🔥 Street Art & Graffiti Pop Art Sale – Limited-Time Discounts on Urban Masterpieces

You Reaper You Sower- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition.

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Abstract Abstraction Green Original One of a Kind Oil Painting Artwork on Cardboard by Post Modern Artist Samuel Kamen. 20th Century 10.5x14 Signed Original

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JV Baby Milo Polystone Resin Sculpture by Joshua Vides x Bape- A Bathing Ape Limited Edition Pop Graffiti Street Art Figure Artwork. 2024 Limited Edition Monkey Designer Fashion BAPE Artist Crossover Pop Art Sculpture Artwork Size 5x10 of a Stylized Black White Money with Cell Shading. Exploring JV Baby Milo Polystone Resin Sculpture In the dynamic and ever-evolving world of contemporary art, the JV Baby Milo Polystone Resin Sculpture stands as a testament to the synergistic power of collaboration and innovation. This unique creation is the brainchild of two formidable forces in the pop culture and fashion arena: artist Joshua Vides and the iconic Japanese streetwear brand A Bathing Ape, commonly known as BAPE. The limited edition sculpture embodies the spirit of street pop art and graffiti artwork, offering a physical manifestation of streetwise aesthetics and luxury fashion. The artwork celebrates not only the allure of collectible design but also represents a fresh take on the visual vocabulary of urban art. JV Baby Milo as a Symbol of Street Pop Art The sculpture represents a stylized depiction of the recognizable BAPE character, Baby Milo, which has been reimagined through the lens of Joshua Vides, known for his signature black-and-white palette and illustrative approach to object art. Born from the intersection of street fashion and graffiti art, this piece reflects Vides' distinctive style of cell shading, which gives three-dimensional objects the appearance of two-dimensional drawings. The black and white colorway, stark in its contrast, is reminiscent of the bold lines and shadows found in comic book art, translating into a powerful statement piece that captures the viewer's gaze. By merging the iconic Baby Milo with his artistic expression, Vides showcases a unique form of street pop art that transcends traditional art forms. The artwork is a bold statement on the evolution of streetwear culture, becoming a canvas for artistic expression that encapsulates the youthful energy and rebellion inherent in street style. Limited to a production run of just 2024 pieces, the JV Baby Milo Polystone Resin Sculpture is a coveted item for enthusiasts of street culture, fashion, and art alike. The Craftsmanship and Influence of Joshua Vides Joshua Vides, an American artist hailing from California, has etched his name in the annals of modern street art through his innovative approach and distinct visual language. With each stroke and contour, Vides' work challenges perceptions, inviting onlookers to engage with the three-dimensional world through a two-dimensional perspective. The JV Baby Milo sculpture, sized 5x10, is not just a collectible item but a piece of conversational art that encapsulates Vides' artistic journey and his contributions to the graffiti artwork realm. The tactile quality of the polystone resin gives the sculpture a sense of permanence and durability, further asserting its presence as a significant piece of art. As of my last update in April 2023, Vides' contributions to the field are ongoing, and his impact continues to resonate within the community of street art fans and beyond. In presenting the JV Baby Milo Polystone Resin Sculpture, Joshua Vides and BAPE have curated a narrative that extends beyond mere fashion or art. It is an artifact of contemporary culture, representing the harmonious blend of street art's raw edge with the polished realm of high fashion. As collectors and admirers of the sculpture navigate the layers of meaning within its design, they are reminded of the boundless potential that lies within the cross-pollination of different creative worlds. This limited edition piece is not just a momentary spark in the timeline of art history but a lasting emblem of what happens when street savvy meets artistic ingenuity.

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Brew Collection Original Painting Acrylic on Wood by Jesse Kassel Graffiti Street Artist Modern Pop Art. Brew Collection Original Wood Acrylic Painting by Jesse Kassel "I created this body of work this past summer (2013) for the Red Bull House of Art. Which is an Artist Residency that provides studio space and exhibit space for Detroit artists. This body of work was inspired by the after-hours environment as well as the landscape here in Detroit. This city is a gold mine for aging liquor store signs, and other hand-painted signs. There is a folk-art quality to the entire city and I wanted to bring that into a more specific subject. This piece is a collection of vintage beer cans that I like." - Jesse Kassel

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Chromadynamica30p Geometric Street Artwork Limited Edition Giclee Print on 300gsm Cotton Rag Paper by Urban Graffiti Artist Felipe Pantone. 2022 Signed & Numbered Limited Edition of 200 Artwork Size 19.67x27.56 Felipe Pantone CHROMADYNAMICA30p, 2022 Gicleé Print Edition Printed on Archival cold press cotton rag 300GSM Straight Cut Edges 19.67 x 27.56 in (50 x 70 cm) Signed and Numbered Edition of 200

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Near Down Town LA Razor Wire Study Original Mixed Media Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Embossed Archival Card Sheet by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 7.5x5 "NEAR DTLA RAZOR WIRE STUDY I've been painting small studies of LA scenes at night. This is a series of hand-painted originals. Mixed media on embossed archival card sheets Size- 7.5" x 5' in signed and numbered Very limited; only a tiny batch is created with each series." -Saber. Immersing in the Urban: Saber's "Near Down Town LA Razor Wire Study" Saber's "Near Down Town LA Razor Wire Study" is a striking original mixed-media painting that offers a gritty yet beautiful snapshot of Los Angeles's urban landscape. This 2023 artwork, signed by the artist, is a unique piece meticulously created on a 7.5x5 inch embossed archival card sheet. Saber, a revered figure in the street art pop scene, captures the essence of downtown LA with a raw and expressive technique that blends spray paint and acrylics, revealing the city's character beneath its nocturnal veil. This series of hand-painted originals by Saber is more than a mere representation of the city's physical attributes; it's a deep dive into the soul of the urban environment. The mixed media on the embossed archival card accentuates the textural contrast between the harshness of razor wire and the ethereal quality of the city's skyline at night. Using spray paint, a medium synonymous with street art, imparts authenticity to the artwork, resonating with the spontaneous energy of graffiti. Saber's choice to focus on LA scenes at night tells of his intent to explore themes of isolation, boundary, and freedom. The razor wire, a symbol often associated with division and confinement, is set against the backdrop of a city known for its boundless creativity and dreams. This juxtaposition invites contemplation about the barriers—both physical and metaphorical—that define urban spaces and the lives within them. The "Near Down Town LA Razor Wire Study" is part of a minimal series emphasizing the exclusivity and collectibility of Saber's work. Each piece in the series is numbered, highlighting its position within a broader narrative that Saber constructs through these visual explorations. Collectors of street pop and graffiti artwork will find a convergence of street-level rawness and delicate art sophistication in these pieces. Saber's work stands as a compelling example of the potential of street pop art to transcend its origins and become a powerful form of contemporary fine art. The artist's ability to convey the complexity of the urban experience through the interplay of mediums, textures, and colors is a testament to his mastery of the form. His paintings are not just art objects but windows into the urban psyche, reflecting city life's vibrant and sometimes chaotic spirit. In essence, the "Near Down Town LA Razor Wire Study" series embodies the evolution of graffiti into a form of street pop art that challenges, engages, and captivates. It underscores the ongoing conversation about the value of street art within the artistic canon and its capacity to capture and comment on the essence of contemporary urban existence. Through his intimate and visceral portrayals of Los Angeles, Saber solidifies his position as a leading voice in street art pop, shaping how we perceive and interact with the surrounding cityscapes.

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Jessica Print x Stages NYC 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Custom Framed Floating Mat Signed & Numbered, Shepard Fairey (b. 1970) Jessica Portrait, 2009 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 272/475 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles I regret that Dina’s credit for the original photo was left off the making-of video about this piece, as well as the Stages 09 web site and exhibit documentation. She is a cancer survivor and should have been credited, and I apologize. – Shepard Based on a photograph taken by cancer survivor Dina Douglass / Andrena Photography Some Slight Dings and Scratches To The Frame.

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Cream by Shepard Fairey Floral Takeover 2017 Red Cream is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as part of a limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches and is signed and numbered by the artist. The composition features an all-over floral pattern rendered in Fairey’s signature red, drawing inspiration from ornamental wallpaper, textile design, and historic decorative motifs. Pattern, Power, and Subversion At first glance, Floral Takeover appears purely decorative, but the repetition and scale transform the pattern into something more assertive. Fairey has long used pattern as a form of visual occupation, echoing his street practice of wheatpasting and large-scale installations. The floral imagery references traditional wallpaper and domestic design, yet its bold color and dense layout give it a confrontational presence. By elevating a repeat pattern into a standalone fine art print, Fairey challenges the boundary between decoration and statement, turning ornament into a vehicle for cultural takeover. Place Within the OBEY Body of Work This print belongs to a broader series in which Shepard Fairey explores pattern-making as both a design exercise and a conceptual tool. Originally developed for street installs, these patterns evolved into collectible fine art works that reflect his interest in propaganda aesthetics, repetition, and visual saturation. Floral Takeover 2017 Red Cream stands out for its balance of elegance and intensity, offering a quieter yet still commanding example of Fairey’s practice. As part of a four-version release, it has become a sought-after piece for collectors who appreciate the graphic and ornamental side of the OBEY canon.

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Garden of Infinite Possibilities Hand-Pulled 15-Color Silkscreen Print on Mirri Sparkle Silver Paper by Desirable Artist Dabs Myla Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size 18x25 Garden of Infinite Possibilities, 2022 15-Color Screen Print on Mirri Sparkle Silver Paper 18 x 25 in (45.72 x 63.5 cm) Deckled Edge Edition of 100 Signed, Numbered and Embossed by the Artists

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Dr. Revolt and Zephyr Limited Edition Photo Archival Pigment Prints on Fine Art Paper by Ricky Powell Graffiti Street Artist Modern Pop Art. 2020 Signed Numbered & Titled by Ricky Powell's Hand Limited Edition of 75 Artwork Size 20x15 Photo Archival Pigment Print. Includes COA Signed 2nd Time by Powell. The Convergence of Street Legends: Dr. Revolt and Zephyr Through the Lens of Ricky Powell In the swirling colors and defiant lines of street pop art and graffiti artwork, authenticity and innovation stand as pillars of the movement. Among the vibrant canvases of city walls, two names emerge with a resonant echo through time: Dr. Revolt and Zephyr. These graffiti artists are not just mere painters of the urban landscape; they are storytellers, cultural commentators, and pioneers of a form that has grown from illicit beginnings to a globally recognized art movement. Their collaboration with Ricky Powell, a legendary photographer known for his candid documentation of the street and hip-hop scenes, culminates in a series of limited edition photo archival pigment prints on fine art paper that captures the essence of an era. Dr. Revolt and Zephyr: Masters of the Spray Can Dr. Revolt, with his flair for electrifying lettering and cartoon figures, has been an integral part of the graffiti scene since its upsurge in the concrete jungles of New York. His work, rife with references to pop culture and subcultural codes, encapsulates the rebellious spirit of the 1970s and 80s. Similarly, Zephyr, renowned for his distinctive wild style and influence in the graffiti movement, has left an indelible mark on the art form. Both artists have witnessed the evolution of graffiti from an underground phenomenon to a legitimate artistic pursuit, and their works are studied and revered by enthusiasts and practitioners alike. The collaboration between Dr. Revolt and Zephyr is not just a meeting of two artists but a fusion of styles that have shaped the trajectory of street art. Their combined legacy is etched onto the surfaces of New York's urban fabric and chronicled in the memories of those who have seen the city's walls transform into galleries of the street. Ricky Powell's Photographic Tribute Into this world of aerosol and rebellion steps Ricky Powell, a photographer whose lens has captured the raw and unfiltered reality of the street. In 2020, Powell released a series of limited edition prints featuring Dr. Revolt and Zephyr, a visual homage to the titans of graffiti. These prints, limited to a run of 75, offer a glimpse into the world of these artists through the candid and intimate style that Powell is celebrated for. Each piece is a 20x15 archival pigment print, a medium chosen for its longevity and ability to reproduce the subtleties of Powell's original photographs with fidelity and depth. The prints are not merely reproductions; they are artifacts of cultural significance. Each one is signed, numbered, and titled by Powell's hand, imbuing them with his presence and blessing. Accompanying the prints is a Certificate of Authenticity, also signed by Powell, assuring collectors of the print's provenance and its place within the limited edition. This series stands as a testament to the era and the enduring influence of these artists within the pantheon of modern pop art. In these prints, we see Dr. Revolt and Zephyr not just as artists but as icons, their figures composed with the same care and respect as their own works. The settings are unmistakably urban, the backgrounds filled with the textures of the city that has been both their canvas and their muse. Powell's work captures the vibrancy and the impermanence of street art, a poignant reminder of the fleeting nature of graffiti, constantly at the mercy of the elements and the changing cityscape. The limited edition photo archival pigment prints by Ricky Powell, featuring Dr. Revolt and Zephyr, bridge the gap between photography and graffiti, between the ephemeral and the eternal. These prints offer a window into the soul of street pop art and graffiti artwork, encapsulating the spirit, the history, and the visual dialogue of the streets. They are more than just images; they are a celebration of a movement, a chronicle of its pioneers, and a tribute to the indomitable spirit of street art. Ricky Powell's work ensures that the legacies of Dr. Revolt and Zephyr, and the moments they shared, are preserved against the relentless march of time, held forever in the stillness of the frame.

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Urban Legend- Orange Set of 2 Original One of a Kind Mixed Media Spray Paint Air Brush Acrylic Painting Artwork on Wood Shoe Cut Out by Graffiti Artist Skewville. 2022 Signed One Pair (Two wooden shoes total) of customed Skewville Wooden shoes. Each Shoe measures 11″ x 5.5″ x 0.5″.

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Shell PP Printers Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Cey Adams Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 18x18 Shell Archival Print by Cey Adams "The whole idea behind my Trusted Brands series was that I wanted to revisit many of the iconic logos of my youth to reconnect to familiar things. These pieces are mostly made of handmade fiber papers from India and Nepal. I wanted to do something rivaling my friends who used spray paint and connected with my graffiti roots, but I didn't want to do what everybody else did. I thought it would be interesting to challenge myself to use a medium I have never used before, and collage spoke to me." - Cey Adams. Cey Adams' "Shell" - A Convergence of Branding and Art Cey Adams, a foundational figure in graffiti and street pop art, presents a compelling piece in his "Shell PP Printers Proof Limited Edition." This work is part of Adams' "Trusted Brands" series, where he revisits the emblematic logos that marked his youth. The print, an 18x18 archival pigment on fine art paper, showcases his exploration into collage, setting him apart from his contemporaries who favored spray paint. This piece is a Printer's Proof, signed and marked by Adams, adding a layer of exclusivity and collectibility. Adams' choice to use handmade fiber papers from India and Nepal lends an organic texture that contrasts with the commercial sharpness of the Shell logo. His work is a nod to nostalgia and a dialogue between past and present, consumerism and craftsmanship. The "Shell" piece stands out as a testament to Adams' ability to innovate within his graffiti roots while pushing the boundaries of his artistic expression. In Adams' own words, his college journey was challenging to escape the graffiti norm. His "Trusted Brands" series, including the "Shell" print, reflects this personal and artistic quest to connect with familiar symbols uniquely, embodying the essence of modern pop art within the urban landscape.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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Flowers Skateboard Art Deck by Vans x Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2015 Limited Edition Skateboard Art Deck Takashi Murakami, a prolific contemporary Japanese artist, has consistently blurred the lines between high art and commercial aesthetics, becoming a monumental figure in the world of pop art, street art, and graffiti art. His signature "Superflat" style, a term he coined himself, draws from the artistic traditions of manga and anime, echoing the flattened imagery of Japanese artistic history and commenting on post-war Japanese culture. In one of his celebrated series, Murakami presents the iconic "Flower Skateboard Deck Art." The series displays an amalgamation of two seemingly disparate worlds: the vibrant and expressive culture of skateboarding, and the elegantly simplistic form of traditional Japanese flower motifs. These skateboard decks are transformed into canvases, brimming with Murakami's signature smiling flowers, depicting a jubilant explosion of color and life. His aesthetic juxtapositions turn these functional objects into engaging and thought-provoking pieces of art. This series reflects the democratizing impulse of pop art and street art, bringing so-called "high art" into the public and popular realm, and offering a new perspective on everyday objects. With the Flower Skateboard Deck Art, Murakami pays homage to the street culture that has significantly influenced contemporary art and design, bridging the gap between street art, commercial design, and fine art. This intersection results in a vibrant display that encapsulates Murakami's distinctive vision while continuing to challenge and redefine artistic boundaries. The Flower Skateboard Deck Art, with its playful exploration of pop culture and traditional Japanese art, serves as an excellent representation of Murakami's complex artistic dialogue. In essence, Murakami uses the skateboard as a symbol, an embodiment of street culture, painting it with his iconic flowers to create a unique artifact that sits comfortably at the crossroads of pop art, graffiti art, and street art. These decks, emblazoned with his unmistakable style, embody Murakami's artistic philosophy, remaining testament to his ongoing contribution to contemporary art.

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Wretch I Created Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Reading Club AP Artist Proof Pop Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Cinta Vidal. AP Artist Proof 2016 Signed & Marked AP 18x18 Limited Edition of People Reading Books On Flying Furniture In the realm of contemporary pop art, few works captivate with as much intrigue and whimsy as "Reading Club" by Cinta Vidal. With this limited edition giclee print, Vidal takes viewers on a surreal journey, defying the laws of physics and convention, as individuals immerse themselves in the world of literature, suspended on flying furniture. The piece, beautifully rendered on 290gsm Moab Entrada Paper, is not merely a visual spectacle but also an ode to the transformative power of reading and the universality of this experience across different cultures and contexts. Spanning an 18x18 canvas, the artwork is both intimate in its portrayal of individual readers and grand in its conceptual scope. Vidal's meticulous attention to detail, coupled with her penchant for creating multi-dimensional spaces, lends depth and dynamism to the composition. Chairs, sofas, and books float, topple, and twirl, seemingly untethered by gravity, yet each reader remains engrossed, unperturbed by the surrounding chaos. The juxtaposition of the ordinary act of reading with the extraordinary setting speaks to the escapism that literature offers. Released as an Artist Proof in 2016, this creation is part of an exclusive series, elevating its significance for collectors and art enthusiasts. Cinta Vidal, a luminary in the spheres of pop art, street art, and graffiti art, continues to push boundaries, challenging perceptions while celebrating the simple pleasures of life. "Reading Club" stands testament to her unique vision and unparalleled artistic prowess.

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Heart and Soul Original Pen Ink Drawing Art on 320gsm Handmade South Indian Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen drawing on 320 gsm handmade South Indian paper Size: 62cm x 43cm Unframed Drawing is protected by an archival UV protective matt varnish spray 16.9x24.4 Mark Powell – Heart and Soul in Street Pop Art & Graffiti Artwork Heart and Soul by British artist Mark Powell is a striking original pen-and-ink drawing executed in 2021 on 320gsm handmade South Indian paper. Measuring 62 x 43 cm (16.9 x 24.4 inches), this piece features a meticulously rendered dead hare and pheasant, hung upside down by string in a composition that instantly evokes classical still life yet pulses with contemporary subtext. Drawn entirely with a ballpoint pen and sealed with archival UV-protective varnish, Powell’s rendering elevates this modest medium to a tool of expressive clarity. Though absent of color or overt graffiti marks, the work stands firmly within the lineage of Street Pop Art & Graffiti Artwork through its subversive detail, its interrogation of mortality, and its commitment to technical excellence layered with conceptual weight. Powell is known for using found paper, vintage documents, and aged materials in his broader practice, though in Heart and Soul, he opts for clean, handmade paper—still retaining the rawness of imperfection in texture. The subject matter draws upon the tradition of vanitas and memento mori, while also referencing the vernacular of field sport culture in a way that challenges sentimentality. This visual honesty—showing death with beauty but no spectacle—is a gesture that resonates deeply with the ethos of street and pop-inflected art. It’s a confrontation with finality, with heritage, and with consumption. The Ballpoint Pen as a Tool of Dissent and Precision What separates Powell from traditional fine draftsmen is his unorthodox use of the ballpoint pen—a tool associated more with classroom doodles or blue-collar notebooks than high art. In the context of Street Pop Art & Graffiti Artwork, this choice mirrors the use of spray cans or permanent markers: democratic, accessible, and unpretentious. Every feather, fur strand, and shadow in Heart and Soul is executed with surgical precision using this common tool, elevating it to something sacred. Like a tag scratched into a subway door or a throw-up on a crumbling brick wall, Powell’s marks assert permanence against fragility. The imagery is clean yet jarring—animals that once lived now suspended, motionless. The vertical tension of the ropes holding them reflects themes of control and helplessness, drawing a subtle parallel to how bodies—whether in life or in art—are often manipulated, positioned, and consumed. These symbolic references are aligned with urban artistic movements that seek to expose the hidden systems beneath culture, whether through abstraction, realism, or text-based intervention. Contemporary Still Life in the Street Pop Art Narrative Still life traditionally served as a showcase of abundance, fragility, and temporal beauty. In Powell’s hands, that tradition is disrupted, made raw. The careful rendering of animals is not a romantic homage—it is a meditation on stillness, loss, and what it means to hold onto something after it has passed. By choosing subject matter often glorified in upper-class sporting culture and presenting it without drama or glorification, Powell reclaims the narrative. This reclamation mirrors the objectives of many street artists who challenge dominant visual histories by injecting alternate perspectives. There is a quiet radicalism in Heart and Soul—a refusal to decorate or dilute. The honesty of the composition, the weight of the medium, and the choice of paper all work together to create an artwork that is as much about process and material as it is about meaning. This approach reflects Street Pop Art & Graffiti Artwork’s core value: that beauty, rebellion, and reflection can emerge from the simplest of materials, when handled with vision. Mark Powell’s Position in Modern Pop Draftsmanship Though not a graffiti artist in the traditional sense, Mark Powell’s aesthetic and thematic sensibilities place him in close proximity to the conceptual edge of street art. His commitment to drawing as an act of observation and confrontation, along with his use of humble materials and deadpan subject matter, places his work within the wider umbrella of street-conscious fine art. Heart and Soul does not shout, but it never looks away. It is an elegy rendered in ink—a ballpoint requiem that speaks with the same depth as murals, stencils, and protest posters inked on alley walls.

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The Mash- Embellished Limited Edition Hand-Embellished Archival Pigment Prints and Arcylic on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. "This piece was made towards the end of 2014. I was in my studio, listening to music and The Monster Mash came on. It was funny because I just started painting to the song and that's kinda how it went.This piece is more of what I'm doing today. It's kind of mashed up with all kinds of paint and different designs. It's got a lot of fo elements of what I do.It all kinda goes right. It's simple and to the point. Simplicity." - Cope2 The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Dream Catchers 17-Color Limited Edition Silkscreen Print on 410gsm Somerset Satin Paper by Lee Eelus Street Pop Art Artist. 2022 Signed Limited Edition Artwork Size 27.55x27.55 Lee Eelus Dream Catchers Silkscreen Print Dream Catchers is a 2022 signed limited edition silkscreen print by Lee Eelus, produced in 17 colors on 410gsm Somerset Satin fine art paper. Measuring 27.55 x 27.55 inches, this square-format composition showcases Eelus’ signature fusion of stencil-inspired figuration and bold, contemporary color fields. As Street Pop Art & Graffiti Artwork, the piece balances playful surrealism with a refined screenprinting process that emphasizes crisp layering and vibrant tonal transitions. Childhood, Imagination, and Floating Color Forms The composition features three silhouetted children jumping upward with outstretched arms, reaching toward floating, multicolored organic shapes suspended in a muted sky-like background. The figures are rendered in Eelus’ recognizable monochrome stencil style, grounding the scene in realism while the bright, concentric color forms introduce a dreamlike, almost psychedelic energy. The layered gradients—ranging from warm reds and oranges to cool greens and blues—suggest portals, thoughts, or emotional auras drifting just out of reach. Within Street Pop Art & Graffiti Artwork, this contrast between stark human silhouettes and radiant abstract shapes creates a compelling dialogue between innocence and aspiration. Technical Craft and Collector Appeal Executed as a 17-color hand-pulled silkscreen, Dream Catchers demonstrates precise registration and smooth ink transitions across each layered form. The 410gsm Somerset Satin paper provides a substantial, museum-quality foundation, enhancing color depth and surface presence. The large square format reinforces the sense of open space and upward movement, giving the composition breathing room while maintaining visual impact. Signed and released as a limited edition in 2022, this work stands as a strong example of Lee Eelus’ ability to merge stencil tradition with vibrant contemporary screenprint techniques in Street Pop Art & Graffiti Artwork.

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Peaceful Warrior- 2021 Buddha Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Risk Rock. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 18x22.5 "Peaceful Warrior" - 2021 Gicleé on Coventry Rag, Archival Paper Edition of 25 22.5x18 Inches

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Calla | Moon- Oversized Hand-Pulled 10-Color Silkscreen Print on 410gsm Somerset Satin Deckled Tub Fine Art Paper by Pop Graffiti Artist Jet Martinez Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 80 Artwork Size 31x23 "Calla | Moon" represents a stunning intersection of natural beauty and urban artistry, a striking creation by Jet Martinez, an artist celebrated for his work within the pop graffiti scene. This oversized, hand-pulled 10-color silkscreen print showcases Martinez's distinctive use of vibrant colors and bold patterns, which are the signature of his artwork. Released in 2022, the piece is part of a signed and numbered limited edition collection of 80, each print measuring an expansive 31x23 inches, allowing the details and colors to resonate with viewers. Crafted on 410gsm Somerset Satin Deckled Tub Fine Art Paper, the print exudes a tangible luxury, which is further enhanced by its substantial weight and texture. The deckled edges of the paper offer a traditional feel reminiscent of handcrafted art pieces and imbue the work with an additional layer of sophistication. The meticulous process of silkscreen printing, involving the manual layering of each color, ensures that every print is unique, with subtle variations contributing to the piece's individuality. Martinez's choice of the Calla lily as the central motif pays homage to the elegant simplicity and fluid lines characteristic of the Art Nouveau movement, which he modernizes with his graffiti-inspired aesthetic. The use of the moon element within the composition brings a sense of balance and harmony, as well as a touch of the ethereal, contrasting the organic with the cosmic. This duality reflects the artist's ability to blend the natural world with urban cultural expression. This piece of fine art, while deeply rooted in the motifs and messages of street and graffiti art, transcends the traditional boundaries of the genre. It speaks to an audience that appreciates the confluence of classical art principles with the dynamism of contemporary street art. "Calla | Moon" by Jet Martinez is not just an acquisition for collectors but a symbolic statement of the evolving narratives within pop and graffiti art movements, encapsulated in a form that will endure as both art and investment.

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Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Denial Denial Denial- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Glossy White Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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Cut it Up Do it Yourself 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 500 Print Size 18x24 August 9, 2019 Beyond The Streets In Store Only Blue Variant "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey Shepard Fairey Cut It Up – Do It Yourself Blue Variant Silkscreen Cut It Up – Do It Yourself (Blue Variant) is a 2019 signed and numbered limited edition silkscreen print by Shepard Fairey, created in collaboration with Beyond The Streets. Hand-pulled in three colors on cream Speckle Tone paper, this 18 x 24 inch print was released in an edition of 500 and sold exclusively in-store on August 9, 2019. Featuring Fairey’s iconic OBEY face reimagined through collage aesthetics, the piece reflects the artist’s deep roots in DIY street art culture. OBEY Icon and the X-Acto Legacy The composition divides the OBEY face into four quadrants, each featuring stylized hands gripping bold X-Acto knives in red and black. The fragmented layout references cut-and-paste techniques that defined Fairey’s early process—physically slicing Rubylith, assembling photocopies, and building imagery long before digital tools dominated design. The blue-toned background softens the contrast while emphasizing the raw, graphic shapes. As Fairey explains, the work is a tribute to experimentation: embracing mistakes, overspray, and the tactile energy of handmade creation. Beyond The Streets Edition and Cultural Significance Released as part of the Beyond The Streets exhibition, this blue variant stands as a collectible moment within Shepard Fairey’s broader OBEY print catalog. The cream Speckle Tone paper enhances the vintage poster aesthetic, while the clean three-color screenprint preserves the sharp, graphic impact. Limited to 500 signed examples, Cut It Up – Do It Yourself captures the ethos of independent street art production—hands-on, imperfect, and unapologetically bold.

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Skingirl II HPM Hand-Embellished Limited Edition Silkscreen Print Art on Wove Fine Art Paper by Artist Prefab77 Contemporary Pop Artwork. 2020 Signed & Numbered HPM Hand Embellished Limited Edition of 25 Artwork Size 27.5x39 Skingirl II HPM Silkscreen Print by Prefab77 "Skingirl II HPM" is a silkscreen print created by the British art collective Prefab77. Prefab77 is known for their striking, provocative, and politically-charged artwork that often combines elements of street art, pop culture, and punk rock aesthetics. Their work is heavily influenced by the 1970s punk movement, as well as the urban art scene that emerged in the early 2000s. The "Skingirl II HPM" (Hand Painted Multiple) silkscreen print is a limited-edition artwork that showcases the collective's unique style and attention to detail. The term "HPM" refers to the process where an artist creates a series of unique, hand-finished prints within a limited edition. This means that although the prints may share a common image, each one will have its own distinct characteristics, making them highly sought-after by collectors. In this particular piece, the central figure is a female character dressed in the classic "skinhead" style, which was popularized in the 1960s and 1970s. This style often included elements such as close-cropped hair or shaved heads, tight jeans or trousers, and heavy boots. The image also incorporates various symbols and elements that reflect the punk and street art influences that are signature to Prefab77's work. As a silkscreen print, "Skingirl II HPM" is created by applying layers of ink through a fine mesh screen, resulting in a bold and vibrant image. This technique allows for a high degree of detail and color saturation, which can be seen in the intricate patterns and shading within the artwork. Overall, "Skingirl II HPM" is a striking piece that captures the spirit of rebellion and defiance characteristic of Prefab77's work, making it a highly desirable addition to any contemporary art collection.

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Castle Original One of a Kind Mixed Media & Oil Painting Artwork on Canvas by Modern Pop Dystopian Artist Adam Caldwell. 2022 Signed 11x14 Oil Mixed Media on Canvas Original Painting Ready to Hang Artwork. Adam Caldwell's Castle A Convergence of Chaos and Order in Art "Castle," an original mixed media and oil painting on canvas by Adam Caldwell, is a profound one-of-a-kind artwork that captures the intricate balance between chaos and order—a recurring theme in Caldwell's work as a modern pop dystopian artist. The 2022 signed piece, measuring 11x14 inches, expresses Caldwell's mastery in blending classical art techniques with modern street pop sensibilities, ready to be displayed and provoke thought in any setting. This piece is a visual narrative that conveys the tension between past and present, reality and imagination. At its center is a meticulously detailed castle, an emblem of medieval grandeur and stability, surrounded by abstract, almost violent brushstrokes that suggest a storm of contemporary chaos. Caldwell's "Castle" invites viewers to reflect on the dichotomy of the enduring structures we build—physical and societal—and the often tumultuous energy surrounding them. The castle, a symbol of fortitude and legacy, is juxtaposed against a backdrop of modernity's unrelenting and vibrant force, encapsulated in the riot of colors and textures that make up the canvas's background. Caldwell's artwork is further characterized by detailed sketches that evoke the sense of an underlying narrative that hints at the stories and histories embedded within the walls of such timeless structures. His mixed media approach, involving oil paint that gives depth and richness to the image, alongside other materials that contribute to the piece's texture and complexity, reflects the layered nature of history itself. "Castle" is a testament to Caldwell's ability to navigate the crosscurrents of street pop art and traditional oil painting. It is a visual exploration of the themes that define Caldwell's body of work: the intersection of historical and contemporary, the collision of dystopian and utopian elements, and the dialogue between the chaotic and the serene. Through "Castle," Caldwell continues to challenge and expand the boundaries of what pop art can be, solidifying his role as a visionary artist whose works resonate with the complexities of the modern age.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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The Gang AP Artist Proof Archival Print by Dulk- Antonio Segura Donat Limited Edition on Hand Deckled Archival Pigment Print Pop Graffiti Street Art Artist Modern Artwork. AP Artist Proof 2023 Signed & Marked AP Print Limited Edition Artwork Size 9.84x12.83 Archival Pigment Fine Art. The Alluring Complexity of Dulk's "The Gang AP" Antonio Segura Donat, also known as Dulk, crafts a captivating world in "The Gang AP Artist Proof Archival Print," where the vibrancy of nature meets the notion of imagination. As an AP — artist proof — this 2023 release represents a highly collectible piece, with a signature and the distinguishing AP mark, indicating its status before the general edition run. It's a limited edition piece that thrives in the dimensions of 9.84x12.83 inches, showcasing Dulk's proficiency in archival pigment on fine art. Celebrating Artistic Merit with Archival Pigment Prints The careful selection of hand-deckled archival pigment print medium reflects a dedication to quality, ensuring that the vivid colors and intricate details of Dulk's work endure over time. This attention to longevity is a crucial aspect of modern street art and pop graffiti — a movement known for its transient nature — now seeking permanence in the art world through such high-fidelity reproductions. Dulk's Vision in "The Gang AP" In this piece, Dulk weaves a narrative rich in symbolism and alive with color. "The Gang AP" showcases a totem of animals, each character bursting with personality and detail, standing against a luminous backdrop that seems to celebrate their existence. This is characteristic of Dulk's work, which often delves into themes of the environment, conservation, and the animal kingdom through a lens that is both critical and heartwarming. The print is a testament to Dulk's roots in street pop art and graffiti artwork, where storytelling is as vital as the aesthetic appeal. The layering of characters upon one another in "The Gang AP" suggests unity and interdependence, evocative of the social dynamics often explored within urban art narratives. The "The Gang AP" print by Dulk reflects the evolving street pop art scene. As much as it is a fine art collectible, it stands as an emblem of contemporary storytelling through art, drawing upon the heritage of graffiti and the broader tapestry of pop culture. It underscores Dulk's place in the art world as a creator who bridges the gap between the wildness of the natural world and the structured urban landscapes where street art thrives.

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They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

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Goonie 031 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's Integration of Surrealism into Street Pop Art The art world continually evolves, especially within the domains of Street Pop Art & Graffiti Artwork, where each piece serves as a pulse to the vibrant lifeblood of contemporary visual culture. Naoto Hattori's "Goonie 031" is a striking manifestation of this evolution, a piece that interweaves the ethereal aspects of surrealism with the grounded, accessible nature of street art. This 2013 original watercolor painting captures the viewer's imagination, much like a piece of graffiti captures the eye of a passerby. At the heart of "Goonie 031" is Hattori's signature style, a merger of the fantastical and the real, encapsulated in the 3x3-inch painting space. The painting is set within a custom 8.5x8.5 inch frame, a choice that reflects the artist's dedication to the craft. Every aspect of this work, from the fine art paper to the watercolor technique, has been carefully considered and executed by Hattori, highlighting the meticulous nature often found in the creation of graffiti art. Reflecting the Street Art Ethos in Watercolor Medium With its inherent fluidity and capacity for subtle gradations of tone, the watercolor medium might seem at odds with the often bold and aggressive style of street art. However, in "Goonie 031," Hattori uses this medium to channel a soft yet poignant voice that speaks the language of street art through a different dialect. The painting's subject, an enigmatic figure with an expressive gaze, carries an urban tale within its contours, a narrative that resonates with the viewer on an intimate level. Like the unexpected discovery of street art in an urban landscape, the small size of "Goonie 031" invites surprise and discovery. It compels the viewer to step closer and engage with the artwork on a personal level, much like how one might stumble upon a hidden mural in an alleyway. The painting's custom frame acts as a border, creating a window into Hattori's world, just as a building's wall frames a piece of graffiti, offering a glimpse into the street artist's mind. The Collectible Nature of Hattori's Original Artwork In collectible art, especially pieces rooted in the tradition of Street Pop Art & Graffiti Artwork, originality and authenticity are paramount. "Goonie 031," a signed and framed original work by Hattori, possesses a high degree of collectibility, much coveted by fans and collectors. The personalized touch of the artist's hand, evident in every brushstroke and the careful selection of framing materials, ensures that the artwork is a visual expression and a tangible piece of Hattori's artistic journey. This collectibility is further enhanced by the artwork's unique positioning within street pop and fine art crossover. Although delicate, Hattori uses the watercolor medium to challenge the normative expectations of street art, thereby expanding the definition of what street-inspired artwork can embody. "Goonie 031" thus is an intriguing piece for collectors who value the intersection of diverse artistic practices and the innovative use of traditional mediums in contemporary art. Cultural Dialogue Through Hattori's Artistic Expression "Goonie 031" is a cultural artifact that captures the conversation between the street and the individual, between the public space and the personal experience. While firmly rooted in the conceptual frameworks of surrealism, Hattori's work engages with the cultural and social dialogues typically associated with street pop art. Though silent in its stationary frame, the watercolor painting speaks volumes through its expressive subject and the emotional resonance of its colors. In a broader cultural context, Hattori's "Goonie 031" contributes to the narrative of street art's influence on the fine arts and vice versa. It exemplifies how street pop art and graffiti's authenticity, rawness, and immediacy can be translated into a more traditional art form while maintaining its connection to the viewer. Hattori's work encourages a contemplative interaction reminiscent of the reflective nature of the best street art, which often prompts passersby to pause and consider the message conveyed through the visual medium. In sum, "Goonie 031" is a testament to Naoto Hattori's talent and ability to transcend traditional art boundaries. It invites viewers to reevaluate their perceptions of Street Pop Art & Graffiti Artwork, offering a watercolor narrative that holds as much power and presence as any large-scale mural found on the bustling streets of a city.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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1x1 Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Luke Chueh. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Detroit Minute #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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Baby Milo X Hajime Sorayama- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Bape- A Bathing Ape. 2022 A Bathing Ape BAPE x Hajime Sorayama Rare Bearbrick Collectible New In Box

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Anarchy Rat Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Wall series 9.5" wall, 6.5" rat by Brandalised. Anarchy Rat stands on its hind legs, crowbar in hand, standing in front of an obvious anarchy sign. It's fighting for the absolute freedom of the individual. Add Anarchy Rat to your Brandalised Rat Series and connect the walls together to form an expansive display set.

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Never Win Never Lose Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "Never Win Never Lose Black" is a masterful silkscreen print, a testament to the innovative prowess of Cleon Peterson. Emerging from the dynamic landscape of contemporary art in 2022, this piece stands as a harmonious blend of pop art, street art, and graffiti art influences, capturing the zeitgeist of modern visual expression. Crafted with meticulous precision, the two-color artwork comes to life in a powerful palette of black and bone, creating an evocative interplay of contrast and detail. The canvas of choice is the 290gsm Coventry Rag paper, renowned for its superior quality and texture. Elevating the print's charm is its deckled edge, lending it a touch of vintage allure juxtaposed with the artwork's modern aesthetics. Spanning a size of 18x24 inches, the artwork commands attention, drawing viewers into its intricate narrative and captivating patterns. The intertwining figures, characterized by fluidity and movement, tell a tale of conflict and harmony, a dance of light and shadow that resonates with the duality of human nature. Perhaps the most defining feature of this artwork is its exclusivity. Limited to an edition of just 50, each print is hand-pulled, ensuring the uniqueness and authenticity of every piece. Further reinforcing its value is the artist's signature, alongside a numbering that marks its position in the limited series. In "Never Win Never Lose Black", Cleon Peterson has indeed crafted an artwork that stands at the crossroads of tradition and innovation, a reflection of the ever-evolving narrative of art in the 21st century.

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Actions Speak Louder 12-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Coventry Rag with UV Coating by Sheefy McFly Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered LLimited Edition of 150 12-Color Screen Print on 320gsm Coventry Rag with UV Coating Artwork Size 43.5x54 "Actions Speak Louder" stands out as a vibrant epitome of Sheefy McFly's unique aesthetic, which harmoniously bridges the realms of street and pop art. Released in 2021, this limited edition piece is notably vibrant, consisting of a 12-color hand-pulled silkscreen print on 320gsm Coventry Rag, further distinguished by a UV coating that ensures the longevity and vibrancy of the artwork. Measuring an impressive 43.5x54 inches, each piece of the edition, which is restricted to a count of 150, is signed and numbered by the artist, amplifying its collectible value. McFly's artwork is celebrated for its energetic visual language that speaks to the dynamism of urban life. His use of a broad palette and the intricate layering of colors reflect the complexity and the overlapping narratives found within cityscapes. The inclusion of a UV coating not only protects the artwork but also adds a layer of texture and sheen, enriching the viewer's experience of the interplay of colors and shapes. In "Actions Speak Louder," the artist conveys a cacophony of emotions and societal commentary through the chaos of colors and the expressiveness of abstract figures. These elements come together not only to captivate and stimulate the viewer's gaze but also to provoke thought and discourse on contemporary issues mirrored in street art. McFly's work is more than mere decoration; it is a dialogue in visual form, inviting interpretations as varied as its audience. Sheefy McFly has established himself as a significant force in the art world, with his works held in high regard by both street art fans and pop art collectors. "Actions Speak Louder" is a testament to his skill in synthesizing color, line, and form to create a print that is both a feast for the eyes and food for thought, embodying the essence of what makes street art and pop art so resonant in modern culture.

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Smokey PP Printers Proof Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Scott Listfield Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 16x23

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Overflow Limited Edition Hand Pulled 10-Color Serigraph Print on 30 pt. archival museum board by Erik Otto Graffiti Street Artist Modern Pop Art. 2019 Signed 10-color serigraph 30 pt. archival museum board 22 x 30 in. / 56 x 76 cm. Signed edition of 30. Printed in collaboration with Haven Press. Each layer hand-painted on films and exposed to screens through direct photo-emulsion — no computer & no digitizing involved.

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Le Tigre Limited Edition 8-Color Hand-Pulled Silkscreen Print on 250gsm Stonehenge Fine Art Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Le Tigre Silkscreen Print by Chris Saunders "This piece is an evolution of a piece I did a few years ago that originated as a sketch. I was experiencing a massive shift in my life at the time. I was feeling a pull away from my career as a commercial artist to focus on my own art and I had a lot of fear coming up for me. Usually, when I experience these shifts I do my best to get out of my head and trust my inner guidance. That inner guidance tends to mold those experiences into the form of different animal forms that guide me through that transition. To me, the tiger represents primal instinct and being able to let go and trust yourself and fully trust your intuition. This piece looks about 100 times more amazing when you see it in person, the pics don't really highlight the layers and textural quality of all the inks used." - Chris Saunders

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Birdwatching Blacklight Giclee Print by Saber Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & NumberedHPM Limited Edition of 30 Hand Deckled & Embellished Artwork Size 23x16.5. Yellowing To Margins. "I like the results of this experiment. I spent time with each print using UV markers and paint pens to turn on the lights literally." -Saber The "Birdwatching Blacklight HPM Giclee Print" by Saber is a contemporary marvel in pop art, street art, and graffiti. It embodies a creative fusion of vibrant aesthetics with engaging content that holds a magnifying glass to the urban experience. Saber, a celebrated Los Angeles-based artist, is known for his prolific body of work in street art, and his signature aesthetic is identifiable in this piece. The print showcases a clever play of colors using blacklight-reactive inks, amplifying the contrast between shadows and illumination. The choice of the blacklight medium is a reflection of Saber's propensity for innovating within the street art genre. The effect created by this print is reminiscent of the nocturnal urban environment, a prevalent theme in much of Saber's work. The piece, featuring a bird watcher set against an urban backdrop, also raises compelling questions about the interaction of the natural and the urban in our lives. The theme of bird watching, a peaceful, almost meditative activity, is jarringly contrasted with the chaotic, intense graffiti background. This juxtaposition is thought-provoking and typical of the thoughtfulness Saber brings to his work. In the "Birdwatching Blacklight HPM Giclee Print", the giclee printing process further adds to the print's unique texture. High-quality, fade-resistant inks are sprayed onto the surface, allowing for accuracy and sharpness in reproducing Saber's original artwork. This technique is a nod to the evolution of street art and its intersection with technology, maintaining the essence of Saber's original graffiti while enhancing its durability and accessibility. As an iconic piece from a stalwart in the street art world, "Birdwatching Blacklight HPM Giclee Print" exemplifies the power of street art to create visually arresting pieces that are both stunning and laden with socio-cultural commentary. Through this artwork, Saber bridges the gap between the street and the gallery, democratizing art and making it more accessible to the wider public. This piece stands as a testament to the continual evolution and relevance of street art in the contemporary art scene.

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