Shepard Fairey- OBEY

Shepard Fairey- OBEY Bad Brains- Fist & Flag Silkscreen Print by Glen E Friedman x Shepard Fairey- OBEY

Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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$421.00
Shepard Fairey- OBEY Moon Over Biloxi- White Silkscreen Print by Shepard Fairey- OBEY

Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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$1,250.00
Shepard Fairey- OBEY NØISE/SSI Resurrectionem Ex-Mortuis Remix Silkscreen Print by Shepard Fairey- OBEY

NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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$421.00
Shepard Fairey- OBEY Moon Over Biloxi Silkscreen Print by Shepard Fairey- OBEY

Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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$850.00
Shepard Fairey- OBEY Let There Be Dark Red Print by Shepard Fairey- OBEY x Niagara

Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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$600.00
Shepard Fairey- OBEY Let There Be Dark Blue PP Print by Shepard Fairey- OBEY x Niagara

Let There Be Dark Blue PP Printers Proof Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Shepard Fairey's 'Let There Be Dark Blue': A Portrait of Rebellion in Print Shepard Fairey, the artist behind the OBEY brand, is a force to be reckoned with in street pop art and graffiti artwork. His 'Let There Be Dark Blue PP Printer's Proof Silkscreen Print,' created in collaboration with artist Niagara, is a powerful embodiment of his iconic style and the subversive edge of street culture. The 2019 limited edition hand-pulled print, signed and marked as a Printer's Proof, is a collector's piece, reflecting a synthesis of Fairey's design sensibility and the punk rock ethos encapsulated by the figures of Ron and Niagara. The artwork, 24x18 inches and printed on 320gsm Natural Coventry Rag Vellum fine art paper, features Fairey's signature three-color silkscreen process, yielding a print with crisp lines and bold contrast. The image exudes raw energy, with Ron's assertive eye contact and raised fist paired with Niagara's subtle yet commanding presence. Fairey enhances this dynamic by cleverly adding a switchblade, augmenting Niagara's femme fatale allure and highlighting her understated control within the composition. Interpreting Fairey's Vision and Artistic Narrative In 'Let There Be Dark Blue,' Fairey draws on the powerful imagery of cultural rebellion and the dichotomy of strength and subtlety. His portrayal of the two figures is steeped in a narrative that transcends the print, suggesting a story of defiance, control, and the complexities of interpersonal dynamics. The title, 'Let There Be Dark Blue,' hints at a theme of emergence, breaking from the conventional into the shadows where the counterculture thrives. As recounted by Fairey, the original idea for the title, 'Bonnie & Clyde Were Lightweights,' sets the tone for an interpretation of the print as a modern-day outlaw saga. This narrative is further emphasized by the backdrop of newspaper headlines and text, suggesting turmoil and the clamor of society against which the central figures stand in stark relief. Through this print, Fairey not only captures the aesthetic of the punk rock scene but also comments on the enduring spirit of rebellion it represents. The Significance of 'Let There Be Dark Blue' in Street Art The cultural significance of 'Let There Be Dark Blue' within the street art community is multi-layered. The print is a visual feast and a thought-provoking piece that invites reflection on the role of art as a commentary on society. Shepard Fairey's work is often associated with social and political activism, and this print fits within his broader oeuvre as a medium for messaging and reflection. Furthermore, the piece celebrates the collaborative spirit inherent in street art culture. The partnership between Fairey and Niagara exemplifies the communal aspect of the genre, where artists come together to create works that are greater than the sum of their parts. The limited edition nature of the print and its status as a Printer's Proof enhances its value and desirability, capturing a moment in time when the energy of street culture is distilled into a single, tangible work of art. In essence, 'Let There Be Dark Blue' by Shepard Fairey is a testament to the vibrancy and potency of street pop art and graffiti artwork. It encapsulates the defiance, the style, and the narrative depth that defines the street art movement, inviting audiences to engage with a piece of art that is as thought-provoking as it is visually striking. Through this print, Fairey continues to push the boundaries of what street art can convey, solidifying his role as a pivotal figure in the contemporary art world.

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$800.00

The Impactful Journey of Shepard Fairey and the OBEY Movement

Shepard Fairey, the artist behind the OBEY phenomenon, is a monumental figure in street pop art and graffiti artwork. Bursting onto the scene with his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, Fairey's work has since evolved into a globally recognized brand, symbolizing a fusion of art, activism, and branding that has come to define modern street art. His work is characterized by bold, often provocative imagery that encourages viewers to question the mechanics of power structures and the role of media and propaganda in contemporary society. Fairey's approach to art is deeply rooted in the do-it-yourself ethos of punk rock and skateboarding cultures, which inform the anti-establishment themes prevalent in his work. His pieces often juxtapose symbols of authority with countercultural messages, creating a robust visual dialogue that challenges observers to reconsider their surroundings. Fairey's ability to disseminate his work widely, from urban walls to galleries to commercial products, has made his art accessible to a broad audience and helped elevate street art to mainstream recognition.

Shepard Fairey's Artistic Evolution and Signature Style

Over the years, Fairey's work has transcended its underground beginnings to command a significant presence in the art world. His iconic "Hope" poster, created during Barack Obama's 2008 presidential campaign, is perhaps one of the most recognized works of contemporary street art, epitomizing the potential for this medium to impact public discourse. Fairey's style—a combination of stenciling, collage, and painting—exemplifies his unique ability to blend fine art techniques with the grit and immediacy of street art. The signature style of Fairey's pieces, marked by a limited but striking color palette and recurring motifs such as the star, the sunburst, and the OBEY logo, is instantly recognizable and speaks to the artist's concerns with branding and the commodification of art and culture. By adopting mass communication and production methods, Fairey's work comments on and utilizes the very mechanisms it often critiques.

Shepard Fairey's Contributions to Street Pop Art and Cultural Discourse

As an artist, Shepard Fairey has played a crucial role in advancing street pop art. His work has been instrumental in the dialogue about the legitimacy of street art and its place in cultural history. Fairey's art is not content to exist for aesthetic appreciation; it seeks to engage, provoke, and inspire action, reflecting his deeply held belief in art as a catalyst for social and political change. Moreover, Fairey's collaborations with other artists and forays into different mediums—from murals to music album covers to fashion—reflect the interdisciplinary nature of street art. His work with Niagara on 'Tomorrow's Another Night' and other collaborations highlight his commitment to creative partnerships that push the boundaries of traditional art forms and expand the reach of street-inspired aesthetics. Shepard Fairey is a pillar of the street pop art movement. His OBEY campaign has grown from a grassroots sticker initiative into a multifaceted project that encompasses art, design, activism, and apparel, illustrating the expansive potential of street art. Through his diverse body of work, Fairey continues to challenge perceptions, encourage public engagement, and leave an indelible mark on the cultural landscape. His legacy includes his iconic visual contributions and his commitment to the power of art as a tool for empowerment and change.

6 artworks