Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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ASVP Figure No 6 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Warhol House Sunrise Silkscreen Print by Cash For Your Warhol Hand-Pulled 3-Color on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Silkscreen Print

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Cocktail 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. Silkscreened print limited to 50 pieces. Signed and numbered with embossed logo on the bottom corner.

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Room 237 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. 2013 Limited Edition of 60 Room 237. A tribute to the film Room 237 is a movie about perceived meanings in Stanley Kubrick's film The Shining.

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Debt Paid in Blood Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 This print was originally produced for Floating World Comics' "Battles" Yakuza-inspired art show in Portland! This 18x24 inch silkscreen features a split fountain and is signed and numbered by the artist in an edition of 100.

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Sons of Anarchy 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. AP Artist Proof "Sons of Anarchy" Artwork by Chris Thornley (Raid71) Movie: Ghost Rider, Tron, Akira, Batman and Terminator

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Starring Bill Murray as...Steve Zissou Limited Edition Giclee Print on Fine Art Paper by Matthew Rabalais counter-culture street artist art. Inspired by actor Bill Murray's movie performance in The Life Aquatic with Steve Zissou.

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The Future Is Equal AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2022 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print "I grew up at a time when women’s rights were on the rise and it was accepted that the ERA was destined to pass. With 38 states having ratified the ERA, it is time for our leaders to step-up and enact the will of the people by ensuring that the ERA is adopted. It is overdue that gender equality becomes the law of the land. This project resonated with me because the fight for gender equality has always been rooted in social-justice activism and there is still work to be done." -Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey is a powerful visual statement in the world of Street Pop Art & Graffiti Artwork. Created in 2022 as a hand-pulled silkscreen on cream Speckletone fine art paper, this 18x24-inch artist proof edition is signed and marked AP by Fairey. The print embodies a direct message about gender equity and civil rights through a striking composition that combines historical references, contemporary visual cues, and a politically engaged aesthetic. The female figure at the center wears a red and black cap adorned with the symbol for feminism, her confident gaze set against a backdrop of legal and activist iconography. Her jacket bears the words ERA NOW, a clear call for the ratification of the Equal Rights Amendment. A public notice referencing the 1972 general election is also printed below, reinforcing the legal and historical dimension of the piece. Visual Symbolism and Stylistic Elements Fairey's visual language is rooted in propaganda poster design, and this work uses bold red, black, and blue tones to evoke urgency and clarity. The composition is organized like a page from a revolutionary newspaper, echoing historical civil rights publications. To the left, a figure representing Lady Justice appears, reinforcing the balance of law and equity. A banner at the top announces The Future Is Equal, styled like a newspaper headline, referencing The Daily Times and proclaiming the approval of the Equal Rights Amendment. In the lower right corner, demonstrators raise fists and signs, with slogans such as Power Women Free, tying the artwork directly to protest culture and ongoing feminist movements. These combined motifs reflect Shepard Fairey’s continued commitment to Street Pop Art & Graffiti Artwork that is both accessible and subversive. Social Justice Activism in Contemporary Art Shepard Fairey, born in the United States in 1970, has long used his work to highlight themes of justice, power, and equality. As a pop culture artist with roots in the street art movement, he brings social commentary into spaces both sanctioned and unsanctioned, often using silkscreen as a medium for its reproducibility and historical weight. This print connects directly with Fairey’s ongoing efforts to leverage visual art for political advocacy, including previous works supporting climate change awareness, anti-war efforts, and racial justice. The Future Is Equal AP stands as part of this lineage, using the visual tools of street propaganda to demand legislative change and public awareness of gender rights issues. Political Printmaking in the Street Pop Tradition This artwork reflects a broader tradition in graffiti and street pop movements of using printmaking and public imagery to amplify voices calling for systemic change. Fairey’s AP edition adds rarity and collector significance, while still embodying the core ethos of accessibility and activism. The image challenges viewers to recognize unfinished work around gender equity, invoking both the legacy of earlier activists and the responsibility of contemporary generations. The combination of scale, texture, and visual urgency captures the essence of what Street Pop Art & Graffiti Artwork can accomplish when fused with purpose and historical consciousness.  

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A Contemporary History of Chicago Printmaking HPM Signed Silkscreen by Chris Hefner 2-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2013 Signed & Numbered HPM Hand-Embellished Limited Edition of 48 Artwork Size 18x24 Signed By Hand In Person By Chicago Printmaker Artists: 1. Steve Walters (Screwball Press) 2. Bob Hartzell 3. Crosshair (Dan MacAdam) 4. Jay Ryan (The Bird Machine] 5. Dan Grzece 6. Mat Daly 7. Dan Black (Landland) 8. Erin Page Armstrong (Kill Hatsumomo) 9. Ethan D'Ercole 10. Josh Davis 11. Kathleen Judge 12 Lloyd Patterson Jr. 13. Zissou Tasseff Elenkoff (FugScreens Studios) 14. Delicious Design League (Billy Baumann & Jason Teagarden-Downs) 15. Johnny Sampson 16. Ryan Duggan 17. Sonnenzimmer (Nadine Nakanishi & Nick Butcher) 18. Kyle Baker 19. Justin Santora 20. Michael Lauriano 21. Nate Azark 22. Adam Hanson 23. Billy Craven 24. Chris Hefner 25. Andrew Ghrist A Contemporary History of Chicago Printmaking HPM Signed Silkscreen by Chris Hefner A Contemporary History of Chicago Printmaking is a striking 2-color screen print on fine art paper created by Chris Hefner in 2013. This limited edition print is an HPM-embellished work, with only 48 signed and numbered copies. The artwork measures 18x24 inches and serves as a historical visual record of the evolution of printmaking in Chicago. It features signatures from some of the most influential Chicago printmakers, including Steve Walters of Screwball Press, Jay Ryan of The Bird Machine, Dan MacAdam of Crosshair, and Zissou Tasseff Elenkoff of FugScreens Studios. The inclusion of these artists highlights the impact of Street Pop Art & Graffiti Artwork in shaping the printmaking landscape of Chicago. Visual Composition and Concept The print employs a structured timeline format, with bold red and blue ink creating a visually compelling piece that charts the progression of contemporary printmaking in Chicago. The design is both informational and artistic, making use of circular imagery to symbolize different milestones, artists, and studios that have contributed to the evolution of screen printing in the city. The typography and layout reflect influences from mid-century design aesthetics while maintaining an urban edge that aligns with the spirit of Street Pop Art & Graffiti Artwork. The organic branching structures within the composition evoke the interconnected nature of the printmaking community, illustrating how various artists and movements have influenced each other over time. Street Pop Art & Graffiti Artwork Influence Chicago has long been a hub for Street Pop Art & Graffiti Artwork, and this print acknowledges that history by featuring artists known for their work in screen printing, gig posters, and independent publishing. Many of the artists who signed this print have roots in underground art scenes, where screen printing has played a vital role in creating posters, street art, and commercial artwork that blends fine art with urban culture. The vibrant red and blue inks recall classic advertising and propaganda poster aesthetics, reinforcing the connection between printmaking and public art. The work of artists like Jay Ryan, Dan Grzeca, and Sonnenzimmer has left an undeniable mark on the scene, making this piece an essential artifact in understanding Chicago’s contribution to Street Pop Art & Graffiti Artwork. Significance of Hand-Signed Editions The print is signed in person by 25 artists, making it a rare collectible that bridges multiple generations of Chicago printmakers. The presence of signatures from influential figures in the industry adds to its historical and artistic value. Each signature represents an artist who has contributed to the expansion of screen printing as an art form, whether through gig posters, gallery prints, or street-inspired work. The handmade nature of screen printing ensures that each piece carries a unique quality, with subtle variations in ink application that make every print distinct. This work stands as both a piece of contemporary print history and a celebration of the artists who continue to push the boundaries of Street Pop Art & Graffiti Artwork in Chicago and beyond.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Pyramid Followed Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Entropic World Study: N 6th & Metropolitan Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Askew One Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 10 Artwork Size 18x18 Custom Framed Distressed Black Frame. 3d Layered Multi-Media Collage Painting, #1 of 10. Askew’s indoor canvas works are influenced by double exposure photography, bold illustrative lines reflective of comic books and the graphic power of the letter. This is also seen in his public mural works in which his attraction to ‘bigger is better’ is highly precedent.

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Quiccs xSneakerHereos- Banned 1s Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Quiccs x SneakerHereos - Original Painting Used As Comic Book Cover by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

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Lotus Gold Metallic Geometric 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 30 Artwork Size 18x20 Metallic Ink

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Obey Radical Peace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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The Re-Animator- Dynamite #4 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Fidelidad Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Sen2. Archival Pigment Print on 290gsm Moab Fine Art Rag Paper Size: 18 x 24 Inches Release: July 04, 2021

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I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2016 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Static Is All That I See. Increase The Peace. I See Static Blue AP by Shepard Fairey The 2016 I See Static Blue Artist Proof silkscreen print by Shepard Fairey exemplifies the tension between distortion and perception in contemporary Street Pop Art & Graffiti Artwork. Executed with masterful precision on cream Speckletone fine art paper and signed and marked AP by the artist, this 18x24 inch hand-pulled silkscreen is a cryptic visual dialogue between media influence and the pursuit of peace. Fairey’s use of sharply defined geometry, vertical interference patterns, and symbolic layering invites the viewer into a hypnotic confrontation with sensory noise and propaganda. Visual Language Rooted in Power and Media Critique Fairey’s visual lexicon in I See Static Blue merges optical disruption with ideological clarity. The text Static Is All That I See appears embedded in a field of radiating blue lines, visually mimicking the interference of analog television static while metaphorically addressing the mental fog created by constant messaging and surveillance. Faces flank the central axis, fragmented by distortion lines, evoking themes of fractured identity in the information age. Below them, an all-seeing eye hovers—laced with a skull at its center—underscoring themes of control, mortality, and the ever-present gaze of media authority. The piece unravels the saturation of images that both numb and command attention, serving as a commentary on cognitive overload and ideological indoctrination. Street Pop Art & Graffiti Artwork as Message and Medium Fairey’s artwork lives at the junction of rebellion and refinement, where street aesthetics are elevated through design discipline. I See Static Blue carries influences from the psychedelic era’s visual frequencies and fuses them with propaganda art’s structural rigidity. Shepard Fairey, born in the United States in 1970, has remained one of the most politically vocal figures in Street Pop Art & Graffiti Artwork, using repetition, limited color palettes, and iconographic symbols to dismantle corporate and governmental narratives. The presence of Obey beneath the eye recalls his original campaign of subversion, turning advertising into art and instruction into satire. The visual message is never passive—it compels awareness. Color, Symbolism, and the Artist Proof Format Rendered in cool hues of cobalt blue, muted crimson, and cream, this print carries a colder psychological weight than many of Fairey’s politically aggressive pieces. The symmetry and balance suggest duality, yet the design’s eye strain effect disorients and provokes. This AP edition holds further value not just as a Shepard Fairey work, but as a limited variant meticulously signed and marked by hand. The combination of sharp lines and symbolic complexity elevates the piece into both an aesthetic and intellectual exercise, reflecting Fairey’s continued relevance in using the visual structure of Street Pop Art & Graffiti Artwork to reflect and resist.

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Road Signs- Big Boy Limited Edition Hand-Embellished Serigraph on Heavy paper by Risk Graffiti Street Artist Modern Pop Art. Hand-Embellished Serigraph on Heavy paper- 18x23 Inches- Date Made: 2018- Incorporates Risk's now-famous "license plate, road sign, and Bob's Big Boy" background. Each print is "hand-embellished" by the artist.

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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ASVP Figure No 12 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Room 237 AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2013 Signed & Marked AP Limited Edition Artwork Size 18x24 Room 237. A tribute to the film Room 237 is a movie about perceived meanings in Stanley Kubrick's film The Shining.

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Destroy America- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Taking Shade Giclee AP Artist Proof Print by Casey Weldon Artwork Limited Edition Print on 290gsm Fine Art Paper Graffiti Modern Pop Street Artist. AP Artist Proof 2019 Signed & Marked AP Limited Edition of 40 Artwork Size 18x18

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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The Godfather Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art. Based on Francis Ford Coppola's all-time classic - The Godfather. Exhibited at Hero Complex Gallery in LA for "A Life of Crime" show. Winner at the Cannes Film Festival / Film Doo alternative movie poster contest.

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Floral Takeover 2017 Black Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Black Red Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Obey Noir Flower Woman- Red 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (RED) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Tickle Me Anarchy! Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 #1 of 25 Tickle Me Anarchy!: A Satirical Statement in Street Pop Art Tickle Me Anarchy! is a bold and humorous archival pigment fine art print by Daniel Bombardier, known as Denial. This limited-edition work from 2022 showcases Denial’s ability to blend iconic pop culture imagery with sharp political and social critique. Printed on 290gsm MOAB fine art paper, the piece measures 18 by 24 inches and is part of a signed and numbered edition of only 25 prints, making it a highly collectible artwork. The vibrant colors and playful yet subversive composition highlight Denial’s mastery of street pop art and graffiti artwork, creating a visual commentary that is as engaging as it is thought-provoking. Subverting Icons Through Street Pop Art Tickle Me Anarchy! takes a beloved cultural figure and infuses it with anarchistic rebellion, transforming it into a symbol of critique against societal norms. The familiar red character is depicted holding a Molotov cocktail, a striking juxtaposition that merges innocence with chaos. This subversive imagery creates a dialogue about the role of entertainment, media, and consumer culture in shaping societal behaviors and ideologies. The playful design, paired with an unmistakable sense of rebellion, reflects the core elements of street pop art, where accessible imagery is used to deliver powerful messages. Denial’s Artistic Vision Daniel Bombardier, based in Canada, is celebrated for his ability to deconstruct and reimagine cultural symbols through his work. His unique style combines the aesthetic of graffiti artwork with the thematic depth of pop art, resulting in pieces that challenge societal norms and provoke thought. Tickle Me Anarchy! encapsulates this approach, turning a nostalgic character into a commentary on political dissent and societal discontent. Denial’s use of archival pigment printing on fine art paper ensures that the artwork is both visually striking and durable, preserving the intensity of his colors and the precision of his details. The Cultural Impact of Tickle Me Anarchy! Tickle Me Anarchy! is a prime example of how street pop art can use humor and irony to address serious themes. By merging playful visuals with provocative imagery, Denial invites viewers to question the systems and structures that govern modern life. This artwork resonates with audiences by blending nostalgia with rebellion, creating a piece that is as entertaining as it is meaningful. As a limited-edition print, it not only holds artistic and cultural significance but also stands as a coveted item for collectors who appreciate the intersection of graffiti artwork and pop culture critique. Denial continues to redefine the boundaries of urban art with works like Tickle Me Anarchy!, cementing his influence in contemporary street pop art.  

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Locals Only Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Frank Kozik. "Locals Only" plays off of the pop culture stereotypes demonizing these critical apex predators, such as JAWS and Shark Week. Frank Kozik's playful, surf-style illustration depicts the ultimate "man-eater" comfortably at home in an ocean of troubles. Often credited to have singlehandedly revived the lost art of the concert poster, Frank Kozik's creative career rose largely out of his enthusiasm for Austin's growing underground punk rock scene in the early eighties. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Visual art and music often produce iconic imagery that transcends time, and Shepard Fairey's "Prophets Of Rage New Day Rising" silkscreen print is a prime example of this phenomenon. Created in 2017, this piece is a visually arresting representation of the rap music group Prophets of Rage, a band known for its socially conscious music and activism. This artwork is part of a limited edition series, with only 600 signed and numbered prints, further accentuating its exclusivity and collectible nature. Each print, sized at 18x24 inches, is a hand-pulled two-color silkscreen on cream speckletone fine art paper, a testament to Fairey's meticulous crafting process and his commitment to quality. Fairey, a stalwart figure in contemporary street art, often referred to by his Obey brand, infuses his works with pop culture references and political messages, and this print is no exception. The central image of a clenched fist raised in the air is a universal symbol of resistance and solidarity. This motif, set against a red star, resonates with the band's radical ethos and calls to mind a long history of protest art. The inclusion of skeletal figures and apocalyptic imagery on the periphery serves to highlight the group's message of political upheaval and the need for systemic change. This print is not just a piece of merchandise for fans of the band; it stands on its own as a significant work within pop art, street art, and graffiti art. Fairey's work bridges the gap between art and social commentary, embodying the spirit of hip-hop culture's roots in activism and public discourse. The stark contrast of colors and the use of a globe in the backdrop suggest a worldwide call to action, one that is reflective of the global influence of hip-hop culture itself. Moreover, Fairey's "Prophets Of Rage New Day Rising" is emblematic of the capacity of street art to elevate popular culture and political thought into the realm of high art. By appropriating the visual language of the streets and the urgency of rap music's social critique, Fairey delivers a powerful statement on the role of the artist as a social commentator and the potential of art to ignite conversation. This piece serves as a reminder of the potency of visual expression in pop culture and its ability to encapsulate the zeitgeist of a movement, a moment, or in this case, the fierce energy of a band like Prophets of Rage.

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Dave Matthews Band DMB Camden NJ Rainbow Foil Silkscreen Print by Jeff Soto Hand-Pulled on Rainbow Foil Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Rainbow Foil Edition of 50 Artwork Size 18x24 Silkscreen Print Freedom Mortgage Pavilion, NJ 7/16/2022 Music Gig Poster Fine Art Print. #1/50 Jeff Soto's Silkscreen Mastery: Dave Matthews Band's Camden Gig Poster In the vibrant intersection of street pop art, graffiti artwork, and music culture, Jeff Soto's limited edition silkscreen print for the Dave Matthews Band's Camden, NJ, performance celebrates visual and musical synergy. Released in 2022, this hand-pulled print on rainbow foil paper captures the essence of the band's dynamic presence and the spirited essence of their live performances. Limited to an edition of 50, each print is signed and numbered by Soto, establishing its rarity and desirability among collectors and fans alike. The artwork size, at 18x24 inches, is substantial enough to allow the intricate details and the luminous quality of the foil to shine, making it a coveted piece for lovers of music and art. Visual Composition and Symbolism The Dave Matthews Band's artwork is a visual feast, teeming with the fantastical creatures and otherworldly landscape signatures of Soto's style. The central figure, a knight-like helmet, conveys a sense of adventure and boldness akin to the band's exploratory musical style. Around this focal point, Soto weaves a tapestry of images, including enigmatic animal figures and ethereal designs, creating a dream-like atmosphere that complements the band's genre-bending sound. Using rainbow foil as the medium adds an iridescent quality to the print, with colors and light shifting from every angle, echoing music's ever-changing and fluid nature. Artistic Techniques and the Silkscreen Process Creating this print is a testament to Soto's dedication to craftsmanship. Silkscreen printing, a technique with deep roots in pop art, requires precision and patience. The rainbow foil adds challenge, as its reflective surface demands perfect alignment and pressure during hand-pulling. The result is a series of prints where each is a unique art piece, with slight variations that make them individually unique. The tactile quality of the silkscreen print, with its layered inks and metallic sheen, bridges the gap between traditional graffiti art's raw immediacy and the refined qualities of gallery-worthy pieces. Cultural and Artistic Impact Jeff Soto's work for the Dave Matthews Band concert in Camden, NJ, is a powerful representation of the band's ethos and the shared ground between music and visual art. As a gig poster, it serves a functional purpose in promoting the event and stands alone as a piece of fine art, embodying the spirit of street pop art and graffiti artwork in a format that transcends the ephemeral nature of a live concert. This print captures a moment in time, celebrating the confluence of sound and vision and the communal experience of a music event through the lens of an artist who deftly navigates multiple creative worlds. Jeff Soto's "Dave Matthews Band Camden NJ Rainbow Foil Silkscreen Print" is a multifaceted artwork that epitomizes the collaborative spirit of street pop art and music. It's a visual anthem to the band's legendary status and a testament to Soto's innovative approach to art-making. The limited edition nature of the print, coupled with its striking visual narrative, ensures its lasting legacy as a valuable piece of cultural memorabilia and a shining example of contemporary graffiti artwork.

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Fangs And Furballs Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Woes Martin aka Angry Woebots Graffiti Street Artist Modern Pop Art. Woes Martin aka Aaron Martin aka Angry Woebots was born on the Hawaiian Island of Oahu, but spent most of his childhood growing up in Southern California then moving to Nevada before finally landing back into Hawaii during his Junior year in high school. It was during this time, he got into graffiti through hip hop culture saturday morning cartoons, kung fu and comic books always had him involved in creating in some way.

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Fragile Cargo AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Elephant & Woman Face With Stylized Vintage Airline Ticket Influence. "This OBEY Fragile Cargo poster is a fusion of a few inspirations. The elephant and my wife Amanda meditating relate to the Buddhist philosophy that humans are part of nature, not above it, and must live in harmony with nature. The phrase "Rise Above" references transcendence but is also one of my favorite Black Flag songs. The graphic elements also reference the aesthetics of travel tags and tickets, which present a dichotomy… travel is great for broadening cultural perspective, but it has a heavy carbon impact. Karma asks us to consider the benefits and consequences of our actions. All of my prints are printed on recycled or sustainable paper. A portion of the proceeds from this print will benefit Greenpeace to support their work to enhance environmental protections and combat climate change." -Shepard Fairey. Delving into pop and street art, the "Fragile Cargo AP" silkscreen print by renowned artist Shepard Fairey is a testament to the dynamic confluence of art, philosophy, and environmental consciousness. Hand-pulled and crafted meticulously on fine art paper, this limited edition artist proof from 2022 manifests an intricate fusion of inspiration sources. The composition, with its arresting visuals of an elephant juxtaposed with the serene face of Fairey's wife, Amanda, draws heavily from Buddhist philosophy. The art underscores the interdependence of humanity and nature, emphasizing the belief that humans do not preside over nature but are inherently a part of it. This intricate blend of artistic expression with philosophical musings is a hallmark of Fairey's work. The term "Rise Above," embedded within the artwork, serves a dual purpose. While it signals transcendence and aligns with the broader philosophical underpinnings of the print, it is also an homage to one of Fairey's favorite songs by Black Flag, a classic American punk rock band. Simultaneously, the design elements, reminiscent of travel tags and vintage airline tickets, invoke a reflection on the complexities of modern travel. The allure of travel, which offers an enriched cultural perspective, is weighed against its environmental impact, specifically the carbon footprint associated with it. Echoing this ecological consciousness, Fairey ensures all his prints are produced on recycled or sustainably sourced paper. Beyond this, a portion of the proceeds from the sale of "Fragile Cargo AP" is dedicated to Greenpeace, highlighting Fairey's commitment to supporting environmental causes and combating the dire challenges of climate change. Through this artwork, Shepard Fairey weaves an intricate tapestry of visual splendor, philosophical depth, and environmental advocacy, reaffirming his position as a luminary in pop and street art.

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Knockout 17 Limited Edition 1-Color Hand-Pulled Silkscreen Acrylic, Spray Paint & Collage on 250gsm Paper Print by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 18 Embleshed Artwork Size 18x22 "The Knockout! series is kind of a companion print to my Superficial! release from last year. This series is the other side of the coin to the aggressive punching character in last year's release, which I look at as a metaphor for the ups and downs of daily life. As for the creative process itself, this series is one of my more heavily layered editions. Each piece began with a layer of collaged vintage comic book pages to create a unique base texture. The pieces were then sanded, hand deckled, and built up with a variety of screen-printed layers, acrylic washes, and spray-painted textures giving the series a very rich and complex surface.This labor-intensive process mimics the layering and decay of old signage & street advertising and leaves each print in the series completely unique from the next." - Greg Gossel

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Buy Z-Bonds- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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The Last Dance Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Michael Jordan Chicago Bulls Basketball Legend.

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Sneaker Print- Red 1-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville. 2020 Hand Signed & Numbered Limited Edition of 80 Artwork Tar Paper Size 18x24

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The Mandalorian- 1960s Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Hopko. 2022 Numbered Limited Edition of 15 Size 18x24

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