Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Fast Life- Printer's Select Limited Edition 4-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Slower You Move Faster You Die. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Cybertronic Spree 2019 Music Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen on Foil Paper Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree, Transformers band. Small crease to the extreme left facing lower corner out of the image.

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Tickle Me Anarchy! Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Freddy VHS- Red Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Nightmare on Elm Street with “The Dream Machine” - a silkscreen print made for the recent VHS convention, Tape Eaters 2.

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Yo Gabba Gabba! Muno Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 1st Edition

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ASVP Figure No 14 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Visual art and music often produce iconic imagery that transcends time, and Shepard Fairey's "Prophets Of Rage New Day Rising" silkscreen print is a prime example of this phenomenon. Created in 2017, this piece is a visually arresting representation of the rap music group Prophets of Rage, a band known for its socially conscious music and activism. This artwork is part of a limited edition series, with only 600 signed and numbered prints, further accentuating its exclusivity and collectible nature. Each print, sized at 18x24 inches, is a hand-pulled two-color silkscreen on cream speckletone fine art paper, a testament to Fairey's meticulous crafting process and his commitment to quality. Fairey, a stalwart figure in contemporary street art, often referred to by his Obey brand, infuses his works with pop culture references and political messages, and this print is no exception. The central image of a clenched fist raised in the air is a universal symbol of resistance and solidarity. This motif, set against a red star, resonates with the band's radical ethos and calls to mind a long history of protest art. The inclusion of skeletal figures and apocalyptic imagery on the periphery serves to highlight the group's message of political upheaval and the need for systemic change. This print is not just a piece of merchandise for fans of the band; it stands on its own as a significant work within pop art, street art, and graffiti art. Fairey's work bridges the gap between art and social commentary, embodying the spirit of hip-hop culture's roots in activism and public discourse. The stark contrast of colors and the use of a globe in the backdrop suggest a worldwide call to action, one that is reflective of the global influence of hip-hop culture itself. Moreover, Fairey's "Prophets Of Rage New Day Rising" is emblematic of the capacity of street art to elevate popular culture and political thought into the realm of high art. By appropriating the visual language of the streets and the urgency of rap music's social critique, Fairey delivers a powerful statement on the role of the artist as a social commentator and the potential of art to ignite conversation. This piece serves as a reminder of the potency of visual expression in pop culture and its ability to encapsulate the zeitgeist of a movement, a moment, or in this case, the fierce energy of a band like Prophets of Rage.

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Victory- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

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Crystal Cranium 9-Color Hand-Pulled Limited Edition Silkscreen Print on Citrine 290gsm Colorplan Fine Art Paper by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Signed 9-Color Screen Print on Citrine 290gsm Colorplan Fine Art Paper Size: 18 x 24 Inches Release: August 06, 2021 Run of: 100

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Sadistic Dog Walker- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Screen Print SADISTIC DOG WALKER (RED) 24 inches by 33 inches Edition of 450 November 15, 2021 I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of police dogs being used to attack civil rights protesters, which contrasts intensely with the blissful perspective of white dog owners who pamper their dogs and hire dog walkers. Some of us never have to think about how the police abuse their power more frequently in non-white and lower-income communities. This “Sadistic Dog Walker” image encourages us to be aware of the “two Americas.” – Shepard

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Tex Mex Calavera Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 He created this calavera in honor of the rich history and culture of Mexican-Americans aka Chicanos in Texas or as most of them would like to call themselves: TEJANOS or TEJANAS. As a member of a Norteño family, "norteño" meaning from the north of Mexico, Ernesto grew up listening to Norteño music which is the Mexican version of the German Polka. He has always been a big fan of polkas and when he lived in Texas he began collecting Tejano records and began researching the culture.

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Lonely Bull Giclee Print by Brian M Viveros Pop Street Artwork Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper Pop Street Artist. 2022 Signed & Numbered Limited Edition of 66 Artwork Size 18x27 Printed by Static Medium

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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Resist Colonialism 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 100 Size 18x24 "Resist Colonialism" is a commanding visual statement by Ernesto Yerena Montejano, a name synonymous with vibrant expressions of cultural identity and political activism within the contemporary art scene. This 2-color hand-pulled limited edition silkscreen print, produced under his studio label Hecho Con Ganas, captures the essence of resistance against colonial powers and their historical narratives. Created in 2019, it is a testament to Yerena Montejano's dedication to fusing art with social commentary. The artwork, sized at 18x24 inches, is a limited edition with only 100 signed and numbered pieces, adding an exclusive aspect to its acquisition. The artist's Mexican-American heritage profoundly influences the imagery and themes present in his works, and "Resist Colonialism" is no exception. The stark contrast of the red and black ink, a hallmark of silkscreen printing, resonates with the simplicity yet power of revolutionary posters, echoing the visual language of protest and propaganda throughout history. Yerena Montejano's choice of symbols, juxtaposing a pirate ship bearing both the emblems of hazardous material and the iconic skull and crossbones, underscores the danger and death associated with colonial conquests. The backdrop, an unyielding red circle, could be interpreted as a reference to the rising sun, symbolizing a new dawn of awareness and opposition to colonialism. The inclusion of the raised fist, a universal sign of solidarity and resistance, further amplifies the print’s message, urging onlookers to acknowledge past transgressions and take a stand against the lingering effects of colonialism. This piece of art resonates within the pop art, street art, and graffiti art movements due to its accessible yet poignant visual language. It uses the aesthetics everyday in these art forms to engage the public discourse on decolonization and indigenous rights. As with many of his works, Yerena Montejano's "Resist Colonialism" print is not just a piece of art to be admired for its aesthetic merits but also serves as a mobilizing agent that encourages viewers to reflect on complex socio-political issues. His ability to distill fervent political messaging into compelling graphic art has cemented his status as a crucial voice in the conversation about identity, culture, and activism within the art world.

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Bubble Tea 5-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm White Stonehenge Paper by Shishidomia Rare Street Art Famous Pop Artwork Artist. 2022 Signed Limited Edition of 20 Size 18x24 high-quality screen prints are five colors, hand-pulled on Stonehenge 250 GSM white. The Japanese graphics on each print have a translucent embellishment that pops depending on lighting and your particular setting. Specs/ Additional info: Size: 18 x 24" Each print is hand-signed and numbered Edition of 20. "I love the idea of creation and the beauty of pure imagination. I see my work as a window to a parallel world where we can all belong. A world where the beauty of the Japanese Edo period clashes with the power of present symbols.of Western culture and modernity. As a half-Japanese woman growing up in one of the most homogeneous countries in the world (Japan), I spent most of my life searching for a sense of belonging. It forced me to create my reality, a reality of Shuiro Emotions." -Shishidomia Exploring Shishidomia's Fusion of Edo Tradition and Modern Street Pop Art Shishidomia, the artist renowned for her unique blend of traditional Japanese aesthetics and contemporary urban art, presents a striking limited edition silkscreen print series titled 'Bubble Tea.' This series exemplifies her signature fusion of Edo period elements with modern-day iconography, creating an engaging piece of Street Pop Art and Graffiti Artwork. Limited to an exclusive run of just 20 pieces, each hand-pulled print is a testament to Shishidomia's meticulous craftsmanship and creative vision. Born from the creative depths of Shishidomia's dual heritage, the 'Bubble Tea' silkscreen series is a visual narrative that addresses the complex themes of identity and belonging. Each 18x24 inch print is painstakingly produced on 250gsm Stonehenge paper, a high-quality substrate revered for its durability and rich texture. The series boasts five colors, each layer hand-applied with precision, culminating in a piece that radiates both vibrancy and subtlety. The Japanese characters adorning the prints shimmer with a translucent quality, their luminescence shifting with ambient light and perspective changes. The Artistic Intersection of Japanese Edo Charm and Contemporary Culture Shishidomia's work is a window into a world where past and present merge. The 'Bubble Tea' series is a striking example of this, juxtaposing the grace of the Japanese Edo period against the backdrop of Western cultural symbols and modernity. This piece features a whimsical character, a nod to the historic Ukiyo-e style, sipping bubble tea, a trendy drink emblematic of modern global culture. The contrast is further highlighted by the character's attire, a blend of a traditional kimono patterned with contemporary floral designs and modern sneakers, emphasizing the time-spanning dialogue that Shishidomia invites us to partake in. Each print is not merely a static image but an interactive experience that changes with its surroundings. The choice of Stonehenge paper adds a tactile dimension, its delicate yet substantial feel enhancing the visual impact. Shishidomia's dedication to her craft is evident in the details: the hand-pulled silkscreen printing method ensures that each color is vibrant and full of life, with even the most minor details executed with the utmost care. Shishidomia's Personal Journey and Artistic Identity The narrative behind Shishidomia's art is as compelling as the pieces themselves. A half-Japanese artist grappling with her identity in a homogenized society, her quest for a place where she belongs drove her to create a unique artistic realm. She constructs a reality filled with 'Shuiro Emotions,' a concept that embodies her emotional and cultural journey. Her prints serve as artifacts of artistic expression and milestones on her path to self-discovery. Her prints are more than just art; they are pieces of a larger conversation about the nature of identity in a rapidly globalizing world. They ask the viewer to consider how disparate cultural elements can coexist and enrich one another, like the various influences shaping Shishidomia's life. Each print, hand-signed and numbered, carries a piece of the artist's soul and a fragment of her story—Shishidomia's commitment to creating a world where tradition and innovation merge is a hallmark of her work. The 'Bubble Tea' series captures this vision with its artful blend of historical Japanese iconography and modern-day cultural elements, resulting in a piece of Street Pop Art and Graffiti Artwork that is thought-provoking and visually stunning. As with all great art, it challenges the viewer, posing questions about cultural authenticity, appropriation, and the synthesis of old and new. Shishidomia's contribution to the art world goes beyond visual aesthetics. Her work acts as a bridge for viewers to access not only the beauty of Japanese culture but also the universal quest for belonging in a constantly evolving world. Through her prints, we are invited to contemplate the fluidity of identity and the boundless potential of the imagination, illustrating that art can become a unifying language transcending time and place.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Midwest Mustache & Beard Wearers Championship 2014 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Artist Proof, Midwest, Mustache, Beard, Competition, Warrior, Man, Wisconsin, Middleton

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Viva Yalitza! Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 450 Artwork 18x24 Yalitza Aparicio TV Movie Actress. 18"x24" Screenprint Edition of 450 Signed and Numbered Signed by Ernesto Yerena Montejano. The profits went to CIELO's effort to support Undocumented Indigenous folks affected by the Covid-19 crisis in the Los Angeles Area.

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Alice Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Paper by Kevin Ledo Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 18 x 18 Inches Release: July 05, 2021

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My Money!- 18x24 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x24 Japan Print

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Flowering Dignity 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 "Flowering Dignity" stands as a testament to the vibrant confluence of cultural expression and political commentary, elements often inherent in the works of Ernesto Yerena Montejano, an artist whose roots extend into Mexican and American soils. His creation, a 4-color hand-pulled limited edition silkscreen print on fine art paper, embodies the ethos of Pop Art with its bold colors and graphic clarity. Yet, it also carries the raw, unfiltered voice found in street and graffiti art. Created in 2019, this artwork is not just a visual statement but a piece of cultural dialogue that resonates with themes of identity, dignity, and the flowering of the human spirit under the weight of societal challenges. Ernesto Yerena Montejano, operating under his studio name, Hecho Con Ganas, has etched his name in the annals of Chicano and Pop Art through his consistent output of visually compelling and thought-provoking artworks. His "Flowering Dignity" print, part of a limited edition of 200, is particularly significant. Measuring 18x24 inches, each piece is meticulously signed and numbered by the artist, underscoring the personal connection and authenticity that Montejano brings to his work. It is this authenticity that allows the artwork to resonate deeply with its audience, providing a unique aesthetic experience steeped in cultural significance. Montejano's work is characterized by a fusion of traditional motifs with contemporary issues, a visual commentary that mirrors the dual heritage many Mexican Americans navigate. In "Flowering Dignity," the central motif—a stylized flower—bursts with energy, its petals unfurling in a display of resilience and beauty. This imagery, juxtaposed against a backdrop of radiating lines, suggests an awakening, a burst of life and dignity against a structured, perhaps restrictive background. As a piece of Pop Art, it transcends mere decoration, symbolizing shared experience and solidarity within the community. As street art, it carries the spirit of rebellion and the voice of the underrepresented, speaking volumes from the walls it adorns to the galleries it graces.

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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Stop The Violence! Voices of Parkland 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. "Voices of Parkland" Screen Print on Cream Speckle Tone Paper by Shepard Fairey. It measures 18" x 24"

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard

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Ages Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Nosego Graffiti Street Artist Modern Pop Art. Yis Goodwin aka Nosego is a Philadelphia-based artist with a passion for illustration and media arts. He mixes fine art with a contemporary style to deliver highly energetic work. His designs feature an assemblage of patterns, vibrant colors and characters derived from his imagination and his surrounding environment.

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Rascals Pop Artwork Limited Edition 7-Color Silkscreen Print on Fine Art Paper by Modern Artist Flying Fortress. 2020 Signed & Numbered Limited Edition of 125 Size 27.55x19.68

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Force of Nature Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This "Force of Nature" is both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but waves can be incredibly destructive when energized by a storm. The semi-predictable seasonal flooding patterns from the Tigris and Euphrates rivers in Mesopotamia led to fertile land and the formation of Sumer, the first civilization. Humans have thrived by studying and adapting to weather patterns. An awareness of and respect for the undulations of nature has been crucial to the development of civilization and the success of its various communities. Climate change has demonstrated what happens to civilization when nature becomes more powerful and less predictable. From hurricanes Sandy, Katrina, and many others to uncontrollable wildfires in CA, tornadoes in the midwest, and record temperatures and heat-related deaths in Europe, where many lack air-conditioning, civilization is often unequipped to deal with the global warming-fuelled force of nature. A portion of proceeds from this print go to Greenpeace USA's efforts to fight for responsible environmental policies. Thanks for caring!" -Shepard Fairey- OBEY The Artistic Significance of "Force of Nature" Shepard Fairey's "Force of Nature" is a thought-provoking silkscreen print that captures the tumultuous beauty of the natural world and the poignant message of environmental awareness. As a leading figure in street pop art and graffiti artwork, Fairey, with his OBEY brand, has often melded aesthetic appeal with social commentary, and this piece is no exception. The 2023 signed and numbered limited edition of 550, sized 18x24 inches, is a visual spectacle and a statement on the precarious balance between human civilization and the natural forces that both sustain and threaten it. "Force of Nature" is a hallmark of Fairey's work, showcasing his mastery of the silkscreen medium with a hand-pulled 5-color process on cream speckletone fine art paper. The artwork presents a wave in mid-crescendo, a snapshot of nature's raw power and grace. The contrast between the serene sky and the raging sea encapsulates the dual nature of water as both life-giving and destructive, a theme that resonates deeply in the current climate of ecological uncertainty. The piece reflects Fairey's acute awareness of the environment's rhythms and the disruptions caused by climate change. By choosing the wave as a central motif, Fairey alludes to the cycles of nature that have enabled human progress, such as the flooding of the Tigris and Euphrates rivers, which nourished the cradle of civilization. However, the storm-energized wave symbolizes the potential for destruction, as seen in recent natural disasters exacerbated by climate change. This duality of creation and chaos lies at the heart of the "Force of Nature" print. Environmental Advocacy Through Art Fairey's work is not content with mere representation; it seeks to galvanize action. By partnering with Greenpeace USA and dedicating some proceeds to fight for responsible environmental policies, "Force of Nature" exemplifies how art can be a change agent. The print is a clarion call to respect and adapt to the undulations of nature, emphasizing that civilization's success hinges on its ability to coexist with the Earth's powerful and unpredictable forces. The "Force of Nature" print reflects the human cost of ecological disasters, from hurricanes to wildfires, tornadoes, and extreme temperatures. Fairey's portrayal of the wave conveys the urgent need for awareness and preparedness in these challenges. It is a reminder that while nature's patterns have fostered human thriving, our current trajectory risks upsetting this delicate balance with potentially catastrophic consequences. Shepard Fairey's Ongoing Legacy in Art and Activism Shepard Fairey has consistently committed to merging his artistic endeavors with activism, and the "Force of Nature" print continues this ethos. His work in the street pop art and graffiti art scenes has often carried a message, whether advocating for peace, justice, or environmental stewardship. Fairey's legacy is one of provocation and inspiration, challenging viewers to engage with critical issues through art. "Force of Nature" is a testament to Fairey's artistic skill and his role as a cultural commentator and environmental advocate. Through its evocative imagery and message, the print underscores the potential for art to transcend aesthetic boundaries and become a catalyst for social and ecological progress. In the broader context of street pop art and graffiti artwork, "Force of Nature" exemplifies how these art forms can contribute to meaningful conversations. Fairey's print invites discourse on our relationship with the planet, urging a collective reevaluation of how we interact with the forces that shape our existence. Art can inform, influence, and incite through works like this, playing a crucial role in shaping the future of our civilization and our world.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Quiccs xSneakerHereos- Banned 1s Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Quiccs x SneakerHereos - Original Painting Used As Comic Book Cover by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Bloom 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican-American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 Ernesto Yerena Montejano's creation, "Bloom," is an exquisite four-color hand-pulled silkscreen print that exudes the vivacity and boldness characteristic of Mexican-American pop artwork. Released in 2019, this piece forms part of a limited edition collection, with only 200 signed and numbered prints, reinforcing its exclusivity and appeal among art collectors. Measuring 18x24 inches, each print is crafted on fine art paper, a testament to Yerena's dedication to quality and his adherence to the time-honored traditions of printmaking. Yerena, under his studio name Hecho Con Ganas, presents a symmetrical composition reminiscent of traditional folk art patterns, infusing them with a modern aesthetic that is both striking and familiar. The intricate design of "Bloom" indicates the natural world's splendor. Yet, it's stylized to resonate with the urban and contemporary flair associated with street art. The layers of color and pattern work harmoniously to captivate the viewer's eye, creating a rhythmic dance that contemplates the interconnectedness of culture, identity, and nature. The convergence of street art techniques and pop art imagery in "Bloom" highlights Yerena's capacity to navigate between worlds, merging grassroots activism with mainstream artistry. His work does not merely hang on the walls of galleries; it also resonates with the vibrant energy found on city streets, where public art serves as a beacon of community and individual expression. Each piece in this limited edition series offers an immersive visual experience, inviting onlookers to delve into a dialogue about the interplay between artistic innovation and cultural heritage. With "Bloom," Yerena Montejano celebrates the flourishing of diversity within art forms, as each print from the series contributes to the narrative of Mexican-American art within the broader context of pop and street art movements.

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Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Educate to Liberate Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print Depicting Bobby Seale of the Black Panther Party in Stylistic 70s Retro Style. "The events this month honor the backbone leadership of the original Party. The work of BPPALN is to ensure the education initiatives and community outreach programs provide knowledge while improving the quality of life for the Elders, all the way to the youth of today." -Shepard Fairey- OBEY Shepard Fairey, a contemporary street artist widely known for his OBEY series, produced a remarkable silkscreen print titled "Educate to Liberate." This limited edition artwork, hand-pulled and comprising four colors on cream speckletone fine art paper, is significant in the street pop art and graffiti art realm. Created in 2021, the print is part of a limited edition of 300, each signed and numbered by the artist, emphasizing its exclusivity and collectible nature. Measuring 18x24 inches, the print is a striking homage to Bobby Seale, co-founder of the Black Panther Party. Seale is depicted in a stylistic retro fashion reminiscent of the 1970s when the Black Panther Party was at the forefront of civil rights activism. Fairey's artwork captures the essence of Seale's impact and serves as a visual narrative that bridges past struggles with contemporary social issues. Fairey's statement regarding this piece highlights the enduring influence of the Black Panther Party's leadership and underscores the importance of educational initiatives and community outreach. These programs are designed to empower and enhance the quality of life for people across generations, from the elders who were the movement's backbone to today's youth. By invoking the spirit of the Black Panthers' activism, Fairey's "Educate to Liberate" becomes more than art; it is a call to action, urging ongoing education and community engagement as vehicles for liberation. This print solidifies Fairey's standing as a pivotal figure in street pop art within the framework of OBEY as a topic. His works are not merely aesthetic creations but are imbued with social commentary and the power to provoke thought and inspire change. As a limited edition piece, "Educate to Liberate" is not just a collectible but also a testament to the ongoing relevance of street art as a form of social and political engagement.

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Choking Hazard Artwork Giclee Limited Edition Print on 310gsm Canson Aquarelle Paper by Pop Culture Graffiti Artist Leon Keer. 18 x 24 Inches Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 50 Signed + Numbered

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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