Shepard Fairey- OBEY

4 artworks


  • Psychedelic Andre- Endless Summer Blotter Paper Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Psychedelic Andre- Endless Summer Blotter Paper Print by Shepard Fairey- OBEY

    Psychedelic Andre - Endless Summer Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

    $421.00

  • Psychedelic Andre- Pinnacle Blue Blotter Paper Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Psychedelic Andre- Pinnacle Blue Blotter Paper Print by Shepard Fairey- OBEY

    Psychedelic Andre- Pinnacle Blue Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

    $421.00

  • Psychedelic Andre- Red Blotter Paper Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Psychedelic Andre- Red Blotter Paper Print by Shepard Fairey- OBEY

    Psychedelic Andre- Classic Red Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

    $421.00

  • Psychedelic Andre- ‘92 Obey Giant Blotter Paper Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Psychedelic Andre- ‘92 Obey Giant Blotter Paper Print by Shepard Fairey- OBEY

    Psychedelic Andre- ‘92 Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

    $421.00

Shepard Fairey- OBEY> Pop Artist Graffiti Street Artworks

The Impactful Journey of Shepard Fairey and the OBEY Movement

Shepard Fairey, the artist behind the OBEY phenomenon, is a monumental figure in street pop art and graffiti artwork. Bursting onto the scene with his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, Fairey's work has since evolved into a globally recognized brand, symbolizing a fusion of art, activism, and branding that has come to define modern street art. His work is characterized by bold, often provocative imagery that encourages viewers to question the mechanics of power structures and the role of media and propaganda in contemporary society. Fairey's approach to art is deeply rooted in the do-it-yourself ethos of punk rock and skateboarding cultures, which inform the anti-establishment themes prevalent in his work. His pieces often juxtapose symbols of authority with countercultural messages, creating a robust visual dialogue that challenges observers to reconsider their surroundings. Fairey's ability to disseminate his work widely, from urban walls to galleries to commercial products, has made his art accessible to a broad audience and helped elevate street art to mainstream recognition.

Shepard Fairey's Artistic Evolution and Signature Style

Over the years, Fairey's work has transcended its underground beginnings to command a significant presence in the art world. His iconic "Hope" poster, created during Barack Obama's 2008 presidential campaign, is perhaps one of the most recognized works of contemporary street art, epitomizing the potential for this medium to impact public discourse. Fairey's style—a combination of stenciling, collage, and painting—exemplifies his unique ability to blend fine art techniques with the grit and immediacy of street art. The signature style of Fairey's pieces, marked by a limited but striking color palette and recurring motifs such as the star, the sunburst, and the OBEY logo, is instantly recognizable and speaks to the artist's concerns with branding and the commodification of art and culture. By adopting mass communication and production methods, Fairey's work comments on and utilizes the very mechanisms it often critiques.

Shepard Fairey's Contributions to Street Pop Art and Cultural Discourse

As an artist, Shepard Fairey has played a crucial role in advancing street pop art. His work has been instrumental in the dialogue about the legitimacy of street art and its place in cultural history. Fairey's art is not content to exist for aesthetic appreciation; it seeks to engage, provoke, and inspire action, reflecting his deeply held belief in art as a catalyst for social and political change. Moreover, Fairey's collaborations with other artists and forays into different mediums—from murals to music album covers to fashion—reflect the interdisciplinary nature of street art. His work with Niagara on 'Tomorrow's Another Night' and other collaborations highlight his commitment to creative partnerships that push the boundaries of traditional art forms and expand the reach of street-inspired aesthetics. Shepard Fairey is a pillar of the street pop art movement. His OBEY campaign has grown from a grassroots sticker initiative into a multifaceted project that encompasses art, design, activism, and apparel, illustrating the expansive potential of street art. Through his diverse body of work, Fairey continues to challenge perceptions, encourage public engagement, and leave an indelible mark on the cultural landscape. His legacy includes his iconic visual contributions and his commitment to the power of art as a tool for empowerment and change.

© 2024 Sprayed Paint Art Collection,

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