Seen UA

1 artwork

  • Sale -15% Multi Tags Series 8609 Original Graffiti Painting by Seen UA

    Seen UA Multi Tags Series 8609 Original Graffiti Painting by Seen UA

    Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

    $1,034.00 $879.00

Seen UA> Pop Artist Graffiti Street Artworks

Exploration of Seen UA's Artistic Journey in Street Pop Art and Graffiti

Seen UA, born Richard "Richie" Mirando, is widely recognized as one of the most famous American graffiti artists, often called the Godfather of Graffiti. Since the early 1970s, Seen UA has been instrumental in transforming graffiti from its clandestine roots to the respected and celebrated art form it is today. His works, which often feature vibrant lettering and comic book-style characters, have been pivotal in shaping the aesthetic of street pop art and graffiti artwork worldwide. His journey as an artist began on the subways of New York, where he started tagging trains with his distinctive style, a practice defining the graffiti movement in the city. UA's work on subway cars throughout the 1970s and 1980s garnered significant attention, not only from law enforcement and the public but also from the burgeoning art community that was beginning to recognize the cultural value of graffiti. His ability to blend the rebellious energy of street art with the accessibility and appeal of pop art made his work stand out among his peers.

Seen UA's Influence on the Evolution of Graffiti Art

The influence of Seen UA on the evolution of graffiti art cannot be overstated. He was among the first to transition from the temporary canvas of subway cars to the permanence of gallery walls, bringing the authenticity of the streets into the art world. His bold lines, bright colors, and imaginative characters became defining features of the street pop art movement. As Seen UA's work continued to evolve, he began to explore other mediums, including canvas, sculpture, and even tattooing, showcasing the versatility and depth of his artistic talent. UA's foray into the gallery scene in the 1980s marked a significant moment in the history of street art. His exhibitions in art hubs like Paris and New York presented graffiti in a new light, attracting collectors and critics alike. This transition from the streets to the galleries played a critical role in legitimizing graffiti as an art form and paved the way for future artists in the genre. UA's widespread recognition helped foster a growing appreciation for street pop art and its potential for profound artistic expression.

Legacy and Continuing Impact of Seen UA on Street Art Culture

The legacy of Seen UA within the street art culture remains as vibrant as his artworks. His distinctive approach to graffiti, marked by its crossover appeal and energetic imagery, has inspired generations of artists. UA's prominence in the early days of graffiti's emergence into mainstream consciousness laid the groundwork for the global street art movement that continues to flourish today. His continued involvement in the art scene, through his work and mentorship of emerging artists, ensures that his influence endures. As street pop art and graffiti artwork continue to evolve, the contributions of Seen UA serve as a benchmark for innovation and creativity. His dedication to the craft and ability to adapt to the changing landscapes of art and culture exemplify the spirit of street art. The ongoing relevance of Seen UA's art in exhibitions, public installations, and collaborations highlights this art form's dynamic and ever-changing nature. It reinforces the importance of its roots in the ethos of street culture. UA's work, characterized by a mastery of form and bold use of color, captures the essence of street pop art and graffiti artwork: an unfiltered voice from the margins, a celebration of urban life, and a challenge to conventional notions of fine art. His art is a dialogue with the viewer, a statement of identity, and a reflection of the complex social landscapes in which it exists. As a graffiti pioneer and a continual innovator, Seen UA's impact on the art world is indelible, ensuring that his work will be studied and admired for generations.
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