China Cheerleader 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by ASVP Rare Street Art Famous Pop Artwork Artist. 2012 Signed Limited Edition of 50 Size 15x20

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Self Portrait IV 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist. 12 Print Run Edition, on Hand Deckled Paper 2004.

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Che No Vive- Red Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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The Empresses- H10-1 Wu Zetian Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 2853 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet The Butterfly Effect in Street Pop Art: 'The Empresses - H10-1 Wu Zetian' In the landscape of street pop art, the works of Damien Hirst stand as monumental achievements that merge historical reverence with modern artistic practices. One such work, 'The Empresses - H10-1 Wu Zetian' by Hirst, is a splendid example of how contemporary art can pay homage to historical figures while employing modern techniques and mediums. This limited edition artwork, signed and numbered by Hirst, is a collector's piece and a profound visual narrative that encapsulates the essence of Wu Zetian's rule. At the core of 'Wu Zetian,' a vibrant artwork inspired by the cunning and effective Chinese ruler, lies a unique arrangement of butterfly wings. Wu Zetian (624-705 CE) ascended to power as empress in 655 CE when she married Emperor Gaozong. Her reign witnessed brutal eliminations of political opponents but also stabilized the Tang Dynasty during a critical period. The central element of the piece is a solitary set of butterfly wings encircled by pairs of wings, forming a striking and symmetrical hexagonal pattern. The composition emphasizes the number six, a recurring symbol of good fortune in Chinese culture. Additionally, the hexagon symbolizes the six directions (North, South, East, West, Heaven, and Earth), signifying completeness, harmony, and balance. These notions reflect Wu Zetian's rule, marked by her intelligence, courage, and firm decision-making. Elaborate red-winged butterfly arrangements fill the canvas's four corners, featuring a seamless interplay between singular and paired wings. This complex composition lends an alluring dynamism to the artwork, creating an impression of perpetual change and imbuing the butterflies with a lifelike sense of movement. 'Nūr Jahān' is another artwork featuring intricate patterns of single or paired butterfly wings rendered in stunning red and black hues. The symmetrical designs radiate from the center, forming mesmerizing, kaleidoscopic patterns. At the composition's heart lies a focal square that encloses the central set of wings, drawing the viewer's eye inward. This refined configuration echoes the architectural mastery of Nūr Jahān and the exquisite mosaic tiles adorning the Agra tomb. A continuous metamorphosis characterizes the arrangement of 'Nūr Jahān.' As viewers observe the artwork and shift their position, they uncover new sequences of extraordinary wing patterns. The large black and red pairs encircling the composition create a distinctive, uneven frame. This imbues the structured composition with energy and vitality, capturing the butterflies in a moment of multidirectional flight. Symmetry, Significance, and Symbolism At the heart of 'The Empresses - H10-1 Wu Zetian', viewers are enveloped in a spectacle of symmetry and symbolism. Damien Hirst, an English artist whose work has often sparked dialogue within the art community, crafts a visual representation of Wu Zetian, the only female emperor in Chinese history. The artwork is meticulously constructed with butterfly wings arranged to form a hexagonal pattern, a shape deeply rooted in Chinese symbolism. The hexagon represents the harmonious union of the six directions, embodying Wu Zetian's strategic prowess and the balance she maintained during her reign. The solitary set of wings at the center of the piece may signify Wu Zetian herself, surrounded by the intrigues and courtiers that defined her rule. The intricate patterns of single and paired wings, rendered in striking red hues, resonate with power, passion, and transformation themes. Red, a color of great importance in Chinese culture, symbolizes good fortune and joy, which intricately ties the aesthetic choice to the cultural context of the artwork. Artistic Techniques and Contemporary Interpretations Damien Hirst's choice of medium—giclee and glitter screenprint on an aluminum sheet—further enhances the luminosity and texture of the work, allowing the intricate details and reflective qualities to shine. This choice aligns with his fascination with unconventional materials and methods, a hallmark of his approach to art. The aluminum surface lends the piece a contemporary edge, aligning with the ethos of street pop art, where traditional graffiti has evolved into a sophisticated form of artistic expression. The artwork's technique and composition invite an interactive experience. As the viewer's perspective shifts, so does the appearance of the wings, suggesting the fluidity of power and the fleeting nature of life, themes that were all too familiar to Wu Zetian as she navigated the treacherous waters of political intrigue. The work's dynamic nature reflects the constant motion and change inherent in street pop and graffiti artwork, where the context and environment play crucial roles in interpreting the art. In synthesizing the historical narrative of Wu Zetian with the transformative medium of street pop art, Hirst allows for a contemporary reimagining of a figure who shaped history. This piece does not merely represent a figure from the past; it brings her into the present, allowing for reflection and discourse on the nature of power, the role of women in history, and the enduring impact of a legacy left behind centuries ago. Through 'The Empresses - H10-1 Wu Zetian', Hirst contributes to the narrative of street pop art. This genre continues to redefine itself and expand the parameters of what art can communicate and commemorate.

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Dark Star Grin Bronze Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered edition of 50.

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LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art. "This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park

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Ultra Trisauras vs. Ōkami Alpha Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 This print was produced initially for the STRANGE BEASTS show at Gallery Guzu. Print measures 18x24 inches and is signed and numbered by the artist in an edition of 75.

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Graff Head Slick 6 HPM Unique Spray Paint Silkscreen Print by OG Slick Embleshed 1 of 1 Hand-Pulled 11-Color on Untrimmed 250gsm Stonehenge Fine Art Paper Artwork. 2022 Signed Unique 1/1 HPM Spray Paint Artwork Size 40x26 Silkscreen Print of Mickey Mouse Cartoon Guan Yin Throwing Hand Signs With Upper Body and Face Covered in Adstract Spray Paint Graffiti & Words Graffiti, street art, and pop art have always been powerful mediums to convey social, political, and cultural commentary. Within this realm, artists often amalgamate iconic symbols from various spheres to create striking visual stories. A testament to this fusion is the "Graff Head Slick 6 HPM Unique" spray paint silkscreen print by renowned graffiti artist OG Slick. This hand-pulled 11-color masterpiece stands out, not just for its intricate detailing but also for its commentary and interplay of traditional and modern iconography. This art piece is meticulously crafted on 250gsm Stonehenge fine art paper, preserving its vivid colors and sharp lines. The 40x26 artwork showcases Mickey Mouse, an emblematic character synonymous with American pop culture, represented as the Guan Yin, the Chinese Goddess of Compassion. This portrayal of Mickey Mouse, donning the avatar of Guan Yin and striking hand signs, intertwines two cultures while highlighting the universality of certain messages. The upper body and face of Mickey, concealed under a layer of abstract spray paint graffiti and words, further amalgamates traditional art forms with modern graffiti styles. OG Slick's motivation behind this series traces back to his younger days, during his visits to Chinatown. He recalls the presence of small figurines placed near store registers, believed to bring prosperity to the shopkeepers and blessings to those who offered them money. Drawing parallels, the artwork visualizes the same Guan Yin figurine, now juxtaposed in the digital age, where she is showered with digital currency, symbolizing the evolving nature of blessings and prosperity in contemporary times. Through this mesmerizing piece, OG Slick delves into the intricate dance of tradition and modernity, reminding viewers of the transient nature of cultural values and the enduring essence of art.

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Clowns Lithograph Print by Gary Taxali Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2014 Signed & Numbered Limited Edition of 80 Artwork Size 19x22 Visual Narrative in Taxali's "Clowns" "Clowns" is a striking lithograph print by Gary Taxali, showcasing his exceptional talent blending street art, pop art, and traditional printmaking. This hand-pulled print on fine art paper is a limited edition from 2014, signed and numbered, with only 80 prints made, each measuring 19x22 inches. It encapsulates the whimsical and often satirical essence of Taxali's style, deeply rooted in the aesthetics of vintage comics and advertising. Taxali's "Clowns" depicts a tumbling tower of caricatured clowns in a playful yet chaotic descent between urban buildings. This imagery is a quintessential example of Taxali's ability to convey complex narratives through simple compositions. The clowns, often associated with humor and folly, are presented in a moment of uncontrolled fall, perhaps a metaphor for life's often tumultuous and unpredictable nature. This scene, set against the stark lines of city architecture, evokes a sense of movement and a clash between the animate and the inanimate, a theme commonly explored in Street Pop Art and graffiti Artwork. Technique and Limited Edition Appeal The lithography technique allows Taxali to bring a textural and nuanced quality to the print, reflecting the hands-on approach of street art. Each print in the edition is unique due to the nature of hand-pulling, creating a connection between the artist and each work that resonates with the authenticity sought in both the pop art and graffiti art communities. The limited edition of "Clowns" adds a collectible appeal, merging the democratic nature of street art with the exclusivity of the art world. In the context of modern art, "Clowns" by Gary Taxali stands as a vibrant example of how artists can bridge different artistic disciplines to create works that are both accessible and complex. This print reflects the ongoing narrative of pop art's influence on street art and vice versa, illustrating how the two can merge to form a distinct and compelling genre that resonates with a broad audience. Taxali's work continues to challenge and delight viewers, making a statement both a nod to the past and a commentary on the present state of art and society.

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Marvin is Sick Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Fractured Exhibition Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 400 Artwork Size 18x24 Silkscreen Print Shepard Fairey Fractured Exhibition Silkscreen Print The Fractured Exhibition silkscreen print by Shepard Fairey functions as both an exhibition artifact and a standalone example of Street Pop Art & Graffiti Artwork rooted in political design language and graphic intervention. The composition layers a monumental face cropped into abstracted fragments above an industrial red building marked with Minnesota, anchoring the image to place, labor history, and civic identity. The fractured visual field reflects Fairey’s long-established method of breaking imagery into symbolic components that reference power, surveillance, and cultural memory. The cream speckletone paper and restrained color palette reinforce a sense of archival permanence while maintaining the bold visual urgency that defines Fairey’s work. This print operates as documentation of a specific exhibition moment while maintaining relevance beyond its original context. Graphic Language and Cultural Messaging Shepard Fairey’s visual system is immediately recognizable through its use of strong contrast, centralized iconography, and propagandistic composition. In Fractured Exhibition, the fragmented portrait evokes themes of disruption, societal tension, and media distortion, while the architectural base grounds the image in working-class and industrial symbolism. The layered textures reference paste-ups, screen remnants, and aged surfaces commonly found in urban environments, reinforcing the work’s connection to street-based practices. Within Street Pop Art & Graffiti Artwork, this piece exemplifies Fairey’s ability to merge fine art printmaking with activist design, using visual clarity to communicate complex social commentary without reliance on narrative text. Shepard Fairey Background and Influence Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and is currently living and actively producing work. Fairey emerged from the skateboarding and punk scenes before gaining international recognition through the Obey campaign and later the Hope poster. His work consistently addresses themes of authority, control, propaganda, and public participation, using graphic strategies borrowed from political posters, constructivism, and commercial advertising. As a foundational figure in Street Pop Art & Graffiti Artwork, Fairey has influenced generations of artists by demonstrating how street imagery can operate within galleries, museums, and public discourse without losing its confrontational edge. Printmaking Method and Collector Context This hand-pulled silkscreen print reflects Shepard Fairey’s continued commitment to traditional production methods, emphasizing physical process and material presence. Each color layer is deliberately applied, resulting in textured surfaces that echo the tactile quality of street installations and wheat-pasted posters. The signed and numbered limited edition of 400 situates the work within a collectible framework while maintaining accessibility relative to Fairey’s broader print catalog. The 18x24 scale allows the graphic elements to retain their impact without overwhelming the viewer, making the piece suitable for both private collections and institutional environments. As a work of Street Pop Art & Graffiti Artwork, Fractured Exhibition captures a specific cultural moment while reinforcing Fairey’s enduring role as a visual communicator operating at the intersection of art, activism, and public space.

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20 Years of Above Funny Farm Giclee Print by Tavar Zawacki- Above Artwork Limited Edition  Print on Hahnemuhle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 291 Artwork Size 20x20. Fine Art Archival Pigment Printing (Giclée) on Hahnemuhle, Cotton, Natural White 270gr. Acid-free + Archival. Proudly printed with Kilford Studio here in Lisbon, Portugal. "In 2013 I painted the large, ABOVE arrow on this barn in Canada. Last month in Sweden, I painted this Target. These two styles of artwork bridge my past style of ABOVE with my current style of, PAPEL. It’s funny to think of the arrow hitting the target and the connection between the two artworks. The set of prints illustrates the journey of my past and present styles over the past 20 years." -Tavar Zawacki- Above 20 Years of Above Funny Farm Giclée Print by Tavar Zawacki 20 Years of Above Funny Farm is a 2022 giclée print by Tavar Zawacki, also known as ABOVE, commemorating two decades of his iconic arrow-based visual language. This signed and numbered limited edition of 291 measures 20 x 20 inches and is produced using fine art archival pigment printing on Hahnemühle cotton paper. Printed on natural white, 270gsm, acid-free paper by Kilford Studio in Lisbon, Portugal, the work reflects both technical precision and long-term archival quality. The ABOVE Arrow, Place, and Personal History The image documents a large-scale barn painting created by Zawacki in Canada in 2013, featuring his instantly recognizable upward-pointing arrow filled with layered color bands and the word “ABOVE” at its center. The arrow functions as both a graphic symbol and a personal signature, representing optimism, direction, and elevation. The setting—a rural barn often referred to as the “Funny Farm”—adds a sense of humor and humility, contrasting monumental symbolism with an everyday structure. The presence of the artist seated atop the roof reinforces themes of risk, freedom, and authorship within the physical act of street art. Evolution of Style and Collector Significance This print is part of a conceptual pairing that bridges Zawacki’s earlier ABOVE identity with his more recent PAPEL work, reflecting an evolution from bold, graphic street interventions toward more refined, geometric abstraction. As Zawacki notes, the arrow imagery metaphorically “hits the target,” connecting past and present across a 20-year artistic journey. For collectors, 20 Years of Above Funny Farm holds significance as both a historical marker and a visual autobiography, capturing a pivotal moment in the artist’s career while preserving the spirit of large-scale graffiti within a finely produced studio print.

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Red Wall Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Andy Mouse 3-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition of 25 HPM Artwork Size 13.7x19.6 Andy Warhol x Mickey Mouse Disney. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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Stigma I Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Crajes.

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Mona Lisa Grin- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English- POPaganda. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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The New Standard Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Hulk Boy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2007 Digital print in colors on wove paper 20 x 20 inches (50.8 x 50.8 cm). 100 Signed and numbered in pencil along the lower edge

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Astro Boy LA OG 6" Art Toy by OG Slick Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 6x5 New In Box Printed Astro Boy, a character that has charmed generations since his creation by Osamu Tezuka, has been re-envisioned through the lens of OG Slick, a renowned artist in the pop and street art community. The Astro Boy LA OG 6" Art Toy emerges as a vinyl sculpture, showcasing a unique blend of classical anime elements with the raw, expressive energy of street art. This 2023 limited edition piece, sized at 6x5 inches and offered new in the box, stands as a vibrant collectible that commands attention. OG Slick's rendition preserves the innocence and iconic features of the beloved character while infusing it with a vitality that resonates with contemporary art movements. The vibrant colors and the smooth lines echo the character's traditional imagery. Still, they are amplified by a style borrowed from the graffiti art tradition, often employing bold hues and dynamic figures to capture the viewer's eye. The piece's stature as a collectible artwork is further solidified by its status as a limited edition, making it a sought-after item for both art collectors and enthusiasts of Astro Boy. By transforming a well-known figure from Japanese anime into a stylized art toy, OG Slick provides a tangible connection between the subtleties of pop culture and the more outspoken realm of street art. The piece serves not only as a tribute to the enduring appeal of Astro Boy but also as an illustration of how street art can offer a new perspective on familiar forms, imbuing them with new life and meaning. It celebrates pop art's power to take what is universally recognizable and reframe it in a way that challenges and delights contemporary audiences. Astro Boy LA OG is more than a mere representation; it is a dialogue between past and present, a visual conversation where nostalgia is reimagined through modern artistic expression. OG Slick has created artwork that honors the legacy of Astro Boy while standing firmly within the innovative and often disruptive spirit of street art. This piece is a testament to the artist's ability to harness the essence of cultural icons and re-present them within the energetic and often transient world of street art, where each piece serves as a landmark in the ever-evolving pop culture landscape.

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12 Inch Series II 2 Artist Proof AP Hand-Pulled 3-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2009 Signed & AP Marked Original Run Limited Edition of 100 Artwork Size 12x12 12 Inch Series II 2 Artist Proof Hand-Pulled Screen Print by Dave Kinsey The 12 Inch Series II 2 Artist Proof is a limited edition hand-pulled three-color screen print created by Dave Kinsey in 2009. This striking composition is printed on 290gsm Coventry Cotton Paper and measures 12x12 inches. As an AP-marked and signed original, this work is part of an exclusive run of 100, making it a highly sought-after piece in the world of Street Pop Art and Graffiti Artwork. The intense visual impact of this print, with its bold red, black, and cream tones, reflects Kinsey’s ability to merge abstract expression with urban cultural aesthetics. The artwork features a fragmented face, distorted through the use of bold linework and rough textural overlays. The inclusion of a stylized number two within the composition reinforces the structured chaos of Kinsey’s work, blending typographic design with the expressive energy of street graffiti. The layered textures, reminiscent of peeling posters and urban decay, evoke the rawness of city environments. This balance of control and disorder is a defining characteristic of Kinsey’s style, making this piece an exemplary addition to his catalog of contemporary urban prints. Dave Kinsey and His Influence on Street Pop Art and Graffiti Artwork Dave Kinsey is an influential American artist known for his fusion of graphic abstraction and socially driven themes. Emerging in the 1990s, he developed a unique aesthetic that blends the raw energy of street art with sophisticated design principles. His work often explores themes of identity, consumerism, and the complexities of modern life, creating visually dynamic compositions that engage viewers on multiple levels. The 12 Inch Series II 2 embodies Kinsey’s ability to translate urban chaos into controlled visual storytelling. The stark contrast between geometric precision and raw brushstroke textures highlights his background in both graffiti and fine art. The distorted human form within this print echoes themes of fragmentation and identity, a recurring motif in Kinsey’s body of work. His art is widely recognized for its ability to capture the tension between contemporary culture and personal expression, making his limited edition prints highly desirable among collectors and art enthusiasts. The Artistry Behind Hand-Pulled Screen Printing Hand-pulled screen printing is a meticulous process that requires precision and craftsmanship. Unlike digital reproductions, each print in this series is manually created, resulting in slight variations that make each piece unique. This particular print, being an artist proof, holds even greater significance, as AP editions often serve as test prints where subtle refinements or experimental details may be incorporated. The use of 290gsm Coventry Cotton Paper enhances the depth and texture of the ink application, providing a durable and high-quality surface that preserves the intensity of the colors. The three-color layering process ensures that the bold black forms stand out against the distressed red and cream background, further reinforcing the tension between structure and organic movement. Kinsey’s hand-pulled approach allows for an authentic connection between the artist and the final product, making each print an extension of his creative process. Collectibility and Cultural Impact of Dave Kinsey’s Limited Edition Prints The 12 Inch Series II 2 Artist Proof represents a significant moment in Dave Kinsey’s artistic evolution, showcasing his ability to merge graphic design, street art influences, and conceptual depth into a single composition. As part of a limited edition of 100, this signed AP variant holds a unique value within the collection, offering collectors a direct link to Kinsey’s original artistic vision. Kinsey’s work has been exhibited in galleries worldwide and remains an essential component of contemporary urban art movements. His ability to transform street aesthetics into fine art compositions has influenced a new generation of artists who blur the lines between graffiti, pop art, and design. The 12 Inch Series II 2 serves as a compelling example of this artistic dialogue, making it a must-have for those who appreciate the evolution of Street Pop Art and Graffiti Artwork.

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Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

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Nomads 15th Anniversary Party 1996 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 675 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik Nomads, Studion, Stockholm Sweden 5-6-1996 Depicts A Muscle Car Burning Out Celebrating the 15th anniversary of the legendary Nomads, this distinctively vibrant silkscreen print from 1996 holds a significant place in the world of pop street art. Created by the inimitable Frank Kozik, renowned for his poster art, this artwork is more than a mere decoration - it serves as a testament to the era it embodies, an artifact of the vibrant street art culture of the late 20th century. Hand-pulled on high-quality fine art paper, this print radiates a raw, authentic feel. Its dimensions, 22.5x17.5 inches, make it a robust statement piece. With a limited edition of just 675, each copy is signed by Kozik himself and meticulously numbered. This meticulousness in the production process elevates the work beyond the ephemeral nature usually associated with street art, making it a collectible piece. Staged at the Studion in Stockholm, Sweden, on the 5th of June, 1996, the Nomads' anniversary gig was immortalized by this striking print. It depicts a muscle car engaged in an electrifying burnout, a bold image that vibrates with the punk-infused energy of the Nomads' music and the rebellious street art spirit that Kozik champions. The imagery is both a tribute to the heady power of the automobile and a symbol of the band's audacious spirit. This piece doesn't merely commemorate a concert, but a particular moment in time and the cultural shifts happening within it. The explosive vehicular illustration is a tangible representation of the era's energy, capturing the essence of the Nomads' music, and the fiery spirit of Kozik's artistry. The juxtaposition of a refined fine art print with a subject steeped in grit and rebellion makes for a captivating paradox. The 1996 Nomads 15th Anniversary silkscreen print by Frank Kozik is indeed a hallmark of pop street art, a tangible connection to a pulsating past.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Street Friends 5-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Fine Art Paper by Pez x Flying Fortress Rare Street Art Famous Pop Artwork Artist. “Street Friends” 5 Colors screenprint. Size 40x50cm. Mohawk paper 296 grams. Signed and embossed by the 2 Artists Edition of 70

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Doc Rat Fink 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Liane Plant counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Kiss of Death Silkscreen Print by Mike Giant Hand-Pulled 3-Color on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Skeleton Death Kissing Woman Tattoo Elements Like Sun Flowers Angels Graves in Stylistic Rendition. Kiss of Death Silkscreen Print by Mike Giant Kiss of Death is a 2023 silkscreen print by tattoo artist and visual icon Mike Giant, released as a signed and numbered limited edition of 100. Measuring 18 x 24 inches, the work is hand-pulled in three colors on fine art paper, showcasing Giant’s meticulous line work and graphic discipline. The composition centers on a skeletal figure of Death embracing and kissing a woman, rendered with a balance of intimacy and inevitability that defines much of Giant’s visual language. Tattoo Iconography and Spiritual Symbolism Surrounding the central figures is a dense field of symbolic imagery drawn from tattoo culture, religion, and mysticism. Elements such as roses, skulls, angels, coffins, crosses, serpents, hourglasses, and sacred text-like phrases (“Here and Now,” “Fear Not,” “Muerte,” “Samadhi”) function as visual mantras, reinforcing themes of mortality, impermanence, and acceptance. The Grim Reaper’s scythe, paired with celestial motifs like the sun, moon, and stars, places death not as an ending but as a transitional force within a broader cosmic cycle. Mike Giant’s Meditation on Mortality Kiss of Death reflects Mike Giant’s lifelong engagement with death as both a subject and a philosophical concept. Rather than portraying fear or violence, the scene is calm, reverent, and deeply human, suggesting surrender, unity, and spiritual awakening. The stark red, black, and white palette amplifies the emotional weight of the imagery while remaining rooted in traditional tattoo aesthetics. For collectors, this print stands as a powerful statement piece that encapsulates Giant’s fusion of tattoo tradition, fine art printmaking, and existential reflection.

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Merica Ting Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Sket-One. 2021 Box Signed Limited Edition of 150 Artwork Size 7.5 inches Tall Displayed With Box.

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Captain Kid Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2007 Digital print in colors on wove paper 20 x 20 inches (50.8 x 50.8 cm). 100 Signed and numbered in pencil along the lower edge

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The Devils Work 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. Signed Numbered 10.75x13.75 2011

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Unworn New Old Stock Vans Anaheim Factory Old Skool 36 DX- Size 12 Shoe Rare Shoes Limited Edition Sneaker Artwork Collectible. The Anaheim Lips Old Skool 36 DX pays tribute to our first Vans factory in Anaheim, California, by borrowing details from the original Old Skool and offering modernized comfort with upgraded Ortholite® sockliners. The Anaheim Lips Old Skool 36 DX also includes throwback details like the original style number and colour palette or reissued prints, higher glossed foxing tape, cotton laces, original drill lining weight, and suede and textile uppers to complete the look.

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American Princess- Stars and Stripes Artwork Giclee Limited Edition Print on Somerset Fine Art Paper by Pop Culture Graffiti Artist Copyright. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 19.5x27.5 of Nude Woman With American Flag Hair & Background, Hand Deckled Edges. "American Princess - Stars and Stripes" is a captivating artwork that intertwines the vibrant ethos of American patriotism with the raw and unfiltered appeal of pop culture. Produced by the renowned pop culture graffiti artist, Copyright, this piece takes form as a Giclee limited edition print on the distinguished Somerset Fine Art Paper, ensuring both clarity of design and a tactile elegance. Dated 2016, it holds the distinction of being a signed and numbered limited edition, with only 50 prints gracing this particular series, making it a sought-after gem among art aficionados. What immediately captures one's attention is the image of the nude woman, her silhouette curvaceous and confident. Yet, it's her hair and the background that become the primary points of conversation. Flowing like a river, her hair seamlessly transforms into the iconic stripes of the American flag. The stars, synonymous with freedom and the American dream, subtly transition into the backdrop, binding the piece in a cohesive narrative. This seamless fusion is further elevated with the hand deckled edges, which provide a touch of authenticity and rustic charm. Within the realms of pop art, street art, and graffiti, the portrayal of iconic symbols in unconventional ways is not uncommon. Copyright, with "American Princess - Stars and Stripes", provides a commentary on American identity, femininity, and the pervasive influence of pop culture. It's a statement piece that goes beyond mere aesthetics, delving into the heart of contemporary American society, its values, and the ever-evolving definition of art in public spaces.

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Kamayura Oaxaca 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Kamayura Oaxaca 2013 Giclee Print by Swoon A Visual Archive of Human Dignity in Urban Space The Kamayura Oaxaca 2013 Giclee Print by Caledonia Curry, known globally as Swoon, is a powerful example of Street Pop Art & Graffiti Artwork translated onto fine art paper. Created as part of Swoon’s Street Series Print Collection, the image captures one of her original wheatpaste street installations from Oaxaca, Mexico, depicting a striking female figure blending human and mythological attributes. This signed and numbered giclee print, released in 2016 in a limited edition of 175, measures 19 by 13 inches and is printed on heavy fine art rag paper. The artwork not only documents Swoon’s presence on walls across Latin America but also speaks to the symbolic relationship between community identity, resistance, and the ephemeral nature of street-based intervention. Stylistic Complexity and Symbolic Composition Kamayura Oaxaca 2013 reflects the intricate cut-paper aesthetics and humanitarian storytelling that define Swoon’s visual language. The figure in the image—part warrior, part mermaid—clutches twin crocodiles as scaled armor drapes over her legs. Radiating lines extend from her back like a halo, while beneath her figure is a tangled collage of snakes, architecture, and flora, all executed in precise linework. These motifs merge indigenous symbolism with modern urban decay, evoking themes of transformation, resilience, and the interconnectedness of natural and built environments. The bright yellow and deep red stucco wall behind the wheatpaste creates a dynamic color contrast, anchoring the image in its original street context while enhancing the mythic presence of the central figure. Caledonia Curry’s Global Street Narratives Swoon, born Caledonia Curry in the United States, has long been celebrated for her ability to blend classical printmaking techniques with the accessibility of street placement. Her work often features portraits of women, community figures, and allegorical representations that touch on social justice, environmental healing, and cultural storytelling. The Kamayura Oaxaca print aligns with her extensive practice of placing intricate paper cutouts directly onto decaying urban surfaces across the globe—from the walls of Brooklyn to the alleys of Haiti and Latin America. In Mexico, her work speaks directly to indigenous voices and post-colonial memory, reinforcing the role of graffiti as both an act of public beautification and political expression. The Importance of the Street Series Print Collection The Kamayura Oaxaca 2013 edition is part of the Street Series Print Collection, which serves as a tangible archive of Swoon’s ephemeral installations. Each print in the series offers collectors and admirers the opportunity to experience the artist’s street-based work in a preserved, gallery-worthy format. By transferring temporary outdoor works onto archival paper, the collection maintains the immediacy and raw power of street art while allowing it to endure beyond the natural wear of weather and urban development. This series also illustrates how Street Pop Art & Graffiti Artwork can transcend its original environment without losing its impact, narrative depth, or visual intensity.

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Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

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Train 34 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. The Fusion of Model Trains and Street Art in LushSux's "Train 34" In the eclectic domain of street pop art and graffiti artwork, "Train 34" stands out as a testament to LushSux's innovative approach to the genre. This piece, a marriage of a classic HO scale model train box-car with the raw vibrancy of graffiti art, showcases the artist's signature style. Created in 2014, the original acrylic work is not confined to a traditional canvas; it explores form and space, blurring the lines between sculpture and painting. LushSux, an artist from Australia, is known for his often controversial and boundary-pushing works in public spaces. However, in "Train 34," he redirects his creative expression to the controlled confines of a model train, an object often associated with precision and collectibility, now transformed into a moving canvas that conveys the rebellious spirit of street art. LushSux: Bringing Graffiti into Unconventional Spaces LushSux's decision to tag a model train car symbolizes the ingenuity inherent in street art culture. LushSux challenges the expectations of where street art can exist and what it can adorn by choosing an HO-scale train, a beloved item among model train enthusiasts. The work features a graffiti tag or throw-up painting, a style characterized by quick execution and often used by graffiti artists to mark territory. Yet, when applied to a model train, the artwork transcends territorial claims and enters the realm of collectible art. The size of the piece, 14x3, is modest, yet it commands attention with its bright colors and bold design, echoing the larger-than-life presence of LushSux's full-scale works. Significance of "Train 34" in Contemporary Art Collectibles "Train 34" represents a convergence of subculture and hobbyist culture, reflecting the increasing acceptance and celebration of graffiti art within mainstream collectibles. This piece, hand-painted and signed by LushSux, is a one-off creation that captures the essence of street pop art—transient by nature yet immortalized through the permanence of model craftsmanship. The work's unique blend of a traditional pastime with the urban art form makes it a standout addition to the oeuvre of LushSux, whose reputation as both a male model and self-described "international graffiti asshole" underscores his multifaceted identity as an artist. Through works like "Train 34," LushSux continues to push the boundaries of street art, inviting us to reconsider the contexts in which art can be appreciated and challenging the preconceived notions of what constitutes a canvas.

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Hollow Breath Original One of a Kind Charcoal & Acrylic Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Craww. 2013 Signed Original Acrylic Painting Artwork Size 23.5x31.5 on Wood Cradled Panel Ready to Hang Fine Art. Exploring the Depths of Craww's Hollow Breath "Hollow Breath," a captivating original artwork by the acclaimed street graffiti artist Craww, is a poignant example of how the raw energy of street pop art & graffiti artwork can be channeled into more traditional fine art mediums. This one-of-a-kind piece, created in 2013, is a symphony of charcoal and acrylic on a cradled wood panel, showcasing the artist's adeptness with both materials. The 23.5x31.5 inches artwork provides a generous space for Craww's dark, dreamlike vision to unfold. Signed by the artist, "Hollow Breath" captures the essence of Craww's signature style, which often features ethereal female figures enmeshed with elements of nature. The painting explores recurrent themes in his work: the duality of beauty and melancholy and the intricate dance between life and death. The charcoal lends a softness to the painting, allowing for subtle gradations and depth, while the acrylics bring a vibrancy that pierces through the monochromatic veil. Technique and Symbolism in Craww's Hollow Breath In "Hollow Breath," Craww's use of charcoal and acrylic paints is not merely a choice of preference but a deliberate decision to convey complex emotional states. The charcoal, with its smoky and diffuse quality, creates a sense of impermanence and fragility, echoing the transient nature of life. Meanwhile, the acrylics, known for their boldness and clarity, highlight the painting's focal points, such as the lilies and roses, symbols of purity and passion. The cradled wood panel serves as an ideal substrate for this piece, its solidity starkly contrasting the delicacy of the imagery. This juxtaposition reflects the contrasts found throughout Craww's work, where strength and vulnerability often coexist. The wood's texture adds an organic feel to the piece, grounding it in the natural world that frequently influences Craww's art. Craww's Unique Position in Contemporary Art Craww is uniquely positioned in contemporary art, bridging the gap between the often separate worlds of street art and fine art. "Hollow Breath" is a testament to his ability to navigate these realms, bringing street art's immediacy and authenticity into a format traditionally associated with galleries and museums. The originality of this painting and its readiness to hang make it not just a work of art but a statement piece ready to grace the walls of an art connoisseur. The sad beauty of "Hollow Breath" resonates with those familiar with Craww's work in public spaces. Yet, it also stands alone as a powerful piece of fine art, inviting interpretation and admiration from viewers who may or may not be acquainted with his street art. This versatility and broad appeal make Craww's work particularly compelling within the contemporary art scene. "Hollow Breath" encapsulates the haunting allure of Craww's artistic vision, merging the fluidity of charcoal with the intensity of acrylics on a canvas as enduring as wood. This original painting is a striking example of how street pop art & graffiti artwork can transcend their urban roots to create fine art that is both profound and accessible, carrying the power to move and mesmerize within the quiet walls of an interior space.

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Galactic Empire Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Cougar Fine Art Paper by Sket One Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 80 Artwork Size 19x13 "This piece continues my style of mash ups taking everyday visuals and adding a slight twist of humor or thought to them, to think about how the items connect and intertwine trough pop culture. I wanted To pay homage to two things I love in my life: Star Wars and California." - Sket One

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Rascals Pop Artwork Limited Edition 7-Color Silkscreen Print on Fine Art Paper by Modern Artist Flying Fortress. 2020 Signed & Numbered Limited Edition of 125 Size 27.55x19.68 Rascals Silkscreen Print by Flying Fortress Rascals by Flying Fortress is a powerful statement in the tradition of Street Pop Art & Graffiti Artwork, released in 2020 as a signed and numbered limited edition of 125. The 7-color silkscreen print measures 27.55 by 19.68 inches and is executed on high-grade fine art paper. Known for his distinctive characters and a blend of comic-book wit with urban grit, Flying Fortress delivers another unforgettable piece with this lineup of anthropomorphic spray paint cans, geared up and mischievously unified like a rogue crew ready to bomb the streets. Character Design as Urban Allegory Flying Fortress has long established his reputation as one of the leading figures in European street art, originating from Hamburg. His iconic Teddy Troops and signature illustrative style have pushed boundaries by turning objects into animated characters with stories, personalities, and attitude. In Rascals, he presents a crew of four spray cans transformed into full-bodied figures, each styled after vintage European aerosol brands. They appear mid-action, splashed in vivid color, dripping with expression and holding graffiti tools like a roller, bolt cutter, and sprayer. The anthropomorphic cans are playful but assertive—each one an emblem of rebellion and street identity. Their expressions and poses inject a narrative of camaraderie, resistance, and self-expression, elements central to graffiti history. The layering of color, paint drips, and the inclusion of mock price tags and logos reflect Flying Fortress’ love for parody, branding critique, and nostalgic references. Silkscreen Mastery in a Limited Edition Crafted as a 7-color hand-pulled silkscreen, Rascals reflects expert-level screenprint technique. The colors are bold and highly saturated, with meticulous registration allowing each layer of ink to reinforce the cartoon-style outlines and vibrant character details. The palette includes primary tones and complementary contrasts, with shadows, drips, and ink splashes applied with finesse. The fine art paper stock enhances ink vibrancy while giving the work tactile durability that collectors value. Each print is signed and numbered by Flying Fortress, affirming the authenticity and rarity of the edition. As a physical object, the work speaks directly to the artist’s street roots while showcasing his evolution into gallery-level craftsmanship. The quality and execution hold up not just as wall art, but as a critical collectible in the intersection of graffiti and pop surrealism. Legacy of Humor and Resistance Flying Fortress’ body of work blends humorous visual commentary with subcultural reverence. Rascals is not just a light-hearted cartoon; it’s a portrait of graffiti culture’s defiant spirit. These characters symbolize the hands, hearts, and voices behind urban art movements. With exaggerated expressions and lively postures, they invite the viewer into a world where tools become avatars, and expression is personified. The print balances nostalgia with sharp social wit, much like the artist’s broader practice. Rascals is a prime example of Street Pop Art & Graffiti Artwork that maintains its underground energy while commanding attention as a limited-edition collectible. Flying Fortress continues to redefine how humor, character, and subversion operate within the art world—one can at a time.

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Nu-Nile Die-Cut Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Artist Darien Birks Urban Street Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 "I think these images belong on a stamp because of their nostalgic value amongst those that grew up in a community similar to my own. The thought of what they represent make most people smile when they see the art. They bring back memories of when we wanted to look our best, how we wanted to present ourselves to the world at that particular time. When one pomade didn't give us the look that we were trying to achieve (primarily waves), we'd switch to another one—it would create debates about which was the best. The bold colors and interesting use of typography on the tin can packaging were other details of interest, they were iconic, and I wanted to recapture that." –Darien Birks

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Ghosts N' Goblins Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Justin Erickson x Phantom City Creative Graffiti Street Artist Modern Pop Art. Produced by "D&L Screen Printing"

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This Horror Never Undone Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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