Silkscreen Fine Art Print

Bowie Cat- AP Artist Proof Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 5x7

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Sirens Of The Past Day Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends The realm of pop art, street art, and graffiti art has seen the emergence of countless unique and thought-provoking pieces, and the work of Cleon Peterson stands as a testament to the raw power and passion that can be infused within such creations. Peterson's piece titled "Sirens Of The Past Day" is a silkscreen print that draws on various elements of Greek mythology, merged with his iconic street art style, representing an intriguing blend of the old and the new. Hand-pulled on 290gm Coventry Rag Fine Art Paper, "Sirens Of The Past Day" presents the viewer with a bold portrayal of three nude Sirens, characters from Greek myth legends, known for their enchanting voices and deceptive allure. Peterson adopts a stylized approach in creating this masterpiece, using a striking combination of gold and black. This choice of colors lends the artwork a distinct aesthetic appeal, reminiscent of both pop art's simplicity and street art's dynamic energy. "Sirens Of The Past Day" measures 18x22, making it an ideal size for collectors looking for a piece of artwork that could stand out in a variety of settings, be it a private collection, a gallery, or a public space. The artwork is a limited edition of 75, ensuring the exclusivity of the piece. Each print is hand-signed and numbered by Cleon Peterson himself, adding a personal touch to this remarkable creation and underscoring the authenticity of the work. Cleon Peterson, known for his hard-hitting and often controversial themes, draws on a wide range of influences, from classical mythology to contemporary societal issues. In "Sirens Of The Past Day", Peterson breathes life into the age-old legends of the Sirens, presenting them in a modern context that resonates with the ethos of pop and street art. His signature style shines through the bold, stark lines and striking color palette, transforming the Sirens from ancient myths into powerful symbols of seduction and danger in the contemporary world. Peterson's unique ability to blend pop art's boldness with the raw edginess of street art is reflected beautifully in "Sirens Of The Past Day". This limited edition silkscreen print is a reflection of Peterson's artistic prowess, a masterpiece that draws the viewer in and invites them to delve deeper into the intricate world that Peterson creates with his art. With its intense imagery and thought-provoking theme, "Sirens Of The Past Day" is a testament to Cleon Peterson's skill and vision, making it a notable addition to any collection of pop or street art.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Skrillex NY Takeover 4- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Spank Rock, and Zane Lowe at Roseland Ballroom Poster features "E" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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They're Coming to Get You Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Paul Hanley Graffiti Street Artist Modern Pop Art. They're Coming to Get You Artist: Paul Hanley Format: Screen Print Dimensions: 18" x 24" Markings: Signed & Numbered Edition Size: 60 "This is a special screenprint I made for "Something Spooky", a rather incredible Halloween-themed art show curated by the great Steve Niles and horror art legend (and one of my personal heroes) Bernie Wrightson." -Paul Hanley

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. "This Machine Kills Fascists AP" is a captivating silkscreen print by the renowned street artist Shepard Fairey, commonly recognized by the moniker "OBEY". The artwork stands as a testament to Fairey's ability to merge street art sensibilities with the nuances of pop art, creating pieces that are both visually striking and politically charged. This particular piece is an Artist Proof (AP), a term in the art world that signifies a print from the original run that the artist keeps for personal records or as a reference. Not only is this proof marked with 'AP' and signed by Fairey, it's dated to 2006, highlighting its authenticity. The print's focal point is a meticulous depiction of young Denny Laine, a pivotal figure in the history of rock, having been a member of iconic bands such as Moody Blues and Wings. The image captures Laine leaning on a guitar, an emblem of his musical prowess and legacy. The choice of Laine as the subject adds layers of cultural and historical significance to the piece. Interestingly, the source of this print is a 1967 photo by Peter Webb, ensuring that the artwork encapsulates not only Fairey's interpretation but also the spirit of the original image. Shepard Fairey's decision to use Laine's image and pair it with the provocative statement "This Machine Kills Fascists" not only cements the print's position in pop and street art genres but also encourages the viewer to delve into the deeper socio-political implications and narratives surrounding the artwork. It's a harmonious blend of aesthetic allure and potent messaging, underscoring Fairey's mastery in communicating powerful ideas through visual mediums.

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Shepard Fairey's distinct style has become a hallmark in the realms of pop art, street art, and graffiti art. One of his most remarkable works is the "Clementine AP" Silkscreen Print, an artist proof created in 2012. This piece exemplifies the meticulous craftsmanship and creative ingenuity that Fairey consistently demonstrates. It's a hand-pulled screen print on Speckletone Fine Art Paper, underscoring his dedication to producing high-quality artwork that has a tangible and unique texture. The art piece's design showcases an image of a woman, evidently influenced by the music of Neil Young, floating serenely in water. This serenity is contrasted by the inclusion of the iconic "Hello My Name is" name tag, a staple of street culture that often accompanies graffiti. Such juxtaposition between calm and urban grittiness encapsulates Fairey's ability to combine different elements from varied inspirations into one cohesive and captivating piece. Moreover, the print is adorned with graffiti elements, which are not only a nod to the artist's roots but also add a layer of depth and texture to the narrative of the artwork. Another essential aspect to note about the "Clementine AP" Silkscreen Print is its exclusivity. Being an Artist Proof (AP), it indicates that this piece was part of the initial run of prints the artist created before finalizing the edition. Such proofs are treasured by art collectors for their rarity and unique details. Signed by Fairey himself and marked with the "AP" designation, this artwork stands as a testament to the artist's profound influence in the contemporary art world. Its size, 18x24 inches, makes it an ideal piece for display, offering viewers an immersive experience into the mind and creative vision of Shepard Fairey.

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Dave Matthews Band DMB Camden NJ Rainbow Foil Silkscreen Print by Jeff Soto Hand-Pulled on Rainbow Foil Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Rainbow Foil Edition of 50 Artwork Size 18x24 Silkscreen Print Freedom Mortgage Pavilion, NJ 7/16/2022 Music Gig Poster Fine Art Print. #1/50 Jeff Soto's Silkscreen Mastery: Dave Matthews Band's Camden Gig Poster In the vibrant intersection of street pop art, graffiti artwork, and music culture, Jeff Soto's limited edition silkscreen print for the Dave Matthews Band's Camden, NJ, performance celebrates visual and musical synergy. Released in 2022, this hand-pulled print on rainbow foil paper captures the essence of the band's dynamic presence and the spirited essence of their live performances. Limited to an edition of 50, each print is signed and numbered by Soto, establishing its rarity and desirability among collectors and fans alike. The artwork size, at 18x24 inches, is substantial enough to allow the intricate details and the luminous quality of the foil to shine, making it a coveted piece for lovers of music and art. Visual Composition and Symbolism The Dave Matthews Band's artwork is a visual feast, teeming with the fantastical creatures and otherworldly landscape signatures of Soto's style. The central figure, a knight-like helmet, conveys a sense of adventure and boldness akin to the band's exploratory musical style. Around this focal point, Soto weaves a tapestry of images, including enigmatic animal figures and ethereal designs, creating a dream-like atmosphere that complements the band's genre-bending sound. Using rainbow foil as the medium adds an iridescent quality to the print, with colors and light shifting from every angle, echoing music's ever-changing and fluid nature. Artistic Techniques and the Silkscreen Process Creating this print is a testament to Soto's dedication to craftsmanship. Silkscreen printing, a technique with deep roots in pop art, requires precision and patience. The rainbow foil adds challenge, as its reflective surface demands perfect alignment and pressure during hand-pulling. The result is a series of prints where each is a unique art piece, with slight variations that make them individually unique. The tactile quality of the silkscreen print, with its layered inks and metallic sheen, bridges the gap between traditional graffiti art's raw immediacy and the refined qualities of gallery-worthy pieces. Cultural and Artistic Impact Jeff Soto's work for the Dave Matthews Band concert in Camden, NJ, is a powerful representation of the band's ethos and the shared ground between music and visual art. As a gig poster, it serves a functional purpose in promoting the event and stands alone as a piece of fine art, embodying the spirit of street pop art and graffiti artwork in a format that transcends the ephemeral nature of a live concert. This print captures a moment in time, celebrating the confluence of sound and vision and the communal experience of a music event through the lens of an artist who deftly navigates multiple creative worlds. Jeff Soto's "Dave Matthews Band Camden NJ Rainbow Foil Silkscreen Print" is a multifaceted artwork that epitomizes the collaborative spirit of street pop art and music. It's a visual anthem to the band's legendary status and a testament to Soto's innovative approach to art-making. The limited edition nature of the print, coupled with its striking visual narrative, ensures its lasting legacy as a valuable piece of cultural memorabilia and a shining example of contemporary graffiti artwork.

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Emo's 7th Anniversary 1997 Houston Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1997 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik is an American graphic artist who has gained fame for his unique concert posters. He's created posters for a wide range of artists, including Nirvana, Pearl Jam, and the Red Hot Chili Peppers. His works are often considered part of the lowbrow art movement and are recognized for their bold, vibrant colors and often surreal or provocative imagery. Silkscreen printing, also known as screen printing, is a popular method for producing posters, artwork, and designs on a variety of materials. This process involves creating a stencil, or "screen," for each color that is used in the design. The ink is then pushed through the stencil onto the material being printed. Emo's is a popular live music venue in Texas, known for hosting a wide variety of bands and musicians.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey's "Tom Dula White AP" is a silkscreen print that fuses historical narrative with the artist's signature graphic style. Created in 2012, this piece is part of a limited edition set, hand-pulled with a color process on Fairey’s preferred medium, cream speckletone fine art paper. Each print in the series bears Fairey's signature and the distinctive 'AP' mark, denoting it as an Artist Proof. This status often holds higher value due to its rarity and direct connection to the artist's initial vision. Measuring 18x24 inches, the artwork presents a lone, stylized tree in a desolate Western desert setting. The barren landscape serves as a metaphorical backdrop to the somber tale of Thomas C. Dula, a former Confederate soldier whose name became immortalized in the folk song "Tom Dooley" following his controversial conviction and execution for the murder of Laura Foster. Fairey's choice to represent this narrative through a stark and solitary tree amidst an arid terrain reflects the isolation and finality of Dula's fate. This print stands out in pop and street art for its storytelling through visual symbolism. The work does not merely capture viewers' attention with its aesthetic but also invites them to engage with a deeper historical narrative, a characteristic often found in Fairey's body of work. It showcases the artist's ability to navigate the intersection of pop culture and fine art, where historical references become part of the modern visual lexicon. Shepard Fairey’s work frequently contains layers of meaning with a propensity for social commentary. With "Tom Dula White AP," the art is not only about presenting a visual narrative but also evoking an emotional response that connects the historical past with contemporary culture. This piece is a poignant example of how street art can transcend its urban origins, entering the gallery space as a powerful storytelling medium that bridges historical context and modern expression.

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Jerry Garcia Symphonic Celebration- Warren Haynes 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. AP Artist Proof. Jerry Garcia (Grateful Dead) Symphonic Celebration featuring Warren Haynes poster at PNC Bank Arts Center, in Holmden, NJ, August 9th, 2014. 3 color poster, 18x24, AP Edition of 50.

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Umphreys McGee Red Rocks 2010 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge. Umphrey's McGee and Galactic at Red Rocks in Morrison, CO in 2010.

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Hard: Holy Ship 5- 2015 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2015 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Blue, Fluorescent Yellow, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2015 EDM Music Bands: Skrillex , Fatboy Slim , Baauer , DJ Snake , Tommy Trash , Basement Jaxx , Claude Vonstroke , Ty Dolla Sign , Sub Focus , DJ Mustard , Jack Beats , Busy P , Green Velvet , Mat Zo , Breakbot , Brodinski , Destructo , Justin Martin , Alex Metric , Galantis , Cajmere , Tchami , Araabmuzik , Martin Buttrich , Lee Foss & Anabel Englund , Soul Clap , Mercer , Huxley , The M Machine , J Phlip , AC Slater , Kill Frenzy , Justin Jay , Milo & Otis , Valentino Kahn , Louisahhh!!! , Curses , Boston Bun , Wax Motif , Kastle , Friends Within , Anna Lunoe , Club Cheval , Shift K3y , Panteros 666 , So Me , Amtrac , DJ Pone , Sweater Beats , Posso , Cut Snake

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Black Sabbath Standard PP Printer Proof Silkscreen Print by Jim Houser Hand-Pulled 8-Color Screen Print on 290gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 12x12 The Convergence of Music and Visual Art in Jim Houser's "Black Sabbath Standard PP" Jim Houser's "Black Sabbath Standard PP Printer Proof" is a striking representation of Street Pop Art and Graffiti, where the energetic pulse of music and the visual dynamism of art collide. This hand-pulled silkscreen print, created in 2019, encapsulates the spirit of the iconic band Black Sabbath through an 8-color process on 290gsm Stonehenge art paper, renowned for its smooth surface and resilience. Each piece in the limited edition run is uniquely signed and marked with 'PP' by Houser, indicating its status as a Printer's Proof—an exclusive subset of prints typically reserved for the artist's approval. Jim Houser's Artistic Signature in Pop Street Artwork Houser's artistry is palpable in the vivid colors and bold geometric shapes that animate the print, reflecting street art's raw, expressive nature and the rebellious undertones of Black Sabbath's music. The artwork size, a square 12x12 inches, mirrors the classic format of a vinyl record cover, creating a tangible connection between the auditory and the visual. This piece is not merely a print; it is a synthesis of pop culture iconography and the contemporary aesthetic of graffiti art, infusing the viewer's space with the essence of a musical era and the edginess of street art. Collecting the Culture: Limited Edition Street Pop Art The Printer's Proof designation of "Black Sabbath Standard PP" elevates its value within the collectors' market, as such proofs are rare and often differ subtly from the main edition. Houser's decision to sign and mark the print signifies a direct connection from the artist to the collector, which adds personal value and historical significance to the piece. The limited edition nature of the print positions it as a desirable object for enthusiasts of pop street artwork and graffiti, as well as fans of Black Sabbath, bringing together diverse audiences in their appreciation for crossover art forms. In the landscape of contemporary art, Jim Houser's "Black Sabbath Standard PP" is a powerful example of how the visual and the musical can interplay to create a new narrative form. The print is an homage to the enduring impact of Black Sabbath's music while showcasing Houser's mastery of the silkscreen technique and his innovative approach to street pop art. It is a piece that captures the zeitgeist of its time and continues to resonate with the pulsating energy of street art's visual storytelling.

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

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434344 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 175. Released 28 November 2014.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Lumineers Deer Guitar 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 60 Artwork Size 18x24

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Andrew Bird Hands of Glory- Yellow 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl.

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Mens Club Zen Guerilla Crutch 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Men's Club Zen Guerilla Crutch The Kilowatt Club San Francisco, California 6-14-1997

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Miles Davis- Pink/Green Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 30x22.5 Miles Davis (Pink/Green), 2015 Screenprint in colors on paper 22-1/2 x 30 inches (57.2 x 76.2 cm) (sheet) Ed. 50 Signed and numbered in pencil along edges, with artist's thumbprint and date verso Published by the artist

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Hum- Chicago 2011 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Hum. The Hideout Block Party / AV Fest, Chicago, 09/10/11 18 x 24 inches. Seven screens printed on French Speckletone "starch mint". Signed and numbered edition of 400.

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Chicago Bulls 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Fugscreens Rare Street Art Famous Pop Artwork Artist. AP Artist Proof

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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Rise Above Rose Geometric 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 12 inches by 24 inches Edition of 550 July 21, 2022 "The Rise Above Rose Geometric print contains several recurrent symbols in my work. The rose represents the archetype of an individual or a society who has endured oppression but perseveres to rise above conflict. Rise above also references the song “Rise Above” by Black Flag, one of my favorite punk bands. In creating art that encourages people to rise above adversity, I hope that it also motivates people to fight against injustice even when the fight is difficult." –Shepard Fairey

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UMBowl 5- New York 2014- Umphreys McGee Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Frank Sinatra Fondly Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2005 Signed Frank Sinatra Fondly HPM Serigraph Print by Steve Kaufman SAK

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Soul Sister Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 Metallic Gold Ink "That is one funky momma’… Show your love for vinyl (after all, it does sound better) with this 2-color print (black and metallic gold!)18” x 24”, signed, limited edition of 75 posters." -Nate Duval

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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This Land Is Your Land AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Inspired Man Mountains Barbed Wire & The Phrase "No Trespassing This Land Is My Land" "This Land Is Your Land AP" is a captivating silkscreen print, hand-pulled by the renowned artist Shepard Fairey, commonly known as OBEY. Crafted in 2012 and marked as an Artist Proof (AP), this piece stands out as a limited edition artwork, underscoring the artist's reputation for producing iconic street and pop art. Measuring 18x24 inches, this print is meticulously executed on Speckletone Fine Art Paper, enhancing its visual appeal and ensuring its longevity. Shepard Fairey's inspiration for this artwork emanates from Neil Young's rendition of Woody Guthrie's song, "This Land Is Your Land." At its core, the artwork delves deep into the subjects of immigration policy reform, societal attitudes towards immigrants, and the inherent promise of America. Fairey, a known advocate for immigration policy reform, captures a thought-provoking message, highlighting a lost verse from Guthrie's song. This particular verse poignantly juxtaposes a "No Trespassing" sign with its blank reverse, suggesting that the land is truly meant for everyone, irrespective of societal divisions. The imagery — a man, mountains, barbed wire, and the stark phrase "No Trespassing This Land Is My Land" — is a potent blend of aesthetics and ideology. Woody Guthrie, who wrote the original song, was revered for addressing societal issues such as class inequality and the abuse of power. While some labeled Guthrie as "socialist," Fairey's interpretation celebrates him as a compassionate figure who championed the rights of the marginalized. In embracing this theme, Shepard Fairey's artwork becomes not just a visual delight but a profound commentary on contemporary issues, making it an invaluable piece in the realms of pop, street, and graffiti art.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996

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Blondie on Bowery Large Format Silkscreen Print by Shepard Fairey- OBEY 3-Color Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 42x28.75 Shepard Fairey's "Blondie on Bowery" is a striking example of Street Pop Art, capturing the intersection of music and urban visual culture. This large-format silkscreen print is part of a limited edition series, with only 199 signed and numbered prints available. It is a rare collectible for art enthusiasts and fans of the punk rock era. The artwork measures 42 by 28.75 inches, allowing bold graphic qualities and intricate details to command attention and engage viewers. Crafted in 2021, the print pays homage to the iconic punk band Blondie and their connection to the legendary music venue CBGB in New York City. Fairey, known globally for his OBEY campaign and his iconic Barack Obama "Hope" poster, brings his distinctive style to this piece, merging graffiti artwork's aesthetic with pop art's polished finish. The work is screen-printed on 320gsm Coventry Rag Paper, a high-quality substrate that ensures the print's depth of color and durability. The paper's hand-deckled edges add to the bespoke nature of each print, emphasizing the hands-on, street-level ethos of Fairey's artistry. This particular piece reflects a historical moment, channeling the spirit of rebellion and innovation that defined the Bowery's music scene in the 1970s and 1980s. Fairey's choice of subject matter and his stylized portrayal of Debbie Harry, Blondie's frontwoman, underscore the lasting influence of the band and the punk movement. The inclusion of song titles like "Rapture" and "Atomic" in the print's design directly links to Blondie's legacy. At the same time, the motifs and typography are reminiscent of the era's concert posters and album covers. "Blondie on Bowery" was printed by Gary Lichtenstein Editions and published by WCC Editions. The collaborative nature of the piece, with its roots in street art and formal screen printing techniques, showcases Fairey's ability to navigate different artistic realms. Each print is accompanied by a Certificate of Authenticity, assuring its provenance and authenticity within the art market. The mural from which this print takes inspiration was created by Fairey in 2017, further cementing the relationship between his street-level murals and gallery-oriented prints. The transition from a public mural to a limited edition print allows the artwork to be appreciated in personal collections while retaining the raw, expressive quality of street art. Shepard Fairey's work, particularly "Blondie on Bowery," embodies street pop art's rebellious heart and soul, serving as a physical manifestation of the music, fashion, and attitudes that continue to influence contemporary culture.

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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Suckrealm 6000 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by The Sucklord Rare Street Art Famous Pop Artwork Artist. 2021 Limited to 50 pcs – 18″ by 24″ – Metallic silver 130# Reich paper – Signed and numbered by The Sucklord The ghostly transparent blue “Sucklord 77” with its “Suckrealm 6000″ package art in the form of a limited edition, hand-pulled screen print. Popping off of metallic silver 130# Reich paper, this 24″ x 18” piece of art is the best way to put the Suck on your wall and remember how he emerged “outta nowhere with new gear, new beats, a new crew, and new ladies.”

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