Buttercup Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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1x1 Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Luke Chueh. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Man In The Mirro Original Permanent Marker USPS Box End Drawing Art on Cardboard by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 7.5x4.5 Marker Tagged on USPS Priority Mailing Box End.

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The Big Wave Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. "Originally you’ll see the cat as a wave, then you’ll see the next wave, then you’ll see the print image with a slight variation, and then you’ll see the big wave we have today. " - John Van Hamersveld

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Rockin Skull Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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LSDetroit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Vices Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Sheefy McFly- Tashif Turner. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

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Pinnacle Indian Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. With this Indian image it goes from the original poster in 1968, then to the Traffic poster, then to the Hippie Nation poster in 2007, then the image we have today as a blotter." - John Van Hamersveld

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The Cops- Red & Yellow Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. "We had a driving job delivering Porsches and Ferraris to writers in Los Angeles. The Colonel was an ex-race car driver. We never stopped for “The Cops’’ and never were caught...until the night of the following day." - Niagara

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Surfing Eyeball Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rick Griffin pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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LSDelinquent Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Psychedelic Andre- Classic Red Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Cartoon Madness Meets Pharmaceutical Culture Who Fried Roger Rabbit? Seroquel Blotter Paper Print by Ben Frost reimagines the iconic animated character Roger Rabbit within the framework of modern pharmaceutical branding. Released as part of Frost’s 2025 collection, this 7.5 x 7.5 inch limited edition archival pigment print on perforated blotter paper explores the collision of pop culture and medication packaging with satirical precision. Featuring the animated character smiling manically beside a Seroquel XR layout, the print is hand-perforated by Zane Kesey and produced in a signed and numbered edition. This work critiques how society normalizes mental health struggles through branding and questions how animation, nostalgia, and pharmaceuticals can coexist in a single visual message. Satirical Branding and Medicinal Irony Frost fuses Roger Rabbit’s over-the-top personality with Seroquel, a medication used to treat mood disorders, to amplify the surreal effects of overstimulation and sedation. By transforming the clinical appearance of a pharmaceutical box into a playful, chaotic canvas for a cartoon figure, Frost blurs the line between treatment and escapism. His use of quetiapine packaging language is precise, including dosage information and warnings, yet subverted by Roger Rabbit’s erratic demeanor. The underlying message reflects on how medication is commercialized in a culture that commodifies both mental illness and childhood nostalgia. Material Subversion in Blotter Format The blotter paper format is integral to the conceptual thrust of the piece. Traditionally associated with LSD distribution, blotter prints evoke a psychedelic lineage and hint at an altered perception of reality. By placing a cartoon character on a faux-medication backdrop, Frost disrupts the expectation of serious pharmaceutical design with absurdity. The perforation physically fragments the image, echoing the fragmentation of consciousness and emotion in both medicated and animated experiences. This format enables the artwork to comment simultaneously on drug culture, entertainment media, and mental health marketing. Ben Frost’s Visual Provocation Australian artist Ben Frost has made a name for himself by appropriating advertising, pharmaceutical logos, and mass-market cartoons into biting social commentary. His Street Pop Art & Graffiti Artwork unpacks consumer psychology through bold color, recognizable imagery, and pointed juxtapositions. Who Fried Roger Rabbit? is a standout example of this method—merging the aesthetics of childhood with the clinical detachment of adult medicalization. Frost confronts viewers with contradictions they may overlook in daily life, drawing humor and tension from the unsettling marriage of cartoon madness and prescribed stability. It’s not just visual stimulation—it’s a question wrapped in a package we’re told to trust.

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Untitled Simulator Interface IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Pentagram Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Roachi pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Noche Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Ohm Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Roachi pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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In Heaven Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Richey Beckett’s In Heaven Blotter Paper Print and the Evolution of Street Pop Art & Graffiti Artwork In Heaven, released on April 19, 2021, is a limited edition archival pigment print created by Welsh artist Richey Beckett. The artwork is printed on perforated blotter paper, a material historically linked to LSD distribution and countercultural iconography. Measuring 7.5 x 7.5 inches, this edition was signed, numbered, and released with a certificate of authenticity. Zane Kesey, son of author and LSD advocate Ken Kesey, hand-perforated the paper, further rooting this piece in the legacy of psychedelic art and its ties to anti-establishment narratives. By producing fine art on blotter paper, Beckett directly engages with the visual vocabulary of altered consciousness and underground rebellion, core themes in the lineage of Street Pop Art & Graffiti Artwork. This release exemplifies the crossover between traditional illustration and pop culture ephemera. Beckett’s piece does not merely exist as a static image; its medium evokes a specific subculture, inviting associations with the experimental, the taboo, and the liberated. In the same way that graffiti artists claim space in public areas to provoke reaction, blotter art inserts radical imagery into intimate settings, often passed hand to hand. Beckett’s choice to print on this medium reclaims that tactile immediacy, transforming a potentially disposable object into a collectible form of resistance and reflection. Symbolic Imagery and Technique in In Heaven The visual content of In Heaven features Beckett’s signature intricacy, with an image that appears to blend elements of divine ecstasy and personal transcendence. The composition is dominated by flowing forms, sacred geometry, and naturalistic detail. Stylized feathers, ornate jewelry, and celestial motifs flood the image with a sense of ritual and myth. The figure appears both regal and vulnerable, lying in a position that suggests transformation or surrender. The intense use of contrast between rich jewel tones and dark linework reflects Beckett’s mastery in using color to evoke emotion and mystery. These qualities position the piece within the evolving definitions of Street Pop Art & Graffiti Artwork. Where much of the street aesthetic leans toward immediacy and scale, Beckett's work is about intensity and intimacy. Yet it shares the same cultural foundation: artwork meant to resonate on a visceral level, addressing themes of identity, mortality, freedom, and beauty in ways that resist traditional gallery constraints. His use of traditional ink work merged with psychedelic color palettes speaks directly to the contemporary appetite for spiritually infused, richly detailed visual experiences. Psychedelic Legacy and the New Canvas of Street Pop Art Printing on perforated blotter paper is a deliberate artistic choice that carries decades of countercultural history. In the 1960s and 70s, LSD blotters were often printed with iconic pop imagery or abstract symbolism, making them both functional and expressive. Beckett’s decision to produce In Heaven on this same canvas transforms the piece into an artifact that blurs the lines between ritual, memory, and visual protest. This aligns with how graffiti once evolved from tagging to muralism, and how pop art transitioned from satire to social critique. Beckett’s contribution lies in his fusion of classical technique with rebellious format. Just as graffiti transformed neglected walls into sacred spaces for truth-telling, this work transforms psychedelic delivery paper into a platform for artistic elevation. The limited nature of the release—handled entirely by hand and steeped in cultural reference—demands that viewers reconsider the boundaries of what qualifies as fine art. Richey Beckett’s Role in Reimagining Psychedelic Art Forms Richey Beckett continues to innovate within Street Pop Art & Graffiti Artwork by pushing beyond standard materials and formats. With In Heaven, he presents a format historically tied to experiences of awakening, danger, or freedom, and recontextualizes it through precise, sacred visual language. This blend of mythic illustration and tactile culture makes his work accessible while carrying deep spiritual charge. As blotter art regains attention from collectors, Beckett’s contribution is notable not just for its aesthetic depth, but for the cultural conversation it reignites. By collaborating with figures like Zane Kesey and using formats that defy conventional norms, Beckett upholds the core principles of modern street-influenced art: provocation, reinvention, and an unwavering commitment to personal truth rendered in physical form. In Heaven is more than an image—it is a physical, emotional, and symbolic experience framed within one of the most subversive print mediums ever used in art.

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Energy Feedback Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Joe Mangrum pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. "Energy Feedback Blotter Paper" emerges as a captivating piece of street pop and graffiti artwork created by artist Joe Mangrum. This limited edition archival pigment print is masterfully presented on perforated blotter paper, measuring 7.5 x 7.5 inches, released on April 19, 2021. Known for his intricate sand paintings and vibrant public art installations, Mangrum's work often incorporates a kaleidoscope of colors and patterns that reflect the dynamism and interconnectedness of life. This particular artwork, "Energy Feedback," is a visual representation of feedback loops found in natural and technological systems, expressed through Mangrum's distinctive use of color and form. The print showcases a complex mandala-like design, radiating symmetry, and intricate details that draw the viewer into a contemplative state reminiscent of the psychedelic experience traditionally associated with blotter art. Hand-perforated by Zane Kesey, each piece of the limited blotter edition may vary slightly, adding to the uniqueness and collectability of the artwork. The intricacies of Mangrum's design are particularly suited to the blotter paper medium, which has roots in the psychedelic art movement of the 1960s and 70s. This choice of material adds a layer of historical and cultural depth to the artwork, bridging the gap between traditional street art mediums and the experimental nature of blotter art. "Energy Feedback" is a testament to the evolving nature of street pop art and graffiti, showcasing how artists like Mangrum push the boundaries of what can be achieved within these dynamic art forms. By blending vibrant visuals and thought-provoking themes, Mangrum's work on blotter paper extends beyond the realm of aesthetic pleasure, offering viewers a multi-sensory experience that is both a nod to pop culture and sophisticated artistry reflective of contemporary artistic innovation.

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Super Soup- Red Trip Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Denial. 2022 Signed & Numbered Limited Edition of 30 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Sunset Sunset Sunset Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Baby Doll Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Melting Bomb Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Jason Freeny pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Love Tripping- Red Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Love Tripping- Standard Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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The Cartoon Messiah Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Drug Free Zone Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Stanley Mouse was born in California on October 10, 1940. His father was an animator with Disney Studios who worked on Snow White. Stanley grew up in Detroit where Motown music and the city’s obsession with motor cars combined with his genius at drawing and made Stanleys life path clear at an early age. Quiet and always drawing in class, Stanley earned his pen name, Mouse in the seventh grade. He’d become known for his sketches of monster-driven muscle cars and as soon as he began signing with his pen name, he became instantly famous at thirteen.

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Liberty Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. "This Statue of Liberty image was originally created for Stussy, in two different iterations. That led into the ACLU poster, which gives us the blotter that what we have today. " - John Van Hamersveld

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McTripping Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Into the Madness Again Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2021 Signed Limited Edition of 50 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Woodstock Daze Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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S.T. Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. S.T. by Richey Beckett: Blotter Paper Art and the Evolution of Street Pop Art & Graffiti Artwork S.T. is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper created by Welsh artist Richey Beckett and released on April 19, 2021. This limited edition was signed, numbered, and issued with a certificate of authenticity. Each sheet was hand-perforated by Zane Kesey, a key figure in the continuation of psychedelic art culture. The print medium itself plays a central role in the work's identity, with blotter paper serving both as a physical connection to the LSD subculture of the 1960s and as a contemporary symbol of resistance, introspection, and altered consciousness. Beckett’s S.T. is not just an artwork but a piece of cultural memory rendered with the stylistic precision of pen and ink tradition and modern psychedelic visual philosophy. The artwork features the delicate portrait of a woman gazing upward, surrounded by radiating gold circles, fluid red backgrounds, and turquoise accents. Her face is rendered in Beckett’s iconic stippled technique, creating depth and emotional resonance through carefully controlled line density. Her upward glance suggests expansion, transformation, or communion with the unseen. Swirls of golden marbling and celestial glyphs punctuate the background, alluding to cosmic themes and altered perception. The vibrancy of the palette—particularly the bold reds and glowing cyan—evokes the optical distortions associated with psychedelic experiences. This connection is heightened by the use of perforated blotter paper, a material historically used to carry LSD doses and elevate visual storytelling into participatory ritual. Reimagining Counterculture Through Artistic Craft Richey Beckett’s S.T. serves as a visual and conceptual link between the original psychedelic art movement and the evolving discourse of Street Pop Art & Graffiti Artwork. By using blotter paper, Beckett embeds this print within a cultural framework that resists commodification while demanding meaningful engagement. The piece challenges the viewer to treat the print not just as a decorative object but as a psychological artifact. This connection to rebellion, altered states, and collective awakening parallels the principles behind modern street and graffiti art movements, where walls, objects, and surfaces become vessels for urgent messages and transformative experiences. S.T. belongs to a collection that recontextualizes traditional printmaking techniques for a modern audience by placing them on nontraditional surfaces tied to a history of dissent and enlightenment. The use of such media challenges conventional ideas of what fine art can be. Just as a mural can speak truth on a city wall or a sticker on a subway window can reflect cultural identity, Beckett’s blotter prints communicate powerfully through paper once thought disposable. His intricate, controlled mark-making mirrors the precision and passion found in stencil work, spray art, and hand-tagged scripts seen in urban environments. The Symbolic Power of the Gaze and the Print The central figure in S.T. offers more than just an aesthetic focus. Her contemplative expression and upward gaze symbolize a search for meaning, vision, or escape. This emotional motif, paired with the cosmically inspired design elements, encourages the viewer to consider the mental journey that the work represents. The print acts as a portal to inner space, a meditative surface that invites introspection and wonder. This personal resonance is a defining trait of Street Pop Art & Graffiti Artwork, which has always aimed to speak to individual and collective experience without institutional gatekeeping. Beckett’s ability to harmonize intricate detail with symbolic intensity makes S.T. a standout example of modern psych-inspired fine art. It exists at the intersection of ritual, nostalgia, and visual rebellion. Through careful technique and reverence for historical material, Beckett revitalizes the blotter format as more than novelty or drug culture reference. He transforms it into a contemplative surface where art, memory, and altered states converge. Richey Beckett’s Influence in Contemporary Pop Psychedelia Richey Beckett, born in Wales, continues to create pieces that redefine how classical illustration intersects with countercultural iconography. His blotter paper editions, including S.T., expand the boundaries of Street Pop Art & Graffiti Artwork by injecting psychedelic symbolism into materials that recall a rich legacy of creative dissent. Through Zane Kesey’s collaboration and the use of archival pigment printing, each piece carries both authenticity and symbolic weight. S.T. embodies how art can communicate across generations, movements, and sensory experiences. It connects the act of viewing to ritual and reflection, much like early street murals connected communities through shared visuals. Beckett’s work preserves the aesthetic of protest, mysticism, and beauty through a format that once served as a vessel for expanded perception. Through S.T., the viewer is not just looking at an image, but participating in a lineage of artistic awakening made tangible through craft and concept.

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Manic Progression Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Sheefy McFly- Tashif Turner. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Untitled Simulator Interface III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Boozy Flower Shooter Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bill Barminski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Marilyn Golden Icon Red White & Blue Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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No Skateboarding Freestyle Blotter Paper Archival Print by Cope2- Fernando Carlo Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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MickyMask A Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bill Barminski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Acid Test Results Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Know Your Product Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. 2020 Signed & Numbered Limited Edition of 100 Blotter Paper Print 7.5x7.5 Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable take on pop culture twists up everyday iconography from the world’s biggest brands. Subverting meaning and messages from the mainstream media, Frost’s scything commentary on advertising, entertainment, and politics is both confronting and controversial. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Say Goodnight Gracie by Herbie Greene: Blotter Paper Resistance in Street Pop Art & Graffiti Artwork Say Goodnight Gracie is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released on April 19, 2021. Signed and numbered with a certificate of authenticity, each piece in this limited edition was hand-perforated by Zane Kesey, reinforcing its symbolic roots in psychedelic counterculture. The print features a black-and-white photograph of Grace Slick, the iconic frontwoman of Jefferson Airplane, overlaid with colorized elements including a paisley red outfit and piercing cyan eyes. The backdrop includes Egyptian-inspired sketches and faded, spray-painted text reading Happy New Year, creating a layered composition that mixes defiance, memory, and cultural critique. Herbie Greene, a legendary photographer from the United States, was known for capturing defining moments of the 1960s San Francisco music scene. This print is more than just a photo—it is a protest embedded in a relic. Slick’s expression and raised middle finger become the central focal point, offering a timeless act of rebellion immortalized through photographic grit and street-inflected style. The surrounding textures—worn concrete, hand-drawn symbols, and fading graffiti—echo the raw surfaces used in Street Pop Art & Graffiti Artwork, reinforcing the voice of anti-establishment figures who spoke through walls, posters, and sound. Grace Slick, Counterculture, and the Power of Visual Protest The image of Grace Slick in Say Goodnight Gracie resonates deeply with the cultural spirit of the 1960s and its aftermath. Slick's role as a voice of psychedelic rock and protest was unmistakable, and this moment of visual resistance encapsulates that spirit perfectly. She does not perform; she confronts. Her multicolored attire, contrasted against a grayscale background, draws attention to individuality and dissent amidst uniformity and decay. The visual isolation of colorized features within a monotone space mimics the effect of street stenciling or wheatpaste posters, techniques commonly used in urban protest art to highlight voices against a muted backdrop of authority. The print format on blotter paper is significant. It bridges the documentation of music history with the tangible aesthetics of drug culture and underground art. Zane Kesey’s involvement in hand-perforating the editions ties this piece directly to the visual traditions of LSD blotter art, where iconography often merged political satire, celebrity, and surrealism. This connection reinforces the idea of art not just as commentary, but as a vehicle of transformation—mental, social, and spiritual. The Urban Palimpsest as Art Form Herbie Greene’s composition in Say Goodnight Gracie operates like an urban palimpsest. Layers of history, rebellion, femininity, and symbolism are built into every detail. The hieroglyph-like drawings add an archaeological tone, suggesting lost messages or forgotten rituals that still echo in the present. The crumbling wall texture and ghosted graffiti add urgency and vulnerability, as if the image could fade at any moment—just like the posters pasted on city walls, fleeting yet unforgettable. This quality is central to Street Pop Art & Graffiti Artwork, where temporality, public visibility, and emotion collide to create impact. Grace Slick’s raised hand and unflinching gaze are a signal, not just a pose. They challenge the viewer to consider where protest lives today. In Greene’s composition, the past is not frozen but reanimated on blotter paper, a medium that has transported minds beyond the visible world for decades. This visual dialogue between photography, protest, and psychedelic symbolism speaks not just to nostalgia but to the ongoing role of image as resistance. Herbie Greene and the Documentation of Rebellion Herbie Greene’s work captures moments that transcend the frame. By reissuing Say Goodnight Gracie on perforated blotter paper, he transforms documentation into object, memory into statement, and portrait into symbol. This choice elevates the piece beyond archival photography into the arena of Street Pop Art & Graffiti Artwork, where message and method matter equally. Greene, born in the United States, became known for his close work with artists like Jefferson Airplane, the Grateful Dead, and Janis Joplin. His lens documented a generation seeking transformation, and in this work, that spirit persists—vivid, fierce, and permanent on a medium built for moments that change everything. Say Goodnight Gracie is not just a tribute to a music icon. It is a distilled act of visual rebellion, sharpened by decades of cultural memory and executed on one of the most subversive print surfaces in art history. It offers a flash of resistance captured in time, formatted for the hand, the wall, and the mind alike.

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Fractle Fractle Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

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Springfield Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Sheefy McFly- Tashif Turner. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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NY Tripway Map III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Let Go Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Slegh pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Grin Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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