Digital Colibri- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 175 Artwork Size10x8 Signed limited edition serigraph titled Dignity Colibri, by well-listed American social activist and artist Ernesto Yerena Montejano. The image depicts a stylized red, orange and gold graphic hummingbird raising its beak to a tiny rose against a white and gold backdrop. Print is numbered 38 in an edition of 175 and signed by the artist in pencil to the lower margin. The print is mounted behind gold-tone and white double-mat, under glass in a beveled composite black frame. Yerena’s work is fueled by his cross-national background, having been brought up in the small farm town of El Centro, California, which borders both America and Mexico. He uses his work to bring political concerns to light, creating images of cultural and political icons as well as everyday people. Yerena is the founder and curator of the Alto Arizona Art campaign (2010) as well as a founding member of the We Are Human campaign (2009). He has collaborated with many artists, including Shepard Fairey.

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LIE 13 Margaret Sanger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Third International Eugenics, New York City, August 21-23 1932

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Stigma I Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Crajes.

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Red Dawn Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Signed and numbered by Jay Ryan, edition of 260.

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Supreme ITS OK TOO Cassette Player- Red Limited Edition Designer Art Object Collectible Artwork by Famous Fashion Artists Supreme. FW22 2022 Transparent stereo cassette player. Bluetooth 5.0-compatible with 3.5mm headphone jack. Back clip included. 4.65" x 3.31" x 1.32". Made exclusively for Supreme.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Cream Red Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues to challenge perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Electric Six- Boston 2008 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof. 12 x 32 – 3 color silkscreen – S/N edition of 200. Electric 6 Rock On Concert Cruiz, Boston Massachusetts, August 15th 2008

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Coca-Cola Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Dignity Prevails HPM Limited Edition Hand-Embellished HPM Stencil Spray Paint Artworks on Deckled 100% Cotton Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 10 Artwork Size 20x26 Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges "Dignity Prevails HPM" emerges as a standout work within the oeuvre of Ernesto Yerena, a contemporary street artist whose works are imbued with modern pop art sensibilities and a distinct sociopolitical consciousness. This hand-embellished, limited edition series, comprising only 10 signed and numbered pieces, was brought to life in 2021. Each artwork within this exclusive collection features an artwork size of 20x26 inches, rendered on 100% cotton rag paper known for its durability and high quality. The edges of the paper are meticulously hand-deckled, giving each piece a textured, refined finish that complements the tactile nature of the stencil spray paint technique employed by Yerena. Yerena's "Dignity Prevails HPM" is a visual testimony to his mastery in stencil spray paint, a medium that has become synonymous with graffiti and street art. Through this medium, Yerena constructs a layered, vibrant composition that converges bold patterns and striking symbolism. At the heart of this piece lies a mandala-like pattern, which exudes both a meditative symmetry and a fiery dynamism. This central motif is surrounded by waves that may allude to the ebbs and flows of social movements, suggesting that within the chaos of struggle, there is beauty and order to be found in the pursuit of dignity. The hand embellishments on each print ensure that while each piece remains a part of a cohesive series, it stands alone as a unique piece of art. Yerena's use of vibrant colors and bold shapes is characteristic of pop art. Yet, his method and message are deeply rooted in the traditions of street art, which often serve as a platform for commentary and a voice for the underrepresented. The small number of editions amplifies the value and collectibility of the artwork, making it not just a piece of art but a collectible artifact that captures a moment in the artist's creative journey and the more extensive dialogue of contemporary societal issues. In the hands of collectors, "Dignity Prevails HPM" transcends its material form to become a symbol of the resilience and enduring nature of human dignity as depicted through the lens of modern pop and street art.

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You Lose Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 10 Artwork Size 6.5x8.5 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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In Heaven Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Richey Beckett’s In Heaven Blotter Paper Print and the Evolution of Street Pop Art & Graffiti Artwork In Heaven, released on April 19, 2021, is a limited edition archival pigment print created by Welsh artist Richey Beckett. The artwork is printed on perforated blotter paper, a material historically linked to LSD distribution and countercultural iconography. Measuring 7.5 x 7.5 inches, this edition was signed, numbered, and released with a certificate of authenticity. Zane Kesey, son of author and LSD advocate Ken Kesey, hand-perforated the paper, further rooting this piece in the legacy of psychedelic art and its ties to anti-establishment narratives. By producing fine art on blotter paper, Beckett directly engages with the visual vocabulary of altered consciousness and underground rebellion, core themes in the lineage of Street Pop Art & Graffiti Artwork. This release exemplifies the crossover between traditional illustration and pop culture ephemera. Beckett’s piece does not merely exist as a static image; its medium evokes a specific subculture, inviting associations with the experimental, the taboo, and the liberated. In the same way that graffiti artists claim space in public areas to provoke reaction, blotter art inserts radical imagery into intimate settings, often passed hand to hand. Beckett’s choice to print on this medium reclaims that tactile immediacy, transforming a potentially disposable object into a collectible form of resistance and reflection. Symbolic Imagery and Technique in In Heaven The visual content of In Heaven features Beckett’s signature intricacy, with an image that appears to blend elements of divine ecstasy and personal transcendence. The composition is dominated by flowing forms, sacred geometry, and naturalistic detail. Stylized feathers, ornate jewelry, and celestial motifs flood the image with a sense of ritual and myth. The figure appears both regal and vulnerable, lying in a position that suggests transformation or surrender. The intense use of contrast between rich jewel tones and dark linework reflects Beckett’s mastery in using color to evoke emotion and mystery. These qualities position the piece within the evolving definitions of Street Pop Art & Graffiti Artwork. Where much of the street aesthetic leans toward immediacy and scale, Beckett's work is about intensity and intimacy. Yet it shares the same cultural foundation: artwork meant to resonate on a visceral level, addressing themes of identity, mortality, freedom, and beauty in ways that resist traditional gallery constraints. His use of traditional ink work merged with psychedelic color palettes speaks directly to the contemporary appetite for spiritually infused, richly detailed visual experiences. Psychedelic Legacy and the New Canvas of Street Pop Art Printing on perforated blotter paper is a deliberate artistic choice that carries decades of countercultural history. In the 1960s and 70s, LSD blotters were often printed with iconic pop imagery or abstract symbolism, making them both functional and expressive. Beckett’s decision to produce In Heaven on this same canvas transforms the piece into an artifact that blurs the lines between ritual, memory, and visual protest. This aligns with how graffiti once evolved from tagging to muralism, and how pop art transitioned from satire to social critique. Beckett’s contribution lies in his fusion of classical technique with rebellious format. Just as graffiti transformed neglected walls into sacred spaces for truth-telling, this work transforms psychedelic delivery paper into a platform for artistic elevation. The limited nature of the release—handled entirely by hand and steeped in cultural reference—demands that viewers reconsider the boundaries of what qualifies as fine art. Richey Beckett’s Role in Reimagining Psychedelic Art Forms Richey Beckett continues to innovate within Street Pop Art & Graffiti Artwork by pushing beyond standard materials and formats. With In Heaven, he presents a format historically tied to experiences of awakening, danger, or freedom, and recontextualizes it through precise, sacred visual language. This blend of mythic illustration and tactile culture makes his work accessible while carrying deep spiritual charge. As blotter art regains attention from collectors, Beckett’s contribution is notable not just for its aesthetic depth, but for the cultural conversation it reignites. By collaborating with figures like Zane Kesey and using formats that defy conventional norms, Beckett upholds the core principles of modern street-influenced art: provocation, reinvention, and an unwavering commitment to personal truth rendered in physical form. In Heaven is more than an image—it is a physical, emotional, and symbolic experience framed within one of the most subversive print mediums ever used in art.

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Decayed Scream In The Heart of Man Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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Amelia Earharts Lockheed Vega 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Laura Weaver Huff Rare Street Art Famous Pop Artwork Artist. Laura Weaver Huff, Amelia Earhart’s Lockheed Vega, 1985. Screenprint, 32″ x 23″. Scuffing/Creasing Located in a few Areas, See Images, in Good Condition.

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MIA 400%- Tan BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by Lisa Larson. 2017 Oiut of Print Limited Edition Designer Be@rbrick Art Toy Artwork Size 5x11 New In Box. The MIA 400% - Tan BE@RBRICK, a limited edition vinyl art toy, exemplifies the unique intersection where high art meets urban vinyl culture. Created by Lisa Larson, a renowned Swedish ceramicist whose work has garnered international acclaim, this particular piece adds a distinctive Scandinavian flair to the BE@RBRICK series, known for its collectible toys that often serve as a canvas for artists, designers, and brands. Larson, celebrated for her stylized animal figures, infuses her characteristic charm into this piece, distinguishing it from its counterparts. Released in 2017, the MIA BE@RBRICK reflects a trend in the art toy movement, wherein objects of play transcend into coveted art pieces. Standing 5x11 inches, this art toy's design echoes Larson's iconic mid-century modern ceramics, merging playful aesthetics with profound design principles. The tan-striped bear, with its endearing expression and simple yet evocative stripes, commands attention and evokes a sense of nostalgia, resonating with collectors and enthusiasts of both art and designer toys. As a collectible, the MIA 400% Tan BE@RBRICK not only represents a piece of Lisa Larson’s artistic legacy but also serves as a snapshot of pop culture and contemporary art. Its existence as a limited edition piece further amplifies its desirability and value within the market of urban collectible art figures. Coming new in box, it encapsulates the spirit of the urban art scene, mirroring the fleeting nature of street art and graffiti — once it's gone, it’s gone, leaving only its mark in the annals of art history. The figure stands as a testament to the transient nature of art, where the once commonplace becomes rare, and the mundane transforms into the extraordinary. Such pieces have become integral in the dialogue of what constitutes modern art, challenging traditional boundaries and mediums and asserting themselves as a form of cultural expression that captures the dynamic essence of urban life and creativity.

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I've Lost All Memory of The World They Belong To Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

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Risky X Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky B Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Musica De Los Muertos 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Taking Shade Giclee AP Artist Proof Print by Casey Weldon Artwork Limited Edition Print on 290gsm Fine Art Paper Graffiti Modern Pop Street Artist. AP Artist Proof 2019 Signed & Marked AP Limited Edition of 40 Artwork Size 18x18

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Middle-Class American Finger Limited Edition Hand-Embellished HPM Archival Pigment Prints Hand-Painted Multiple on Recycled Cardstock by Denial Graffiti Street Artist Modern Pop Art. 2018 Signed Limited HPM Edition of 10 Artwork Size 13x19 Middle-Class American Finger (Hand Painted Multiple), 2018 Hand-painted multiple on Recycled Cardstock 19 x 13 inches (48.3 x 33 cm) (sheet) Ed. 9/10 Signed and numbered in pencil to reverse Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Island Yachting 84 Original One of a Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of Boats on the Lake Unveiling "Island Yachting '84" by Peter Keil "Island Yachting '84" is an original oil mixed media painting on Masonite board, a distinctive piece by Peter Keil, a celebrated modern impressionist artist. Signed and dated in 1984, this 24x12 artwork depicts a vibrant scene of boats on a lake, a subject that Keil approaches with his characteristic abstract flair and robust use of color. His portrayal of the yachting scene is not confined to the mimetic representation but is a lively expression of the scene's rhythm and the artist's emotional response. This piece exemplifies Keil's integration of Street Pop Art and Graffiti Artwork aesthetics into his impressionistic style. This synthesis has marked his place in modern art. Keil's choice of Masonite board as his canvas reflects his affinity for mediums that resonate with the authenticity and rawness of street art. The material's inherent durability and smooth surface make it an ideal foundation for Keil's vigorous painting style, allowing for the thick application of oil paint, a hallmark of his work. The textural qualities of "Island Yachting '84" give it a tactile presence and capture the transient effects of light and movement, much like the fleeting nature of graffiti art. The Artistic Merit of "Island Yachting '84" The artistic merit of "Island Yachting '84" lies in its dynamic composition and the expressive power of its brushwork. The sweeping gestures and bold contours that define the boats and their reflections in the water demonstrate Keil's prowess in conveying motion and depth. The painting's foreground is dominated by dark, silhouetted figures that starkly contrast the brightly colored yachts, creating a visual dialogue between the elements. This technique of determining light and dark, color and form, is reminiscent of the dramatic tension found in street murals and pop art imagery, a quality that Keil masterfully incorporates into his work. Keil's employment of mixed media also indicates his experimental approach to art-making. By combining various materials and techniques, he crafts a complex visual experience that challenges traditional boundaries and evokes the layered textures of urban street art. "Island Yachting '84" is thus not only a representation of a lakeside leisure activity but a manifestation of the artist's innovative spirit and contribution to the discourse of Street Pop Art and Graffiti Artwork. Impact and Legacy of Peter Keil's Work The impact and legacy of Peter Keil's work, as exemplified by "Island Yachting '84," are deeply rooted in his ability to infuse traditional impressionist motifs with the energy and spontaneity of street art. His distinctive style, characterized by an expressive use of line and color, has influenced a generation of artists who seek to bridge the gap between the gallery and the street. Keil's paintings are celebrated for their vivacity and capacity to engage viewers on both an aesthetic and visceral level. Moreover, "Island Yachting '84" reflects Keil's broader vision for art as a medium that is accessible and relatable. His deliberate choice to work with materials and subjects directly correlating to everyday experiences speaks to his desire to democratize art, a principle at the heart of Street Pop Art and Graffiti Artwork. Through pieces like this, Keil invites the viewer to partake in a visual journey that is both intimate and universal, a journey that is underscored by the unifying power of art. "Island Yachting '84" is a testament to Peter Keil's innovative blending of genres, a vibrant piece that captures the essence of his artistic inquiry. It is a compelling example of how the sensibilities of Street Pop Art and Graffiti Artwork can be translated into a more traditional art form, maintaining their inherent vibrancy and immediacy. As Keil's work continues to inspire and resonate, "Island Yachting '84" remains a significant piece within the oeuvre of an artist who has consistently pushed the boundaries of expression and form.

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Lowbrow- And Still The Loser Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2011 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "Lowbrow - And Still The Loser" by Luke Chueh is a distinctive piece within the pop art genre, where every day is imbued with layers of deeper meaning. This artwork, a giclee print on 290gsm Moab Entrada paper, holds its own in the discourse of street art and graffiti art through its evocative representation of common sentiments. Created in 2011, the piece was offered as a signed and numbered limited edition, with only 50 prints available, each measuring 18x24 inches, signifying its exclusivity and collectibility. The artwork features Chueh's trademark character, a bear, depicted in monochrome against a stark background. The figure's action is central to the artwork's narrative: a loser's salute, which, in the context of Chueh's oeuvre, could be interpreted as a commentary on self-acceptance in the face of defeat or societal judgment. The term "lowbrow" boldly interrupts the visual, acting as a self-referential nod to the lowbrow art movement and an ironic statement about the bear's self-deprecation. This print continues Luke Chueh's exploration of the juxtaposition between the innocence of cartoon characters and the complexity of human emotions, a theme prevalent in street art's storytelling. Chueh's work is often recognized for its emotional rawness, encapsulated within the accessible form of animated figures. "Lowbrow - And Still The Loser" is particularly resonant in its straightforwardness, reflecting the artist's capacity to communicate profound experiences through simple, relatable imagery. The choice of Moab Entrada paper, known for its archival quality, suggests a purposeful intention to preserve the depth of the black and white tones, ensuring that each collector receives a piece that remains true to the visual impact of the original artwork. The limited edition nature of this print elevates its value among collectors and enthusiasts, who view Chueh's work as a bridge between the often disparate worlds of pop art and street art. Here, the emotional language of graffiti, the visual punch of pop art, and the introspection of the lowbrow movement merge to form a statement piece that challenges viewers to find meaning in the guise of simplicity.

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Frank Sinatra Fondly Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2005 Signed Frank Sinatra Fondly HPM Serigraph Print by Steve Kaufman SAK

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M=bw² Collage 36x48 Large Format Silkscreen Print by Mr. Brainwash- Thierry Guetta  Hand-Pulled 13-Color on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 18 Artwork Size 48x36 Silkscreen Print of Albert Enstine Holding Love is the Answer Sign Standing by a Highly Detailed Graffiti Tagged Wall. Confluence of Genius and Street Art: Thierry Guetta's Masterpiece In the vibrant sphere of street pop art, few pieces resonate with the intellectual depth and visual impact of "M=bw²," a commanding large format silkscreen print by the eminent street artist Thierry Guetta, known professionally as Mr. Brainwash. The 2024 signed and numbered limited edition release stands out with its striking dimensions of 48x36 inches. This print captures the iconic visage of Albert Einstein standing against a meticulously detailed wall, bathed in graffiti, with a sign declaring "Love is the Answer." This artwork is not merely a tribute to the theoretical physicist but a bold statement in the conversation between science and street pop art, merging the realms of theoretical physics with the visceral, color-splashed world of graffiti artwork. Artistic Interpretation of Einstein's Legacy Albert Einstein, a figure synonymous with genius, becomes the focal point in Mr. Brainwash's visual narrative, where the theoretical underpinnings of the universe meet the expressive freedom of street art. Guetta's piece distills the complexity of Einstein's contributions to science and his cultural significance into a single image that is as thought-provoking as it is aesthetically striking. With each of the limited 18 pieces, "M=bw²" presents a unique color palette, expertly hand-pulled across deckled fine art paper, which gives the artwork an organic edge and tactile presence that echoes the textural quality of graffiti on a brick wall. The interplay of Einstein's contemplative pose with the vibrant chaos of the background graffiti invites the viewer to reflect on the relationship between order and entropy, theory and practice, restraint and expression. This silkscreen print embodies a cross-disciplinary dialogue, encouraging interpretations that cross the borders of art, science, and philosophy. Guetta's Visual Ode to Street Pop Art and Graffiti Artwork Mr. Brainwash's choice to depict Einstein in the context of graffiti is revelatory of the artist's appreciation for the inherent wisdom and revolutionary potential within both science and street art. The "M=bw²" collage becomes a symbolic gesture, aligning the transformative power of love, as alluded to in Einstein's sign, with the transformative power of street art. By superimposing such a profound message onto a wall that bears the marks of numerous anonymous street artists, Guetta pays homage to the communal and often revolutionary spirit of graffiti. The artwork thus becomes an anchor point in the larger narrative of Street Pop Art & Graffiti Artwork, asserting the value of love as a fundamental, universal answer, much like the answers Einstein sought in his equations. In each layer of paint and every deliberate silkscreened line, "M=bw²" reflects the multifaceted nature of human knowledge and creativity. Guetta's work is a testament to the ongoing influence of iconic historical figures and the power of art to reinterpret and repurpose their legacies in ways that resonate with contemporary culture and social discourse. As a medium, street art has often been a visual language for the marginalized and the voiceless, and in "M=bw²," it articulates a message that combines the intellectual and the emotional, the historical and the immediate. Through "M=bw²," Thierry Guetta continues to shape the pulse of street art, ensuring its role not just as a mode of artistic expression but as a medium for profound social and intellectual commentary. The work serves as a reminder that the essence of significant figures like Einstein can find new life and new relevance in the hands of visionary artists and that the questions of our existence remain as pertinent in the alleys adorned with graffiti as they do in the annals of science. In Guetta's print, the message that "Love is the Answer" stands as a universal truth that traverses the domains of art, science, and human experience.

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12 Inch Series II 1 Artist Proof AP Hand-Pulled 3-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2009 Signed & AP Marked Original Run Limited Edition of 100 Artwork Size 12x12 12 Inch Series II 1 Artist Proof Hand-Pulled Screen Print by Dave Kinsey The 12 Inch Series II 1 Artist Proof is a rare hand-pulled three-color screen print by Dave Kinsey, created in 2009 as part of a limited edition of 100. Printed on 290gsm Coventry Cotton Paper, this signed and AP-marked piece exemplifies the fusion of Street Pop Art and Graffiti Artwork through bold abstraction and raw urban aesthetics. Measuring 12x12 inches, the composition is a striking mix of sharp linework, expressive textures, and layered color application, creating an impactful visual statement. Kinsey’s work often explores the complexities of human expression, urban landscapes, and social tension, all of which are present in this print. The highly stylized profile of a fragmented face is set against an energetic background of red, black, and cream, with chaotic paint splatters and gestural strokes that recall the intensity of street graffiti. The inclusion of a baroque-style numeral one adds an element of structured typography, reinforcing the layered depth of the piece. This combination of graphic precision and painterly spontaneity captures the essence of Kinsey’s approach to contemporary urban art. Dave Kinsey and His Contribution to Street Pop Art and Graffiti Artwork Dave Kinsey is a contemporary American artist whose work bridges the worlds of fine art, graffiti, and social commentary. Emerging in the 1990s, Kinsey developed a distinctive style that fuses abstracted human forms with raw, urban textures. His work often carries an underlying message about modern society, exploring themes of consumerism, technology, and emotional isolation. Through the use of bold contrasts and intricate layering, Kinsey creates visually complex compositions that demand closer inspection. The 12 Inch Series II 1 embodies his signature aesthetic, utilizing heavy black outlines, fragmented facial features, and unpredictable splashes of color. His technique combines controlled silkscreen methods with chaotic, gestural marks that mimic the dynamic energy of graffiti. This particular print highlights Kinsey’s ability to balance precision with spontaneity, making it a powerful addition to the legacy of Street Pop Art and Graffiti Artwork. The Artistic Process and Value of Hand-Pulled Screen Prints Hand-pulled screen printing is a time-intensive process that requires meticulous craftsmanship. Unlike digital reproductions, each print in a hand-pulled series is unique, carrying slight variations that reflect the artist’s direct involvement in its creation. This limited edition print, marked as an artist proof, is especially valuable, as AP editions often serve as test prints that feature refinements or subtle differences from the standard run. Printed on high-quality 290gsm Coventry Cotton Paper, the texture and weight of the material enhance the depth and richness of the ink application. The thick paper allows the three-color layering to interact dynamically, with bold black forms standing in contrast to the raw, textured red and cream backgrounds.

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Murphys Law Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Tim Doyle. 2012 Signed & Numbered Limited Edition of 150 Series 2 Artwork Size 18x24 Tim Doyle "Murphy Delivers the Law" 4 color screenprint on 100# cougar signed and numbered edition of 150 18" x 24"

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Arrow Pulse Summer Original Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Let's Burn It All- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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The Greatest of All Time 4 (Damaged) Muhammad Ali x Leon Spinks Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24 Tear to mid-right section, about 3 inches.

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Time Out- Orange Yellow Limited Edition Full Bleed 6-Color Hand-Pulled Silkscreen Print on Vellum Paper by Abcnt Graffiti Street Artist Modern Pop Art. "What's unique maybe is someone asked me about the meaning of the image, which is cool because I’m known for not beating around the bush in terms of what I want to communicate. Feds pointing rifles at a potted marijuana plant, or a police officer committing seppuku, missing honey bee posters highlighting colony collapse disorder etc. So this is my version of jazz in a sense." - ABCNT

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Energy Feedback Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Joe Mangrum pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. "Energy Feedback Blotter Paper" emerges as a captivating piece of street pop and graffiti artwork created by artist Joe Mangrum. This limited edition archival pigment print is masterfully presented on perforated blotter paper, measuring 7.5 x 7.5 inches, released on April 19, 2021. Known for his intricate sand paintings and vibrant public art installations, Mangrum's work often incorporates a kaleidoscope of colors and patterns that reflect the dynamism and interconnectedness of life. This particular artwork, "Energy Feedback," is a visual representation of feedback loops found in natural and technological systems, expressed through Mangrum's distinctive use of color and form. The print showcases a complex mandala-like design, radiating symmetry, and intricate details that draw the viewer into a contemplative state reminiscent of the psychedelic experience traditionally associated with blotter art. Hand-perforated by Zane Kesey, each piece of the limited blotter edition may vary slightly, adding to the uniqueness and collectability of the artwork. The intricacies of Mangrum's design are particularly suited to the blotter paper medium, which has roots in the psychedelic art movement of the 1960s and 70s. This choice of material adds a layer of historical and cultural depth to the artwork, bridging the gap between traditional street art mediums and the experimental nature of blotter art. "Energy Feedback" is a testament to the evolving nature of street pop art and graffiti, showcasing how artists like Mangrum push the boundaries of what can be achieved within these dynamic art forms. By blending vibrant visuals and thought-provoking themes, Mangrum's work on blotter paper extends beyond the realm of aesthetic pleasure, offering viewers a multi-sensory experience that is both a nod to pop culture and sophisticated artistry reflective of contemporary artistic innovation.

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Party Heads Silver Glitter Hand Finished Archival Print by Fanakapan Fine Art Limited Print on 300gsm Somerset Satin Paper Pop Artist Artwork. 2022 Signed & Numbered Limited Edition of 20 Artwork Size 35.43x24.4 Archival Pigment Print with 4 uv screen printed layers On 300 Gsm somerset satin Paper Hand finished by fanakapan in 5 UV spray colours Signed By The Artist Edition of 20 90 x 62 cm 2022

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Smack, Crack & Pot Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Cereal killer, SMACK CRACK & POT! These naughty boys join their brethren Fat Tony, Cap’n Cornstarch, and others to form the Last Fat Breakfast! Ron English- POPaganda's newest Cereal Killers figure! Like all Cereal Killer Popaganda products, this 8" vinyl figure is 100% nutrition-free! 8 inches tall vinyl designed by Ron English- POPaganda produced by POPaganda

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Stairway to London Limited Edition 2-Color Vintage Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 30x22 Led Zeppelin Music Rock Super Stars Vintage 2009 Print. Hand-finished screenprint on hand torn, 100% cotton 300gsm cream archival art paper with deckled edges. 22 × 30 in 55.9 × 76.2 cm Edition 100

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The Initiate Archival Pigment Fine Art Limited Edition Print on 310gsm Museum Natural Fine Art Paper by Artist Vans The Omega, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 310gsm Museum Natural Fine Art Paper Size: 16 x 18 Inches Release: September 23, 2019

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Shaka- Variant 1 Limited Edition Hand-Embellished Acrylic, Aerosol & Screen Print on Watercolour Paper by Meggs Graffiti Street Artist Modern Pop Art. "This edition is hand-painted and sprayed, so essentially everyone is unique, an original series so to speak. This piece is based on a tee design I did for Pow Wow Hawaii in 2013. The Shaka is symbolic of good vibes & Aloha in Hawaii so it’s a classic and fun image I use as a symbol of my love for Pow Wow and Hawai’i in general. It obviously also recognized in surf/skate culture so the composition is a reference/homage to the all-time classic Jim Phillips screaming hand graphic for Santa Cruz skateboards." - Meggs

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The Greed Depression Large Format Silkscreen Print by NoName x Shepard Fairey- OBEY Hand-Pulled on Deckled Archival Cotton Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 23.75x31.5 Silkscreen Print "My friend No Name and I collaborated recently on a print inspired by my cover for George Orwell’s “Down and Out in Paris and London” and our mutual irritation with greed and the brutality of many aspects of capitalism. No Name and I are both frustrated by the forces which convince much of the public to fall in line with a system that grinds them (and most of us) in its gears, and contributes to feelings of insecurity. With that in mind, don’t buy this print if you should use the money for something better or nothing at all. Should you think it over and still want a print, your money will support No Name’s public art endeavors and survival within the gears of capitalism… oh, and mine too! We both appreciate the support. No Name wrote about the print in greater depth, so I’ll let him take it from here!" -Shepard Fairey "I was introduced to Georg Orwell’s novels back in the late ’90s through my english teacher, an insignificant-looking sarcastic little man, who mantra-like implanted us the adage “use your common sense.” Nearly one decade later, I rediscovered Orwell’s books – and thoughts – through the appealing cover layout design by the kindred spirit street art activist Shepard Fairey, who I’m glad to call a friend today for many years. Shepard and I were discussing his illustration for “Down and Out” which he actually, for some reason, hadn’t made as a print edition yet. Due to the fact that Orwell’s dystopian books were/are one of the leading inspirations for our philosophy and work, Shepard offered to team up and use the illustration for a collaboration." -NoNAME

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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1x1 Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Luke Chueh. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Visible Labbit Plush Guts Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Kidrobot takes you inside Frank Kozik's Smorkin Labbit to show you what Labbit's are really made of... a whole lot of plush! Presenting The Visible Labbit featuring visible plush guts and bones inside a transparent outer shell. This limited edition 7" statement piece is the next smoking hot, must-have Labbit art toy.

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Marty McFly Makes a Movie 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Marly Gallardo counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Ghost Creatures- LSD Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Graffiti Artist Nikola Milosevic- Ghost. 2022 Signed & Numbered Limited Edition of 40 Archival Pigment Print on Perforated Blotter Paper Size: 7x9

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Mannequin 3 Original Mixed Media Sculpture Mannequin Artwork by graffiti street artist modern pop artist Denial. 2013 Signed Original Sculpture Covered with Hundreds of Custom Brand Stickers Artwork Size 51x26. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation in confronting re-imaginings of our current dystopian society. In the dynamic intersection of street pop art and graffiti artwork, the 'Mannequin 3' original mixed media sculpture by the artist known as Denial stands as a compelling commentary on consumer culture and the saturation of branding in modern life. This 2013 signed original sculpture is a profound exploration of identity and materialism, meticulously covered with hundreds of custom brand stickers, each a testament to the pervasive reach of commercial influence. Denial, a Canadian artist, has built a reputation for his thought-provoking works that often incorporate elements of pop art with a twist of subversion, challenging viewers to reconsider their surroundings and the messages they are bombarded with daily. This particular piece, with its life-sized mannequin form, becomes a canvas that reflects our society's obsession with brands and the commodification of human identity. The mannequin is transformed into a mosaic of commercial logos, each sticker meticulously placed to create a tapestry that is both familiar and unsettling. This sculpture symbolizes the artist's style, which often merges humor with critique and blurs the lines between high and low culture. By appropriating the very symbols of the consumerist society, Denial forces a dialogue on the value we place on brand identities and their invasive presence in our lives. The artwork's size, 51x26, gives it a presence that cannot be ignored, dominating the space and demanding contemplation. Through 'Mannequin 3', Denial, in collaboration with Ben Frost, an Australian-born artist known for his provocative work, invites viewers to navigate the complexities of appropriation and the role of branding in our understanding of the world. The sculpture is not just an object of art; it is a statement on the state of our society—a society in which the line between person and product is increasingly blurred.

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Coloniam Decductam- Red Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Size 18x24

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Train 34 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. The Fusion of Model Trains and Street Art in LushSux's "Train 34" In the eclectic domain of street pop art and graffiti artwork, "Train 34" stands out as a testament to LushSux's innovative approach to the genre. This piece, a marriage of a classic HO scale model train box-car with the raw vibrancy of graffiti art, showcases the artist's signature style. Created in 2014, the original acrylic work is not confined to a traditional canvas; it explores form and space, blurring the lines between sculpture and painting. LushSux, an artist from Australia, is known for his often controversial and boundary-pushing works in public spaces. However, in "Train 34," he redirects his creative expression to the controlled confines of a model train, an object often associated with precision and collectibility, now transformed into a moving canvas that conveys the rebellious spirit of street art. LushSux: Bringing Graffiti into Unconventional Spaces LushSux's decision to tag a model train car symbolizes the ingenuity inherent in street art culture. LushSux challenges the expectations of where street art can exist and what it can adorn by choosing an HO-scale train, a beloved item among model train enthusiasts. The work features a graffiti tag or throw-up painting, a style characterized by quick execution and often used by graffiti artists to mark territory. Yet, when applied to a model train, the artwork transcends territorial claims and enters the realm of collectible art. The size of the piece, 14x3, is modest, yet it commands attention with its bright colors and bold design, echoing the larger-than-life presence of LushSux's full-scale works. Significance of "Train 34" in Contemporary Art Collectibles "Train 34" represents a convergence of subculture and hobbyist culture, reflecting the increasing acceptance and celebration of graffiti art within mainstream collectibles. This piece, hand-painted and signed by LushSux, is a one-off creation that captures the essence of street pop art—transient by nature yet immortalized through the permanence of model craftsmanship. The work's unique blend of a traditional pastime with the urban art form makes it a standout addition to the oeuvre of LushSux, whose reputation as both a male model and self-described "international graffiti asshole" underscores his multifaceted identity as an artist. Through works like "Train 34," LushSux continues to push the boundaries of street art, inviting us to reconsider the contexts in which art can be appreciated and challenging the preconceived notions of what constitutes a canvas.

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Kiss Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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St Marks Horses Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on 260gsm Modigliani Suede Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 250 Artwork Size 32.3x26.8 Silkscreen Print In 2009, while attending the 53rd Venice Biennale, Shepard Fairey crafted a limited edition print titled "St. Mark's Horses." The creation of this piece took place during the artist's time in Venice. It was made in collaboration with SMS Venice, an organization dedicated to supporting the city's artistic and architectural heritage. This exclusive print consists of 250 editions, each individually signed and numbered by Fairey. Fairey's works are produced in limited edition series, and owning a signed and numbered print can be a valuable addition to any art collection. His unique style and powerful messages have made him one of his generation's most influential street artists. The St. Marks Horses print features Fairey's iconic style, incorporating propaganda, counterculture, and street art elements. The artwork is centered around the depiction of two horses with a St. Mark's reference, which is likely inspired by the Horses of Saint Mark or the Triumphal Quadriga, a set of Roman bronze statues of four horses that were once part of a monument erected in Constantinople and are now located in Venice, Italy.

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