Shepard Fairey- OBEY

Shepard Fairey- OBEY Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano

Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano One of a Kind Artwork on Cotton Rag Paper by Street Art Pop Artist. 2022 Signed Spray Paint Stencil Original Painting Size 20.5x26.5 Ernesto Yerena Montejano- Hecho Con Ganas x Shepard Fairey- Obey Hand Spray Painted with Stencils on 100% Cotton Rag Paper Setup Sheet 1 of 1 Signed by Shepard Fairey in 2021 Comes with a Certificate of Authenticity Hecho Con Ganas publishing chop in lower left corner. first to make sure all the stencil This piece is one of a kind. I painted this separations where working correctly. This piece is super clean with solid paint colors. Meaning there is NO collage stencils no acrylic medium embossing that the final VSE edition had in it. 26.5x20.5 inches

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$7,290.00
Shepard Fairey- OBEY Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey

Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey Hand-Painted Multiple Unique Graffiti Street Artist Modern Pop Art on 100% Cotton Rag Fine Art Paper Framed. 2022 Signed & Numbered Edition #12 HPM Unique Original Spray Paint Artwork Size 20.5x26.5 VSE- Variable Stencil Edition Custom Mated and Framed "The "OBEY Icon" (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with unique variations in background painting and relief texture created with a thick application of acrylic medium through pattern stencils. The Obey Icon face evolved at the end of 1995 out of the desire to move further away from the association with Andre the Giant and toward a more streamlined and universal "Big Brother" (as in George Orwell's 1984) image." –Shepard Fairey Obey Icon VSE #12: Shepard Fairey and the Evolution of Surveillance Imagery in Street Pop Art Obey Icon VSE #12 represents a critical moment in the visual trajectory of Shepard Fairey, created in collaboration with artist Ernesto Yerena Montejano in 2022. This edition—part of the Variable Stencil Edition (VSE) series—is a 20.5 x 26.5 inch original spray paint piece on 100% cotton rag fine art paper. Signed and numbered, each print is unique, layered with hand-applied stencil work and spray-painted backgrounds. This version, labeled HPM #12, builds upon Fairey’s now-iconic Obey face by incorporating organic floral motifs, distressed textures, and a visually assertive red OBEY logo near the bottom. The central figure is the evolved version of Fairey’s original Andre the Giant icon, streamlined into a symbol with ambiguous power. As Fairey moved away from direct association with celebrity and toward ideological critique, this face became a representation of omnipresent authority. Influenced by George Orwell’s concept of Big Brother, the image no longer functions as parody—it has become an emblem of anonymous control and propaganda. The stencil format reinforces its reproducibility, aligning it with graffiti’s tradition of mass visual intervention while also preserving the aesthetic refinement found in Street Pop Art & Graffiti Artwork. Stencil Method as Commentary on Repetition and Power The hand-painted stencil technique used in Obey Icon VSE #12 is a deliberate visual language in itself. Fairey and Yerena build each work with layers of patterned textures and colored washes beneath the stark black facial features. These underlayers—often containing floral, ornamental, or textile-like patterns—soften the image’s authoritarian undertones while introducing visual contradiction. The face is harsh and emotionless, but the background is rich with cultural detail, especially in Yerena’s contributions which often draw on Mexican-American visual traditions. This clash reinforces the tension between systemic control and grassroots creativity. Spray paint drips, stencil misalignments, and layering imperfections are retained as aesthetic decisions rather than errors. These marks echo the history of street-based image-making where precision is often sacrificed for immediacy and message. Yet within this edition, those street elements are placed within the polished context of fine art materials—cotton rag paper, archival spray mediums, and custom framing. That duality plays with the boundaries between institutional art and insurgent expression. Collaborative Resistance and the Role of the Icon The collaboration between Shepard Fairey and Ernesto Yerena adds depth to the cultural subtext of Obey Icon VSE #12. Yerena’s Hecho Con Ganas movement is rooted in Chicano identity, social activism, and visual empowerment. The shared visual territory between Fairey and Yerena in this work situates the Obey face not just as a commentary on media and control, but as a multicultural symbol—one that can carry meaning in spaces impacted by surveillance, displacement, and systemic inequality. The image does not demand literal interpretation. Its power lies in its ambiguity. It recalls propaganda posters, corporate logos, revolutionary iconography, and even police sketches. Viewers project meaning onto it, shaped by their experiences with authority and imagery. In that way, the Obey face becomes a mirror of the visual systems that govern daily life—branding, ideology, control. Its framing and repetition across cities and galleries alike challenge the idea that art is separated from power. Obey Icon VSE #12 carries forward the legacy of Street Pop Art & Graffiti Artwork by balancing aesthetic force with conceptual weight. It refuses to choose between rebellion and refinement. The image stares back, unchanged and unblinking, forcing a question: Is this face watching us—or are we the ones obeying its silent command?

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$7,290.00

The Impactful Journey of Shepard Fairey and the OBEY Movement

Shepard Fairey, the artist behind the OBEY phenomenon, is a monumental figure in street pop art and graffiti artwork. Bursting onto the scene with his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, Fairey's work has since evolved into a globally recognized brand, symbolizing a fusion of art, activism, and branding that has come to define modern street art. His work is characterized by bold, often provocative imagery that encourages viewers to question the mechanics of power structures and the role of media and propaganda in contemporary society. Fairey's approach to art is deeply rooted in the do-it-yourself ethos of punk rock and skateboarding cultures, which inform the anti-establishment themes prevalent in his work. His pieces often juxtapose symbols of authority with countercultural messages, creating a robust visual dialogue that challenges observers to reconsider their surroundings. Fairey's ability to disseminate his work widely, from urban walls to galleries to commercial products, has made his art accessible to a broad audience and helped elevate street art to mainstream recognition.

Shepard Fairey's Artistic Evolution and Signature Style

Over the years, Fairey's work has transcended its underground beginnings to command a significant presence in the art world. His iconic "Hope" poster, created during Barack Obama's 2008 presidential campaign, is perhaps one of the most recognized works of contemporary street art, epitomizing the potential for this medium to impact public discourse. Fairey's style—a combination of stenciling, collage, and painting—exemplifies his unique ability to blend fine art techniques with the grit and immediacy of street art. The signature style of Fairey's pieces, marked by a limited but striking color palette and recurring motifs such as the star, the sunburst, and the OBEY logo, is instantly recognizable and speaks to the artist's concerns with branding and the commodification of art and culture. By adopting mass communication and production methods, Fairey's work comments on and utilizes the very mechanisms it often critiques.

Shepard Fairey's Contributions to Street Pop Art and Cultural Discourse

As an artist, Shepard Fairey has played a crucial role in advancing street pop art. His work has been instrumental in the dialogue about the legitimacy of street art and its place in cultural history. Fairey's art is not content to exist for aesthetic appreciation; it seeks to engage, provoke, and inspire action, reflecting his deeply held belief in art as a catalyst for social and political change. Moreover, Fairey's collaborations with other artists and forays into different mediums—from murals to music album covers to fashion—reflect the interdisciplinary nature of street art. His work with Niagara on 'Tomorrow's Another Night' and other collaborations highlight his commitment to creative partnerships that push the boundaries of traditional art forms and expand the reach of street-inspired aesthetics. Shepard Fairey is a pillar of the street pop art movement. His OBEY campaign has grown from a grassroots sticker initiative into a multifaceted project that encompasses art, design, activism, and apparel, illustrating the expansive potential of street art. Through his diverse body of work, Fairey continues to challenge perceptions, encourage public engagement, and leave an indelible mark on the cultural landscape. His legacy includes his iconic visual contributions and his commitment to the power of art as a tool for empowerment and change.

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