Religion

3 artworks

  • Last Supper in South Park Giclee Print by Ron English

    Ron English- POPaganda Last Supper in South Park Giclee Print by Ron English- POPaganda

    Last Supper in South Park Artwork Giclee Limited Edition Print on Hahnemühle Photo Rag Pearl Paper by Pop Culture Graffiti Artist Ron English- POPaganda. South Park Studios proudly presents this museum quality fine-art reproduction of "Last Supper in South Park" by Ron English- POPaganda. Printed with Epson Pigmented inks on Hahnemühle Photo Rag Pearl paper, this unframed collector's piece is hand-signed and individually numbered by the artist. 150 prints in the edition. The creators of South Park and Ron English- POPaganda selected 15 artists to pay tribute to the 15th season of South Park at an art show that opens on March 28th at Opera Gallery in New York City.

    $835.00

  • Presence Serigraph Print by Derek Hess

    Derek Hess Presence Serigraph Print by Derek Hess

    Presence Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "This piece is about a “presence”, higher power, greater conscience, god, or whatever you believe it to be. The words are “presence” written in many different languages to illustrate the universal presence. No one religion has a copyright on angels, they all basically come from the same source.The white of the wings and hair are the white of the paper." - Derek Hess

    $352.00

  • Mourning Dance Archival Print by Graham Yarrington

    Graham Yarrington Mourning Dance Archival Print by Graham Yarrington

    Mourning Dance Archival Print by Graham Yarrington Limited Edition on Cotton Fine Art Paper, Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 30 Artwork Size 30x24 Archival Pigment Fine Art Mourning Dance by Graham Yarrington: Monumental Silence in Street Pop Art & Graffiti Artwork Mourning Dance is a 2023 signed and numbered archival pigment print by Brooklyn-based artist Graham Yarrington. Issued in a limited edition of 30, this 30 x 24 inch artwork on cotton fine art paper captures a surreal narrative rendered through the expressive language of modern Street Pop Art & Graffiti Artwork. Known for his dreamlike compositions and distinctive use of pastel psychedelia fused with monochrome landscapes, Yarrington constructs an image that feels both ancient and otherworldly, rooted in a spiritual landscape of memory, loss, and transcendence. A Ritual of Loss Frozen in Motion At the heart of Mourning Dance is a mountain-top tableau where elongated, molten-black humanoid figures form a delicate chain, caught mid-dance in a slow-motion spiral of grief and connection. These forms, marked by flowing neon lines of red, pink, and orange, appear to be bleeding energy into the terrain around them. The dancers rise from the island as extensions of the volcanic ground itself, almost as if pulled upward by sorrow. Their choreographed movements evoke a ceremonial lament, referencing the timeless role of dance as a communal expression of mourning. Encircling them is a dreamlike river glowing with concentric rings of color, turning the entire composition into a mythic memoryscape where geology, grief, and human spirit converge. A Psychedelic Vision of Time and Transformation The mountainous background, awash in hues of soft lavender and muted gray, is framed by a radiant sky of coral, orange, and tangerine tones with a distant magenta sun. These visual elements transport the viewer to a liminal realm that feels suspended outside of ordinary time. Mushrooms dotting the volcanic ridges suggest regeneration and hallucinogenic awareness, hinting at cycles of decay and rebirth. The juxtaposition of somber figures and radiant palette encapsulates Yarrington’s stylistic strength—bridging the internal emotional experience with the cosmic and environmental. His landscapes are not merely settings but sentient, alive with emotional resonance. Graham Yarrington’s Place in Contemporary Visual Language Graham Yarrington has emerged as a rising name in the world of contemporary Street Pop Art & Graffiti Artwork through his visual language that fuses illustration, graphic storytelling, and psychedelic symbolism. His work finds kinship with pop surrealism and abstracted street art, while distinctly pulling from ritualistic themes, mythology, and esoteric landscapes. Mourning Dance exemplifies this synthesis. It is meditative but monumental, quiet yet electric, full of mournful energy and vibrant life. Through subtle metaphors and striking design, Yarrington offers viewers a chance to participate in the ceremony—to observe, reflect, and emotionally connect to the cycles of human loss and resilience across time and nature.

    $266.00

Religion Graffiti Street Pop Artwork

The Divine in the Urban: Religion's Imprint on Street Art

The presence of religious themes in street pop art and graffiti artwork is as diverse and complex as the beliefs they represent. Across cityscapes worldwide, spiritual motifs emerge on the walls, reflecting the intersection of faith and public expression. Integrating the sacred with the spray can have transformed mundane urban environments into open-air galleries of theological discourse and reflection. Religion has been a recurring theme in graffiti and pop art throughout history. Graffiti art is often associated with urban spaces and subcultures, where artists use public spaces to express their beliefs and opinions.
On the other hand, pop art is known for incorporating elements of popular culture into fine art. In graffiti art, religious symbols and imagery are often used to make a statement or express a message. These symbols may include crosses, crescents, Stars of David, or religious figures such as Jesus or Buddha. Graffiti artists may use these symbols to criticize or question religion or express their beliefs. For example, the street artist Banksy has used religious imagery in many of his works, including a mural of a dove wearing a bulletproof vest, which was seen as a commentary on the conflict in the Middle East.
Similarly, pop artists have also used religious symbols in their work. For example, Andy Warhol, one of the most famous pop artists, created a series of prints featuring the Last Supper image. Warhol's interpretation of the religious scene was seen as a critique of consumerism and capitalism. Other pop artists like Keith Haring incorporated religious imagery into their work to explore themes of love, death, and spirituality. However, religious imagery in art has also been controversial, with some people seeing it as disrespectful or offensive. In recent years, some street artists have been criticized for using religious symbols in their work, particularly in conservative or religious communities. Despite this, religious imagery in graffiti art and pop art remains a popular theme and continues to be explored by artists worldwide.

Spiritual Iconography in Public Spaces

In street pop art, religious iconography often serves a dual purpose: it celebrates cultural heritage and challenges viewers to contemplate the role of religion in modern society. Artists like Banksy, whose identity remains concealed, frequently incorporate religious symbols to provoke thought on contemporary moral issues. By portraying angels, saints, and other holy figures, these artists engage in a visual dialogue with the onlooker, prompting introspection and, often, introspection on existential matters. Murals depicting religious narratives can act as modern-day frescoes, telling timeless stories against the backdrop of contemporary life. The universality of these themes allows for a connection with a broad audience, resonating with the deeply ingrained human inclination towards spirituality. Moreover, religious street pop art can be a beacon of hope and solace in areas where communities face social or political strife, offering a sense of unity and peace amidst chaos.

Graffiti Artwork as a Commentary on Faith

Graffiti artwork, born from the need to express and claim space, also comments on religious institutions and faith interpretation. Artists sometimes use the subversive nature of graffiti to question the contradictions and conflicts within religious entities. Images of deities or sacred texts sprayed on a neglected building can criticize the disconnect between religious teachings and the lived reality of the marginalized. Yet, it's not all critique. In many cases, religious graffiti celebrates the diversity of belief systems, illustrating the inclusive nature of urban art. It reflects the multicultural tapestry of the cities it adorns, serving as a testament to the harmonious coexistence of different faiths. The public nature of these artworks ensures that the conversation about religion and its place in the modern world is ongoing and accessible to all. The interplay between religion and street art is a testament to the enduring need to understand the divine and its relevance in human life. Whether through reverence or critique, the religious motifs in street pop art and graffiti contribute to the dynamic conversation about spirituality in the public sphere. They invite contemplation, comfort, and sometimes challenge the status quo, ensuring that the streets remain where the sacred and civic merge.
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© 2025 Sprayed Paint Art Collection,

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