Protest

Pretence- Sand PP 3-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Mad Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2015 Signed Limited Edition Artwork Size 19.68x27.55 3 Colour Screen Print On 300 Gsm Paper Signed And Numbered By The Artist Printers Proof 70 X 50 Cm 2015

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Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Protect the Sacred Limited Edition Graffiti Artwork Offset Lithograph Print on Cream Speckle Tone Paper by street artist Shepard Fairey. 2015 Signed & Numbered 24x36 Edition of 200- Protect the Sacred, 2015 Offset lithograph in colors on thick speckled cream paper 36 x 24 inches (91.4 x 61 cm) (sheet) Ed. 200 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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