Shepard Fairey- OBEY

Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Chaos Mandala 2 Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all." -Shepard Fairey- OBEY Chaos Mandala 2 by Shepard Fairey - Street Pop Art & Graffiti Artwork on Paper Chaos Mandala 2 by Shepard Fairey, released in 2025 as a limited edition silkscreen print of 550 on cream Speckletone fine art paper, stands as a powerful fusion of structure and disorder in contemporary Street Pop Art & Graffiti Artwork. The piece centers on a mandala form, built from layers of precise symmetry and complex visual balance, erupting from a distressed background of chaotic spray textures, stencil overlays, drips, and fragmented imagery. Fairey, who was born in the United States and remains one of the leading figures in modern street culture, continues to explore themes of order and entropy in the visual fabric of public space through his Obey series. This print, measuring 18 by 24 inches, is both a meditation and a protest, simultaneously aesthetic and confrontational. Layering Symbolism in Street-Rooted Geometry Mandala structures have long held associations with spiritual practices, yet in Fairey’s hands, they become emblems of cultural saturation, reassembled from fragments of mass media, signage, protest imagery, and architectural pattern. Chaos Mandala 2 brings heightened clarity to this contradiction, as its meticulously layered central structure radiates through fractured, decayed, and vibrant backgrounds pulled from urban visual language. The use of red, white, and blue combined with distressed textures channels American iconography while destabilizing it through visual noise and unrest. Fairey’s signature star emblem sits at the core, not as a static symbol of authority but as a continuously contested motif—a remnant of branding, protest, and political critique. Printmaking as Street Extension Though made for fine art paper, Chaos Mandala 2 reads like an artifact peeled from a building wall or street billboard. The silkscreen process, hand-pulled and layered with care, mirrors the raw techniques of wheatpaste, stencil bombing, and flyer layering found in graffiti zones. The drips and stencil textures appear as if weathered by time and exposure, mimicking the natural degradation of illegal art left to erode in public view. This intentional decay, preserved in ink, anchors the work in a state of visual tension. The handmade quality of the screenprint, including its signed and numbered nature, honors the DIY ethos central to street practice while elevating the piece into a collectible format for both art and graffiti audiences. Harmony Amidst Urban Breakdown Shepard Fairey’s exploration of chaos and harmony through the mandala motif reflects his ongoing investigation into urban culture’s layers and ruptures. Chaos Mandala 2 is not an isolated design but a philosophical stance rendered in ink and form. The mandala, historically used to find peace and focus, is now reimagined as a tool to navigate disruption. Through this print, Fairey transforms the ephemerality of city street art into a lasting expression of visual resistance and aesthetic order. The result is a commanding work that embodies the push and pull of contemporary culture through the language of Street Pop Art & Graffiti Artwork.  

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Pedestal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print PEDESTAL Screen Print 18 x 24 inches Edition of 450 August 8, 2013 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Warning: Addictive- Orange Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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Obey More Limited Edition 1-Color Hand Letterpress Print on Fluorescent White 100% Cotton Paper by Famous Street Modern Artists Shepard Fairey x Shantell Martin. 2022 Signed & Numbered by Shepard Fairey x Shantell Martin Limited Edition of 150 Size 10x13 Hand Deckled

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Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

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Sub-Standard Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 12x24 Silkscreen Print "This print, “Sub-Standard,” is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can’t allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change. A portion of proceeds from this print goes to Greenpeace USA‘s efforts to fight for a healthy planet.⁠" -Shepard Fairey- OBEY The silkscreen print titled "Sub-Standard" by Shepard Fairey, part of his OBEY series, is a compelling piece of contemporary art that casts a critical eye on the pressing issue of environmental degradation as it relates to corporate influence and fossil fuel dependency. Limited to a release of 550 signed and numbered editions, the artwork is a bold statement in both form and substance, pulling together the aesthetics of pop, street, and graffiti art onto a cream speckletone fine art paper. Measuring 12x24 inches, each hand-pulled 5-color print stands as a testament to Fairey's technical skill and his commitment to social commentary. Shepard Fairey, a prominent figure in the world of pop culture and street art, uses his medium to challenge the status quo and incite thought about pressing global issues. "Sub-Standard" specifically targets the consequences of the fossil fuel industry's actions on climate change and ecological destruction. Fairey's reference to Standard Oil and its successors points to a legacy of environmental policy that prioritizes profit over the planet's health, indicating a dire need for change in corporate practices. The artwork employs powerful symbolism, with the juxtaposition of an industrial motif against a backdrop that signifies the natural world in distress, reflecting Fairey's narrative about the conflict between economic interests and environmental stewardship. A significant aspect of this artwork is its activism component. A portion of the proceeds from "Sub-Standard" is directed towards Greenpeace USA, funding the organization's efforts to combat environmental harm and promote sustainability. This financial support aligns with the artwork's message, creating a direct link between art, activism, and tangible support for ecological well-being. Fairey's choice to highlight the discrepancy between subsidies for fossil fuels and renewable energy sources in his statement further amplifies the print's call to action, advocating for a reevaluation of where public funds are invested in the context of long-term planetary health. In the landscape of modern art, "Sub-Standard" by Shepard Fairey stands out as a piece that not only captures the aesthetic edge of the OBEY art movement but also embodies a deep social and environmental consciousness, driving the conversation forward in the realm of art activism.

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

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Flower Power Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey Downward Trajectory Silkscreen Print Downward Trajectory by Shepard Fairey is a 2019 hand-pulled four-color silkscreen print that distills industrial architecture, environmental symbolism, and graphic precision into a powerful example of Street Pop Art & Graffiti Artwork. The composition features a modernist factory complex with three smokestacks releasing pale emissions into a sharply segmented sky of red, black, teal, and cream. In the foreground, two gas pumps sit beneath a minimal canopy, directly referencing fossil fuel infrastructure. The geometry is clean and deliberate, recalling mid-century industrial poster design while maintaining the confrontational clarity that defines Fairey’s visual identity. Printed on cream speckletone fine art paper, the subtle texture of the surface enhances the bold color blocking and reinforces the handcrafted quality of the silkscreen process. Environmental Commentary and Graphic Structure The title Downward Trajectory communicates a clear environmental warning, suggesting decline tied to industrial expansion and energy dependence. The angular divisions in the sky create tension and imbalance, visually reinforcing instability and ecological disruption. The dominant red fields introduce urgency, while the cooler industrial tones emphasize machinery, production, and systemic consumption. Fairey’s use of minimal forms and controlled palette ensures immediate legibility, a hallmark of effective Street Pop Art & Graffiti Artwork. Rather than relying on dense imagery, he reduces the scene to essential elements, allowing viewers to interpret the relationship between architecture, pollution, and resource extraction without distraction. The oil drop emblem placed in the upper corner functions as a subtle but direct reference to petroleum industry influence. Shepard Fairey Background and Edition Details Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Emerging from early street sticker campaigns and evolving into a globally recognized figure in contemporary urban art, he has consistently addressed themes of authority, corporate power, and environmental responsibility. Downward Trajectory continues that trajectory of socially engaged printmaking. This 24 by 24 inch silkscreen print is signed and numbered in a limited edition of 500. The four-color hand-pulled process demands precise registration and layering, ensuring sharp edges and consistent saturation throughout the edition. As a work of Street Pop Art & Graffiti Artwork, Downward Trajectory merges disciplined design with pointed ecological critique, making it a compelling addition for collectors who prioritize concept-driven contemporary printmaking.

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Hello My Name Is AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & Marked AP Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Shepard Fairey Hello My Name Is AP Silkscreen Print Hello My Name Is AP by Shepard Fairey revisits one of the most recognizable images in Street Pop Art & Graffiti Artwork, centered on the face of André the Giant framed within the iconic name tag format. This 2019 artist proof silkscreen print maintains the raw visual authority that launched Fairey’s early street campaign while incorporating layered collage textures, red spray gestures, and distressed graphic elements. The composition integrates the familiar black and cream portrait with surrounding fragments of newsprint, stencil marks, and urban decay references, reinforcing its origin in unsanctioned public space. Printed on cream speckletone fine art paper, the tactile surface echoes the material quality of wheat-pasted posters while elevating the piece into a formal limited edition format. André the Giant and the Origins of OBEY The image of André the Giant became the foundation of Shepard Fairey’s early street intervention campaign that evolved into the OBEY project. André René Roussimoff was born in 1946 in France and died in 1993. Fairey adapted a simplified photographic rendering of the professional wrestler’s face into a stark graphic emblem that spread across cities through stickers, posters, and graffiti placements. The Hello My Name Is format transformed the portrait into a participatory street device, encouraging repetition and public recognition without explicit explanation. Within Street Pop Art & Graffiti Artwork, this strategy emphasized viral distribution, anonymity, and the power of repetition as artistic method. The campaign eventually expanded into a broader commentary on authority, propaganda aesthetics, and mass communication. Graphic Strategy and Cultural Impact This artist proof retains the confrontational simplicity that defines the original André imagery while embedding it in a more complex visual environment. The red spray marks cut across the surface, evoking urgency and disruption. Collaged newspaper textures reference media saturation and the construction of public narratives. The name tag device, traditionally used for casual introductions, becomes ironic when paired with a monumental and anonymous face, challenging viewers to question recognition, identity, and obedience. As a work of Street Pop Art & Graffiti Artwork, Hello My Name Is AP demonstrates how graphic reduction and strategic placement can generate long-term cultural resonance far beyond traditional gallery contexts. Artist Proof Significance and Print Quality This 18x24 hand-pulled silkscreen print is marked AP, identifying it as an artist proof separate from the standard numbered edition. Artist proofs are typically retained by the artist and produced in smaller quantities, increasing their desirability among collectors. The layered screen printing process produces rich blacks, saturated reds, and subtle surface variation consistent with Fairey’s studio practice. As a signed and marked AP example, this work represents both a historical reference to the origins of the OBEY campaign and a refined collectible within the broader evolution of Street Pop Art & Graffiti Artwork.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print From Friends of LAHSA Shepard Fairey – RFK Robert F. Kennedy Silkscreen Print in Street Pop Art & Graffiti Artwork Shepard Fairey’s RFK Robert F. Kennedy silkscreen print, released in 2023 as a signed and numbered edition of 500, is a striking example of political portraiture rooted in the traditions of Street Pop Art & Graffiti Artwork. Hand-pulled in two colors on speckletone fine art paper and sized at 18x24 inches, this piece was created in collaboration with Friends of LAHSA, a civic-focused initiative that aligns with Fairey’s longtime advocacy for social justice and equity. The print features a high-contrast, posterized portrait of Robert F. Kennedy accompanied by one of his most poignant quotes about moral courage and global solidarity. With his bold graphic style and use of iconic political imagery, Fairey reaffirms his place as one of the most influential figures in the evolution of street-inspired art into the contemporary gallery space. This artwork uses visual minimalism to amplify meaning. With only shades of blue and cream across a navy field and a solid red base for the quote, Fairey’s print references both mid-century political posters and wartime propaganda aesthetics. This creates instant recognition and authority, demanding attention much like a wheatpaste on a city wall. The portrait is defiant, hopeful, and idealistic—an image of a leader remembered for empathy and progressive vision. Through Fairey’s lens, Kennedy becomes a timeless symbol of ethical resistance, made relevant again through the voice of street art. Stylistic Roots in Protest and Public Messaging Fairey’s visual language has always blended graphic clarity with ideological intensity. Starting with his OBEY Giant campaign in the 1990s and culminating in his globally recognized HOPE poster for Barack Obama, Shepard Fairey has developed a formula that uses limited color palettes, bold typography, and photorealistic stenciling to produce maximum impact. This RFK print continues that lineage, with a layout that feels urgent and accessible. It is designed not just to be admired but to be read, shared, and posted. The poster format itself—a key tool in both political propaganda and graffiti wheatpasting—evokes the democratic intent of street art: to communicate complex ideas to everyday people, in everyday spaces. The quote printed beneath Kennedy’s portrait reinforces this intent. It’s not just a tribute; it’s a call to action. The choice of typeface, spacing, and alignment mimics the clear, rallying cadence of protest signs. Fairey does not use ornate or obscure fonts—his typography is strong, clean, and civic-minded. This decision keeps the focus on the message and mirrors graffiti’s utilitarian purpose: to declare something publicly and unapologetically. Street Pop Art's Voice in Contemporary Civic Dialogue Shepard Fairey’s influence extends beyond visual culture into the realm of activism. His consistent use of political figures, revolutionary icons, and socially conscious themes links him directly to the foundations of Street Pop Art & Graffiti Artwork. While many artists have transitioned from street to gallery, Fairey has retained a commitment to public communication. This RFK print, although gallery-sold and printed on premium paper, retains the visual and moral urgency of a mural or sticker drop. The collaboration with Friends of LAHSA (Los Angeles Homeless Services Authority) reinforces this by tethering the work to real-world causes—housing, dignity, and advocacy. Fairey’s portrait of Robert F. Kennedy does more than commemorate a figure from the past—it activates memory as a form of resistance. By resurrecting Kennedy’s image and words within a modern aesthetic framework, Fairey creates an emblem of enduring idealism. It’s a piece meant not only for collectors but for classrooms, city walls, and civic campaigns—any space where art and action converge. In the lineage of Street Pop Art & Graffiti Artwork, Shepard Fairey’s RFK print stands as both homage and declaration. It reflects the belief that visual culture can still inspire political courage and that the tools of street art—bold graphics, public messaging, and shared authorship—remain powerful instruments of change.

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Icarus Democracy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 24x36 "Liberty and equality are principles most people value, but the challenge is to find the proper equilibrium between the two. Democracy is the mechanism our nation has used to balance the freedom and desires of the individual with policies that are fair and beneficial for the collective of society. Democracy requires dedicated maintenance. With the culture of the previous administration and many politicians undermining democracy itself, the folly of over-confidence about the guaranteed endurance of democracy will lead to potential disaster. The threat of fascism is very real. If you value democracy use your voice and your vote. I’d recommend reading Timothy Snyders “On Tyranny” to anyone who does not see the threats to democracy (and the principles it protects) as concerning. This print, “Icarus Democracy,” will also be available in person at Dallas Contemporary." -Shepard Fairey Shepard Fairey Icarus Democracy 2022 Silkscreen Print Shepard Fairey, born in the United States in 1970, remains one of the most influential figures in Street Pop Art & Graffiti Artwork through his OBEY campaign and politically charged print editions. Icarus Democracy, released in 2022, is a 3-color hand-pulled silkscreen print on cream Speckle Tone paper measuring 24 x 36 inches. This signed and numbered limited edition of 500 reflects Fairey’s continued engagement with civic themes, democratic responsibility, and the fragile balance between liberty and equality. Produced in the bold graphic style that defines his practice, the work merges classical symbolism with contemporary political commentary. Classical Myth and Democratic Symbolism in Street Pop Art & Graffiti Artwork The composition features a stylized Icarus figure gliding downward over ocean waves, framed by dramatic black radiating lines and a red sun bearing the words Liberty Democracy Equality. At the bottom, the phrase A Flight of Fancy in the Absence of Vigilance underscores the central warning embedded in the imagery. By referencing the myth of Icarus—whose overconfidence led to his fall—Fairey draws a parallel to the dangers of complacency within democratic systems. The restrained palette of red, black, and cool blue enhances the poster-like clarity, a hallmark of Street Pop Art & Graffiti Artwork that uses bold contrast and simplified forms to deliver urgent, accessible messages. Limited Edition Craftsmanship and Contemporary Political Relevance Hand-pulled in three colors, the print demonstrates the precision layering and tonal control that characterize Fairey’s silkscreen editions. The cream Speckle Tone paper provides a subtle texture that reinforces the vintage propaganda aesthetic he frequently references. As a signed and numbered edition of 500, Icarus Democracy stands as both a collectible fine art print and a civic statement, urging viewers to remain vigilant in protecting democratic values. Through mythological metaphor and striking graphic design, Shepard Fairey continues to define how Street Pop Art & Graffiti Artwork can function as both cultural artifact and call to action.

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Psychedelic Andre- Pinnacle Blue Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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Flower Vine Black Red AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2009 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Flowers Growing on Vines in a Luxury Stylized Pattern. Shepard Fairey Flower Vine Black Red AP 2009 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Flower Vine Black Red in 2009 as part of his continued exploration of ornamental pattern, repetition, and graphic reduction within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard numbered run and identifying it as a smaller subset traditionally reserved by the artist. The hand pulled two color silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock frequently used in Obey releases for its durability and vintage tone. Fairey’s practice often merges decorative motifs with bold propaganda inspired aesthetics, and this print reflects his ability to elevate wallpaper like pattern into a collectible fine art format. Ornamental Repetition and Graphic Authority in Street Pop Art & Graffiti Artwork The composition features an all over floral vine pattern rendered in deep black against a saturated red background. Stylized blossoms and curling stems interweave in a symmetrical yet flowing arrangement, punctuated by subtle emblematic details that echo Fairey’s recurring iconography. The two color limitation intensifies the visual impact, relying on contrast and negative space rather than layered gradients. This disciplined reduction aligns with principles found in Street Pop Art & Graffiti Artwork, where bold repetition and strong silhouettes command attention in public space. By transforming a traditionally decorative floral motif into a high contrast, poster scale print, Fairey bridges the gap between domestic ornamentation and street driven graphic force. Artist Proof Editions and the Evolution of Obey Pattern Work Artist Proof prints hold particular importance in fine art printmaking because they represent impressions outside the main edition and often remain closely tied to the artist’s archive. Within Street Pop Art & Graffiti Artwork, AP markings reinforce authenticity and scarcity while highlighting the handcrafted nature of silkscreen production. Flower Vine Black Red demonstrates Fairey’s interest in pattern as both aesthetic surface and ideological framing device, showing that repetition itself can become a powerful visual statement. Through precise hand pulled execution and controlled color fields, this 2009 silkscreen stands as a refined example of how ornamental design can be recontextualized within contemporary Street Pop Art & Graffiti Artwork.

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 (Not Numbered) Artwork Size 18x24 Silkscreen Print. Small Bump To Corner. WK Interact x Shepard Fairey Revolution Girl Silkscreen Print Revolution Girl is a 2007 hand-pulled silkscreen print created through a collaboration between WK Interact and Shepard Fairey (OBEY). Printed as a 1-color silkscreen on Speckletone fine art paper, this 18 x 24 inch edition was released in a limited run of 250 and is signed by both artists. Though not individually numbered, the print remains a highly collectible example of early collaborative street art energy. Urban Narrative Through Split Composition The artwork is divided into vertical panels, creating a fragmented, cinematic composition. On one side, a bold female figure in graphic black and white evokes propaganda-style portraiture, while the opposite side features WK Interact’s gritty urban imagery of a lone figure set against a graffiti-marked wall. The stark monochrome palette amplifies the raw street aesthetic, blending OBEY’s iconic poster language with WK Interact’s dynamic, motion-driven urban realism. Limited Edition Street Art Collaboration Hand-pulled on Speckletone fine art paper, Revolution Girl reflects the tactile quality and bold contrast associated with traditional screen printing. The 2007 release captures a moment when two influential street artists merged distinct visual styles into a unified political and cultural statement. Signed by both WK Interact and Shepard Fairey, this limited edition of 250 stands as a significant cross-over piece within contemporary street and pop art history.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Cream Red by Shepard Fairey Floral Takeover 2017 Cream Red is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as a signed and numbered limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches. This version reverses the color balance of the companion print, placing red as the dominant field with cream floral forms layered throughout, creating a more saturated and commanding visual presence. Ornament as Occupation While rooted in decorative floral motifs reminiscent of wallpaper and textile design, Floral Takeover functions as more than ornamentation. Fairey uses repetition, scale, and bold contrast to turn pattern into visual force. The dense layering and assertive red ground echo his street practice, where imagery is used to claim space and attention. By presenting a repeat pattern as a standalone artwork, Fairey blurs the line between background design and foreground statement, transforming something traditionally passive into something confrontational and intentional. Context Within the OBEY Pattern Series This print is part of a four-version Floral Takeover series developed from patterns originally created for street installations and murals. Over time, these designs evolved into fine art editions that reflect Fairey’s interest in propaganda aesthetics, historical ornament, and visual saturation. The Cream Red variant stands out for its intensity and graphic clarity, offering a bolder counterpoint to the inverse colorway. Together, the series highlights Fairey’s ability to merge design, street art, and fine art into works that are visually elegant while still carrying the unmistakable authority of the OBEY aesthetic.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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AR-15 Lily- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Floral Takeover 2017 Black Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Black Red by Shepard Fairey (OBEY) Artwork Overview *Floral Takeover 2017 Black Red* is a bold ornamental silkscreen by Shepard Fairey that flips the visual dominance of the Floral Takeover series. In this variation, deep black floral forms sit against a vivid red field, creating a composition that feels heavier, more assertive, and unmistakably graphic. The piece draws from classic wallpaper motifs while asserting itself as a contemporary work rooted in street art, design, and political poster traditions. Style and Concept Fairey’s Floral Takeover series reflects his ongoing interest in pattern as both decoration and disruption. Originally conceived for street installations, these repeating floral designs function as visual interventions, quietly infiltrating public space while maintaining a strong graphic identity. The Black Red colorway emphasizes contrast and density, giving the pattern a more commanding presence. The symmetry and repetition invite contemplation, while the bold palette reinforces Fairey’s belief that harmony and balance in design can mirror how complex systems might be approached in the real world. Edition Details Released in 2017, *Floral Takeover 2017 Black Red* is a hand-pulled, two-color silkscreen print on cream Speckletone fine art paper. The artwork measures 18 x 24 inches and is signed and numbered by Shepard Fairey as part of a limited edition of 200. One of four official color variants in the Floral Takeover series, this Black Red edition stands out for its intensity and visual weight, making it a standout example of Fairey’s pattern-based works within contemporary pop and street art.

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Burn Baby Burn 2-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 10 inches by 13 inches Edition of 450 February 2, 2021 About Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, but also the dangerous psychology of denial and nihilism that underpins the apathy toward the planet’s future (and ours)! Whether it is the defiant greed of the fossil fuel corporations or the indifference of a public comfortable with status quo habits around fossil fuels, further delay in transitioning to renewable energy sources will be catastrophic for the planet and all of its species. I know that none of us like the idea of disrupting a comfortable habit.-Shepard Fairey

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage Silkscreen Print by Shepard Fairey The Barb Wire Dove Collage is a 2023 hand-pulled silkscreen print by Shepard Fairey (OBEY), produced as a signed and numbered limited edition of 450. Printed at 18 x 24 inches on Speckletone fine art paper, the work exemplifies Fairey’s mature collage-driven style, where iconic symbols are reassembled into layered political statements. The dove, a recurring motif throughout Fairey’s career, is rendered in bold cream tones against a black circular field, immediately drawing the eye while anchoring the composition with visual clarity and symbolic weight. Symbolism, Pattern, and Political Tension At the center of the image, the dove clutches a strand of barbed wire rather than an olive branch, transforming a universal symbol of peace into one marked by restriction, conflict, and unresolved struggle. Surrounding it, Fairey builds a dense patchwork of patterns inspired by global decorative traditions, currency engravings, and protest-era graphic textures. The fractured red, gold, teal, and blue background feels both ornamental and confrontational, suggesting cultural richness colliding with violence and control. This tension between beauty and brutality is intentional, reinforcing Fairey’s long-standing critique of power structures that commodify peace while perpetuating conflict. The distressed overlays and visible “collage” seams give the work a street-poster immediacy, as if it were torn from walls layered with history and dissent. Significance Within Street Pop Art & Graffiti Artwork Within Street Pop Art & Graffiti Artwork, Barb Wire Dove Collage stands as a distilled example of Shepard Fairey’s activist ethos. It merges clean graphic iconography with complex political messaging, making the piece accessible at a glance yet rewarding deeper reading. The relatively large edition size reflects Fairey’s belief in democratic distribution of ideas rather than exclusivity, while the hand-pulled silkscreen process preserves the tactile authenticity valued by collectors. For those collecting OBEY works, this print sits comfortably alongside Fairey’s most recognizable peace and protest imagery, offering a visually striking reminder that peace is not passive, but contested, fragile, and worth defending.

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey Hand-Painted Multiple Unique Graffiti Street Artist Modern Pop Art on 100% Cotton Rag Fine Art Paper Framed. 2022 Signed & Numbered Edition #12 HPM Unique Original Spray Paint Artwork Size 20.5x26.5 VSE- Variable Stencil Edition Custom Mated and Framed "The "OBEY Icon" (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with unique variations in background painting and relief texture created with a thick application of acrylic medium through pattern stencils. The Obey Icon face evolved at the end of 1995 out of the desire to move further away from the association with Andre the Giant and toward a more streamlined and universal "Big Brother" (as in George Orwell's 1984) image." –Shepard Fairey Obey Icon VSE #12: Shepard Fairey and the Evolution of Surveillance Imagery in Street Pop Art Obey Icon VSE #12 represents a critical moment in the visual trajectory of Shepard Fairey, created in collaboration with artist Ernesto Yerena Montejano in 2022. This edition—part of the Variable Stencil Edition (VSE) series—is a 20.5 x 26.5 inch original spray paint piece on 100% cotton rag fine art paper. Signed and numbered, each print is unique, layered with hand-applied stencil work and spray-painted backgrounds. This version, labeled HPM #12, builds upon Fairey’s now-iconic Obey face by incorporating organic floral motifs, distressed textures, and a visually assertive red OBEY logo near the bottom. The central figure is the evolved version of Fairey’s original Andre the Giant icon, streamlined into a symbol with ambiguous power. As Fairey moved away from direct association with celebrity and toward ideological critique, this face became a representation of omnipresent authority. Influenced by George Orwell’s concept of Big Brother, the image no longer functions as parody—it has become an emblem of anonymous control and propaganda. The stencil format reinforces its reproducibility, aligning it with graffiti’s tradition of mass visual intervention while also preserving the aesthetic refinement found in Street Pop Art & Graffiti Artwork. Stencil Method as Commentary on Repetition and Power The hand-painted stencil technique used in Obey Icon VSE #12 is a deliberate visual language in itself. Fairey and Yerena build each work with layers of patterned textures and colored washes beneath the stark black facial features. These underlayers—often containing floral, ornamental, or textile-like patterns—soften the image’s authoritarian undertones while introducing visual contradiction. The face is harsh and emotionless, but the background is rich with cultural detail, especially in Yerena’s contributions which often draw on Mexican-American visual traditions. This clash reinforces the tension between systemic control and grassroots creativity. Spray paint drips, stencil misalignments, and layering imperfections are retained as aesthetic decisions rather than errors. These marks echo the history of street-based image-making where precision is often sacrificed for immediacy and message. Yet within this edition, those street elements are placed within the polished context of fine art materials—cotton rag paper, archival spray mediums, and custom framing. That duality plays with the boundaries between institutional art and insurgent expression. Collaborative Resistance and the Role of the Icon The collaboration between Shepard Fairey and Ernesto Yerena adds depth to the cultural subtext of Obey Icon VSE #12. Yerena’s Hecho Con Ganas movement is rooted in Chicano identity, social activism, and visual empowerment. The shared visual territory between Fairey and Yerena in this work situates the Obey face not just as a commentary on media and control, but as a multicultural symbol—one that can carry meaning in spaces impacted by surveillance, displacement, and systemic inequality. The image does not demand literal interpretation. Its power lies in its ambiguity. It recalls propaganda posters, corporate logos, revolutionary iconography, and even police sketches. Viewers project meaning onto it, shaped by their experiences with authority and imagery. In that way, the Obey face becomes a mirror of the visual systems that govern daily life—branding, ideology, control. Its framing and repetition across cities and galleries alike challenge the idea that art is separated from power. Obey Icon VSE #12 carries forward the legacy of Street Pop Art & Graffiti Artwork by balancing aesthetic force with conceptual weight. It refuses to choose between rebellion and refinement. The image stares back, unchanged and unblinking, forcing a question: Is this face watching us—or are we the ones obeying its silent command?

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey Revolution in Our Time 2020 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Revolution in Our Time in 2020 as part of a collaboration with American photojournalist Edward Nachtrieb. This hand pulled five color silkscreen print measures 18 x 24 inches and is produced on cream Speckletone fine art paper in a signed and numbered limited edition of 500. The imagery is based on Nachtrieb’s documentation of the 1989 Tiananmen Square pro democracy demonstrations, reinterpreted through Fairey’s bold graphic language rooted in Street Pop Art & Graffiti Artwork. Released amid renewed pro democracy protests in Hong Kong, the print connects historical calls for reform with contemporary civic movements, reinforcing Fairey’s long standing belief that public protest is an essential catalyst for meaningful political change. Protest Iconography and Graphic Language in Street Pop Art & Graffiti Artwork The composition features a smiling protester raising a hand in a gesture of peace beneath a red field with a yellow star, referencing national symbolism while reframing it through the lens of grassroots activism. A white dove emblem appears within an ornamental motif, suggesting aspirations for freedom and unity. Torn paper effects reveal layered textures, newsprint fragments, and secondary protest imagery, creating depth and historical resonance. Fairey’s use of high contrast black, red, cream, and teal echoes traditional propaganda aesthetics while redirecting that visual authority toward the voice of the people rather than the state. This strategic appropriation of graphic propaganda structure is a hallmark of Street Pop Art & Graffiti Artwork, where familiar visual codes are recontextualized to amplify dissent and solidarity. Historical Memory and Contemporary Street Pop Art & Graffiti Artwork Edward Nachtrieb’s photographs captured moments of optimism during the 1989 demonstrations before military suppression altered the course of that movement. Revolution in Our Time preserves that spirit of hope and determination through stylized reduction and bold silkscreen craftsmanship. The limited edition structure of 500 signed and numbered prints reflects the established fine art production model within Street Pop Art & Graffiti Artwork, ensuring both collectibility and archival presence. By merging documentary history with assertive graphic composition, Fairey transforms a specific historical moment into a broader symbol of civic courage, demonstrating how contemporary printmaking can sustain public memory and inspire ongoing engagement with democratic ideals.

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Obey Radiant Lotus- Round 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 inches by 24 inches Edition of 550 August 1, 2022 "The Radiant Lotus is part of a recent series of my works exploring round compositions. This print is inspired by the symbolism and beauty of the Lotus flower emanating positive energy, rendered with a graphic and geometric style. The Lotus is something beautiful that grows out of the mud. I see the Lotus as a metaphor for what is especially needed in this moment, an effort to lift ourselves out of the mud of political feuding and environmental irresponsibility in pursuit of harmony with each other and the planet." –Shepard Fairey

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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Kurt Cobain- Endless Nameless 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Kurt Cobain – Endless Nameless 18 inches by 24 inches Edition of 650 April 7, 2021 "I have been a fan of Nirvana since I first heard them over 30 years ago. My appreciation for lead singer Kurt Cobain’s artistry and intelligence has only increased over the decades. I had an opportunity to see Nirvana and the Melvins in the fall of 1991, but I had a college project due, so I skipped it to finish my work. At the time, it seemed like both bands would remain underground and tour the smaller clubs for the foreseeable future." -Shepard Fairey

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Idiocracy AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Idiocracy AP Silkscreen Print by Shepard Fairey Idiocracy is a 2016 Artist Proof silkscreen print by Shepard Fairey, created as a sharp visual homage to the cult-classic film Idiocracy. This hand-pulled, 4-color screen print measures 18 x 24 inches and was produced in a signed and numbered Artist Proof edition drawn from a total run of 550. Printed on fine art paper, the piece reflects Fairey’s long-standing interest in using pop culture as a vehicle for pointed social and political commentary. Visual Language, Satire, and Cultural Commentary The composition borrows heavily from vintage propaganda aesthetics, featuring bold red, black, and gold tones, strong geometric framing, and authoritative typography. Central to the image is a faucet dispensing “electrolytes” directly onto a human brain, a biting visual metaphor drawn from the film’s fictional brand “Brawndo.” Phrases like “WHAT BRAINS CRAVE!” and “THE SMART MUTILATOR” reinforce the satirical critique of anti-intellectualism, consumer culture, and the erosion of critical thinking. Fairey’s use of exaggerated symbolism mirrors the film’s humor while amplifying its warning about the consequences of cultural complacency. Shepard Fairey, Idiocracy, and Collector Significance Shepard Fairey has consistently used irony, humor, and recognizable imagery to challenge power structures and cultural trends, and Idiocracy fits squarely within that lineage. By translating the film’s message into a bold graphic poster, Fairey bridges cinema, street art, and political art in a way that is both accessible and confrontational. As an Artist Proof tied to a widely referenced satirical film, this print holds strong appeal for collectors of OBEY works, pop culture art, and socially driven contemporary prints. Its blend of humor, critique, and classic Fairey iconography makes it a standout piece within his pop-culture-inspired body of work.

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Carga Fragile Mural 18-Color Lithograph Print by Shepard Fairey- OBEY Hand-Pulled Print on 270gsm BFK Rives Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 40x28 Fine Art Large Format Lithograph "Carga Frágil" Mural in São Paulo, Brazil. This 18-color lithograph, measuring 40 by 28 inches, is printed on BFK Rives 270g paper featuring deckled edges. Created at the historic Idem Studio in Paris using a Marinoni press, it is based on an original illustration inspired by a photograph captured by Jon Furlong. The piece is signed by the artist, Shepard Fairey, and is a numbered edition limited to 300 prints. A portion of the proceeds will be donated to Greenpeace USA. Each print is accompanied by a digital certificate of authenticity provided by Versiart and features the Idem publishing chop in the lower left corner. The Idem Studio was established within a 15,000-square-foot, two-story workshop at 49 rue de Montparnasse. Originally built in 1881 by printer Eugene Dufrenoy, the workshop was designed to house his lithographic presses. In its early days, the facility relied on 19th-century flat machines powered by belt-driven propeller shafts and a steam boiler. The space was later occupied by the Michard Printing Company, which specialized in crafting vibrant, special edition maps. In 1976, Fernand Mourlot acquired the workshop and transformed it into a fine art printshop. Throughout its history, the workshop has seen a revival of lithography, with craftsmen collaborating closely with esteemed artists such as Pablo Picasso, Henri Matisse, Alberto Giacometti, Joan Miró, and Marc Chagall. Today, the printshop is dedicated to contemporary artists like Sophie Calle, JR, William Kentridge, David Lynch, Paul McCarthy, and Raymond Pettibon. Lithographs at Idem Studio are created by drawing an image on a flat stone or transferring it onto aluminum plates. The image is then treated with water and an oil-based ink that is rolled across the surface. Paper is placed atop the matrix and run through a press, transferring the ink onto the paper to form the final lithograph. The process results in a rich, dense layer of ink, producing an exceptional final piece. Now known as Idem, the Mourlot company stands as one of the oldest printing houses still utilizing traditional lithography techniques.

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New Wave Couple AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey New Wave Couple AP by Shepard Fairey: A Visual Tribute to Music and Street Pop Art The New Wave Couple Artist Proof silkscreen print by Shepard Fairey is a striking homage to the fusion of music, fashion, and cultural movements. Released in 2011, this limited-edition print measures 13 by 13 inches and is hand-pulled using a one-color silkscreen process. Signed and marked as an Artist Proof, the artwork is a rare collector’s piece that encapsulates Fairey’s talent for blending the bold aesthetics of Street Pop Art and Graffiti Artwork with the dynamic energy of musical subcultures. The design features a sharply dressed couple in mod-inspired attire, exuding the confidence and style synonymous with the new wave music era. Their checkerboard outfits and bold stances convey a sense of rhythm and rebellion, complemented by flowing musical notes that connect the figures to the larger composition. The intricate border design, combined with clean, graphic lines, creates a visually dynamic piece that pays tribute to the era's vibrant and innovative spirit. This print, part of Fairey’s Revolutions series, celebrates the cultural impact of music and its visual storytelling power. Music as a Muse in Street Pop Art Shepard Fairey has long credited music as a central influence in his work, with album covers and punk aesthetics shaping his early artistic identity. New Wave Couple captures the essence of the new wave movement, which emerged as a fresh, stylish offshoot of punk music. The sleek, checkerboard visuals and emphasis on individuality in this piece echo the movement's emphasis on self-expression and creative freedom. Fairey uses these cultural elements to craft a narrative that resonates with fans of music and art alike. The monochromatic palette and bold design evoke the aesthetics of vintage album art, aligning with Fairey’s aim to create visual counterparts to the energy and emotion of music. The print reflects the interplay between sound and style, demonstrating how music can influence fashion, art, and cultural identity. By combining these elements, Fairey crafts a piece that captures the spirit of an era while grounding it in the contemporary visual language of Street Pop Art. The Silkscreen Process and Artistic Precision The silkscreen printing process used for New Wave Couple exemplifies Shepard Fairey’s commitment to craftsmanship. Hand-pulled on fine art paper, the print achieves a high level of detail and clarity. The one-color design emphasizes contrast and precision, allowing the intricate patterns and bold imagery to take center stage. The texture of the fine art paper adds a tactile quality to the piece, enhancing its appeal as both a visual and physical work of art. The Artist Proof designation signifies the print’s unique status within the limited edition, often representing the most refined and personal iteration of the design. This rarity makes it a highly sought-after piece for collectors and fans of Fairey’s work. The silkscreen medium aligns with Fairey’s roots in graffiti art, where stenciling and printing techniques are integral to the DIY ethos of the movement. Shepard Fairey: Champion of Music-Inspired Art Shepard Fairey, a pioneer in Street Pop Art and Graffiti Artwork, has built a career on blending bold visual statements with cultural commentary. His Revolutions series, which includes New Wave Couple, reflects his passion for music and its transformative power. Fairey’s ability to translate the energy of music into striking visual compositions has made him a leading figure in contemporary art. New Wave Couple stands as a testament to Fairey’s talent for capturing the essence of musical and cultural movements. By blending nostalgic imagery with modern graphic design, he creates a work that celebrates the interconnectedness of art and music. This print is more than a visual representation; it is a celebration of individuality, creativity, and the enduring influence of new wave culture on art and society.

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