Silkscreen Fine Art Print

Trippy Bike Silkscreen Print by Nate Duval on Fine Art Paper Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 80 Artwork Size 24x18

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The Naked Woman & Man Gold 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” Gold black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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Scuba Horse Delights 13-Color Hand-Pulled Limited Edition Silkscreen Print on 325gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. We are excited to release this new silkscreen block print based on some of the smaller wood puzzle blocks. This is a vibrant mix of images and textures from the studio. Scuba Horse Delights is a 13 color hand-pulled silkscreen print, made on a heavyweight Coventry Rag 325gsm with a deckled edge. Scuba Horse Delights Edition of 350 Dimensions: 12 x 18 Inches Silkscreen Ink on Coventry Rag 325gsm Paper Signed, Stamped and Numbered. FAILE 2020

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Metropolis 3 Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Fine Art Paper by David Soukup Graffiti Street Artist Modern Pop Art. "These pieces were originally designed for a show I had in Long Beach a while back. I was working with the idea of how buildings, places, and space relate to each other in the urban environment. I've always been fascinated by cities and city life in general, and focus on that in a majority of my works. These pieces were collaged digitally and then stenciled by hand. I'm always trying to do whatever I can to push the stencil medium and see what can continue to be done. " - David Soukup

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Never Say Never! Limited Edition 12-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 100 Artwork Size 24x18 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto and Vancouver. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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Sirens Of The Night White Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Printed on 290gsm Coventry Rag paper with deckled edges. Sirens Of The Night White by Cleon Peterson – 1-Color Silkscreen in Street Pop Art & Graffiti Artwork Sirens Of The Night White is a 2022 hand-pulled silkscreen print by American artist Cleon Peterson, known for his graphic depictions of violence, power, and resistance. This limited edition artwork measures 24 x 18 inches and is printed on 290gsm Coventry rag paper with deckled edges, combining street-level symbolism with fine art craftsmanship. Limited to 100 signed and numbered prints, the piece features a dynamic white silhouette of a nude woman on horseback, swinging a golden sword amidst a storm of jagged, electrified forms. The figure, both elegant and commanding, charges forward against a pitch-black backdrop, surrounded by lightning-like patterns that suggest chaos, rage, and transformation. The striking use of white and gold on black intensifies the impact of the composition, transforming a classical equestrian pose into a modern mythology of power and defiance. Feminine Force and Symbolic Weaponry In Sirens Of The Night White, Peterson reimagines the female form not as a passive muse but as an active embodiment of disruption. The central figure rides bareback, sword raised, poised in a moment of deliberate motion. Her nudity does not imply vulnerability but instead emphasizes fearlessness and purity of purpose. The minimal linework allows the viewer to focus on the rhythm and energy of the pose, while the controlled use of gold in the sword and lightning accents infuses the piece with spiritual and revolutionary undertones. The storm that surrounds her is not one of destruction but of awakening, a visual metaphor for resistance in the face of oppressive structures. Her presence becomes a call to arms, confronting viewers with a raw form of feminine agency rarely seen in such stylized modern iconography. Cleon Peterson’s Allegorical Combat in Street Pop Art & Graffiti Artwork Cleon Peterson is a Los Angeles-based artist whose work addresses themes of brutality, lawlessness, and the collapse of social order. Through minimalist, silhouette-based figures often caught in ritualistic violence, he creates a visual world where power is always contested and morality is ambiguous. Sirens Of The Night White continues his exploration of domination and rebellion but through a more mythic lens. Within the tradition of Street Pop Art & Graffiti Artwork, Peterson’s aesthetic pulls from ancient reliefs, propaganda posters, and graphic design, reconfiguring them into stark allegories for the modern psyche. His visual narratives reject the sanitized optimism of traditional pop art, instead embracing the darker currents that shape contemporary life. This print stands as a meditation on both destruction and rebirth—told not through words, but through form, color, and motion. Print Quality and Collector Value This silkscreen edition is meticulously printed on heavyweight 290gsm Coventry rag paper, a premium surface known for its durability and rich texture. The deckled edges give each print a handmade, archival quality that reinforces its position as fine art. As a limited edition of 100, each print is signed and numbered by Cleon Peterson, ensuring its authenticity and collectibility. The monochromatic palette, accented by gold, ensures that the piece can hold visual presence in any setting while carrying deep conceptual weight. For collectors of Street Pop Art & Graffiti Artwork, Sirens Of The Night White represents not just a work of visual power, but a statement of urgency, resistance, and unapologetic force—etched in stark contrast and timeless symbolism.

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Respect the Land Light Pink Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 24x18 "Respect the Land Light Pink Silkscreen" by Gats- Graffiti Against The Systemby is a compelling limited edition artwork that melds the rebellious spirit of street art with the finesse of pop art. The hand-pulled 4-color screen print on gold foil paper stands as a cultural artifact within the 2022 art scene, reflecting Gats- Graffiti Against The Systemby's distinctive style and his commentary on societal issues through visual art. Each of the limited edition pieces, sized 24x18 inches, is meticulously signed and numbered, marking its place in a finite set of 30. This deliberate choice underlines the artwork's exclusivity and the artist's engagement with each print. The light pink hues in this silkscreen offer a soft contrast to the golden background. This combination may be a metaphor for the delicate balance between urban development and the natural environment. The gold foil, often associated with luxury and value, is a stark reminder of the intrinsic worth of our natural landscapes, which are often overlooked or undervalued in the face of industrial expansion and urban sprawl. This piece showcases Gats- Graffiti Against The Systemby's iconic use of symbolic imagery, including eyes and cryptic scripts, which have become a hallmark of his work. The eyes, often interpreted as windows to the soul, here serve as a motif that challenges the viewer to look beyond the surface and consider more profound implications of human impact on the environment. The stylized, almost runic script that borders the artwork adds an element of mystery, compelling the observer to decode its message and reflect on the past, present, and future — themes recurrent in Gats- Graffiti Against The Systemby's body of work. As a prominent figure in pop and street art, Gats- Graffiti Against The Systemby's "Respect the Land Light Pink Silkscreen" encapsulates the convergence of artistic disciplines that define the modern art landscape. The work is not just an aesthetic accomplishment but also a socio-political statement, encouraging a dialogue about the stewardship of the earth. This piece stands out in Gats- Graffiti Against The Systemby's portfolio as a testament to his skill in screen printing and his dedication to using art to provoke thought and inspire change regarding environmental respect and conservation.

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Obey Wario, Destroy Mario 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 18x18 Subversion in Pop Art Nate Duval's "Obey Wario, Destroy Mario" is a compelling silkscreen print that embodies the rebellious and satirical undertones of street pop art and graffiti artwork. This 2012 signed limited edition of 50, each measuring 18x18 inches, portrays the iconic antihero Wario in a style reminiscent of Shepard Fairey's "Obey" campaign, cleverly subverting mainstream pop culture and video game iconography. In "Obey Wario, Destroy Mario," Duval takes a familiar character from the beloved Mario franchise and flips the script, presenting Wario as a character in a game and as a symbol of counter-culture resistance. By appropriating the visual language of Fairey's work, which is itself a comment on propaganda and control, Duval challenges the viewer's perception of villains and heroes, suggesting a more complex narrative behind these characters. This piece is a vibrant example of how pop art continually evolves, drawing from diverse elements of culture to create new meanings and dialogues. Technique and Limited Edition Value The one-color silkscreen technique used by Duval in this artwork is a nod to the DIY ethos of street art, where simplicity and message converge to make a powerful statement. The stark black-and-white design accentuates Wario's mischievous persona, encapsulating the essence of graffiti's bold and direct approach to communication. The limited edition status of "Obey Wario, Destroy Mario" elevates its desirability. It offers an exclusive piece of Duval's thought-provoking art that is as much a collectible as a conversation starter. In contemporary art, "Obey Wario, Destroy Mario" by Nate Duval is a prime example of the intersection between the playful and the profound that characterizes Street Pop Art and graffiti Artwork. It is a testament to the power of visual art to reinterpret and critique cultural narratives, using the canvas as a battleground for ideas and ideologies. Duval's work continues to inspire and challenge, cementing his place as a significant voice in the narrative of modern pop and street art.

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Silver City Style B Day AP White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. AP Artist Proof 2012 Signed Limited Edition Artwork Size 24x18 Silver Metallic Ink City Style B Daytime 24x18

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What A Piece Of Junk- 24x18 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Famous Pop Art Artist Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 Tim Doyle "What a Piece of Junk" 5 color hand-printed silkscreen print signed and numbered by the artist signed by artist

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Dosages 5-Color Hand-Pulled Limited Edition Silkscreen Print on 100# Cougar Cover White Paper by Jim Houser Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2013- 5 color screenprint on 100# Cougar Cover White 18 x 18 in Ed. 100 Signed and numbered by Artist

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Info-Rama Baseball Infographic- Red 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. 18" x 24" screenprint. First edition of 185. Signed and numbered.

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Sexual Tyrannosaurus Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 12x18 Exploring Jon Smith's "Sexual Tyrannosaurus" The "Sexual Tyrannosaurus" is a provocative and compelling piece within the oeuvre of Jon Smith, an artist who bridges the realms of graffiti, street, and modern pop art. This limited edition 6-color hand-pulled silkscreen print on fine art paper is a testament to Smith's audacious approach to art that challenges and engages viewers. Created as an artist-proof in 2012 and signed by the artist, the 12x18 inch artwork is a mélange of prehistoric ferocity and modern cultural commentary. Street Pop Art and the Reimagining of Prehistory In this piece, Smith takes the iconic figure of the Tyrannosaurus Rex and imbues it with a contemporary edge, resulting in an artwork beyond simple representation. The name itself, "Sexual Tyrannosaurus," suggests a playfulness and irreverence that is often found in street pop art. The visual narrative crafted by Smith pushes the boundaries of traditional pop art by infusing it with the rawness and immediacy of street art. It's a piece that does not shy away from making a statement, demanding the viewer's attention with its vivid colors and striking imagery.  The Cultural Impact of "Sexual Tyrannosaurus" This work symbolizes the cultural impact and the versatility of street pop art and graffiti artwork. By choosing the Tyrannosaurus Rex, an emblem of power and dominance, and placing it within a modern context, Jon Smith opens up a dialogue about the intersection of past and present, nature and culture. The "Sexual Tyrannosaurus" is a metaphor for the enduring fascination with these ancient creatures while commenting on how they are perceived in contemporary society. In street pop art, such pieces are not mere decorations but conversations etched onto paper, walls, and the public consciousness. Artists like Jon Smith play a pivotal role in this ongoing discourse, using their art to explore, provoke, and reflect the zeitgeist. The limited edition nature of "Sexual Tyrannosaurus" underscores its value as a collectible piece of art that captures a moment in time in the ever-evolving narrative of street art. Through works like this, the legacy of prehistoric giants continues to be felt, reimagined through the lenses of artists who continue to challenge the status quo.

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The Possessed Triptych Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 154x18 (18x18 x 3) Triptych Silkscreen Print. Unveiling The Possessed: A Triptych by Cleon Peterson The Possessed Triptych Silkscreen Print by Cleon Peterson captures a raw, dynamic energy that is both compelling and confrontational, embodying the spirit of street pop art and graffiti artwork. Released in 2024, this limited edition artwork reflects Peterson's stark, narrative-driven style, showcasing his distinctive approach to visual storytelling through bold lines and contrasting colors. Cleon Peterson's Vision in Print With only 125 pieces available, each signed and numbered by the artist, The Possessed Triptych becomes a coveted item for art enthusiasts and collectors. Measuring an impressive 54 inches wide by 18 inches high when displayed side by side, the three 18x18 panels create a striking visual impact. Hand-pulled on deckled 290gsm Coventry Rag fine art paper, the triptych's medium is as refined as its execution, a testament to Peterson's craftsmanship and attention to detail. The choice of Coventry Rag paper underscores the artist's commitment to quality. Known for its durability and exceptional surface, this paper enhances the depth and intensity of the silkscreen print, allowing the stark contrasts and intricate details to resonate with the viewer. Interpreting The Possessed Triptych The Possessed Triptych is an arresting exploration of chaos, power, and human interaction. Peterson's work is often laced with themes of struggle and strife, depicting scenes that challenge the onlooker's perceptions of morality and order. This triptych is no different, presenting a tumultuous narrative that unfolds across the three panels, drawing the viewer into a world of stark dichotomies and raw emotion. Peterson's use of a limited color palette amplifies the drama within each frame, with the stark black and the warmth of gold engaging in a visual dance that is both ancient and contemporary in its expressions. The aggressive forms and the interaction of figures suggest a more profound commentary on societal structures and personal demons, leaving much to interpretation while clearly stating the pervasive nature of the conflict. The Cultural Impact of Peterson's Work Cleon Peterson's art is not created in a vacuum but is a direct response to the world around him. Much like the rest of his oeuvre, the Possessed Triptych is a bold statement within street pop art, a genre that often serves as a public forum for social critique and reflection. His distinctive style has solidified his standing within the contemporary art scene, resonating with the ethos of street art and its roots in graffiti's transgressive nature. As a visual storyteller, Peterson takes on the role of a modern-day chronicler, using silkscreen prints to document and dissect the complexities of the human condition. The limited nature of The Possessed Triptych ensures that each piece is a part of this narrative, an artifact of Peterson's artistic journey, and a snapshot of cultural discourse. Cleon Peterson's The Possessed Triptych is a powerful addition to the canon of street pop art and graffiti artwork, offering a glimpse into the artist's profound engagement with themes of power, chaos, and societal constructs. Through silkscreen printing, Peterson has created a series that captures the eye and also provokes the mind, ensuring that his work remains a subject of discussion and admiration within the art community.

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Bunny Boy- Dreams 11-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (b. 1975) Bunny Boy (Dreams), 2019 Screenprint in colors on Coventry Rag paper 18 x 12 inches (45.7 x 30.5 cm) (sheet) Ed. 216/350 Signed in pencil along lower edge; dated and numbered to reverse Published by the artist

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Russian Nesting Doll Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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Fury Road Mad Max Silkscreen by Tim Doyle Hand-Pulled 5-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 300 Artwork Size 12x18 Mad Max Movie Tribute, 4th Unreal Estate show

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Paranoia- Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 27 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 27 prints in this edition are the same and are numbered 1 to 27.

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Butch Limited Edition 5-Color Hand-Pulled Silkscreen Print on Mohawk Cream Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction-inspired piece from Spoke Art's Quentin vs. Coen group art show.

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Aliens Vs Pharaohs Arrival Chrome Tablet Silkscreen Print by Marwan Shahin Limited Edition on Chrome Metal Pop Artwork. 2022 Signed & Numbered Limited Edition of 30 Size 15"x18"x1/8" "Shahin Studios is delighted to present the first object edition from Aliens Vs Pharaohs, the new controversial series by Marwan Shahin. This edition is the conclusion of over 6 months of experimenting to create the ultimate chromed out tablet telling modern day history. this edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on mirror like chromed out metal surface, Each print intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin

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Pearl Jam Nov 18th Melbourne Gig Poster Silkscreen Print by Ben Frost Hand-Pulled on Fine Art Paper Limited Edition 6 Color Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print Official Pearl Jam Holographic Sticker on Back. Pearl Jam, Pixies & Teen Jesus and the Jean Teasers, Marvel Stadium, Melbourne, Australia. Pearl Jam Melbourne Gig Poster by Ben Frost The Pearl Jam November 18th 2024 Melbourne gig poster by Ben Frost is a striking silkscreen print that merges the visual voltage of contemporary Street Pop Art & Graffiti Artwork with the live energy of one of rock’s most iconic bands. This officially licensed concert print commemorates Pearl Jam’s appearance at Marvel Stadium in Melbourne, joined by legendary alternative rock band Pixies and rising Australian act Teen Jesus and the Jean Teasers. Hand-pulled on fine art paper using six vibrant colors, this limited edition print is signed and numbered by Ben Frost and comes with an official Pearl Jam holographic sticker affixed to the back, affirming its authenticity. Visual Energy and Symbolism The artwork presents an explosive mirrored composition featuring two yellow cockatoos—native to Australia—locked in a bold and symmetrical confrontation. Their wings are ablaze with flames, rendered in a high-contrast palette of crimson, amber, and electric yellow. The birds’ feathers pulse with intensity, each form carefully delineated through Frost’s precise graphic technique. Their talons meet at the center, interlocking to form a clenched gesture that suggests solidarity, power, and resistance. Between the wings, flames rise upward, forming the spiritual and literal heat of the print—mirroring the fire and urgency that has always defined Pearl Jam’s music. Emblazoned on one wing is the date of the concert, NOV 18 2024, while the other wing marks the venue: MARVEL STADIUM MELBOURNE. The typography is seamlessly integrated into the design, serving both function and form, rooted in graffiti styling but refined through the lens of fine art silkscreen work. Artist Background and Street Pop Context Ben Frost is an internationally recognized Australian artist known for his ability to appropriate pop culture, pharmaceuticals, corporate logos, and advertising language into subversive and often satirical compositions. Through his Street Pop Art & Graffiti Artwork, Frost explores consumer culture, identity, and rebellion. This poster carries those same hallmarks of his wider body of work—exaggerated color palettes, clean linework, and a dense sense of visual stimulation. While Frost is renowned for his critiques of media saturation and capitalist spectacle, this piece celebrates a specific cultural moment. The visual style reflects his skill at mixing commercial and countercultural influences into something both collectible and critical, blending the immediacy of street art with the polish of screenprinted fine art editions. Concert Culture and Contemporary Collectibles As with all official Pearl Jam gig posters, this print serves as a functional keepsake but transcends into the realm of visual art. At 24x18 inches, the scale is significant, ideal for collectors and fans who appreciate not just the music but the iconography it inspires. Limited to only 100 hand-signed and numbered prints, it represents an exclusive collaboration between music and visual art communities. Pearl Jam has consistently aligned themselves with socially conscious and artistically progressive projects, and their ongoing partnership with artists like Ben Frost reinforces their legacy. With added support from the Pixies and Teen Jesus and the Jean Teasers on this tour stop, the print also captures a cross-generational exchange within alternative music. Ben Frost’s poster is more than promotional material—it is a symbolic totem of sound, culture, and resistance, crystallized through the fire of silkscreen artistry.

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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My Mary 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Mark Dean Veca Rare Street Art Famous Pop Artwork Artist.

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Paranoia #3- Neon Rainbow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. Tribute to actress Anita Ekberg Edition Size: 36 prints (all unique) Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 36 prints in this variant edition are unique with a split fountain background, and will never be reproduced.

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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San Francisco Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Silver City Style B Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 25 Edition Artwork Size 24x18 Silver Metallic Ink City Style B Nightime 24x18

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Ahsoka Tano- Rainbow 8-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil Art Paper by Joshua Budich Modern Pop Artist. 2022 Rainbow Edition Signed & Numbered Limited Edition of 25 Size 18x18 Star Wars Artwork

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Music Owl AP Artist Proof Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 24x18 Metallic Gold Ink

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Prayer of the Ancestors Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork 24x18

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Blood Bag #2 Rare 7-Color Hand-Pulled Limited Edition Silkscreen Print Art on Hand-Deckled 285gsm Stardream Crystal Paper by Alex Pardee Street Pop Artwork Artist. Alex Pardee Blood Bag #2, 2021 7-Color Screen Print on Stardream Crystal 285 gsm Pearl with Deckled Edge 24 x 18 in (60.9 x 45.7 cm) Edition of 100 Signed and Numbered Alex Pardee’s “Congealed” series of paintings. The artist considers this series “a bunch of colorful paintings and drawings that I created using donated blood from my imaginary friends. The cool thing about imaginary friends is that their blood can be any color I want it to be! And they were generous enough to share! These pieces are some of my favorite paintings I have ever done. “

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Nuestros Exitos Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano x Arlene Mejorado Graffiti Street Artist Modern Pop Art. 2015 Signed Edition of 150 “Nuestros Éxitos” translation “Our success are the efforts of our parents” collaboration between Ernesto Yerena & Arlene Mejorado 18”x24” 6 color Screenprint

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Respect the Land Silver Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Respect the Land Silver Silkscreen by GATS – A Mystical Symbol of Continuity in Street Pop Art & Graffiti Artwork Respect the Land Silver Silkscreen is a 4-color hand-pulled screen print on radiant gold foil paper, created in 2022 by the anonymous street artist known as GATS, which stands for Graffiti Against The System. This 24x18 inch signed and numbered edition of 100 captures the essence of GATS’ bold iconography and commitment to resistance-based visual storytelling. The work presents a stone temple structure with three arched windows, each containing abstracted eyes, radiant lines, and the central masked figure that is signature to GATS’ visual identity. Rooted in the themes of ancestry, surveillance, spiritual continuity, and resistance to oppression, this piece reflects the artist’s long-standing engagement with sacred motifs and urban decay. The intricate detailing etched into the structure evokes the textures of carved monuments, layered with symbols that challenge the boundaries of mythology, mysticism, and social critique. GATS and the Sacred Mask as a Voice of Resistance GATS, who remains anonymous and active globally, has become an icon in contemporary graffiti art through their use of a unique, stylized mask that appears across alley walls, train cars, and now, fine-art screen prints. In Respect the Land Silver Silkscreen, the central figure wears the mask that viewers associate with silent wisdom, watching over the timeline etched below: Past, Present, Future. This triptych structure functions not just as an aesthetic decision but as a philosophical stance. It invites the viewer to consider the interconnectedness of time and the duty to honor the land not just for its utility but for its sacred and historical value. GATS uses the streets as their original gallery, but works like this print channel the same ethos into limited edition form, preserving the visual impact while inviting deeper reflection. The eyes to either side of the mask do not passively observe—they guard, they record, they witness. They represent a challenge to the colonial erasure of history and displacement of indigenous presence. Symbolism, Gold Foil, and Printmaking Craft The use of gold foil paper elevates the mystical aura of the work, functioning both as a nod to sacred objects and as a material choice that reflects light and meaning. Gold, traditionally used in religious iconography, here becomes a shimmering backdrop to themes of ancient guardianship and future consciousness. The four-color screen printing process brings layered depth, particularly in the texture of the stone facade and the intricate detailing of the eyes and facial features. GATS resists digital reproduction aesthetics by grounding the work in physical craft. Every print contains evidence of hand-pulled imperfection, aligning with the unpredictability and raw energy of graffiti. The cryptic symbols surrounding the structure further emphasize the esoteric nature of the image, inviting a deeper reading of lost languages and obscured histories. The balance of graphic symmetry and weathered texture demonstrates mastery in composition and message alike. Respect the Land as a Statement in Street Pop Art & Graffiti Artwork This artwork holds weight within the canon of Street Pop Art & Graffiti Artwork by refusing to separate spiritual vision from political urgency. Respect the Land is not just a call to environmental awareness—it is a reminder of what has been taken and forgotten. Through this silkscreen edition, GATS continues the mission of using masked figures and eyes as symbols of awakening and accountability. The print does not isolate past injustices but ties them to present awareness and future consequences. GATS has created a timeless piece that speaks from the walls of ancient temples and city blocks alike. With its limited release and hand-crafted production, it becomes both collectible and instructive—a sacred artifact that resists forgetting, illuminating the hidden forces that govern memory, culture, and justice.

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Indigenous Roots Reclaimed Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed by Arlene Mejorado & Ernesto Yerena Montejano & Numbered Limited Edition of 300 Artwork 18x24 "Indigenous Roots Reclaimed" is a striking limited edition silkscreen print that embodies the fusion of modern pop art with the soulful essence of street art. This 4-color hand-pulled print on fine art paper is the creative collaboration between the photographer Arlene Mejorado and artist Ernesto Yerena Montejano, illustrating the vitality of indigenous heritage through the lens of contemporary artistry. Released in 2020, this piece is a part of a limited edition of 300 signed and numbered artworks, each measuring 18x24 inches, allowing the viewer to immerse in its detail and messaging at a significant scale. The print features a young girl at its center, set against a backdrop that bursts with vibrant color and geometric patterns reminiscent of traditional indigenous art. These patterns surround the subject in a halo-like manner, suggesting a spiritual or ancestral connection. The girl's pose, with arms outstretched, further symbolizes an embrace of her cultural legacy, conveying a sense of openness and acceptance. Yerena's use of bold lines and vivid hues is characteristic of his work, which often highlights cultural and political themes, particularly those pertaining to his Chicano heritage. Mejorado's collaboration brings an added layer of authenticity, capturing the essence of the subject with photographic precision before it is transformed through Yerena's distinctive graphic style. This artwork speaks to a reclamation of identity and a celebration of cultural roots within the urban context. It bridges communities and dialogues by reclaiming public spaces for indigenous narratives through the medium of street art. In the art market, where the voices of indigenous people and their cultural imprints have often been marginalized, "Indigenous Roots Reclaimed" stands as a testament to the resilience and enduring beauty of these traditions. This piece is not only a work of art but also a powerful statement in the ongoing conversation about cultural heritage and representation in the arts. It pays homage to the past while remaining firmly rooted in the present, showcasing how traditional motifs can find new life and resonance within the sphere of modern art. Ernesto Yerena Montejano's work, amplified by Arlene Mejorado's photographic eye, ensures that "Indigenous Roots Reclaimed" is not only seen but felt, prompting a contemplative engagement with the viewer on themes of identity, history, and the power of art as a vehicle for social commentary and cultural celebration.

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The Button Pusher 2 AP 13-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 24x18 Diving into the vast spectrum of pop art, graffiti, and street artwork, there's a resonating essence that some pieces carry which makes them undeniably captivating. "The Button Pusher 2 AP 13-Color Silkscreen Print" by the renowned Dalek- James Marshall is one such mesmerizing artwork that reverberates with both energy and emotion. Hand-pulled screen prints have a unique allure, showcasing the artist's touch in every stroke, and this piece is no exception. Created on fine art paper, this artwork is a tangible testament to the artist's dedication to the craft. Characterized by a striking palette of 13 vibrant colors, "The Button Pusher 2" features a whimsical character, seemingly engrossed in the act of pushing a button. This central figure is enlivened by Dalek's signature style, a combination of geometric forms and fluid lines. The background, a mélange of explosive hues, juxtaposes against the creature, creating an impactful visual contrast that arrests the viewer's gaze. One can perceive the meticulous attention to detail and precision in the silkscreen print process, exemplifying the artist's mastery. Marking its exclusivity, this piece is designated as an Artist Proof (AP), a classification that holds significant value in the world of art. Dated 2023, it's part of a limited edition run, adding to its collectible stature. Each print is signed and marked with the distinctive "AP" label by Dalek- James Marshall, signifying its authenticity. In the contemporary realm where street art converges with pop influences, "The Button Pusher 2" stands as an emblem of Dalek's artistic journey, echoing the evolving narratives of modern artistry.

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You Vil Lose Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Litied Edition of 200 Artwork Size 12x18 You Vil Lose Silkscreen Print by Jon Smith Jon Smith’s You Vil Lose silkscreen print is a dynamic fusion of street pop art and graffiti artwork, blending nostalgia, satire, and bold artistic execution. Released in 2012 as a signed and numbered limited edition of 200, this 12x18-inch hand-pulled silkscreen print embodies a retro gaming aesthetic with a strong cultural and political undertone. Utilizing four colors on fine art paper, the print draws inspiration from classic 8-bit video game visuals while injecting modern commentary through exaggerated design and composition. The Visual Impact and Gaming Nostalgia The artwork immediately strikes with its bold, pixelated style reminiscent of vintage 1980s video games. The composition mirrors the aesthetics of Punch-Out!!, an iconic boxing video game that defined a generation of gamers. The image portrays a victorious, towering figure in red boxing trunks, flexing triumphantly over a fallen opponent in American flag-themed attire. The referee, designed in a cartoonish 8-bit style, stands beside them, adding to the authentic video game aesthetic. Smith’s use of silkscreen techniques enhances the vibrancy and sharpness of each color, reinforcing the nostalgic feel of retro gaming. The limited palette ensures a clean, high-contrast finish, making the characters pop against the background. The exaggerated proportions of the victorious boxer heighten the intensity, placing emphasis on power dynamics and thematic tension. The defeated fighter’s expressive posture and the addition of blood splatter further dramatize the moment, capturing the raw energy of video game knockouts. Cultural Commentary and Symbolism Beneath the playful, pixelated surface, You Vil Lose carries a deeper cultural narrative. The visual themes, particularly the color choices and character designs, evoke Cold War-era rivalries between the United States and the Soviet Union. The victorious figure bears a striking resemblance to the archetypal Eastern European boxing villains seen in popular media, drawing immediate parallels to characters like Ivan Drago from Rocky IV. The fallen fighter’s American flag trunks reinforce the competitive tension between opposing ideologies, a theme often explored in both sports and pop culture. By presenting this imagery in a pixelated video game format, Smith cleverly blends digital nostalgia with historical and political themes, making the piece both entertaining and thought-provoking. The title You Vil Lose reinforces the exaggerated villainous persona, playing on Cold War-era caricatures that were often used in Western media. The Influence of Street Pop Art and Graffiti Artwork Jon Smith’s approach to You Vil Lose aligns seamlessly with the ethos of street pop art and graffiti artwork. His ability to take digital culture and reinterpret it through the physical medium of silkscreen printing showcases the crossover between gaming culture and contemporary art. The fusion of recognizable video game aesthetics with bold social commentary makes this piece stand out as a clever and striking example of modern pop art. Smith’s work is widely celebrated for its ability to merge pop culture with visual storytelling, and You Vil Lose is a testament to his signature style. By taking inspiration from classic gaming, he taps into the collective memory of an entire generation while simultaneously offering a fresh, stylized reinterpretation. This print holds value not just for fans of retro video games, but also for collectors who appreciate the intersection of nostalgia, satire, and artistic craftsmanship.

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Sea Also Rises, King of Crabs Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Tim Doyle. 2009 Signed & Numbered Limited Edition of 150 Series VI Artwork Size 18x24

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Tesla & Farnsworth Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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Rotations #1 Limited Edition 5-Color Silkscreen on 140lbs Archival Fine Art Paper by Tony Clough Graffiti Street Artist Modern Pop Art. "These two print editions really only exist as original prints but were inspired by my recent obsession with squares and other simple geometric shapes. I have several original paintings that are available that slightly resemble this style but they are much more stylistic in terms of texture and color.Most of my work is purely aesthetic and non-representational, I try to make art out of texture and color until I feel that it would be something I would like to hang on my own wall in the hope that others would share my taste." - Tony Clough

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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The Passions 2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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