🔥 Street Art & Graffiti Pop Art Sale – Limited-Time Discounts on Urban Masterpieces

Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.

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The Hunter PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2022 Signed & Marked PP Limited Edition 1/2 Artwork Size 10.5x12.25 Archival Pigment Fine Art Star Wars Bounty Hunter Boba Fett Duck Hunting in Vintage Natural Lake Landscape. Some PPs may have slight blemishes and margin differences; this was a working artist copy. Distinguished by a unique blend of Pop Art and playful imagination, Dave Pollot's Limited Edition "The Hunter PP" archival print is a standout piece in contemporary art. Released in 2022, this Printers Proof edition, marked as PP and signed by the artist himself, is an extremely exclusive version with only two copies, making it a valuable addition for discerning art collectors. Expertly printed on Matte Velvet Rag Fine Art Paper, this artwork draws out the distinctive textures and details that define Pollot's style, which straddles the line between pop and street art. It showcases the beloved Star Wars character Boba Fett, universally recognized as a formidable bounty hunter, depicted in an unlikely scenario – duck hunting in a beautifully rendered natural lake landscape. This whimsical juxtaposition of pop culture iconography and a serene outdoor setting is emblematic of Pollot's innovative approach to art, blending irreverent humor with striking visual design. The print measures 10.5x12.25 inches, making it an ideal size for display. It leverages archival pigment, ensuring that the vivid colors and intricate details remain unaltered over time, thus promising longevity for this modern artwork. In pop, street, and graffiti art, "The Hunter PP" makes a distinctive statement, embodying Pollot's transformative artistry in recontextualizing familiar imagery in novel and engaging ways. For anyone seeking to delve into the rich world of modern pop and street art, Dave Pollot's "The Hunter PP" Archival Print represents an intriguing blend of cultural iconography, humor, and artistic prowess. This limited edition piece, with its perfect blend of the contemporary and the iconic, stands as a testament to Pollot's capacity to transform and redefine the boundaries of pop and street art.

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Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

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Popsicle Orange Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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Stormtrooper Grin PP Printer Proof Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 12x12 Dissecting "Stormtrooper Grin" by Ron English- POPaganda "Stormtrooper Grin" is a provocative work by Ron English- POPaganda, a revered name in modern pop art, street art, and graffiti art. This Printer's Proof (PP) limited edition archival pigment print from 2020, signed and marked in English, is a testament to his signature fusion of high art and street culture. Presented on 290gsm Moab Fine Art Paper, this print, measuring 12x12 inches, captures the essence of English's impactful aesthetic. Known for his use of color and distortion, English transforms familiar imagery from popular culture into something new, often with a subversive twist. Ron English- POPaganda's Vision in Pop Art and Street Culture English's "Stormtrooper Grin" reimagines the iconic helmet of the Stormtrooper from the Star Wars franchise, overlaying it with a human skull. This juxtaposition is emblematic of English's style, often combining a bright, almost cartoonish palette with darker themes. His work is recognized for its critical commentary on consumerism, corporate strategies, and idolizing popular culture icons. By placing a skeletal grin within the context of a symbol associated with conformity and the loss of individuality, English invites viewers to reflect on the nature of identity and mortality within the seemingly benign trappings of entertainment. Impact of Ron English- POPaganda's Work on Street Pop Art Ron English- POPaganda is credited with the proliferation of "culture jamming," a practice where familiar visual symbols are altered to challenge the status quo. His "Stormtrooper Grin" directly reflects this, taking a ubiquitous symbol from science fiction and turning it into a conversation piece that questions the narratives we consume and the ideologies they perpetuate. The print embodies the transformative potential of street pop art and graffiti artwork, where the lines between commercial and countercultural are blurred, creating a space for dialogue and dissent. The meticulous craftsmanship in "Stormtrooper Grin" is evident in the precision of the archival pigment print, a method chosen for its fidelity to the artist's original vision. This technique allows for a wide range of vibrant colors and deep blacks, ensuring that the work is a piece of street pop art and a fine art collectible. English's choice of fine art paper and archival pigments serves to solidify the permanence of a piece that, in another context, might have been a temporary fixture on a city wall. Through "Stormtrooper Grin," Ron English- POPaganda continues to challenge perceptions, using his art to provoke thought and encourage a deeper examination of the symbols that permeate our culture. His ability to bring street art sensibilities into the realm of fine art printmaking has established him as a pivotal figure in the street pop art movement. Like much of English's oeuvre, this artwork serves as a stark reminder of the power of visual language in articulating, critiquing, and redefining the narratives fed to society by mass media and entertainment conglomerates.

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Serve the Court Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. First release from Marwan Shahin's Athletic Pharaohs series, one of the popular works debuted at his second solo exhibition "APEX MIRAGE" 2020 in Hollywood California. "Serve The Court” 2020 24"x36" Giclée print on Etching Rag Each print is Signed, Numbered & Branded Limited Edition of 20

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Revenge Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Night is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Night silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Long Live Death- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. “Everything I do is a reaction to the world we live in.”, he says.

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Mechbot Paint Attack Kickstarter CanBot Large Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artists Czee13 x Quiccs x Zinc Nite Crew ZNC x Freakyfir- Muhammad Firdaus x Clutter Magazine. 2020/2023 Limited Edition Embossed Stamped New In Box Custom Rare Kickstarter Mechbot Paint Attack Canbot Canz OG Blue & Teal Colorway Artwork Size 8x9.5. Crossover Epic Art Toy Project Featuring Work by Artists Czee13 x Quiccs x Zinc Nite Crew x Freakyfir x Clutter Magazine. It Is Only Obtainable By Backing A 2020 Canbot Canz Kickstarter and Then Waiting Until Completion During The 2023 Season. Exploring the Mechbot Paint Attack CanBot: A Convergence of Street Art Titans The Mechbot Paint Attack CanBot is not just a vinyl art toy; it's a canvas where the pulsating energy of street graffiti art converges with the imagination of some of the most influential names in the pop culture art scene. This limited edition collectible is a collaborative masterpiece birthed from the creative minds of artists Czee13, Quiccs, the Zinc Nite Crew, and Freakyfir, with Clutter Magazine orchestrating the symphony of this crossover epic art toy project. Released between 2020 and 2023, this piece was exclusively available to those who supported the CanBot Kickstarter, marking it as a rare gem within the street pop art & graffiti artwork domain. Standing at an impressive 8x9.5 inches, the Mechbot Paint Attack CanBot is a testament to the dynamic nature of street art, embodying the spirit of collaboration often at the heart of this artistic movement. The OG Blue & Teal Colorway is not just about aesthetics; it's a statement, a piece of visual storytelling that connects the dots between various artist styles, each known for their unique contributions to the art world. This collectible is embossed and stamped, signaling the authenticity and the individual attention each piece receives, a hallmark of collectible art toys. The Mechbot Paint Attack CanBot symbolizes the intersection of innovation and tradition, where the iconic CanBot form is reimagined through a mech-inspired lens. It's a celebration of the graffiti can, a tool of the trade for many street artists, transformed into a futuristic being that encapsulates the essence of urban art. This art toy goes beyond mere collectibility; it's a historical footnote in the annals of street art, representing a moment when artists from varied backgrounds and styles came together to create something truly exceptional. Each artist involved in the project brings their signature touch to the CanBot. Czee13's love for the can form, Quiccs' affinity for mecha aesthetics, the Zinc Nite Crew's dedication to the graffiti culture, and Freakyfir's unique take on art all contribute to a diverse yet harmonious final product. Clutter Magazine's role in bringing these artists together underlines the importance of communal spaces and platforms that promote and support the growth of street art. In the hands of collectors, the Mechbot Paint Attack CanBot is a piece of the pulsating heart of the streets, a reminder of the raw, unfiltered creativity that thrives in urban environments. It's an artwork that challenges the boundaries of what can be considered art, pushing it into interactive and functional design. This CanBot is not just meant to be displayed; it's meant to be experienced, a conversation starter, and a bridge between the world of street art and those who may not wander the alleys and byways where such art is born. Owning a Mechbot Paint Attack CanBot is akin to holding a piece of street art history, remembering when art leaped off the walls and into the tangible realm. It reflects the growing recognition of street pop art & graffiti artwork as a culturally and artistically significant medium. For enthusiasts and collectors, it represents the broader narrative of street art's evolution and its ceaseless journey into new forms and expressions.

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Pray Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul's art has evolved over the years, with his pieces taking on a life of their own, often tackling themes of identity, consumerism, and the human experience. His work has captured the attention of collectors, enthusiasts, and fellow artists alike, solidifying his position as a leading figure in the world of urban art. As a tireless advocate for self-expression and artistic freedom, Vandul continues to inspire and challenge those who encounter his work, shaping the landscape of contemporary street art and beyond.

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Revenge Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Day is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Day silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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Flower Power Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Partisan 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Baseman Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Partisan, 2013 Screenprint in colors on speckled cream paper 18x 24inches Ed. 400 Signed, numbered, and dated in pencil along lower edge by Shepard Fairey & Baseman, Published by Obey Giant, Los Angeles

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Without Excuse PP Printers Proof HPM Hand Embellished Print Archival Print by Eddie Colla Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Embellished Limited Edition Artwork Size 18x24 Archival Pigment Fine Art Eddie Colla's 'Without Excuse': A Fusion of Artistic Rebellion and Technique Eddie Colla's 'Without Excuse' epitomizes the rebellious spirit of street pop art and graffiti artwork, merging traditional artistic methods with the defiance of street art culture. This PP (Printer's Proof) HPM (Hand Painted Multiple) archival print from 2020, signed and marked by the artist, is a limited edition creation, reflecting Colla's distinctive approach to modern art. Sized at 18x24 inches and printed on 290gsm Moab Entrada fine art paper, the artwork is a hand-embellished masterpiece, showcasing Colla's commitment to challenging the commercialization of public spaces. 'Without Excuse' exemplifies Colla's mastery in blending fine art with the raw expressiveness of street art, making a bold statement in both content and style.

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Terminator Examining Old Krylon Can Original One of a Kind Acrylic/Spray Paint Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. 16”x20” Inch Canvas With a Cool Detailed Painting of a Terminator From the Movie Franchise the Terminator Is Examining a Old Krylon Spray Paint Can Left Behind by Rd357 All Hand Painted by rd357 a True Graffiti Writer Who Has Out Lasted the Rest in the NYC Graffiti Racket Nick Naming Him ‘’’The Last Man Standing ‘’’’’From His Era’ By Rd #357 Rd Is the Real Deal He Has Been a Graffiti Writer for Over 40 Years Starting on the Irt Subway Trains of New York City Rd Has Graffiti Tags in Many Many Movies & TV Shows & Books Filmed in New York City (Film Documented Proof) Stretching Out Threw the 38 Years.

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Graffiti Is A Crime 12x18- I Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. Graffiti Is A Crime Sign. Graffiti as a Form of Street Pop Art and Graffiti Artwork Graffiti, often perceived as a rebellious or illegal act, has gradually evolved into a recognized form of art, gaining substantial attention in the realm of modern pop and street art. This transformation is vividly exemplified by the work of renowned graffiti artist Cope2. His piece titled "Graffiti Is A Crime 12x18-I Original Mixed Media Painting" is a striking representation of this evolution. Created in 2020, this artwork is not just a mere expression of street culture but a significant icon in the graffiti art world. It stands out as a signed original spray paint painting, featuring bubble letters on a real metal street sign. Measuring 12x18 inches, this piece encapsulates the essence of street pop art and graffiti artwork, blending the raw energy of street art with the sophistication of modern pop art. The choice of a real metal street sign as the canvas for this artwork speaks volumes about the artist's intention to blur the lines between what is considered legal and illegal, art and vandalism. By transforming a symbol of authority and regulation, a street sign, into a piece of art, Cope2 challenges the conventional perceptions of graffiti. This act of repurposing a street sign, an object typically associated with law and order, into a canvas for graffiti, traditionally viewed as a form of rebellion, creates a powerful contrast and commentary on the societal views of art and expression. The Cultural Significance of Graffiti in Modern Art The artwork "Graffiti Is A Crime" is not just a physical piece of art; it's a statement about the cultural and societal impact of graffiti. Historically, graffiti has been associated with underground movements, often being a tool for the voiceless to express their opinions and emotions. However, as seen through the works of artists like Cope2, graffiti has transcended these boundaries, finding its way into the world of high art and becoming a celebrated form of creative expression. This metamorphosis of graffiti from vandalism to a respected art form is significant in understanding the dynamics of modern art. It reflects the evolving attitudes towards what constitutes art and who gets to define it. By incorporating elements of pop culture, graffiti artists have brought a new dimension to the art world, one that resonates with a broader audience and reflects contemporary societal themes. This shift has not only given graffiti artists like Cope2 a platform to showcase their talent but has also prompted a reevaluation of street art's role in the broader context of art history. Impact on the Perception of Street Art and Graffiti The significance of "Graffiti Is A Crime" and similar works in the context of street pop art and graffiti artwork lies in their ability to challenge and redefine the boundaries of traditional art. These pieces are not just expressions of individual creativity but are also powerful tools for social commentary. They represent a form of artistic democracy, where the street becomes a gallery, accessible to all, and not just the elite few. This democratization of art through graffiti challenges traditional art paradigms and encourages a more inclusive understanding of what art can be. Moreover, the increasing acceptance and celebration of graffiti art in galleries and art exhibitions signify a cultural shift. It represents a growing recognition of the artistic value and social commentary embedded in these works. The journey of graffiti from the streets to the galleries is a testament to the changing perceptions of what is considered legitimate art. It highlights the importance of context, medium, and message in the world of art, proving that creativity knows no bounds and that art can emerge from the most unexpected places. The artwork "Graffiti Is A Crime" by Cope2 is a pivotal piece in the narrative of street pop art and graffiti artwork. It encapsulates the essence of graffiti's journey from the fringes to the forefront of modern art. This piece is not just a representation of artistic skill but a symbol of cultural evolution, challenging perceptions, and redefining the boundaries of art. As such, it holds a special place in the history of modern art, symbolizing the dynamic and ever-evolving nature of artistic expression.

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God Save the USA- Swastika Eyes Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 52 x 71 -20.5in x 38 - Printed onto hand-distressed, off-white paper, Reid captures the retro style of his early work in this contemporary take-down of American politics. God Save the USA (Swastika Eyes) is from a limited edition of 313, signed and numbered by the artist, and each edition has a slight, unique variation due to the distressed paper.

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Voice Of The Ghetto Hand-Pulled 4-Color Silkscreen Print on Light Card Stock by Graffiti Artist Stay High 149- Wayne Roberts Rare Street Art Limited Edition Artwork. 2009 Plate Signed & Hand-Numbered Limited Edition of 200 Artwork Size 17.75x23.75 Handling creases throughout are most noticeable along the right and upper edges.

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Goonie 034 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Navigating the Surreal and Street Pop Art in Goonie 034 by Naoto Hattori Naoto Hattori's "Goonie 034" emerges as a significant piece in Street Pop Art & Graffiti Artwork despite its roots in the more traditional practice of watercolor painting. The 2013 original creation is a testament to Hattori's distinctive vision, blending the boundaries between the precise technique of watercolor and the often spontaneous, expressive nature of street art. This artwork, enshrined within a custom 8.5x8.5-inch frame, brings forward a 3x3-inch image that captivates with its surrealist depiction, inviting a streetwise dialogue on a fine art platform. The artwork, signed and singular in its existence, reflects the artist's deep engagement with the piece, from the stroke of the brush to the careful selection of the frame and matte. Hattori's involvement in each step of the creation and presentation process aligns with the ethos of street artists, who often see their art from inception through to its final public display. This dedication to the craft and the artwork's journey from studio to viewer shares the spirit of Street Pop Art & Graffiti Artwork, where the artist's hand is evident in every aspect. Hattori's "Goonie 034" might not explicitly adopt the visual lexicon of graffiti; however, the piece exudes a rebellious aura akin to the impactful visuals of graffiti art. The watercolor medium, often seen as delicate and reserved for fine art, is pushed to new limits in Hattori's hands, presenting a piece that challenges the viewer's expectations and traditional art norms. This subversion is a core element of street and pop art, making "Goonie 034" a bridge between disciplines and inviting fine art enthusiasts to explore street-inspired artwork's vivid and raw territories. The Influence of Naoto Hattori and the Interplay with Urban Art Forms Naoto Hattori's influence in the artistic community extends beyond his surreal imagery. His artwork "Goonie 034" is pivotal in the conversation about the interplay between different art forms. The small scale of the watercolor painting demands close inspection, much like the intricate details found in stencil graffiti or the hidden messages in urban murals. It's a dialogue of the intimate versus the expansive, the personal versus the public, a dynamic often explored in Street Pop Art & Graffiti Artwork. The enigmatic quality of Hattori's work embodies street art's unpredictability and layered meanings. While his canvas is paper and his tools are brushes and pigments, the sentiment conveyed is as powerful and engaging as any piece found on the concrete canvases of cityscapes. "Goonie 034" is a cultural artifact that transcends the conventional gallery space and resonates with the authenticity and vibrancy of street art. Exploring "Goonie 034" in the context of Street Pop Art & Graffiti Artwork underscores the fluidity of art and howhich it can occupy multiple spaces and cater to diverse audiences. Hattori's piece serves as a reminder of the limitless possibilities that arise when artists draw inspiration from various sources and blur the lines between established art categories. The artwork is a testament to the evolving narrative of street and pop art, which continues redefining itself and its relevance in the ever-changing landscape of contemporary art.

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Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

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Clingy Companion Black Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box.

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Peaceful Warrior- Woven Buddha Pop Street Artwork Limited Edition Giclee Print on Heavy Hahnumühle Photo Rag Metallic Paper by Modern Artist Risk Rock. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 20x24 Risk's first print based on his best-selling "Woven Paintings". "Peaceful Warrior" on silver metallic paper. Printed at Risk Rock Studios through our new partnership with Glicee LA. Giclee Print on Heavy Hahnumühle Photo Rag Metallic Paper 340gsm. 20x24 Inches Edition of 25

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Most Wanted- PP Printers Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Cope2 Rare Street Art Limited Edition Artwork. PP Printers Proof 2010 Signed & Numbered Framed Limited Edition Artwork Size 22x17 Framed under glass. Not examined outside of the frame. Framed Dimensions 19 X 24 Inches

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Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

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Into The Night MMXXI- Gold/White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and White screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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I Love Only You Silkscreen Print by Gary Taxali Hand-Pulled 6-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 29x23 Silkscreen Print The Significance and Craft of Gary Taxali's "I Love Only You" Silkscreen Print Gary Taxali's "I Love Only You" silkscreen print is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This limited edition piece, created in 2014, demonstrates Taxali's unique blend of vintage comic strips, advertising aesthetics, and playful imagery that firmly roots his work in the legacy of Pop Art while pushing its boundaries into the street and graffiti art scenes. Taxali, known for his distinctive style, often marries the retro with the modern, and this artwork is no exception. It is a hand-pulled 6-color print on Cover White Arches Fine Art Paper, a choice that speaks to the artist's dedication to craftsmanship and quality. Arches Paper is revered among artists for its texture and durability, serving as a testament to its longevity and collectibility. The limited-edition nature of "I Love Only You," with only 50 signed and numbered prints, increases its exclusivity and desirability among collectors. The artwork's approximately 29x23 inches size makes it a substantial piece suitable for prominent display. Silkscreen printing, a method famously used by Pop Art icon Andy Warhol, allows Taxali to achieve vivid colors and sharp images that are striking and emotionally resonant. Exploring the Pop Art Continuum in Street Art through Taxa li's Work Gary Taxali's work is often celebrated for its ability to capture the spirit of Pop Art and transpose it onto the more raw and expressive canvas of street art. "I Love Only You" exemplifies this cross-pollination. The subject matter—a whimsical character engaging directly with an inanimate object, infusing it with affection and personality—encapsulates the heart of Pop Art's interest in the mundane and the commercial. However, Taxali's bold lines and the print's presence as a piece of Street Pop Art and graffiti Artwork also evoke the unrefined, immediate quality of street art and graffiti. Taxali's characters are reminiscent of 1930s cartoons, yet they carry a contemporary edge that speaks to today's audience. The playful nature of the piece, combined with its direct and simple message, is characteristic of street art's ability to communicate with a broad audience. This overlap of high art and low art, of gallery walls and street corners, is a defining feature of Taxali's artistic practice and places "I Love Only You" within the ongoing dialogue of art as a public and personal experience. Cultural and Artistic Value of Taxali's Silkscreen Print "I Love Only You" not only represents a blend of artistic styles but also embodies a cultural statement that resonates with the ethos of Pop and Street Art. Both movements have often sought to blur the lines between 'high' and 'low' culture, and Taxali's print contributes to this discourse. It juxtaposes commercial art techniques with acceptable art practices, suggesting that art can be both accessible and sophisticated. Taxali's print holds an esteemed place in the art world for its aesthetic appeal and commentary on love, consumerism, and the interplay of text and image. The phrase "I Love Only You," juxtaposed with various objects, speaks to the commodification of emotions and relationships, a theme frequently explored in pop and street art. By presenting this commentary through silkscreen—a technique associated with mass production—Taxali underscores the tension between uniqueness and ubiquity, a conversation ever-present in public art discussions. The Enduring Appeal of Gary Taxali's "I Love Only You" Gary Taxali's "I Love Only You" is a testament to the artist's role as a bridge between past and present, fine art and street culture. Through his meticulous crafting of this print and careful selection of medium, Taxali has created a piece that is visually captivating and rich in meaning and context. As a piece of Street Pop Art and graffiti Artwork, it continues to engage viewers, spark conversations, and hold a mirror to the culture it both represents and critiques. The rarity and handcrafted nature of the print further cement its status as a desirable collector's item, embodying the spirit of both Pop Art and the irreverent, democratic ethos of street and graffiti art. In "I Love Only You," Taxali has captured a moment in art history while contributing to its evolution.

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The Beauty of Rebellion Limited Edition Polystone Art Toy Collectible Artwork by street graffiti artist Abell Octovan.  Set to challenge the notion of beauty in today's society; the ballerina is all geared up with a vest and mask, holding a smoke grenade and twirling and dancing amid a rebellion. Drawing inspiration from classic Greek sculptures, The Beauty of Rebellion features a smooth marble-like effect. The spray can is highlighted with a red accent, a representation of the desire to break free from the beauty conventions we all know. A Dance of Dissent Abell Octovan's "The Beauty of Rebellion" merges the classical grace of a ballerina with the subversive edge of street art, creating a polystone resin sculpture that challenges and redefines conventional aesthetics. This 2021 limited edition collectible embodies a visual protest against the rigid standards of beauty that permeate society, presenting a figure of elegance poised in an act of insurrection. The collectible portrays a ballerina, traditionally an icon of beauty and poise, adorned not with the typical delicate attire but with a vest and mask, holding a smoke grenade. This juxtaposition creates a striking image of contrast and conflict – amid a pirouette, the dancer is simultaneously a symbol of rebellion. The piece draws a parallel between the disciplined form of ballet and the chaotic nature of protest, suggesting that both require a certain degree of passion and precision. Marble and Movement: A Statue of Subversion Octovan's sculpture, with its smooth marble-like effect, nods to the classical Greek statues that epitomize an enduring standard of beauty and form. However, "The Beauty of Rebellion" subverts this tradition by introducing elements of street culture, namely the spray can, highlighted in red as a beacon of defiance. This very spray can represent the artist's – and society's – urge to break free from the constraints of conventional beauty norms. The ballerina stands on a cloud of billowing smoke, a base that further emphasizes the theme of upheaval. While symbolizing chaos, the smoke also serves as a pedestal for the figure, elevating her act of rebellion to one of artistic and cultural significance. This base grounds the sculpture in the realm of street pop art & graffiti artwork, where messages are often conveyed through bold and unexpected visual statements.  Defining Beauty Through Defiance "The Beauty of Rebellion" is not merely a collectible but a statement on the evolving perceptions of beauty in contemporary culture. Abell Octovan uses this piece to spark conversation about the societal pressures of beauty standards and the power of individual expression. The ballerina's dance becomes a metaphor for the struggle against these pressures, her grace a form of resistance, and her grenade a tool for societal awakening. In the context of street pop art & graffiti artwork, Octovan's work reflects the genre's capacity to address severe cultural and social issues through art that is accessible yet provocative. The sculpture encourages viewers to consider the many forms of beauty and how art can challenge the status quo. Legacy of Rebellion in Art Abell Octovan's "The Beauty of Rebellion" joins the ranks of iconic works within street pop art & graffiti artwork that have redefined how beauty is represented and understood. By fusing elements of classical art with modern-day symbols of resistance, Octovan creates a dialogue that extends beyond the sculpture into the fabric of societal discourse. The collectible is a testament to the enduring power of art to confront and question. In its blend of the classical and the contemporary, "The Beauty of Rebellion" stands as a symbol of the ongoing conversation about beauty, expression, and the role of art in challenging the conventions we have come to accept. It is a dance of dissent, captured in resin, echoing through the halls of modern art.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Apvshkin Statue Limited Edition Resin Sculpture Artwork by Street Artist SSUR- Ruslan Karablin x Medicom Fine Art. 2021 Signed Sculpture Limited Edition Artwork Size 14" Tall A. PVSHKIN SSVRILLA Displayed With Box

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Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

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BunnyKitty Dream State- Purple 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Purple Variant Edition of 15 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Ramones Globe Collectors Deck Set- Foil Fine Art Limited Edition Print on Resin-7 Canadian Maple Skateboard Deck by Famous Punk Artist Bob Gruen. 2022 Edition of 100 4x Ramones Deck Set with Quilter Case including Punk Rock Legends: Joey Ramone, Johnny Ramone, Dee Dee Ramone, Tommy Ramone The Ramones Collector's Set includes four limited edition 8.25" decks, featuring Dee Dee, Tommy, Johnny and Joey Ramone mid-performance at the CBGB’s in 1976, captured by photographer Bob Gruen. Decks are constructed from Resin-7 Canadian maple and come in an embossed and quilted carry case, inspired by the Ramones’ iconic black leather jackets. Display these boards, store them, hang them on your wall, or skate them. Whatever you choose to do, we hope you are as proud of them as we are. Strictly limited to 100 sets globally.

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East 149th St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: September 02, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Chum 22 Orange Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2022 Out of Print Limited Edition Artwork Size 7.7x11.6x3.5 New In Box Stamped/Printed Foot Depicting Orange KAWS Chum Close Friend Standing with Hands on Hips by Artist Kaws- Brian Donnelly. New In Box. Bridging the gap between contemporary art and the streets is the remarkable "Chum 22 Art Toy," conceived by the illustrious Kaws, also known as Brian Donnelly. This unique vinyl sculpture, released in 2022, showcases the intricate details and iconic motifs synonymous with the artist's oeuvre. Imbued with vibrant colors and a design reminiscent of urban aesthetics, this piece stands at an impressive 7.7x11.6x3.5 inches, proving that art can be compact and impactful. Kaws, with a background rooted in street art and graffiti, has always been adept at transcending the traditional boundaries of art. His "Chum 22 Art Toy" is no exception. It manifests the essence of his artistry, characterized by a figure known as "Chum" – a close friend of the artist, confidently posed with hands resting on hips. This stance embodies a defiant spirit, a nod to the countercultural ethos that street art champions. Furthermore, the attention to detail is evident, especially in the stamped or printed foot of the figure, which serves as a testament to Kaws' commitment to authenticity and originality. Fresh from the studio and still encased in its original packaging, this limited edition artwork, already out of print, is a prized possession for collectors and enthusiasts alike. It exemplifies how street art, often seen as temporary and transient, can be immortalized and celebrated in tangible forms. Through such creations, Kaws continues to challenge perceptions, urging society to recognize and appreciate the artistic merit inherent in street culture.

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Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 25 Size 14x17 Alien Pharaoh on Papyrus Silkscreen That Glows in the Dark in Egyptian African Gold Style Marwan Shahin Alien Hidden Glow in the Dark Papyrus Silkscreen Print Alien Hidden Glow in the Dark Papyrus by Marwan Shahin is a 2022 hand-pulled silkscreen print that fuses ancient Egyptian royal iconography with futuristic extraterrestrial imagery, firmly situated within Street Pop Art & Graffiti Artwork. The composition presents a frontal alien pharaoh figure rendered with symmetrical precision, elongated eyes, and a polished black cranial dome that suggests cosmic depth. The figure wears a traditional nemes-style headdress accented in rich Egyptian gold tones, while a stylized winged chest emblem anchors the lower portion of the design. The textured papyrus background introduces an organic earth-toned surface that contrasts with the sharp graphic line work and luminous color accents layered on top. Egyptian Regalia and Contemporary Sci Fi Influence Marwan Shahin is an Egyptian contemporary artist who remains active and is recognized for integrating Pharaonic symbolism with global pop and speculative themes. In this variation, the alien pharaoh wears a face covering rendered in purple and blue tones, adding a contemporary visual layer that connects ancient authority with modern global realities. The fusion of cobra motifs, winged emblems, and celestial head elements with alien facial structure creates a hybrid deity that challenges fixed historical narratives. Within Street Pop Art & Graffiti Artwork, this synthesis reflects the movement’s broader practice of remixing cultural heritage with modern iconography to produce new mythologies. Shahin’s work suggests that power, divinity, and identity are constantly reimagined across eras. Glow Elements, Diamond Dust, and Limited Edition Details This edition measures approximately 14 by 17 inches and is signed and numbered in a limited run of 25. The hand-pulled silkscreen process incorporates glow in the dark ink that activates under low light, transforming the alien features and select design elements into luminous highlights. Diamond dust is applied to create reflective texture, intensifying the gold accents and enhancing dimensional contrast against the papyrus surface. The use of authentic Egyptian papyrus connects the artwork to one of the earliest artistic materials in recorded history, grounding the futuristic subject in traditional craftsmanship. As a piece aligned with Street Pop Art & Graffiti Artwork, Alien Hidden Glow in the Dark Papyrus stands as a collectible fusion of ancient symbolism, speculative imagery, and refined limited edition printmaking.

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Supreme Vuitton Smashup Pill- Green Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2022 Numbered Limited Edition of 50 Skateboard Artwork Size 8.25x31.87 Naturally, the artist has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continues to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Listen You Fuckers- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Hawxs.EXE Giclee Print by Vincent Langaard Artwork Limited Edition Print on Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of 30 Artwork Size 34x32 Glitched Out Hawk Birds Hawxs.EXE by Vincent Langaard: Digital Disintegration in Street Pop Art & Graffiti Artwork Hawxs.EXE is a 2025 signed and numbered limited edition giclée print by Norwegian artist Vincent Langaard, produced in an edition of 30 and printed on Hahnemühle fine art paper. Measuring 34 x 32 inches, this print represents a visual onslaught of avian anatomy and technological glitch, merging Langaard’s signature collage chaos with themes of digital corruption and identity distortion. The composition is dominated by an army of hawks, falcons, and hybridized raptors spiraling across the surface in fractured motion, many of them multiplied, glitched, or duplicated into unreadable patterns. At the center, a prominent hawk figure is traced in neon pink, the only clearly defined presence in a storm of hyperreal feathers, digital noise, and synthetic color overlays. The artwork feels like a corrupted hard drive of wildlife photography, dissected and rewritten with code. Feathers stretch unnaturally. Wings replicate in stuttered loops. Beaks dissolve into data shards. All of it is suspended against a violently vibrant background of rainbow gradients, blue sky, and digital interference, where sharp realism collides with surreal artificiality. Embedded mathematical symbols, algebraic notations, and characters like *5F+1 float throughout the image, suggesting a system of encryption or conceptual logic behind the visual breakdown. This use of mathematical markup contributes to the theme of system overload, echoing the visual language of Street Pop Art & Graffiti Artwork through layering, repetition, and sensory attack. Mutation, Pattern, and the Glitch as Subject Hawxs.EXE functions as both a visual metaphor and a data stream. Langaard utilizes the hawk not just as a symbolic bird of prey but as a digital asset—duplicated, corrupted, and recompiled. The hawk’s role as a predator becomes more complex when viewed through the lens of system failure and identity distortion. This idea is reinforced through the use of pattern-based collage, where wings become abstract textures and animal forms disintegrate into ornamental chaos. The central hawk, outlined in neon, offers a flickering focus amid the wreckage, anchoring the viewer's gaze and framing the surrounding collapse. This tension between precision and collapse mirrors the energy of Street Pop Art & Graffiti Artwork. Artists in this space often repurpose mass media imagery and glitch-based aesthetics to disrupt expectation and communicate urgency. In Langaard’s hands, the hawk becomes a victim and vector of the glitch—a once-majestic figure now looped endlessly, data-sliced and recoded until it transforms into both warning and visual spectacle. Vincent Langaard’s Syntax of Digital Collapse Vincent Langaard continues to refine a language that draws equally from pop surrealism, internet decay, wildlife illustration, and graffiti’s aggressive composition style. His imagery blurs the boundary between illustration and system feedback, using distortion not only as a stylistic tool but as a conceptual anchor. In Hawxs.EXE, the chaos is intentional. The overloaded composition mimics the sensation of screen burn, buffering, and processor lag—only it plays out through feathers, beaks, and sharpened talons. Langaard’s print invites the viewer to interpret the natural world through a synthetic interface, questioning what is real, what is preserved, and what is now permanently corrupted. This work amplifies his reputation for character-centric abstraction and digital decay. It does not simply present hawks—it reinvents them as carriers of visual memory and error. The decision to print on Hahnemühle fine art paper preserves the detail and color clarity of each corrupted fold and motion trail, further reinforcing the tension between fine art production and graffiti-informed aesthetics. Hawxs.EXE as Collector Artifact and Aesthetic Warning The limited edition of 30 positions Hawxs.EXE not just as an artwork, but as a rare fragment of Vincent Langaard’s ongoing exploration of collapse, code, and identity. Each print is a snapshot of the moment just before total digital breakdown—a preserved warning system, captured through layered imagery and emotional overload. With its scale, visual aggression, and detailed texture, this work encapsulates the spirit of Street Pop Art & Graffiti Artwork while pushing it deeper into the conceptual architecture of post-digital narrative. Langaard’s hawks are not flying—they are falling, fracturing, and relaunching within a corrupted interface. Their transformation becomes an act of reflection on surveillance, data saturation, and the rewiring of visual systems. Through this collision of natural form and synthetic interruption, Hawxs.EXE announces itself as both a powerful collectible and a poetic artifact of future decay.

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DJ Qbert Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Ben Frost, Denial, DJ Qbert Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Izanami XL 3-Color Hand-Pulled HPM Limited Edition Silkscreen Print on Fine Art Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Copyright Izanami XL, 2015 Large scale screenprint; hand-finished / hand-painted layers 28 x 39 in.; 70 x 100 cm Edition of only 13 Signed and Numbered by the Artist Venturing into the vibrant world of street art and pop culture, one cannot overlook the mesmerizing creation that is the Izanami XL 3-Color Hand-Pulled HPM. Crafted by the illustrious street artist, Copyright, this artwork, released in 2015, stands as a testament to the intricate fusion of manual artistry and screen printing techniques. Measuring a striking 28 x 39 inches (or 70 x 100 cm), it ensures its presence is felt wherever it's displayed. What makes this piece particularly captivating is its limited-edition status. With a mere thirteen prints ever produced, each piece becomes an exclusive asset for art aficionados. This rarity, coupled with the signature hand-painted and hand-finished layers, accentuates the artwork's unique character. Unlike many of the mass-produced art pieces that dominate today's market, the Izanami XL offers its beholders a chance to engage with the artisan's direct touch. Each brushstroke, each color transition, speaks to the meticulous attention Copyright poured into the piece. Every print is further authenticated by the artist's signature, a mark of its originality and a reflection of Copyright's commitment to authenticity. The individual numbering serves as an added allure, making each edition a singular entity in its own right, and a collector's dream. This art piece, with its deep roots in both street and pop art realms, challenges the traditional boundaries of artistic expression. It's not just an artwork; it's an embodiment of a culture, a statement of rebellion, and a testament to the ever-evolving world of art. And for those lucky enough to possess one of these thirteen masterpieces, it's a piece of history captured in ink and color.

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Arrow Pulse Strawberries n Cream Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Middle-Class American Finger Limited Edition Hand-Embellished HPM Archival Pigment Prints Hand-Painted Multiple on Recycled Cardstock by Denial Graffiti Street Artist Modern Pop Art. 2018 Signed Limited HPM Edition of 10 Artwork Size 13x19 Middle-Class American Finger (Hand Painted Multiple), 2018 Hand-painted multiple on Recycled Cardstock 19 x 13 inches (48.3 x 33 cm) (sheet) Ed. 9/10 Signed and numbered in pencil to reverse Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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A Bathing Ape 28th Anniversary 400%- Green BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures 2021 Medicom x A Bathing Ape Bape New In Box

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