🔥 Street Art & Graffiti Pop Art Sale – Limited-Time Discounts on Urban Masterpieces

Stormtrooper Grin PP Printer Proof Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 12x12 Dissecting "Stormtrooper Grin" by Ron English- POPaganda "Stormtrooper Grin" is a provocative work by Ron English- POPaganda, a revered name in modern pop art, street art, and graffiti art. This Printer's Proof (PP) limited edition archival pigment print from 2020, signed and marked in English, is a testament to his signature fusion of high art and street culture. Presented on 290gsm Moab Fine Art Paper, this print, measuring 12x12 inches, captures the essence of English's impactful aesthetic. Known for his use of color and distortion, English transforms familiar imagery from popular culture into something new, often with a subversive twist. Ron English- POPaganda's Vision in Pop Art and Street Culture English's "Stormtrooper Grin" reimagines the iconic helmet of the Stormtrooper from the Star Wars franchise, overlaying it with a human skull. This juxtaposition is emblematic of English's style, often combining a bright, almost cartoonish palette with darker themes. His work is recognized for its critical commentary on consumerism, corporate strategies, and idolizing popular culture icons. By placing a skeletal grin within the context of a symbol associated with conformity and the loss of individuality, English invites viewers to reflect on the nature of identity and mortality within the seemingly benign trappings of entertainment. Impact of Ron English- POPaganda's Work on Street Pop Art Ron English- POPaganda is credited with the proliferation of "culture jamming," a practice where familiar visual symbols are altered to challenge the status quo. His "Stormtrooper Grin" directly reflects this, taking a ubiquitous symbol from science fiction and turning it into a conversation piece that questions the narratives we consume and the ideologies they perpetuate. The print embodies the transformative potential of street pop art and graffiti artwork, where the lines between commercial and countercultural are blurred, creating a space for dialogue and dissent. The meticulous craftsmanship in "Stormtrooper Grin" is evident in the precision of the archival pigment print, a method chosen for its fidelity to the artist's original vision. This technique allows for a wide range of vibrant colors and deep blacks, ensuring that the work is a piece of street pop art and a fine art collectible. English's choice of fine art paper and archival pigments serves to solidify the permanence of a piece that, in another context, might have been a temporary fixture on a city wall. Through "Stormtrooper Grin," Ron English- POPaganda continues to challenge perceptions, using his art to provoke thought and encourage a deeper examination of the symbols that permeate our culture. His ability to bring street art sensibilities into the realm of fine art printmaking has established him as a pivotal figure in the street pop art movement. Like much of English's oeuvre, this artwork serves as a stark reminder of the power of visual language in articulating, critiquing, and redefining the narratives fed to society by mass media and entertainment conglomerates.

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Long Live Death- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. “Everything I do is a reaction to the world we live in.”, he says.

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Some Velvet Morning- Wood Variant Hand-Pulled 16-Color Silkscreen Print on 110lb Cover Wood Veneer Paper by Pop Artist Eric Pause Rare Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 10 Size 30x24

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Mechbot Paint Attack Kickstarter CanBot Large Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artists Czee13 x Quiccs x Zinc Nite Crew ZNC x Freakyfir- Muhammad Firdaus x Clutter Magazine. 2020/2023 Limited Edition Embossed Stamped New In Box Custom Rare Kickstarter Mechbot Paint Attack Canbot Canz OG Blue & Teal Colorway Artwork Size 8x9.5. Crossover Epic Art Toy Project Featuring Work by Artists Czee13 x Quiccs x Zinc Nite Crew x Freakyfir x Clutter Magazine. It Is Only Obtainable By Backing A 2020 Canbot Canz Kickstarter and Then Waiting Until Completion During The 2023 Season. Exploring the Mechbot Paint Attack CanBot: A Convergence of Street Art Titans The Mechbot Paint Attack CanBot is not just a vinyl art toy; it's a canvas where the pulsating energy of street graffiti art converges with the imagination of some of the most influential names in the pop culture art scene. This limited edition collectible is a collaborative masterpiece birthed from the creative minds of artists Czee13, Quiccs, the Zinc Nite Crew, and Freakyfir, with Clutter Magazine orchestrating the symphony of this crossover epic art toy project. Released between 2020 and 2023, this piece was exclusively available to those who supported the CanBot Kickstarter, marking it as a rare gem within the street pop art & graffiti artwork domain. Standing at an impressive 8x9.5 inches, the Mechbot Paint Attack CanBot is a testament to the dynamic nature of street art, embodying the spirit of collaboration often at the heart of this artistic movement. The OG Blue & Teal Colorway is not just about aesthetics; it's a statement, a piece of visual storytelling that connects the dots between various artist styles, each known for their unique contributions to the art world. This collectible is embossed and stamped, signaling the authenticity and the individual attention each piece receives, a hallmark of collectible art toys. The Mechbot Paint Attack CanBot symbolizes the intersection of innovation and tradition, where the iconic CanBot form is reimagined through a mech-inspired lens. It's a celebration of the graffiti can, a tool of the trade for many street artists, transformed into a futuristic being that encapsulates the essence of urban art. This art toy goes beyond mere collectibility; it's a historical footnote in the annals of street art, representing a moment when artists from varied backgrounds and styles came together to create something truly exceptional. Each artist involved in the project brings their signature touch to the CanBot. Czee13's love for the can form, Quiccs' affinity for mecha aesthetics, the Zinc Nite Crew's dedication to the graffiti culture, and Freakyfir's unique take on art all contribute to a diverse yet harmonious final product. Clutter Magazine's role in bringing these artists together underlines the importance of communal spaces and platforms that promote and support the growth of street art. In the hands of collectors, the Mechbot Paint Attack CanBot is a piece of the pulsating heart of the streets, a reminder of the raw, unfiltered creativity that thrives in urban environments. It's an artwork that challenges the boundaries of what can be considered art, pushing it into interactive and functional design. This CanBot is not just meant to be displayed; it's meant to be experienced, a conversation starter, and a bridge between the world of street art and those who may not wander the alleys and byways where such art is born. Owning a Mechbot Paint Attack CanBot is akin to holding a piece of street art history, remembering when art leaped off the walls and into the tangible realm. It reflects the growing recognition of street pop art & graffiti artwork as a culturally and artistically significant medium. For enthusiasts and collectors, it represents the broader narrative of street art's evolution and its ceaseless journey into new forms and expressions.

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Goonie 041 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Mini Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's "Goonie 041" and the Essence of Surrealism in Art "Goonie 041," an original watercolor painting by the surreal artist Naoto Hattori, stands as an embodiment of the delicate balance between realism and fantasy that defines surrealism. This one-of-a-kind piece, completed in 2013, is a masterful display of Hattori's ability to draw the viewer into a world that defies conventional boundaries. The artwork, measuring 3x3 inches within an 8.5x8.5-inch custom frame, is meticulously signed by the artist. Hattori's choice to mat and frame the piece himself adds an intimate touch, further personalizing the viewing experience. While typically not categorized within the traditional definitions of street pop art and graffiti artwork, "Goonie 041" resonates with the same spirit of freedom and expression that characterizes these art forms. Hattori's work often explores the subconscious, merging elements of the dream world with reality. The framed watercolor painting presents an image that, while small in size, is expansive in imagination, inviting the observer into a realm where the rules of the physical world are bent and reshaped by the artist's vision. Artistic Significance of "Goonie 041" Within Contemporary Art The significance of "Goonie 041" within the contemporary art scene lies in its juxtaposition of the meticulous technique of watercolor with the unpredictable nature of surreal subject matter. Hattori's skillful brushwork brings to life the textures and nuances of the figure, providing a stark contrast to the surreal elements that make his work distinctive. The composition of the piece, centered within the square frame, draws focus to the surreal figure, compelling the viewer to contemplate the story behind the image. Hattori's work, including "Goonie 041," contributes to a larger conversation about the intersection of various art forms and the ways in which artists can communicate complex ideas through diverse mediums. The painting's existence within a traditionally framed context does not diminish its connection to the more transient and public expressions found in street art. Instead, it highlights the versatility of surrealist art to find a home across a spectrum of settings and formats. In conclusion, Naoto Hattori's "Goonie 041" is a fine example of contemporary surrealism that shares an undercurrent with street pop art and graffiti artwork. The piece encapsulates the artist's profound connection to a deeper artistic narrative, one that delves into the realms of the surreal and the subconscious. Through "Goonie 041," Hattori invites us to explore the boundless possibilities of imagination, challenging our perceptions and encouraging us to see beyond the visible world.

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Frontier I Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Josh Keyes, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 19 Inches Release: July 26, 2019 Run of: 250 I think they are successful in that I accomplished what I set out to express. I would enjoy revisiting this theme in the future. I think the imagery is interesting and wacky, and when I look at the print, it transports me someplace far, far away. I like art that leaves me slightly confused and with unanswered questions. If you need another reason, the paper and printing quality are top notch." - Josh Keyes The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express a profound existential anxiety and uncertainty. In the dystopia of Keyes nature interacts with the urban life in an abstract and unsettling way, which aesthetically reminisces scientific textbook illustrations and anatomical diagrams.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Target Black & Gold Red Wall Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2013 Signed on Box Limited Edition of 500 Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Red Firing Wall with Gold Target and Paint Bucket. Luke Chueh’s Target Black & Gold with Red Wall: A Bold Variation in Symbolic Street Pop Sculpture Released in 2013 as a limited edition of 500, the Target Black & Gold with Red Wall vinyl art toy by street pop and graffiti artist Luke Chueh introduces a dramatic reimagining of his widely recognized Target sculpture. Measuring 6.5 by 10.5 inches and packaged in a striking collector’s box signed by the artist, this edition retains the central visual theme of Chueh’s emotionally loaded bear while elevating the tension through color and material contrast. Here, the white figure is transformed into a matte black form, marked by a freshly painted gold bullseye. The bear stands against a blood-red brick wall punctuated with bullet damage, enhancing the narrative of self-imposed exposure and existential vulnerability. Redefined Aesthetics and Emotional Symbolism This version of Target amplifies the psychological themes that recur throughout Luke Chueh’s work—pain, isolation, and dark introspection presented through the disarming visual language of toy-like characters. The matte black bear, stripped of facial emotion, applies a gold target to its own chest with a removable red-handled brush, as a bucket of gold paint rests near its feet. The setting, a distressed red brick wall riddled with bullet holes, starkly contrasts the elegance of the gold against the brutality of its backdrop. Rather than suggesting chaos from an external force, the figure actively participates in its own targeting. This gesture speaks to cycles of shame, emotional self-destruction, and the absurdity of accepting suffering as identity. Street Pop Art & Graffiti Artwork in Three Dimensions The Target Black & Gold edition functions not only as a collectible vinyl art toy but also as a fine art object firmly rooted in street culture. Its clean, minimal character design channels modern pop aesthetics, while the bullet-pocked red wall and graffiti-inspired markings pay homage to the grittier textures of urban environments. Chueh bridges psychological depth and consumer culture with careful consideration of narrative, tone, and symbolism. Each element of the sculptural tableau is intentional, from the choice of a rich gold tone to the blood-red backdrop, framing the figure’s quiet act of defiance in a space of confrontation. Edition Significance and Collector Impact The black and gold Target with red wall remains one of the most sought-after variants in Luke Chueh’s sculpture portfolio, drawing attention from both contemporary art collectors and street art enthusiasts. Its combination of limited edition rarity, conceptual richness, and meticulously crafted presentation ensures its place within the upper echelon of modern Street Pop Art & Graffiti Artwork. By reducing his bear figure to the essence of expression through posture and context, Chueh achieves an emotional resonance that transcends traditional toy sculpture. This piece not only completes the narrative arc of the original Target series but reinvents its language through color, form, and raw visual poetry.

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Pray Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul's art has evolved over the years, with his pieces taking on a life of their own, often tackling themes of identity, consumerism, and the human experience. His work has captured the attention of collectors, enthusiasts, and fellow artists alike, solidifying his position as a leading figure in the world of urban art. As a tireless advocate for self-expression and artistic freedom, Vandul continues to inspire and challenge those who encounter his work, shaping the landscape of contemporary street art and beyond.

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A Night On The Town Original One of a Kind Acrylic Painting Artwork on 270gsm Acrylic Canvas Stock by Popular Street Graffiti Artist Aaron Craig- Pop Mash. 2021 Signed Original Acrylic Painting Artwork Size 21x29 Artwork Specifications Artwork dimensions: 54cm x 74cm (21” x 29”) Medium: Acrylic paint on 270gsm acrylic canvas stock Signed and blind stamped by Aaron Craig

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Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Spacemonkey Test Print Unique Silkscreen Artwork by Dalek- James Marshall Hand-Pulled 14-Color Screen Print on 330gsm Museum Smooth Cotton Rag Paper Limited Edition Pop Street Art Artwork. 2018 Signed Test Print Marked 1/1 Unique One-of-a-Kind Original Print Artwork Size 24x20 "Spacemonkey Test Print Unique Silkscreen Artwork" is a piece of contemporary art created by American artist Dalek, whose real name is James Marshall. Born in New London, Connecticut in 1968, Dalek is well-known for his signature Spacemonkey character, which he began painting in the late 1990s. The Spacemonkey character is an iconic figure in Dalek's body of work, strongly influenced by Japanese pop culture, street art, and graffiti. This particular piece, the "Spacemonkey Test Print Unique Silkscreen Artwork," is a unique silkscreen print featuring the Spacemonkey in a test print format. Silkscreen printing, also known as screen printing, is a popular method of printing images on various surfaces using a mesh to transfer ink. The technique allows for the creation of multiple unique prints, each with slight variations due to the handcrafted nature of the process. In the case of this piece, Dalek has chosen to create a unique, one-of-a-kind test print. The artwork features his signature bold colors, geometric patterns, and the Spacemonkey character. The test print format often shows various layers of the printing process, adding depth and intricacy to the piece. Collectors and fans of Dalek's work often seek out his Spacemonkey creations for their vibrant, edgy appeal and the way they represent a fusion of street art, pop culture, and fine art. As a unique test print, this particular piece is likely to be highly coveted among art collectors and enthusiasts.

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Flower Power Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Partisan 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Baseman Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Partisan, 2013 Screenprint in colors on speckled cream paper 18x 24inches Ed. 400 Signed, numbered, and dated in pencil along lower edge by Shepard Fairey & Baseman, Published by Obey Giant, Los Angeles

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Galimatias AP Silkscreen Print by Etam Cru x Sainer x Bezt Artist Proof Hand-Pulled Screen Print on Deckled Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2015 Signed & AP Marked Limited Edition Run Artwork Size 29x30 Galimatias AP: A Unique Silkscreen Collaboration by Etam Cru, Sainer, and Bezt Galimatias AP is a significant work within the Street Pop Art and graffiti Artwork movement, born from the collaborative genius of Etam Cru, composed of Sainer and Bezt. This Artist Proof silkscreen print from 2015 showcases the unique fusion of each artist's distinctive style, hand-pulled on Coventry Rag fine art paper. Measuring 29x30 inches, the print is a substantial piece that commands attention with its intricate details and evocative imagery, amplified by the tactile quality of the deckled paper edge. Artistry and Authenticity in Galimatias AP Every Artist's Proof is a testament to a print's authenticity and exclusive nature, and Galimatias AP is no exception. The piece is marked 'AP' and signed by both Sainer and Bezt, indicating that it is part of a limited edition run. This marking guarantees the print's authenticity and shows that it is among the first pulled from the series, often retained by the artists or used for exhibition purposes. Craftsmanship in Screen Printing The hand-pulled screen printing process used for Galimatias AP is an art form requiring meticulous attention to detail. This traditional technique, applied to a modern artistic vision, produces a print with depth and vibrancy unachievable through digital means. The 7-color process employed in Galimatias AP and the use of high-quality Coventry Rag paper ensures that the artwork's colors are rich and the imagery is sharp, with each layer contributing to the overall narrative and aesthetic. Symbolism in the Work of Etam Cru Galimatias AP's imagery is rich with symbolism, a hallmark of Etam Cru's work. The juxtaposition of the fantastical elements with the mundane creates a surreal atmosphere open to interpretation, inviting the viewer to uncover the narrative woven into the visual composition. This piece reflects the duo's approach to Street Pop Art and graffiti Artwork, where whimsical and often introspective storytelling is at the forefront. Collectibility and Impact of Limited Editions The limited edition nature of Artist Proofs like Galimatias AP contributes to their collectibility and impact within the art community. Collectors and enthusiasts seek out these prints for their exclusivity and connection to the artists' original vision. As an AP, Galimatias is particularly coveted, its value enhanced by its limited quantity and the notoriety of its creators within the Street Pop Art and graffiti Artwork scene. Legacy of Etam Cru in Street Pop Art & Graffiti The legacy of Etam Cru in the Street Pop Art and graffiti Artwork movement is solidified through works such as Galimatias AP. Sainer and Bezt, through their collaborative efforts, have pushed the boundaries of street art, challenging perceptions and encouraging a deeper appreciation for the genre. Their influence is evident in how their prints, minimal editions, continue to resonate and inspire, securing their place in the annals of contemporary art.

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Goonie 037 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. The Distinctive Fusion of Surrealism and Street Pop Art in Goonie 037 by Naoto Hattori Naoto Hattori's original watercolor painting, "Goonie 037," presents a compelling narrative within the spectrum of Street Pop Art & Graffiti Artwork despite its more traditional medium and surrealistic approach. Diverging from the typical urban landscapes and politicized messages of street art, Hattori encapsulates an enigmatic presence that resonates with the peculiar and profound characteristics that align with the whimsical and the bizarre. The small-scale image size of 3x3 inches, housed within an 8.5x8.5-inch frame, commands attention through its intimacy and intricacy, a testament to Hattori's meticulous craftsmanship. Crafted in 2013, this one-of-a-kind watercolor painting brings forth the imaginative realms Hattori is renowned for while also hinting at the essence of Street Pop Art through its unique presentation and the artist's choice to custom frame and matt the piece himself. This personal involvement in the presentation echoes the hands-on approach of street artists, who often control every aspect of their work, from conception to installation. The artwork's intricacy and bespoke framing suggest a dialogue with the viewer, an intimate exchange often sought after in street art. Hattori's "Goonie 037" does not explicitly borrow from the visual language of graffiti but instead infuses the personalized, often subversive spirit of graffiti art into a more surreal and fantastical realm. This piece, signed and validated by the artist, showcases his skill in rendering otherworldly subjects with a precision and depth that is palpably felt. Although the work is rooted in fine art traditions, its spirit of non-conformity and the surprise element inherent in its surreal subject resonates with the disruptive ethos of Street Pop Art & Graffiti Artwork. Naoto Hattori's Artistic Legacy and the Intersection with Urban Aesthetics While "Goonie 037" might at first glance seem distant from the raw vibrancy of street art, its singular nature aligns with the one-off pieces that adorn city walls, often never to be replicated or seen elsewhere. Hattori's decision to engage with watercolor—a medium often perceived as delicate and requires a systematic approach—parallels the precision street artists apply with their spray cans and stencils. The artwork's surreal character challenges the viewer's perception and invites interpretations as varied as the audience that encounters it, akin to the diverse viewership of Street Pop Art & Graffiti Artwork. The convergence of Naoto Hattori's work with the sensibilities of Street Pop Art & Graffiti Artwork lies in the shared ethos of both realms to evoke emotion, challenge norms, and captivate through visual storytelling. "Goonie 037," with its rich textures and profound depth, embodies a visual monologue that speaks to the onlooker on multiple levels. The artwork encourages a pause, a closer inspection, and a moment of reflection, much like street art that compels passersby to stop and ponder. In examining the legacy of Naoto Hattori and his creation "Goonie 037," one can see the threads that connect his work with the larger tapestry of Street Pop Art & Graffiti Artwork. His oeuvre reminds us that art cannot be confined to a single category or style but is a fluid and ever-evolving entity that draws from myriad influences and manifests in various forms. "Goonie 037" thus stands as a bridge between the worlds of surrealism and street art, embodying the transformative power of art to transcend boundaries and engage with viewers across diverse spectrums.

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Cageman Vinyl Sculpture by Joan Cornellà Limited Edition Modern Pop Graffiti Street Art Artwork. 2025 Limited Edition of 50 Artwork Sculpture Size 3x5.7  Joan Cornellà Cageman Vinyl Sculpture 2025 The Cageman vinyl sculpture by Joan Cornellà is a sharp and unsettling example of contemporary Street Pop Art & Graffiti Artwork translated into three-dimensional form. Released in 2025 as a limited edition of only 50 sculptures, this piece measures approximately 3 x 5.7 inches and distills Cornellà’s signature visual language into a compact, highly symbolic object. Known for his dark humor and deceptively cheerful characters, Cornellà uses sculpture here to extend the themes that have defined his illustration practice, transforming satire into a physical, collectible artwork. Visual Concept and Dark Satirical Tone The sculpture depicts a smiling man dressed in a neutral suit with a bright blue tie, posed beside a small barred cage while holding a selfie stick. In one configuration, the figure sits comfortably outside the cage, smiling toward the viewer, while in another, he is enclosed within it. The contrast between the character’s cheerful expression and the implied imprisonment is central to the work’s meaning. This visual contradiction reflects Cornellà’s trademark approach, where exaggerated positivity masks deeply uncomfortable truths. The clean lines, glossy vinyl surface, and cartoon proportions reinforce the deceptively playful aesthetic, drawing viewers in before confronting them with the darker implications beneath the surface. Material Execution and Edition Details Produced in high-quality vinyl, Cageman features smooth finishes, crisp detailing, and precise molding that emphasize the polished, toy-like appearance Cornellà often employs to heighten satire. The barred cage element adds a strong architectural presence, reinforcing themes of confinement, surveillance, and self-inflicted limitation. With a limited edition of just 50 examples, this sculpture occupies a rare position within Cornellà’s sculptural output, appealing to collectors of contemporary pop-influenced art as well as those drawn to conceptual Street Pop Art & Graffiti Artwork. The small scale makes the piece approachable, while its conceptual weight ensures lasting visual and intellectual impact. Joan Cornellà and Contemporary Street Pop Art Joan Cornellà was born in 1981 in Barcelona, Spain, and has become internationally recognized for his wordless illustrations that critique modern society, social media culture, consumerism, and emotional detachment. His work is instantly identifiable by its bright colors, smiling characters, and abrupt, often disturbing narrative turns. While not a graffiti artist in the traditional sense, Cornellà’s work aligns closely with Street Pop Art & Graffiti Artwork through its accessibility, graphic clarity, and cultural commentary. Cageman exemplifies his ability to compress complex social critique into simple, memorable imagery, using humor as a Trojan horse to explore themes of freedom, identity, and self-surveillance in the contemporary world.

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Goonie 034 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Navigating the Surreal and Street Pop Art in Goonie 034 by Naoto Hattori Naoto Hattori's "Goonie 034" emerges as a significant piece in Street Pop Art & Graffiti Artwork despite its roots in the more traditional practice of watercolor painting. The 2013 original creation is a testament to Hattori's distinctive vision, blending the boundaries between the precise technique of watercolor and the often spontaneous, expressive nature of street art. This artwork, enshrined within a custom 8.5x8.5-inch frame, brings forward a 3x3-inch image that captivates with its surrealist depiction, inviting a streetwise dialogue on a fine art platform. The artwork, signed and singular in its existence, reflects the artist's deep engagement with the piece, from the stroke of the brush to the careful selection of the frame and matte. Hattori's involvement in each step of the creation and presentation process aligns with the ethos of street artists, who often see their art from inception through to its final public display. This dedication to the craft and the artwork's journey from studio to viewer shares the spirit of Street Pop Art & Graffiti Artwork, where the artist's hand is evident in every aspect. Hattori's "Goonie 034" might not explicitly adopt the visual lexicon of graffiti; however, the piece exudes a rebellious aura akin to the impactful visuals of graffiti art. The watercolor medium, often seen as delicate and reserved for fine art, is pushed to new limits in Hattori's hands, presenting a piece that challenges the viewer's expectations and traditional art norms. This subversion is a core element of street and pop art, making "Goonie 034" a bridge between disciplines and inviting fine art enthusiasts to explore street-inspired artwork's vivid and raw territories. The Influence of Naoto Hattori and the Interplay with Urban Art Forms Naoto Hattori's influence in the artistic community extends beyond his surreal imagery. His artwork "Goonie 034" is pivotal in the conversation about the interplay between different art forms. The small scale of the watercolor painting demands close inspection, much like the intricate details found in stencil graffiti or the hidden messages in urban murals. It's a dialogue of the intimate versus the expansive, the personal versus the public, a dynamic often explored in Street Pop Art & Graffiti Artwork. The enigmatic quality of Hattori's work embodies street art's unpredictability and layered meanings. While his canvas is paper and his tools are brushes and pigments, the sentiment conveyed is as powerful and engaging as any piece found on the concrete canvases of cityscapes. "Goonie 034" is a cultural artifact that transcends the conventional gallery space and resonates with the authenticity and vibrancy of street art. Exploring "Goonie 034" in the context of Street Pop Art & Graffiti Artwork underscores the fluidity of art and howhich it can occupy multiple spaces and cater to diverse audiences. Hattori's piece serves as a reminder of the limitless possibilities that arise when artists draw inspiration from various sources and blur the lines between established art categories. The artwork is a testament to the evolving narrative of street and pop art, which continues redefining itself and its relevance in the ever-changing landscape of contemporary art.

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Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

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Make America Again PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2017 Signed & Marked PP Artwork Size 18x12

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Most Wanted- PP Printers Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Cope2 Rare Street Art Limited Edition Artwork. PP Printers Proof 2010 Signed & Numbered Framed Limited Edition Artwork Size 22x17 Framed under glass. Not examined outside of the frame. Framed Dimensions 19 X 24 Inches

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The Final Solution- Atomic Bomb Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. 2014 Signed Limited Edition Artwork

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Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

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I Love Only You Silkscreen Print by Gary Taxali Hand-Pulled 6-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 29x23 Silkscreen Print The Significance and Craft of Gary Taxali's "I Love Only You" Silkscreen Print Gary Taxali's "I Love Only You" silkscreen print is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This limited edition piece, created in 2014, demonstrates Taxali's unique blend of vintage comic strips, advertising aesthetics, and playful imagery that firmly roots his work in the legacy of Pop Art while pushing its boundaries into the street and graffiti art scenes. Taxali, known for his distinctive style, often marries the retro with the modern, and this artwork is no exception. It is a hand-pulled 6-color print on Cover White Arches Fine Art Paper, a choice that speaks to the artist's dedication to craftsmanship and quality. Arches Paper is revered among artists for its texture and durability, serving as a testament to its longevity and collectibility. The limited-edition nature of "I Love Only You," with only 50 signed and numbered prints, increases its exclusivity and desirability among collectors. The artwork's approximately 29x23 inches size makes it a substantial piece suitable for prominent display. Silkscreen printing, a method famously used by Pop Art icon Andy Warhol, allows Taxali to achieve vivid colors and sharp images that are striking and emotionally resonant. Exploring the Pop Art Continuum in Street Art through Taxa li's Work Gary Taxali's work is often celebrated for its ability to capture the spirit of Pop Art and transpose it onto the more raw and expressive canvas of street art. "I Love Only You" exemplifies this cross-pollination. The subject matter—a whimsical character engaging directly with an inanimate object, infusing it with affection and personality—encapsulates the heart of Pop Art's interest in the mundane and the commercial. However, Taxali's bold lines and the print's presence as a piece of Street Pop Art and graffiti Artwork also evoke the unrefined, immediate quality of street art and graffiti. Taxali's characters are reminiscent of 1930s cartoons, yet they carry a contemporary edge that speaks to today's audience. The playful nature of the piece, combined with its direct and simple message, is characteristic of street art's ability to communicate with a broad audience. This overlap of high art and low art, of gallery walls and street corners, is a defining feature of Taxali's artistic practice and places "I Love Only You" within the ongoing dialogue of art as a public and personal experience. Cultural and Artistic Value of Taxali's Silkscreen Print "I Love Only You" not only represents a blend of artistic styles but also embodies a cultural statement that resonates with the ethos of Pop and Street Art. Both movements have often sought to blur the lines between 'high' and 'low' culture, and Taxali's print contributes to this discourse. It juxtaposes commercial art techniques with acceptable art practices, suggesting that art can be both accessible and sophisticated. Taxali's print holds an esteemed place in the art world for its aesthetic appeal and commentary on love, consumerism, and the interplay of text and image. The phrase "I Love Only You," juxtaposed with various objects, speaks to the commodification of emotions and relationships, a theme frequently explored in pop and street art. By presenting this commentary through silkscreen—a technique associated with mass production—Taxali underscores the tension between uniqueness and ubiquity, a conversation ever-present in public art discussions. The Enduring Appeal of Gary Taxali's "I Love Only You" Gary Taxali's "I Love Only You" is a testament to the artist's role as a bridge between past and present, fine art and street culture. Through his meticulous crafting of this print and careful selection of medium, Taxali has created a piece that is visually captivating and rich in meaning and context. As a piece of Street Pop Art and graffiti Artwork, it continues to engage viewers, spark conversations, and hold a mirror to the culture it both represents and critiques. The rarity and handcrafted nature of the print further cement its status as a desirable collector's item, embodying the spirit of both Pop Art and the irreverent, democratic ethos of street and graffiti art. In "I Love Only You," Taxali has captured a moment in art history while contributing to its evolution.

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What The Hell Am I Doing With My Life- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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The Beauty of Rebellion Limited Edition Polystone Art Toy Collectible Artwork by street graffiti artist Abell Octovan.  Set to challenge the notion of beauty in today's society; the ballerina is all geared up with a vest and mask, holding a smoke grenade and twirling and dancing amid a rebellion. Drawing inspiration from classic Greek sculptures, The Beauty of Rebellion features a smooth marble-like effect. The spray can is highlighted with a red accent, a representation of the desire to break free from the beauty conventions we all know. A Dance of Dissent Abell Octovan's "The Beauty of Rebellion" merges the classical grace of a ballerina with the subversive edge of street art, creating a polystone resin sculpture that challenges and redefines conventional aesthetics. This 2021 limited edition collectible embodies a visual protest against the rigid standards of beauty that permeate society, presenting a figure of elegance poised in an act of insurrection. The collectible portrays a ballerina, traditionally an icon of beauty and poise, adorned not with the typical delicate attire but with a vest and mask, holding a smoke grenade. This juxtaposition creates a striking image of contrast and conflict – amid a pirouette, the dancer is simultaneously a symbol of rebellion. The piece draws a parallel between the disciplined form of ballet and the chaotic nature of protest, suggesting that both require a certain degree of passion and precision. Marble and Movement: A Statue of Subversion Octovan's sculpture, with its smooth marble-like effect, nods to the classical Greek statues that epitomize an enduring standard of beauty and form. However, "The Beauty of Rebellion" subverts this tradition by introducing elements of street culture, namely the spray can, highlighted in red as a beacon of defiance. This very spray can represent the artist's – and society's – urge to break free from the constraints of conventional beauty norms. The ballerina stands on a cloud of billowing smoke, a base that further emphasizes the theme of upheaval. While symbolizing chaos, the smoke also serves as a pedestal for the figure, elevating her act of rebellion to one of artistic and cultural significance. This base grounds the sculpture in the realm of street pop art & graffiti artwork, where messages are often conveyed through bold and unexpected visual statements.  Defining Beauty Through Defiance "The Beauty of Rebellion" is not merely a collectible but a statement on the evolving perceptions of beauty in contemporary culture. Abell Octovan uses this piece to spark conversation about the societal pressures of beauty standards and the power of individual expression. The ballerina's dance becomes a metaphor for the struggle against these pressures, her grace a form of resistance, and her grenade a tool for societal awakening. In the context of street pop art & graffiti artwork, Octovan's work reflects the genre's capacity to address severe cultural and social issues through art that is accessible yet provocative. The sculpture encourages viewers to consider the many forms of beauty and how art can challenge the status quo. Legacy of Rebellion in Art Abell Octovan's "The Beauty of Rebellion" joins the ranks of iconic works within street pop art & graffiti artwork that have redefined how beauty is represented and understood. By fusing elements of classical art with modern-day symbols of resistance, Octovan creates a dialogue that extends beyond the sculpture into the fabric of societal discourse. The collectible is a testament to the enduring power of art to confront and question. In its blend of the classical and the contemporary, "The Beauty of Rebellion" stands as a symbol of the ongoing conversation about beauty, expression, and the role of art in challenging the conventions we have come to accept. It is a dance of dissent, captured in resin, echoing through the halls of modern art.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

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Apvshkin Statue Limited Edition Resin Sculpture Artwork by Street Artist SSUR- Ruslan Karablin x Medicom Fine Art. 2021 Signed Sculpture Limited Edition Artwork Size 14" Tall A. PVSHKIN SSVRILLA Displayed With Box

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Serve the Court Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. First release from Marwan Shahin's Athletic Pharaohs series, one of the popular works debuted at his second solo exhibition "APEX MIRAGE" 2020 in Hollywood California. "Serve The Court” 2020 24"x36" Giclée print on Etching Rag Each print is Signed, Numbered & Branded Limited Edition of 20

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Baccarat Clear 200% Be@rbrick Crystal Glass Art Toy by Medicom Designer Luxury Limited Edition Artwork Collectable Art Figure. 2021 Baccarat x Bearbrick Medicom Clear Glass Crystal Art Toy Collectible Size 200% New In Box. Kawaii is invading planet Baccarat! Fusion of Craftsmanship and Pop Culture The 2021 Baccarat Clear 200% Be@rbrick represents a unique intersection between traditional French crystal artisanship and modern pop culture aesthetics. This piece is a tangible celebration of a crossover between the old-world luxury of Baccarat, the iconic French crystal maker, and the contemporary creative expression of Medicom Toy, a leading Japanese figure in the designer toy market. Baccarat's foray into collectible art toys with the clear crystal Be@rbrick showcases the brand's versatility in embracing modern design movements while staying true to its heritage of exquisite craftsmanship. Handcrafted in France, this transparent lead crystal figurine encapsulates the essence of the Be@rbrick, maintaining the beloved bear shape while reflecting a new light within its clear, pristine form. The Be@rbrick in the World of Street Pop Art By adopting the form of a bear—a symbol often associated with warmth and comfort—Baccarat's clear Be@rbrick transcends its playful origins to become a sophisticated art piece. It stands as an object at the forefront of Street Pop Art and graffiti Artwork, a domain where the whimsical and the refined coexist harmoniously. As a limited edition release, the clear crystal Be@rbrick by Baccarat is not merely a toy but a collector's gem. Its creation in 2021 marks a moment in art and design where boundaries between different forms of expression are increasingly blurred, and collectibles like this have become valuable assets in the art market. Cultural and Aesthetic Appeal The clear crystal Be@rbrick by Baccarat is more than a merger of luxury and street art—it is a statement about the evolving nature of art and collectibles in the modern age. It is a testament to the changing tides in art consumption and appreciation, where pieces once deemed informal or non-traditional are now celebrated and coveted in high-end circles. This clear Be@rbrick symbolizes adaptability and creativity, a piece that stands as a beacon of innovation in Street Pop Art and graffiti Artwork, capturing the essence of a generation that reveres both the past's craftsmanship and the present's artistic freedom.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

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Revenge Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Day is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Day silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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East 149th St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: September 02, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Primer V Limited Edition Archival Pigment Fine Art Prints on 315gsm Matte Velvet Rag Paper by Graffiti Street Art and Pop Culture Artist Dave Pollot. Edition of 100 Measures 24 x 34.3" including 2" margin Printed on matte velvet rag paper, 315 gsm Signed and numbered by Artist

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Little Big Man- Black On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2018 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Cleon Peterson (b. 1973) Little Big Man (Black on Red), 2018 Screenprint in colors on Coventry Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 149/150 Signed and numbered in pencil along lower edge Published by the artist "Little Big Man Black On Red" is a silkscreen print by Cleon Peterson, an American artist known for his bold, graphic style and provocative themes. Peterson's work often explores the darker aspects of human nature, such as violence, power struggles, and societal chaos. His art is heavily influenced by his experiences with drug addiction and recovery, which give his work a unique perspective on the human condition. In "Little Big Man Black On Red," Peterson employs his signature high-contrast color palette, featuring black figures puppeteering President Donald Trump set against a bright red/orange background. The silkscreen print depicts a chaotic scene of figures engaged in various acts of violence and domination. This piece is part of a larger body of work by Peterson, which often addresses themes of power dynamics and the cyclical nature of violence. As a silkscreen print, "Little Big Man Black On Red" is produced using a stencil-based printing process. In this method, an artist creates a stencil, or screen, for each color layer in the artwork. Ink is then pushed through the screen onto a surface, such as paper or canvas. This process allows for the creation of multiple identical prints, which are typically produced in limited editions and signed by the artist. The silkscreen technique is often used by artists for its ability to produce bold, vibrant colors and clean, sharp lines, which are evident in Peterson's striking compositions.

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Hawxs.EXE Giclee Print by Vincent Langaard Artwork Limited Edition Print on Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of 30 Artwork Size 34x32 Glitched Out Hawk Birds Hawxs.EXE by Vincent Langaard: Digital Disintegration in Street Pop Art & Graffiti Artwork Hawxs.EXE is a 2025 signed and numbered limited edition giclée print by Norwegian artist Vincent Langaard, produced in an edition of 30 and printed on Hahnemühle fine art paper. Measuring 34 x 32 inches, this print represents a visual onslaught of avian anatomy and technological glitch, merging Langaard’s signature collage chaos with themes of digital corruption and identity distortion. The composition is dominated by an army of hawks, falcons, and hybridized raptors spiraling across the surface in fractured motion, many of them multiplied, glitched, or duplicated into unreadable patterns. At the center, a prominent hawk figure is traced in neon pink, the only clearly defined presence in a storm of hyperreal feathers, digital noise, and synthetic color overlays. The artwork feels like a corrupted hard drive of wildlife photography, dissected and rewritten with code. Feathers stretch unnaturally. Wings replicate in stuttered loops. Beaks dissolve into data shards. All of it is suspended against a violently vibrant background of rainbow gradients, blue sky, and digital interference, where sharp realism collides with surreal artificiality. Embedded mathematical symbols, algebraic notations, and characters like *5F+1 float throughout the image, suggesting a system of encryption or conceptual logic behind the visual breakdown. This use of mathematical markup contributes to the theme of system overload, echoing the visual language of Street Pop Art & Graffiti Artwork through layering, repetition, and sensory attack. Mutation, Pattern, and the Glitch as Subject Hawxs.EXE functions as both a visual metaphor and a data stream. Langaard utilizes the hawk not just as a symbolic bird of prey but as a digital asset—duplicated, corrupted, and recompiled. The hawk’s role as a predator becomes more complex when viewed through the lens of system failure and identity distortion. This idea is reinforced through the use of pattern-based collage, where wings become abstract textures and animal forms disintegrate into ornamental chaos. The central hawk, outlined in neon, offers a flickering focus amid the wreckage, anchoring the viewer's gaze and framing the surrounding collapse. This tension between precision and collapse mirrors the energy of Street Pop Art & Graffiti Artwork. Artists in this space often repurpose mass media imagery and glitch-based aesthetics to disrupt expectation and communicate urgency. In Langaard’s hands, the hawk becomes a victim and vector of the glitch—a once-majestic figure now looped endlessly, data-sliced and recoded until it transforms into both warning and visual spectacle. Vincent Langaard’s Syntax of Digital Collapse Vincent Langaard continues to refine a language that draws equally from pop surrealism, internet decay, wildlife illustration, and graffiti’s aggressive composition style. His imagery blurs the boundary between illustration and system feedback, using distortion not only as a stylistic tool but as a conceptual anchor. In Hawxs.EXE, the chaos is intentional. The overloaded composition mimics the sensation of screen burn, buffering, and processor lag—only it plays out through feathers, beaks, and sharpened talons. Langaard’s print invites the viewer to interpret the natural world through a synthetic interface, questioning what is real, what is preserved, and what is now permanently corrupted. This work amplifies his reputation for character-centric abstraction and digital decay. It does not simply present hawks—it reinvents them as carriers of visual memory and error. The decision to print on Hahnemühle fine art paper preserves the detail and color clarity of each corrupted fold and motion trail, further reinforcing the tension between fine art production and graffiti-informed aesthetics. Hawxs.EXE as Collector Artifact and Aesthetic Warning The limited edition of 30 positions Hawxs.EXE not just as an artwork, but as a rare fragment of Vincent Langaard’s ongoing exploration of collapse, code, and identity. Each print is a snapshot of the moment just before total digital breakdown—a preserved warning system, captured through layered imagery and emotional overload. With its scale, visual aggression, and detailed texture, this work encapsulates the spirit of Street Pop Art & Graffiti Artwork while pushing it deeper into the conceptual architecture of post-digital narrative. Langaard’s hawks are not flying—they are falling, fracturing, and relaunching within a corrupted interface. Their transformation becomes an act of reflection on surveillance, data saturation, and the rewiring of visual systems. Through this collision of natural form and synthetic interruption, Hawxs.EXE announces itself as both a powerful collectible and a poetic artifact of future decay.

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DJ Qbert Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Ben Frost, Denial, DJ Qbert Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Terminator Examining Old Krylon Can Original One of a Kind Acrylic/Spray Paint Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. 16”x20” Inch Canvas With a Cool Detailed Painting of a Terminator From the Movie Franchise the Terminator Is Examining a Old Krylon Spray Paint Can Left Behind by Rd357 All Hand Painted by rd357 a True Graffiti Writer Who Has Out Lasted the Rest in the NYC Graffiti Racket Nick Naming Him ‘’’The Last Man Standing ‘’’’’From His Era’ By Rd #357 Rd Is the Real Deal He Has Been a Graffiti Writer for Over 40 Years Starting on the Irt Subway Trains of New York City Rd Has Graffiti Tags in Many Many Movies & TV Shows & Books Filmed in New York City (Film Documented Proof) Stretching Out Threw the 38 Years.

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Revenge Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Night is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Night silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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God Save the USA- Swastika Eyes Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 52 x 71 -20.5in x 38 - Printed onto hand-distressed, off-white paper, Reid captures the retro style of his early work in this contemporary take-down of American politics. God Save the USA (Swastika Eyes) is from a limited edition of 313, signed and numbered by the artist, and each edition has a slight, unique variation due to the distressed paper.

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Voice Of The Ghetto Hand-Pulled 4-Color Silkscreen Print on Light Card Stock by Graffiti Artist Stay High 149- Wayne Roberts Rare Street Art Limited Edition Artwork. 2009 Plate Signed & Hand-Numbered Limited Edition of 200 Artwork Size 17.75x23.75 Handling creases throughout are most noticeable along the right and upper edges.

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