Riots & Civil Unrest

4 artworks

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  • Between Man & God- White Silkscreen Print by Cleon Peterson

    Cleon Peterson Between Man & God- White Silkscreen Print by Cleon Peterson

    Between Man & God- White Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. Between Man & God (White), 2018 Screenprint in colors on Coventry Rag paper 28 x 43 inches (71.1 x 109.2 cm) (sheet) Ed. 36/150 Signed, numbered and dated in pencil along lower edge Published by the artist. Mild handling creases along the right edge. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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    $3,135.00

  • Marchers White Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers White Silkscreen Print by Cleon Peterson

    Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers White" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

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    $1,342.00

  • End of Empire Silkscreen Print by Cleon Peterson

    Cleon Peterson End of Empire Silkscreen Print by Cleon Peterson

    End of Empire Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. End of Empire, 2015 Screenprint in colors on White Coventry Rag paper 28 x 28 inches (71.1 x 71.1 cm) (sheet) Ed. 2/150 Signed, numbered and dated in pencil along lower edge Published by the artist Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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    $3,135.00

  • Marchers Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers Black Silkscreen Print by Cleon Peterson

    Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers Black" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

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    $1,342.00

Riots & Civil Unrest Graffiti Street Pop Artwork

The Reflection of Riots and Civil Unrest in Street Pop Art and Graffiti

Street pop art and graffiti artwork have long served as barometers for societal tensions, with riots and civil unrest often taking center stage in their narratives. These art forms are inherently public and political, often acting as the voice of the voiceless and a mirror to the events that shake societies to their core. The walls of cities, the sides of trains, and the surfaces of public structures become the canvases for messages of resistance, outcry, and the demand for change. The stark, vivid imagery found in street pop art and graffiti not only captures the attention of passersby but also conveys the raw emotions and critical commentary of the times. The role of these art forms becomes particularly potent during riots and civil unrest. Artists take to the streets, armed with spray cans and stencils, to document, protest, and make sense of the chaos around them. This visual documentation often transcends the events' immediacy, providing a lasting, tangible record of the collective sentiments. The artworks created during such tumultuous times are imbued with a sense of urgency and often employ symbols and motifs that become iconic representations of the struggle and strife experienced by a community or a nation.

Street Art as a Chronicle of Sociopolitical Climate

The chronicle of civil disturbances through street art serves a dual purpose. On the one hand, it is an act of bearing witness, of marking moments in history with a spray-painted timestamp. Conversely, it is an act of solidarity, offering support and a sense of belonging to those embroiled in the fight for justice. The very act of creating street pop art and graffiti under such circumstances is an act of defiance, a refusal to let the narrative be controlled solely by those in power. The permanence of the medium ensures that the issues at hand cannot be ignored and that the conversation continues long after the smoke has cleared. The accessibility of street pop art and graffiti artwork allows them to reach a broad audience, engaging diverse individuals in dialogue and reflection. Unlike traditional art forms often confined to galleries and institutions, street art and graffiti are part of the daily landscape, confronting and challenging the public without the barrier of entry. This democratization of art means it plays a significant role in shaping public opinion and can act as a catalyst for change.

Artistic Responses to Civil Unrest

The artistic responses to civil unrest vary widely, from graphic depictions of violence and chaos to calls for peace and unity. The tone can be angry, sad, hopeful, or all of these emotions intertwined. Street artists and graffiti writers often adopt a visual language that is both universal and specific, with imagery that can be understood across cultural and linguistic barriers while also speaking to the unique circumstances of each event. In examining the works that arise from periods of civil unrest, one sees a response to the events themselves and a critique of the societal structures that gave rise to them. These artworks often question the status quo, challenge power distribution, and highlight inequality and injustice. They can serve as a rallying cry, a form of communal therapy, and a reminder of the resilience of the human spirit. In sum, street pop art and graffiti artwork are crucial components in the dialogue around riots and civil unrest. They are forms of expression as impactful as they are immediate, offering a raw, unfiltered look into the heart of societal upheaval. As historical records, they capture the moment's essence; as activism tools, they inspire and mobilize; as works of art, they provoke thought and foster understanding. In the landscape of civil discourse, these visual manifestations stand as both artifacts of turmoil and beacons of hope.

© 2024 Sprayed Paint Art Collection,

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