the gallery with each stroke of his spray can.

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Enchantress Archival Print by Audrey Kawasaki Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2018 Signed Open Edition Artwork Size 18x18 Archival Pigment Fine Art Audrey Kawasaki and the Allure of "Enchantress" in Modern Art Audrey Kawasaki's "Enchantress" archival print is a captivating embodiment of the fusion between the delicate intricacies of fine art and the bold expressiveness of Street Pop Art and Graffiti Artwork. Released in 2018 as an open edition, each signed print reflects Kawasaki's distinctive style, which blends elements of both Eastern and Western art forms. The artwork is meticulously printed on fine cotton art paper, 18x18 inches, utilizing archival pigment to preserve its subtle hues and fine lines. "Enchantress" showcases an ethereal yet grounded figure surrounded by a lush array of flora that seems to grow from the subject herself. Kawasaki's work often features young women in states of dreamlike reverie, their expressions conveying a deep sense of emotion and introspection. With its floral embellishments, this piece represents the complex relationship between humans and nature, suggesting a symbiotic coexistence that is beautiful and transient. Embracing Femininity and Nature in Street Pop Art In the landscape of contemporary art, Kawasaki's "Enchantress" stands out for its embrace of femininity and nature, recurrent themes in her oeuvre. Her work is recognized for its ability to convey vulnerability and strength simultaneously; a duality celebrated and explored through her distinctive fusion of art forms. The subject of the "Enchantress" appears almost suspended in time, her closed eyes and serene pose evoking a sense of peace and self-assurance amidst the flowing lines and natural motifs that envelop her. The influence of Kawasaki in the Street Pop Art and Graffiti Artwork scene is significant. Her art transcends the traditional boundaries of street art, bringing a sense of quiet introspection and delicate beauty to a genre often associated with raw, urban energy. The "Enchantress" print, like much of her work, invites the viewer to pause and reflect, offering a momentary escape from the chaos of the outside world into a space of contemplation and aesthetic pleasure. The representation of women in modern street art is often a powerful commentary on identity and societal expectations, and Kawasaki's work contributes meaningfully to this dialogue. Through her art, she presents a vision of femininity that is complex and multifaceted, challenging the viewer to look beyond surface appearances and consider the inner world of her subjects. Audrey Kawasaki's archival print "Enchantress" is a testament to the nuanced and evolving nature of street pop art and graffiti artwork. It embodies the potential for street art to engage with the public in bold and vibrant ways and offer a gentle and meditative experience through imagery that is as thoughtful as it is enchanting. Kawasaki's contribution to the genre serves as a reminder of the diverse expressions and emotional depths that modern art can encompass.

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New World Revolution Print on Wood Panel Framed Ready to Hang by Mear One Graffiti Street Artist Modern Pop Art. 13.5 x 18 in. (34.29 x 45.72 cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered by Mear One. Limited Edition of 20 prints "With Mother's Day". "Her golden halo bathes us in a warmth of spiritual wisdom, positivity, and choice, fist raised in the sky, not in anger, but universal solidarity and strength, perhaps serving as a reminder to us all that a revolutionary time is upon us, drawing focus upon the courageous role that women and children play in this politically charged era." - Mear One

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Private Property Freestyle Blotter Paper Archival Print by Cope2- Fernando Carlo Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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Credit Limit- Bank of Ugh-Merica Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Bank of Ugh-Merica Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Bank of Ugh-Merica by Denial Credit Limit: Bank of Ugh-Merica is a powerful archival pigment fine art print created by street pop art and modern culture artist Daniel Bombardier, known as Denial. This artwork, released in a limited edition of 25, reflects Denial's sharp critique of consumerism and the financial systems that dominate modern life. Printed on 290gsm MOAB fine art paper, this 24x18-inch piece combines vivid colors, pop culture references, and satirical imagery to challenge the viewer’s perception of wealth, credit, and societal values. Each print is signed, numbered, and stamped on the reverse, making it a highly collectible piece within the street pop art and graffiti artwork community. The Visual Commentary on Consumerism Credit Limit: Bank of Ugh-Merica transforms the iconic design of a credit card into a biting critique of financial systems and American consumer culture. The central figure—a woman with the American flag painted across her face—symbolizes the allure and burden of patriotism tied to economic identity. Her exaggerated expression conveys disillusionment, mirroring the emotional weight of consumer debt and financial dependence. The replacement of the credit card’s typical branding with Denial’s satirical take highlights the disconnect between the promises of prosperity and the realities of economic inequality. This artwork encapsulates the power of street pop art to deliver meaningful social commentary through familiar visual cues. Denial’s Approach to Modern Pop Culture Art Daniel Bombardier, a Canadian artist, has built a career on critiquing consumerism, politics, and societal norms through his street pop art and graffiti artwork. Credit Limit: Bank of Ugh-Merica exemplifies his signature style of combining bold graphic elements with thought-provoking themes. By appropriating the imagery of a credit card—a symbol of wealth and status—Denial invites viewers to reconsider the systems they take for granted. His meticulous attention to detail, from the crisp archival pigment print to the high-quality MOAB fine art paper, ensures that the message is delivered with both clarity and impact. The Cultural Relevance of Credit Limit This artwork resonates in an era where conversations about economic disparity, debt, and consumer habits are more relevant than ever. Credit Limit: Bank of Ugh-Merica not only critiques the structures that perpetuate inequality but also questions the cultural obsession with material wealth and financial power. The limited edition nature of this piece enhances its significance, making it a statement of both artistic and cultural value. As a representation of Denial’s ability to merge humor, critique, and pop culture into a cohesive and impactful artwork, this piece stands as a testament to the enduring power of street pop art and graffiti artwork in challenging societal norms.  

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Nighttime in the City Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 11x14

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Keith Morris Photograph Print on Wood Panel Ready to Hang by Edward Colver x Keith Morris Street Art Photo Modern Pop Artist. 10 x 12 in. (25.4 x 30.48 cm) Fine art wood print on 1/2" sustainable birch wood, natural gloss finish Limited edition of 100 signed and numbered fine art wood canvas print by Edward Colver and Keith Morris classic punk rock artists printed on sustainable Birchwood with archival UV protected ink. The photograph was hand-selected by Keith Morris, frontman of Black Flag, Circle Jerks and Off!

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Graffiti Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. In 2003, Chueh moved to Los Angeles to further pursue a career in design. However, a lack of employment opportunities left him resorting to painting as a way to keep busy. From there, he got his start showing in the Los Angeles underground art scene, specifically in the Cannibal Flower art shows. Since then Chueh has quickly worked his way up the ranks of the LA art scene, establishing himself as an artist not to be ignored. Employing minimal color schemes, simple animal characters, and an endless list of ill-fated situations, Chueh stylistically balances cute with brute, walking the fine line between comedy and tragedy.

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Credit Limit- Less is More Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Less is More Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Less is More by Denial Credit Limit: Less is More is an engaging archival pigment fine art print by Canadian street pop art and graffiti artist Daniel Bombardier, also known as Denial. This artwork, part of his Credit Limit series, is a bold critique of consumer culture, financial dependency, and the pervasive influence of branding in modern society. Created in 2020, the piece measures 24x18 inches and is printed on 290gsm MOAB fine art paper, ensuring the highest level of detail and vibrancy. Each piece is part of a limited edition of 25, individually signed, numbered, and stamped on the reverse, making it a prized collectible among art enthusiasts and collectors. The Visual Commentary of Less is More Less is More transforms the familiar design of a credit card into a provocative artwork that challenges societal norms and values. The central figure, a woman with green skin and a melancholic expression, is a striking pop art reimagination. Her stylized appearance, complete with halftone patterns and bold colors, evokes the graphic aesthetic of mid-century comic books. The credit card design features branding and elements that are cleverly altered to reflect Denial’s critique of consumerism and the contradictions inherent in the phrase less is more. The world map in the background hints at the global reach of financial systems and their influence on individual lives. By combining these elements, the piece offers a layered exploration of the emotional and cultural impact of materialism. Denial’s Unique Artistic Approach Daniel Bombardier’s work is celebrated for its ability to combine humor, satire, and pop culture references into thought-provoking pieces. Less is More exemplifies his skill in turning everyday objects into vehicles for social commentary. The use of a credit card as the foundation of the artwork speaks to the ubiquity of consumerism and its impact on identity and values. Denial’s meticulous attention to detail, from the crispness of the archival pigment print to the dynamic interplay of colors, ensures that the piece is both visually stunning and thematically rich. His fusion of street pop art and graffiti artwork continues to challenge audiences to rethink their relationship with consumer culture. The Cultural Significance of Credit Limit: Less is More Less is More captures the paradoxical relationship between material aspirations and the psychological toll of consumerism. It critiques the notion of equating financial success with personal fulfillment, highlighting the emotional dissonance that often accompanies the pursuit of wealth. As part of the Credit Limit series, this artwork reinforces Denial’s commentary on the systems and ideologies that shape modern life. The limited edition nature of the piece underscores its exclusivity and value as a work of art that not only resonates aesthetically but also sparks critical conversations. Denial’s ability to blend bold visuals with profound messages ensures that Less is More remains a standout piece in the world of contemporary street pop art and graffiti artwork.  

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City At Night Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 25 Artwork Size 18x24

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Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.

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Message From Space Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Lost in Translation Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Space Coffee Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 9x24 Metallic Ink

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2021 Signed & Marked AP Limited Edition Print Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Burn Your Wonder Bra: A Bold Statement in Street Pop Art by Denial Burn Your Wonder Bra is a striking limited edition archival pigment fine art print created in 2021 by Denial, a celebrated street art and modern pop culture artist. Known for pushing boundaries with his provocative and satirical art, Denial has established himself as an influential figure in the Street Pop Art and Graffiti Artwork movements. The piece was released as a limited artist proof edition, signed and marked AP by the artist, and printed on premium 290gsm MOAB fine art paper, highlighting its status as a sought-after collectible. Reimagining Iconic Imagery Through Pop Culture Burn Your Wonder Bra pays homage to the classic Wonder Woman figure, an enduring icon in both comic book history and contemporary popular culture. Denial reinterprets this symbol of strength and femininity with a rebellious and satirical twist. The bold, comic-style composition features Wonder Woman in her recognizable blue and red attire, but with a cheeky and unapologetic depiction that challenges traditional notions of beauty and female representation. This work reflects Denial’s signature style, combining elements of vintage comic book art with modern, socially charged commentary. The phrase Burn Your Wonder Bra emblazoned at the top of the piece adds another layer of meaning, referencing the feminist movement of the 1960s and 70s that rejected societal expectations imposed on women. By merging this historical context with a pop art aesthetic, Denial creates a provocative visual dialogue about empowerment, freedom, and gender roles in today’s society. The use of bright, primary colors, thick black outlines, and halftone shading techniques draws inspiration from the works of Roy Lichtenstein while infusing it with the grit and attitude of street art. Denial: A Voice in Modern Street Pop Art and Graffiti Artwork Denial, whose real name is Daniel Bombardier, is a Canadian artist who has made a significant impact on the international art scene. His work is recognized for its bold, colorful visuals and its biting commentary on consumerism, politics, and popular culture. By creating art that is both visually arresting and intellectually engaging, Denial challenges viewers to question societal norms and values. His art often draws from graffiti culture and pop art traditions, making his work resonate with urban audiences and collectors alike. Burn Your Wonder Bra exemplifies Denial’s ability to reinterpret familiar imagery through a critical lens. It showcases his skill in blending fine art techniques with street art influences, producing a work that is both rebellious and refined. The print’s limited artist proof edition further enhances its rarity and appeal to collectors of Street Pop Art and Graffiti Artwork. The Impact of Burn Your Wonder Bra in Contemporary Art Burn Your Wonder Bra stands as a powerful statement within the Street Pop Art movement, reflecting Denial’s unique ability to merge comic book nostalgia with modern themes of feminism, freedom, and resistance. By using Wonder Woman as a symbol, Denial transforms a classic pop culture figure into a representation of liberation and self-expression. The provocative title encourages viewers to reject outdated standards and embrace individuality, resonating deeply with contemporary social issues. The archival pigment print’s high-quality production on 290gsm MOAB fine art paper ensures its durability and richness, making it a lasting addition to any collection. This work highlights Denial’s ongoing contribution to the evolution of Street Pop Art and Graffiti Artwork, solidifying his role as an artist unafraid to challenge conventions while celebrating iconic imagery.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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The Twelve: Wear Your Jays- Jordan 10 Hand-Pulled 4-Color Limited Edition Silkscreen Print on Fine Art Paper by Eric Pagsanjan Street Artist. Signed & Numbered. Screen Print, Edition of 23 Produced for ComplexCon Chicago, 2019 Size: 11" x 8.5"

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Mayonnaise Condiment Canvas Pop Street Artwork Limited Edition Giclee Print on Canvas by Urban Graffiti Modern Artist Sket- One. 2022 High resolution digitally printed White semi­gloss artist canvas MDF stretcher frame

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You Hesitate HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 5-HPM Each Unique 24x24 2022 Ukraine War Protest Against Russia "The embellishments consist of sparkly paint in the balloons, colored flowers & polka dots in the colors of the Ukrainian flag on the girl's dress, and leaves & branches of the sunflowers have been painted to extend into the white border of the print." - Nicole

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Figment- Pink On Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Ron English- POPaganda Rare Pop Art Famous Pop Artwork Artist. Signed 2013 Screenprint in colors on 335 gsm Coventry Rag paper 24 × 24 in 61 × 61 cm Edition of 10. English | Figment: Pink on Black Two-colour screenprint on Coventry Rag 335gsm paper Edition of 10 signed and numbered by Ron English- POPaganda

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Vote! Stop Fascism Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Dream Catchers 17-Color Limited Edition Silkscreen Print on 410gsm Somerset Satin Paper by Lee Eelus Street Pop Art Artist. 2022 Signed Limited Edition Artwork Size 27.55x27.55

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High Fashion II Hermès Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. High Fashion II Hermès Blotter Print by Denial High Fashion II Hermès by Denial, also known as Daniel Bombardier, captures a sharp commentary on luxury consumerism through the lens of Street Pop Art & Graffiti Artwork. Released in 2024 as a limited edition of 35 signed and numbered archival pigment prints, this 7.5 x 7.5 inch piece is printed on perforated blotter paper and hand-perforated by Zane Kesey. The work uses the instantly recognizable Hermès Paris branding and vivid orange palette to highlight the intersection of wealth symbolism and artistic subversion. As with many of Denial’s works, the use of luxury fashion iconography is both a nod to aspirational culture and a critique of its grip on identity and self-worth. Fashion as Commodity and Canvas In this print, Denial transforms the Hermès packaging into an object of reflection. The orange field, carriage motif, and Parisian serif typography remain visually intact, yet their presence on blotter paper invites reinterpretation. In the hands of Denial, this branded imagery becomes more than decorative. It takes on a satirical tone, challenging viewers to consider how brands shape desire and value. By placing this on a medium traditionally linked to psychedelia and altered consciousness, the artist brings a new layer of irony—how deep are we in the trance of consumerism when luxury logos elicit emotional responses? Street Pop Art & Graffiti Artwork as a Response to Luxury Culture Daniel Bombardier is known for blending sleek graphic sensibilities with raw social critique. His work often engages with consumerism, capitalism, and surveillance culture, and the High Fashion II Hermès print continues this thread. The piece balances reverence for the aesthetic of high-end branding with an interrogation of its psychological influence. As with the best examples of Street Pop Art & Graffiti Artwork, this print disrupts traditional spaces by repurposing symbols of status into agents of visual dissent. It belongs to a growing lineage of works that reframe logos and designer marks as objects of conversation rather than worship. The Luxury Logo as Cultural Code High Fashion II Hermès does not dilute its message. It elevates it through contrast. The clash of street aesthetics and high fashion visuals builds a dialogue about power, visibility, and access. Hermès, a brand known for restraint and craftsmanship, is reimagined in a format associated with the underground and countercultural expression. This transformation reframes luxury as something no longer untouchable, but critically examined. Denial’s work acts as a graphic mirror, held up to a society shaped by what it consumes and what it chooses to idolize. Through this limited blotter edition, Denial fuses critique and craft into a square of paper that speaks volumes.

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La Signora Capo HPM Limited Edition Hand-Embellished HPM Silkscreen on Hand Deckled Fine Art Paper by Dain Graffiti Street Artist Modern Pop Art. 2022 Signed Edition of 28- 24x36- Each piece is a one-color screen print on 24 inches by 36-inch deckled edge fine art paper. The prints are heavily hand-embellished by the artist making each print unique. From an edition of 28 these prints are extremely limited. One of the most influential street artists to emerge from New York, DAIN combines the visual language of graffiti with collaged old portraits of Hollywood glamour stars. Crossing genres and often working single pieces back and forth between the street and studio, DAIN combines wheatpasting, silkscreening, spray paint, collage, and acrylic.

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Patricia Silver Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Silver Paper Collage of a Woman Anjelica Huston Stylized from the Movie The Darjeeling Limited. Kevin Stanton's "Patricia Silver": A Tribute in Hand-Cut Precision The artwork "Patricia Silver" by Kevin Stanton is a limited edition print that showcases the artist's deft hand at combining traditional cut-paper artistry with modern techniques like spray painting, creating pieces firmly rooted in Street Pop Art and Graffiti Artwork. The 2013 piece, signed and numbered, is a rare collection with only four editions, each sized at 11.75x15.75 inches and meticulously crafted on layered glitter fine art paper. This hand-embellished HPM (hand-painted multiple) Giclee print presents a silver paper collage of a woman, offering a stylized depiction inspired by Anjelica Huston's character from Wes Anderson's film "The Darjeeling Limited." Artistic Fusion: Street Aesthetics and Cinematic Influence Stanton's work in "Patricia Silver" captures the essence of character and narrative through the interplay of light, shadow, and texture. The piece resonates with the ethos of street art, where everyday visuals are transformed into striking, memorable icons. The likeness to Anjelica Huston is symbolic and evocative of the character's depth, mirroring how street art often encapsulates complex stories within simple yet powerful imagery. The choice of silver paper invokes a sense of the ethereal, contrasting with the bold solidity of spray paint—two mediums that evoke the duality often found in street art between the fleeting and the permanent. Stanton's meticulous hand-cutting technique further adds a layer of complexity, demonstrating the same care and attention to detail that street artists apply to their large-scale murals. Celebrating Character: An Intersection of Art Forms The confluence of street art sensibilities and cinematic inspiration in "Patricia Silver" represents a broader trend in contemporary art where cross-medium influences are increasingly prevalent. Stanton's translation of a film character into a hand-cut artwork speaks to the permeability of artistic disciplines. It celebrates character and personality, much like graffiti artwork, often as an homage or a socio-political statement within the public space. In this artwork, the character of Patricia from "The Darjeeling Limited" is not just commemorated but reimagined through Stanton's unique artistic lens. The depiction is a testament to the artist's ability to distill the essence of a subject into a visual form that is both accessible and profound, similar to how iconic figures are rendered in pop culture murals and street art installations. Kevin Stanton: A Contemporary Visionary of Cut-Paper Art Kevin Stanton stands as a visionary in the modern art world, where traditional techniques are revived through a contemporary lens. "Patricia Silver" is a testament to his innovative approach to art-making, where the old and the new are seamlessly woven into a singular, cohesive narrative. His limited edition prints are not just artworks; they are stories told through paper and paint, meant to engage and resonate with an audience as powerfully as any street-side masterpiece. "Patricia Silver" remains an integral part of Stanton's artistic journey, exemplifying his dedication to craft and ability to communicate visually. In the same way that street art has evolved to become a respected and critical part of the art dialogue, Stanton's work continues to challenge and redefine what is possible within the traditional scope of cut-paper artistry, bridging it with the vibrant spirit of Street Pop Art and Graffiti Artwork.

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