Silkscreen Fine Art Print

Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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010101010 Silkscreen Print by Revok Hand-Pulled 4-Color Screen Print on 250g Hahnemühle Aquarellkarton Burgund Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 140 Artwork Size 23.6x31.5 010101010 in Binary Means "U" Handmade item, includes minor imperfections to white area 010101010 – Silkscreen Print by Revok 010101010 is a striking silkscreen print by graffiti street artist Revok, an influential figure in the world of contemporary urban and abstract art. This artwork is a bold exploration of geometric forms, layering, and vibrant color interaction, featuring a composition of interlocking shapes set against a dynamic, textured background. The use of a limited color palette—black, white, red, and blue—enhances the contrast and depth of the piece, making it an impactful example of Street Pop Art and Graffiti Artwork. The print showcases Revok’s signature approach to structured abstraction, where rigid geometry meets expressive, hand-applied textures. The background pattern, reminiscent of graffiti tag textures or distorted digital interference, adds a sense of movement and energy, while the bold black and white shapes provide balance and stability. The interplay between these elements captures the tension between control and spontaneity, a recurring theme in Revok’s work. This silkscreen print stands as both a tribute to the artist’s graffiti roots and an evolution of his contemporary fine art practice. Revok and His Influence on Street Pop Art and Graffiti Artwork Revok, whose real name is Jason Williams, is an American street artist known for his pioneering contributions to modern graffiti and urban abstraction. Emerging from the Los Angeles graffiti scene in the 1990s, he became widely recognized for his large-scale murals, intricate layering techniques, and innovative use of found materials. His transition from graffiti bombing to fine art has been marked by an increasing emphasis on structure, repetition, and the exploration of industrial aesthetics. 010101010 is a prime example of Revok’s ability to translate the raw energy of graffiti into a refined, abstracted visual language. His work often reflects an interest in technology, coding, and urban environments, which is evident in the structured forms and digital-like repetition present in this print. By combining traditional street techniques with silkscreen precision, Revok continues to push the boundaries of what graffiti-influenced art can be, proving that it can exist both in the streets and in contemporary gallery spaces. The Role of Silkscreen Printing in Modern Urban Art Silkscreen printing has been a critical medium in the evolution of Street Pop Art and Graffiti Artwork, allowing artists to create highly detailed, multi-layered compositions while maintaining the unique textures and imperfections that make urban art so compelling. This method enables the replication of intricate linework, bold color blocking, and layered patterning, as seen in 010101010. The tactile quality of silkscreen prints adds depth and character, reinforcing the idea that each piece carries a sense of craftsmanship and artistic intent. Revok’s approach to silkscreen printing mirrors his work in graffiti, where repetition and layering create complexity within seemingly simple compositions. The precision of the process ensures that each print retains the integrity of his original design while allowing for slight variations that make every edition unique. The choice of abstract geometric forms within this print aligns with his ongoing exploration of balance, symmetry, and the relationship between digital aesthetics and handmade artistry. Collectibility and Cultural Impact of 010101010 010101010 represents a pivotal moment in Revok’s artistic evolution, reflecting his ability to merge graffiti traditions with contemporary abstraction. The limited nature of this print adds to its desirability among collectors, as Revok’s work continues to gain recognition in both urban art circles and fine art institutions. His influence on modern street art is undeniable, with his transition from graffiti writing to abstract compositions inspiring a new generation of artists who seek to blend traditional tagging with experimental design. This silkscreen print captures the essence of Revok’s artistic philosophy—structured chaos, precision within imperfection, and the constant push to redefine what urban art can achieve. Whether displayed in a private collection or a gallery setting, 010101010 stands as a testament to the evolution of graffiti from a subversive street practice to a respected and highly sought-after form of contemporary expression.

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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Detroit Minute #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Twenty, Twenty-One 12-color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Coventry Rag with UV Coating by Sheefy McFly, a Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered LLimited Edition of 150 12-Color Screen Print on 320gsm Coventry Rag with UV Coating Artwork Size 43.5x54 With "Twenty, Twenty-One," Sheefy McFly continues his exploration of vibrant street energy through pop art, presenting a limited edition silkscreen print that pulsates with life and color. This piece, like its contemporaries, makes use of a twelve-color palette hand-pulled onto a 320gsm Coventry Rag and is enhanced with a UV coating that protects the work while adding a tactile dimension to its appearance. The work's dimensions are a commanding 43.5x54 inches, and it belongs to an exclusive edition of 150 signed and numbered prints, amplifying its allure to collectors and admirers of street and pop art alike. Sheefy McFly, known for his audacious and colorful aesthetic, crafts images that are immediate in their impact, drawing on the rawness and authenticity of the street art tradition. "Twenty, Twenty-One" is no exception; it is a symphony of shape and hue that captures the viewer's attention, refusing to be ignored. Its complex overlay of colors and forms is reminiscent of the bustling streets and the ever-changing nature of urban spaces, reflecting the artist's adeptness at translating the kinetic energy of the city into static forms that are nonetheless imbued with motion. This print is a cultural artifact that goes beyond mere artistic expression; it encapsulates a moment in time, the year 2021, through the lens of McFly's distinctive visual language. The year, marked by global change and upheaval, is interpreted and immortalized through the artist's eyes, offering a perspective that is as much a historical record as an artistic creation. The layers and juxtaposition of colors evoke a sense of complexity and depth, mirroring the multifaceted experiences of the year it represents. Sheefy McFly has cemented his reputation with "Twenty, Twenty-One," creating an art piece that is a vibrant testimony to the times. This artwork is not only a vibrant visual spectacle but also an embodiment of the essence of 2021, as seen through the prism of street and pop art, cementing McFly's status as an artist of significance and resonance.

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Visions Victoire 16-Color Hand-Pulled Limited Edition Hand Deckled Silkscreen Print on 335gsm Coventry Rag Paper by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (b. 1975) Visions Victoire, 2017 Screenprint in colors on Coventry Rag paper 39 x 27-1/2 inches (99.1 x 69.9 cm) (sheet) Ed. 97/300 Signed in pencil along lower edge; numbered and dated in ink and pencil to reverse Published by the artist Visions Victoire is a 16 layer hand-pulled silkscreen print inspired by one of the more recent paintings. This print brings a softer palette and new composition to a rather striking image originally created during our collaboration with the New York City Ballet. Each print is signed, stamped and embossed in the studio on a thick Coventry Rag 335 gsm with deckled edges. This one is for all the women in your life who dance with dragons on a daily basis.

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We Own The Night Limited Edition Hand-Embellished 1 Color Silkscreen on handpainted 140 lbs. French Archival Paper by Malt Graffiti Street Artist Modern Pop Art. "This print is part of the next series I'm starting after the Acid Forest. I’m just kind of diving a little bit more in-depth into the forest and the creatures that live in there. I wanted to do a non-traditional print, just use the actual bold black lines as the main image, but I wanted to personalize each one. You know customize it. Every one is going to be different, color, shape, everything minus the main image itself. " - Malt aka Brown Bag Detroit

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Sorrow White Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "Sorrow White" is a silkscreen print by contemporary American artist Cleon Peterson. Known for his provocative and often violent imagery, Peterson's work explores themes of power dynamics, chaos, and brutality in society. The "Sorrow White" silkscreen print features a striking monochromatic color palette, with white, black and gold imagery that showcases the artist's signature style. The piece depict a figure engaged in challenging and confrontational thought. Cleon Peterson's work has been exhibited in galleries and museums around the world, and he has gained recognition for his distinct, often unsettling approach to art. The "Sorrow Black" print is a prime example of his work, embodying the dark, confrontational themes that define his artistic vision.

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Presidents Day- Chaplin 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Family Silkscreen Print by Kaws- Brian Donnelly Hand-Pulled Screenprint on Stonehenge Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 16x21 Silkscreen Print The Intersection of Familial Motifs and Street Art in KAWS' Family Silkscreen Print KAWS, the artistic moniker of Brian Donnelly, has been a defining presence in Street Pop Art and graffiti Artwork, constantly pushing the boundaries of these genres. His "Family" silkscreen print is a testament to this continual evolution, capturing the essence of family through the lens of pop street art. This hand-pulled screenprint on Stonehenge art paper is a limited edition work with only 500 pieces, making it a coveted item for collectors and art enthusiasts. Measuring 16x21 inches, "Family" is an artwork that stands out for its size and intimate portrayal of familial connections, represented by KAWS' signature characters. The piece is signed and numbered by KAWS, guaranteeing its authenticity and solidifying its status as a significant work within his oeuvre. The print showcases a lineup of characters in varying sizes, symbolizing a familial unit, each bearing the artist's iconic crossed-out eyes. KAWS' Exploration of Family Dynamics through Street Pop Art The "Family" silkscreen print delves into the concept of family, a universal theme that resonates across cultures and communities, yet it is explored here through the distinctive visual language of KAWS. The juxtaposition of the characters, each rendered with precision and care, mirrors the complexities of familial relationships. In this work, KAWS moves beyond the typical urban settings and motifs of graffiti art to a more personal subject matter while maintaining the bold aesthetic and accessibility inherent to street pop art. Though stylized and abstract, the characters convey a sense of belonging and togetherness central to the notion of family. The use of silkscreen printing, a method often associated with the mass production of pop art, further emphasizes KAWS' blending of high art techniques with street art's approachability. This limited edition print, therefore, is not only a visually striking piece but also an artwork rich with layers of meaning and context, characteristic of KAWS' multifaceted approach to art. Cultural Impact and Significance of KAWS' Family Silkscreen Print "Family" by KAWS does more than depict figures; it encapsulates a dynamic narrative within the visual language of pop and street art. The limited edition nature of the silkscreen print elevates its status within the art world, signifying the growing recognition and appreciation for street art within the broader context of contemporary art. KAWS' ability to translate the vibrancy and rawness of street art onto Stonehenge art paper, a medium traditionally reserved for fine art, reflects the eroding barriers between different art forms. The print's release into the art market is a cultural event, symbolizing the intersection of street aesthetics with the exclusivity of limited-edition art. For collectors, owning a piece of the "Family" series is an investment and an opportunity to engage with KAWS' vision and commentary on the social structures that shape our lives. As such, this artwork becomes an integral part of the conversation around Street Pop Art and graffiti Artwork, underscoring its ongoing impact and relevance in contemporary art discussions.

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Alternative Facts Hand-Pulled 4-Color Silkscreen Print on Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 24x24 " We are at a critical moment for the preservation of democracy and non-partisan access to voting for all citizens of voting age. Between the Supreme Court, partisan gerrymandering shaping state legislatures, and the filibuster as a tool of obstruction in Congress, we are already facing tyranny by the minority. The forces dominating our politics do not reflect the values of most Americans. My print, Alternative Facts, addresses the mass confusion about truth that allows the parties who spread the big lie about the 2020 election (and many other lies) fomented the January 6th insurrection and are engaged in voter suppression and other anti-democracy schemes, to flourish unchecked. A portion of proceeds from Alternative Facts will benefit the ACLU in its legal fights against voter suppression and other attacks on the constitution." -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Spider-man Homecoming Foil AP Artist Proof Silkscreen Print by Raid71 Hand-Pulled on Holofoil Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & AP40 Artwork Size 24x36 Holographic Foil Silkscreen Print by Raid71 Spider-Man Homecoming Foil AP Silkscreen Print by Raid71 The Spider-Man Homecoming Foil AP Silkscreen Print by Raid71 is a radiant collision of cinematic intensity and vibrant Street Pop Art & Graffiti Artwork aesthetics. Released as an Artist Proof in 2023, this 24x36 inch hand-pulled silkscreen was printed on holographic foil fine art paper, giving the already dynamic composition an additional kinetic surge. Signed and marked AP40 by Raid71, this limited edition encapsulates not only the Marvel Studios legacy but also the visual vocabulary of contemporary pop-infused print culture. Cinematic Composition and Street-Level Urgency This piece by Raid71, the alias of British illustrator Chris Thornley, electrifies the familiar Spider-Man narrative by focusing on a climactic aerial showdown from Spider-Man: Homecoming. The scene is depicted through a tense and chaotic composition. Spider-Man is framed in mid-action inside a circular engine aperture as he clashes with the Vulture, portrayed in the pilot's seat. The background bursts with the neon blaze of a theme park and city grid—a fever dream of hot red, orange, blue, and yellow dots that mimic both street signage and motion blur. The entire composition places viewers inside the chaos, as if looking from the Vulture’s cockpit, blurring the boundary between viewer, villain, and action. Raid71’s use of dynamic foreshortening and vibrant urban textures speaks directly to the aesthetics of graffiti wall compositions. There is a deliberate sense of motion and disruption, as angular lines, glowing pixel-like dots, and radial spirals converge. The artist blends comic book panel design with architectural scale and cinematic scale, making the print feel like a mural that exploded from the theater wall and into the street. Technique and Medium: Holofoil Spectacle The use of holographic foil stock is not merely decorative; it transforms the print into an interactive object. Light bends and scatters across the foil’s surface, animating the explosive colors and the depth of the print depending on the viewing angle. The reflective quality of the foil complements the digital chaos of the artwork, symbolizing the modern hyper-visual era of superhero storytelling and consumer saturation. Every silkscreen layer adheres tightly to the foil, with precision color trapping that lets Raid71’s palette vibrate in space. Unlike traditional paper editions, the foil version pushes the graphic language into full sensory overdrive. It mimics the pop sheen of commercial branding and street poster art but elevates it to a level of fine craftsmanship. Raid71 and the Fusion of Fine Art and Pop Spectacle Raid71’s body of work bridges high-level commercial illustration, subversive pop art themes, and the street art ethos of layered imagery and rapid visual engagement. His reinterpretation of Marvel’s Spider-Man universe reflects how modern superheroes function as icons in both art and advertising. This print captures the duality of Spider-Man’s place between adolescence and responsibility, surveillance and action, chaos and order. The Spider-Man Homecoming Foil AP is a visual powerhouse—a fine art piece rooted in the visual vocabulary of graffiti, animation, comic culture, and digital saturation. It’s a reminder that pop art does not rest in nostalgia; it moves forward with velocity, urgency, and unmistakable aesthetic aggression. This print doesn't just celebrate Spider-Man; it embodies the impact of superhero myth in the modern visual world.

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The Passions 2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The Passions 2 by Cleon Peterson The Passions 2 is a 2009 hand-pulled silkscreen print by Cleon Peterson, produced as a three-color edition on 100% cotton rag archival paper. Measuring 18 x 18 inches, the work is signed and numbered in a limited edition of 90 and was released through BLK/MRKT Editions. Rendered in Peterson’s stark palette of black, red, and white, the composition depicts figures locked in violent motion, suspended in a chaotic scene that feels both theatrical and brutal. Violence, Power, and Moral Collapse This piece sits squarely within Peterson’s ongoing exploration of power dynamics, cruelty, and human conflict. The faceless or mask-like figures appear interchangeable, emphasizing systems of violence rather than individual identity. There is no clear hero or victim, only cycles of aggression and domination. The title, The Passions 2, evokes classical and religious connotations, yet Peterson subverts them, replacing transcendence with raw instinct and social breakdown. The forest-like backdrop adds an almost mythic setting, suggesting a return to primal behavior beneath the veneer of civilization. Cleon Peterson’s Visual Language and Legacy Cleon Peterson is widely recognized for his uncompromising visual language that draws from propaganda art, ancient friezes, and modern graphic design. His use of limited color and flat silhouettes creates immediate impact while reinforcing the emotional severity of the subject matter. Works like The Passions 2 helped establish Peterson’s reputation in the late 2000s as a leading figure in contemporary street and pop art, bridging gallery spaces and public walls. This print remains a strong example of his early editions, valued for both its rarity and its clear articulation of the themes that continue to define his practice.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Emo's 7th Anniversary 1997 Houston Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1997 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Emo’s 7th Anniversary 1997 Houston Silkscreen AP Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a central architect of the modern gig poster movement within Street Pop Art & Graffiti Artwork. The Emo’s 7th Anniversary silkscreen print from April 23, 1997 was created to commemorate the Houston, Texas venue’s milestone event and reflects Kozik’s commanding graphic style during the height of the 1990s poster renaissance. This hand-pulled silkscreen on fine art paper measures approximately 22.5 x 35 inches and this particular edition is an Artist Proof limited to 50, signed and numbered by Kozik. Artist Proof editions are traditionally produced in smaller quantities aside from the main run, often reserved for the artist or close collaborators, and they carry heightened desirability among collectors of Street Pop Art & Graffiti Artwork due to their scarcity and direct association with the printmaking process. Iconography, Color Blocking, and 1990s Poster Culture The composition features a bold black cross at center surrounded by flaming dice, a winged crowned emblem, and graphic elements including a seven ball and stylized typography that announces the anniversary celebration. The vibrant checkerboard background in lavender and pink contrasts with saturated oranges, greens, and deep blacks, demonstrating Kozik’s mastery of layered silkscreen color separations. The typography is loud and declarative, with EMO’S dominating the top in electric green while the event date anchors the lower portion in high-impact numerals. Kozik’s visual vocabulary pulls from underground comics, hot rod graphics, tattoo flash, and punk zine aesthetics, combining them into a format that is instantly legible yet visually dense. This approach defines much of 1990s Street Pop Art & Graffiti Artwork, where gig posters functioned not only as promotional tools but as collectible artifacts rooted in subcultural identity. Artist Proof Editions and the Legacy of Street Pop Art & Graffiti Artwork The AP designation on this 1997 Emo’s 7th Anniversary print signals a special subset within the broader edition structure, emphasizing its place in the fine art print tradition rather than disposable advertising. During the 1990s, Kozik was instrumental in transforming concert posters into limited edition silkscreen artworks that were signed, numbered, and preserved. Venues like Emo’s in Houston became cultural hubs for alternative and independent music scenes, and Kozik’s posters helped visually define that era. Today, Artist Proof examples such as this one represent an important chapter in Street Pop Art & Graffiti Artwork history, illustrating how underground music culture, meticulous hand-pulled printmaking, and bold graphic storytelling converged into a lasting collectible art form.

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Gotham 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Rare Street Art Famous Pop Artwork Artist. AP Artist Proof, Silver Metallic ink

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Legislative Influence For Sale 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale" is a potent visual commentary by the renowned street artist Shepard Fairey, who rose to global recognition under the moniker OBEY. This artwork, created in 2011, is a limited edition, hand-pulled silkscreen print on fine art paper, and its rarity is underscored by its exclusivity: only 450 signed and numbered copies exist. Measuring 18x24 inches, this piece is not just art; it's a socio-political statement that challenges viewers to confront the intricacies of power, politics, and influence. Fairey's choice of imagery is both bold and thought-provoking. He presents a depiction of the 40th United States President, Ronald Reagan, holding a sign that proclaims, "Legislative Influence For Sale." The audacious portrayal hints at the complex interplay of political agendas, financial influences, and lobbying, suggesting that even the highest office might not be immune to corruption or undue influence. Furthermore, the artist's clever juxtaposition of implying that one side might be innocent plays with the ambiguity of political righteousness, forcing a reflection upon the nuances of political morality. In the realms of pop art, street art, and graffiti, artists often hold a mirror to society, urging introspection, critique, and, at times, activism. Shepard Fairey's piece stands tall within this tradition. His deliberate use of the silkscreen medium, historically associated with both fine art (think Andy Warhol) and protest (recalling posters and flyers), emphasizes the blend of aesthetic beauty and powerful messaging. Through "Legislative Influence For Sale," Fairey not only cements his place in the pantheon of street art legends but also reignites essential conversations about democracy, integrity, and the potential pitfalls of unchecked power.

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Stargate 8-Color Hand-Pulled Limited Edition Metallic Ink Silkscreen Print on Fine Art Paper by Todd Slater Rare Street Art Famous Pop Artwork Artist. 24 x 36 inches /// 8 screens (4 metallic inks & a black varnish star chart layer) /// signed and numbered edition of 165 (AP edition of 75) "The character of Ra, the Egyptian solar deity, is the one that has really stayed with me all these years. I wanted to give Colonel Jack O'Neil and Dr. Daniel Jackson a glimpse of what awaited them at the other end of the wormhole. The two characters view their journey in different ways. Dr. Jackson's journey is filled with childlike wonder seeing something magnificent and awe-inspiring while Colonel O'Neil bears an atomic bomb capable of producing cataclysmic results. We learn later in the film that the character of Ra is an alien life form who possessed the body of a young boy. I wanted to touch on this and add some tension to the image by showing his glowing blue eyes. The print is 8 colors and features 4 varieties of metallic gold and copper inks. There is also a hidden star chart in the background printed in a shiny black varnish." -Todd Slater

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King Conan- Gold Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Only 4 made! 5 Color Screen Print (including metallic Gold inks) AP Artist Proof Edition 18" x 24" Signed & Numbered

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The Treasure You Seek Silkscreen Print by Lee Eelus Hand-Pulled 4-Color on 300gsm Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x 20.48 Silkscreen Print Modern street and pop art has consistently reflected society's psyche, delving into struggle, transformation, and personal discovery. One particularly mesmerizing piece encapsulating such themes is Lee Eelus's hand-pulled silkscreen print titled "The Treasure You Seek." Created with meticulous precision on 300gsm Somerset Fine Art Paper, this work reflects the nexus of quality craftsmanship and profound messaging. The artwork stands out not only in its vibrant 4-color palette but also in its layered symbolism. Measuring 52 x 50 cm, the print showcases Eelus's intricate technique and a keen eye for detail, further emphasized by the lustrous pearlescent inks used to depict a pearl, contrasting the matte finish of the print's background. This choice of ink offers more than an aesthetic appeal; it holds symbolic weight, representing the gleaming potential buried within challenges. Taking inspiration from the profound quote by Joseph Campbell, "The cave you fear to enter holds the treasure you seek," Eelus's work acts as a testament to confronting one's fears and uncertainties. This is not just a piece of art; it's an allegory about perseverance, determination, and the human spirit's resilience. The backstory of this piece adds another layer of depth, with Eelus dedicating it as a tribute to his daughter, Pearl, intertwining the symbolism of the pearl with the essence of cherished personal relationships. To affirm its originality and distinctiveness, each print comes with Eelus's signature blind stamp and a certificate of authenticity, further establishing its unique place in the annals of pop and street art. For fans of contemporary art, "The Treasure You Seek" is more than a visual treat; it's a journey into the heart of human experience and the treasures that lie within.

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Danger No Smoking AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2016 Signed & Marked AP Artwork Size 18x24 Silkscreen Print—vintage Style Lead Fuel Gas Pump with Danger No Smoking Sign. "This Danger No Smoking print is inspired by a screen print I made in 1990, which was the very first image I made addressing the environmental and health hazards of gasoline. I took this photograph in Providence, RI at the edge of a desolate graveyard, which probably intensified my interpretation of the peeling paint on the gas pump as a skull. I decided the symbolism provided by natural erosion was powerful enough to make the photo worthy of turning into a print. I always liked this image, and I rediscovered it while looking for images to include in a book surveying my entire history of environmentally themed art." -Shepard Fairey- OBEY Shepard Fairey Unsinkable Consumption AP 2015 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Unsinkable Consumption in 2015 as part of his ongoing critique of environmental exploitation and unchecked consumer culture within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard numbered run and identifying it as part of a smaller subset reserved by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock commonly used in Obey editions for its archival durability and vintage character. Fairey has consistently used bold iconography and propaganda inspired composition to address social and political themes, and this work reflects his direct engagement with industrial dependency and ecological consequence. Oil Symbolism and Industrial Critique in Street Pop Art & Graffiti Artwork The composition depicts a large ocean liner sinking into dark waters, visually referencing early twentieth century maritime disaster imagery while replacing the traditional cause with a broader commentary on oil consumption. Above the vessel, a red circular emblem frames a black oil derrick within a droplet shape, reinforcing petroleum as the central motif. The word Consume appears across the top, functioning as both directive and indictment. Fairey’s restrained palette of black, cream, and red heightens the graphic immediacy of the message, echoing historical propaganda posters while maintaining the clarity associated with Street Pop Art & Graffiti Artwork. The distressed background textures and layered patterning add depth and archival resonance, strengthening the conceptual weight of the scene. Artist Proof Editions and Environmental Commentary Artist Proof prints hold special significance in fine art printmaking, often representing early impressions or reserved examples closely tied to the artist’s archive. Within Street Pop Art & Graffiti Artwork, AP editions reinforce craftsmanship and scarcity while preserving thematic urgency. Unsinkable Consumption demonstrates Fairey’s ability to merge historical visual language with contemporary environmental critique, transforming a familiar maritime silhouette into a symbol of systemic overconsumption. By combining disciplined hand-pulled silkscreen production with potent industrial imagery, this 2015 print stands as a direct and enduring example of how Street Pop Art & Graffiti Artwork addresses ecological responsibility through bold graphic storytelling.

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Smiley Days with Ms. Flower to You! 8-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 19.7x19.7 Rare Takashi Murakami TM/KK Ms. Mr. Rainbow Flower Silkscreen Print Artwork. Small handling bumps to the left/right lower corner, small bump to the upper right corner. Takashi Murakami's Smiley Days with Ms. Flower to You!: Flattened Joy in Pop Art Precision Takashi Murakami’s Smiley Days with Ms. Flower to You! encapsulates his signature blend of cheerful imagery, cultural layering, and ultra-clean graphic execution. Created in 2020 as an 8-color hand-pulled silkscreen print, this limited edition of 100 works stands at 19.7 x 19.7 inches and is signed and numbered by the artist. The artwork features the instantly recognizable flower motif with alternating petal colors and an exaggerated smile across the central face. What appears at first to be a playful, almost childlike symbol of joy is, in Murakami’s visual language, a deeply coded cultural artifact that questions the nature of happiness, identity, and image saturation in the contemporary world. The symmetrical structure and bold outlines suggest cartoon aesthetics, yet Murakami’s execution is far from spontaneous. Every curve, gradient, and color choice is calculated to reinforce a sense of artificial perfection. The smiling flower character, often mistaken for simplistic pop decoration, emerges from a broader lineage of Japanese visual culture—including Edo-period painting, kawaii consumer goods, and the hyper-saturated imagery of anime and manga. By distilling all of these elements into a single figure, Murakami has produced a contemporary symbol that functions across cultures and commercial systems. Superflat Theory and the Deconstruction of Depth Murakami’s Smiley Days with Ms. Flower to You! is a direct application of his Superflat philosophy, which merges traditional Japanese aesthetics with the shallow perspective of digital-age visual consumption. The flatness in this print is not merely stylistic but ideological. It represents a collapse of distinction between fine art and mass media, high culture and consumer object. The lack of depth in the flower’s face, along with the pristine uniformity of the petals, draws attention to how culture packages emotion and sells it as aesthetic surface. Rather than invite introspection through complexity, Murakami’s print bombards the viewer with immediate, digestible visual pleasure. But that sensory overload is deceptive. The flower’s manic grin—framed by perfectly arranged petals in pastel and neon hues—suggests an almost disturbing insistence on happiness. It becomes a symbol not of actual emotional expression but of imposed positivity. The eyes, colored with soft gradients and cartoon sparkle, recall the exaggerated features of anime mascots but also serve as hollow portals in an otherwise flattened identity. Street Pop Art & Graffiti Artwork Rendered with Surgical Cleanliness Though not rooted in traditional graffiti practice, Murakami’s work has been deeply influential in the evolution of Street Pop Art. He merges the visual appeal of mass-produced graphic design with the thematic subversions common in graffiti. The flower motif, while seemingly benign, has appeared on luxury fashion collaborations, vinyl toys, and fine art prints alike, highlighting how symbols circulate between subculture and commerce. Murakami’s deliberate use of commercial channels does not dilute his message—it amplifies it. The print’s pristine execution and wide appeal comment on the mechanisms of art as commodity, without needing to stage rebellion through messiness or illegality. The silkscreen process used in this edition aligns with Murakami’s obsession with perfection. Each color layer is meticulously printed, ensuring consistency and uniform saturation, mimicking the effect of digital art but with the tangible value of a handmade print. This duality—the tactile reality of traditional craft paired with the aesthetics of digital media—reinforces the thematic content of the flower itself: joy as production, identity as design, emotion as product. Murakami’s Smiley Days with Ms. Flower to You! ultimately operates as both a visual balm and a conceptual warning. In Street Pop Art & Graffiti Artwork, surface often holds as much power as meaning, and Murakami leverages that to brilliant, unsettling effect. The flower smiles because it must. Its joy is performative, its beauty standardized—and in that, it holds a mirror to the world that created it.

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D*Dogs Fallin' in Gorilla Deck Limited Edition Silkscreen Skateboard Art by Street Pop Culture Artist D*Face x XLarge. 2019 Serial Numbered, Extremely Limited Edition of 30 Glitter Variant. Monkey ape dropping doggie bombs. Rare Edition With Hand Applied Glitter To Lower Logo And Color Inner Wood Core Ply. Red or Yellow Core.

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Liberty Prime- Metallic Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Metallic Gold In. Inspired by the cult classic video game Fallout 4 sci-fi robot. 2 color 9″ x 24″ screen-printed posters.

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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Núcleo Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm White Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 19.6x19.6 Silkscreen Print In the dynamic realm of contemporary art, "Núcleo Silkscreen Print" stands out as a testament to the innovative spirit of the renowned artist Add Fuel. With a harmonious blend of traditional silkscreen printing techniques and modern design aesthetics, this artwork resonates with the distinctive character of pop art, street art, and graffiti art, blurring the lines between these genres. Crafted in 2023, the piece is not only a visual delight but also a symbol of artistic evolution and commitment. This hand-pulled 6-color print is meticulously produced on 320gsm White Astropack Fine Art Paper, ensuring longevity and vibrancy. The choice of medium further accentuates the intricate details and striking blue patterns that dominate the artwork. Every swirl, dot, and line exhibits Add Fuel's keen attention to detail and his passion for intertwining classic and contemporary elements. Spanning 19.6x19.6 inches in size, "Núcleo Silkscreen Print" offers viewers a vast canvas to dive deep into its mesmerizing visual narrative. Being a signed and numbered limited edition, the exclusivity of this artwork adds another layer of allure to art collectors and enthusiasts alike. While the exact number of editions remains undisclosed, each piece carries its unique identifier, reinforcing its authenticity and the artist's personal touch. In an era where art is constantly evolving, "Núcleo Silkscreen Print" by Add Fuel serves as a beacon, reminding us of the timeless allure of handcrafted artworks and the power of artistic expression to bridge diverse genres.

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey This Machine Kills Fascists is a 2006 Artist Proof silkscreen print by Shepard Fairey, released under his OBEY moniker. Hand-pulled on Speckletone fine art paper, this 18 x 24 inch work comes from the original run and is signed and marked AP by the artist. The image depicts a young Denny Laine, legendary guitarist and songwriter associated with the Moody Blues and Wings, leaning on his guitar in a striking, symmetrical composition rooted in Fairey’s early graphic language. Music as Resistance and Political Symbolism The phrase “This Machine Kills Fascists” famously appeared on Woody Guthrie’s guitar and has long symbolized music as a weapon against authoritarianism, oppression, and cultural decay. By pairing this statement with Denny Laine’s image, Fairey bridges generations of musical dissent, connecting folk protest traditions to British rock’s role in cultural upheaval. The guitar becomes both instrument and emblem, reinforcing the idea that creativity, truth, and expression are tools of resistance. Radiating lines and ornamental borders amplify the icon-like presentation, elevating the musician into a symbol rather than a portrait. Shepard Fairey’s Early Iconography and Cultural Legacy Sourced from a 1967 photograph by Peter Webb, the image reflects Fairey’s early fascination with remixing historical imagery into bold, politically charged compositions. This print sits firmly within the formative years of the OBEY project, where propaganda aesthetics, music history, and anti-fascist messaging converged. As an Artist Proof, this edition carries additional weight for collectors, representing Fairey’s personal archive from a pivotal era in his career. This Machine Kills Fascists remains a powerful example of how street art can honor cultural figures while delivering enduring social commentary through graphic precision and symbolic force.

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Haiconca Pearl Lustre Pearl HPM Embellished Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Unique HPM Embellished Acrylic Silkscreen Limited Edition of 8 Artwork Size 20x31.5 Silkscreen Print Haiconca Pearl Lustre Pearl HPM Silkscreen Print by Fin DAC Haiconca Pearl Lustre Pearl is a 2023 hand-pulled 8-color silkscreen edition by celebrated street pop art and graffiti artwork artist Fin DAC. Each piece in this hyper-limited run of only eight prints is uniquely hand-embellished with acrylic paint, transforming every print into a one-of-a-kind mixed media artwork. Produced on full bleed, hand-deckled 410gsm Somerset fine art paper, the print measures 20 by 31.5 inches and stands as a signature work in Fin DAC’s ongoing series that merges high-impact visual aesthetics with symbolic commentary on cultural beauty and strength. Symbolism, Detail, and Technique This edition of Haiconca features the distinctive facial motifs that define Fin DAC’s iconic visual language. The woman’s grayscale face is adorned with pearl-toned mask markings that drip down like ceremonial paint, while the lips are painted in a high-gloss crimson red with visible brushstrokes that speak directly to the artist’s hand in the work. Her stare is direct, evocative, and filled with both mystery and assertion. The inclusion of finely rendered details such as a nose ring, sculptural ring, and black nail polish draws attention to adornment, identity, and defiance. The result is a balance between elegance and edge, between silence and power. Materials and Edition Specificity Printed using an 8-color silkscreen process, this edition achieves extraordinary depth and texture. The high weight of the Somerset fine art paper offers a tactile richness that enhances the artwork’s presence whether framed or displayed raw. The full bleed presentation removes any framing margin, making the print feel immersive and immediate. The hand-painted embellishments—visible in the lips and subtle accents—elevate each piece beyond a standard print into the category of highly collectible original art. With only eight editions produced, each signed and numbered, this HPM release is among the rarest and most exclusive expressions of Fin DAC’s aesthetic philosophy. Relevance in Street Pop Art & Graffiti Artwork Fin DAC, based in the UK and of Irish origin, has carved a distinctive space in the global art community by spotlighting women of diverse cultural identities in work that challenges objectification while celebrating beauty, power, and nuance. Haiconca Pearl Lustre Pearl exists firmly in the tradition of street pop art and graffiti artwork, merging photorealistic execution with stylized street iconography. The hand-embellished elements of this edition further reflect the hybridization of studio discipline with street spontaneity. These pieces connect with collectors not just through aesthetics, but through their symbolic resonance and their elevated status within contemporary art culture. Each HPM in this edition captures Fin DAC’s commitment to craftsmanship, narrative, and the power of portraiture as a vessel for social commentary and artistic evolution.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Top Elite Faschions 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, Signed and numbered by Shepard Fairey in pencil, this silkscreen art print is on medium weight off white colored paper.

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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The Snake and the Bear Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Clinton Reno Graffiti Street Artist Modern Pop Art. Based on GI Joe.

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Devilman Limited Edition 9-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mike Sutfin, Graffiti Street Artist Modern Pop Art. 2015 Limited Edition of 300 Artwork measuring 18" x 24", these prints needed eight screens and nine colors to capture their vibrancy on the 100# c stock French Pop-Tone Berrylicious paper used, and the back view of the character is printed on the reverse side of the print. Mike Sutfin's Devilman: A Symphony of Color and Chaos The "Devilman" limited edition silkscreen print by Mike Sutfin is a formidable example of how street pop art and graffiti artwork can bring together vibrancy, intensity, and a touch of the macabre. This 2015 piece, a limited edition of 300, captures the essence of its subject matter through a stunning 9-color palette applied via eight screens onto 100# c stock French Pop-Tone Berrylicious paper. Measuring 18x24 inches, the artwork showcases Sutfin's mastery in a modern pop art context, providing a fiery representation of the titular character with a complexity that demands attention. The Artistic Process Behind Devil man's Creation The creation of "Devilman" is a testament to the meticulous silkscreen printing process. The requirement of 8 screens for the nine colors used in the piece illustrates the intricate layering process that imbues the artwork with depth and dynamism. The process is detailed, requiring precision and a keen eye for detail to ensure that each layer of color sits perfectly upon the last, building up to create the final arresting image. This technique, while traditional in its roots, is brought to life in a new way through Sutfin's skillful hands, blending the boundaries between street art and fine art. Interpreting Devilman: Street Pop Art Meets Mythology Sutfin's "Devilman" is more than a visual spectacle; it explores mythology, character design, and the eternal dance between good and evil. The figure stands amidst flames, a visual nod to the hellish realms often associated with devils and demons. Yet, the character is not merely a representation of evil. The complexity of the image, with its vibrant colors and detailed linework, suggests a narrative that goes beyond the binary of good versus evil. It speaks to the inner battles that rage within, the fiery potential for destruction and rebirth in every individual. The decision to print a back view of the character on the reverse side of the print adds a layer of depth to the artwork, inviting viewers to consider the many sides of the character – and themselves. This duality is a common theme in street pop art, where the surface image often belies a more profound story waiting to be uncovered by those who look closely enough. Mike Sutfin's "Devilman" is a powerful example of modern pop art's ability to combine traditional techniques with contemporary themes. The artwork stands as a beacon within the genre, showcasing how street pop art and graffiti can transcend their urban origins to enter the realm of collectible fine art. Through works like "Devilman," artists like Sutfin continue to push the boundaries of street art while also honoring the rich, colorful, and sometimes dark stories that have always been at the heart of human expression.

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Parks For Everyone 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 "I created this print in partnership with Parks California, the official non-profit partner of California State Parks that works at the intersection of resource stewardship and equitable access. The print features an illustration of the beautiful Russian River and iconic Russian Gulch Bridge in northern California. I am lucky to have a system of parks in California preserved for public enjoyment and are valued landmarks. I think it is essential to keep some spaces dominated by nature for the sake of the environment and citizens’ quality of life. Parks California helps to make parks more welcoming, inclusive, and climate-resilient. Proceeds from this print will help strengthen parks for the future, reducing barriers to access and working to ensure that all people feel welcome when they are in parks. Thanks for caring!" -Shepard Fairey Parks For Everyone Silkscreen Print by Shepard Fairey is a piece of artwork created by the renowned street artist and graphic designer, known for his work under the pseudonym OBEY. The "Parks For Everyone" silkscreen print is a reflection of Fairey's advocacy for public spaces and greenery. The artwork emphasizes the importance of accessibility, inclusiveness, and preservation of parks for people from all walks of life. It features Fairey's signature style, incorporating a mix of bold typography, and striking imagery.

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12 Inch Series II 1 Artist Proof AP Hand-Pulled 3-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2009 Signed & AP Marked Original Run Limited Edition of 100 Artwork Size 12x12 12 Inch Series II 1 Artist Proof Hand-Pulled Screen Print by Dave Kinsey The 12 Inch Series II 1 Artist Proof is a rare hand-pulled three-color screen print by Dave Kinsey, created in 2009 as part of a limited edition of 100. Printed on 290gsm Coventry Cotton Paper, this signed and AP-marked piece exemplifies the fusion of Street Pop Art and Graffiti Artwork through bold abstraction and raw urban aesthetics. Measuring 12x12 inches, the composition is a striking mix of sharp linework, expressive textures, and layered color application, creating an impactful visual statement. Kinsey’s work often explores the complexities of human expression, urban landscapes, and social tension, all of which are present in this print. The highly stylized profile of a fragmented face is set against an energetic background of red, black, and cream, with chaotic paint splatters and gestural strokes that recall the intensity of street graffiti. The inclusion of a baroque-style numeral one adds an element of structured typography, reinforcing the layered depth of the piece. This combination of graphic precision and painterly spontaneity captures the essence of Kinsey’s approach to contemporary urban art. Dave Kinsey and His Contribution to Street Pop Art and Graffiti Artwork Dave Kinsey is a contemporary American artist whose work bridges the worlds of fine art, graffiti, and social commentary. Emerging in the 1990s, Kinsey developed a distinctive style that fuses abstracted human forms with raw, urban textures. His work often carries an underlying message about modern society, exploring themes of consumerism, technology, and emotional isolation. Through the use of bold contrasts and intricate layering, Kinsey creates visually complex compositions that demand closer inspection. The 12 Inch Series II 1 embodies his signature aesthetic, utilizing heavy black outlines, fragmented facial features, and unpredictable splashes of color. His technique combines controlled silkscreen methods with chaotic, gestural marks that mimic the dynamic energy of graffiti. This particular print highlights Kinsey’s ability to balance precision with spontaneity, making it a powerful addition to the legacy of Street Pop Art and Graffiti Artwork. The Artistic Process and Value of Hand-Pulled Screen Prints Hand-pulled screen printing is a time-intensive process that requires meticulous craftsmanship. Unlike digital reproductions, each print in a hand-pulled series is unique, carrying slight variations that reflect the artist’s direct involvement in its creation. This limited edition print, marked as an artist proof, is especially valuable, as AP editions often serve as test prints that feature refinements or subtle differences from the standard run. Printed on high-quality 290gsm Coventry Cotton Paper, the texture and weight of the material enhance the depth and richness of the ink application. The thick paper allows the three-color layering to interact dynamically, with bold black forms standing in contrast to the raw, textured red and cream backgrounds.

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Actions Speak Louder 12-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Coventry Rag with UV Coating by Sheefy McFly Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered LLimited Edition of 150 12-Color Screen Print on 320gsm Coventry Rag with UV Coating Artwork Size 43.5x54 "Actions Speak Louder" stands out as a vibrant epitome of Sheefy McFly's unique aesthetic, which harmoniously bridges the realms of street and pop art. Released in 2021, this limited edition piece is notably vibrant, consisting of a 12-color hand-pulled silkscreen print on 320gsm Coventry Rag, further distinguished by a UV coating that ensures the longevity and vibrancy of the artwork. Measuring an impressive 43.5x54 inches, each piece of the edition, which is restricted to a count of 150, is signed and numbered by the artist, amplifying its collectible value. McFly's artwork is celebrated for its energetic visual language that speaks to the dynamism of urban life. His use of a broad palette and the intricate layering of colors reflect the complexity and the overlapping narratives found within cityscapes. The inclusion of a UV coating not only protects the artwork but also adds a layer of texture and sheen, enriching the viewer's experience of the interplay of colors and shapes. In "Actions Speak Louder," the artist conveys a cacophony of emotions and societal commentary through the chaos of colors and the expressiveness of abstract figures. These elements come together not only to captivate and stimulate the viewer's gaze but also to provoke thought and discourse on contemporary issues mirrored in street art. McFly's work is more than mere decoration; it is a dialogue in visual form, inviting interpretations as varied as its audience. Sheefy McFly has established himself as a significant force in the art world, with his works held in high regard by both street art fans and pop art collectors. "Actions Speak Louder" is a testament to his skill in synthesizing color, line, and form to create a print that is both a feast for the eyes and food for thought, embodying the essence of what makes street art and pop art so resonant in modern culture.

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Dissection of Bugs Bunny- Anatomy Sheet No 20 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

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Help Us Father 9-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. 19″ x 16.5″ 9-color Screenprint, signed/numbered edition of 100

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Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of 1910 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” –Shepard Shepard Fairey Moonage Daydream Silkscreen Print Moonage Daydream is a 2022 five-color hand-pulled silkscreen print by Shepard Fairey that honors David Bowie through the lens of Street Pop Art & Graffiti Artwork. The portrait captures Bowie during the Ziggy Stardust era, presenting him with stylized contours, cosmic backdrop, and sweeping graphic arcs that suggest motion, sound, and theatrical transformation. The palette of magenta, gold, black, and muted teal reinforces the glam rock atmosphere while maintaining the bold, poster-driven clarity that defines Fairey’s visual language. Printed on thick cream Speckletone fine art paper, the texture enhances the layered inks and gives the piece a tactile presence consistent with traditional screenprinting practices. David Bowie, Ziggy Stardust, and Cultural Impact David Bowie was born David Robert Jones in 1947 in the United Kingdom and died in 2016. He remains one of the most influential musicians and visual innovators of the twentieth century. The song Moonage Daydream appears on the 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, a landmark release that introduced Bowie’s androgynous alien rock persona to a global audience. The track is widely recognized for its dynamic instrumentation and lyrical futurism, combining theatrical performance with experimental sound. Fairey’s portrait draws from photographic outtakes associated with the Ziggy Stardust era, translating Bowie’s photogenic intensity into a graphic composition that balances reverence with reinterpretation. Within Street Pop Art & Graffiti Artwork, Bowie’s boundary-pushing identity aligns naturally with Fairey’s long-standing interest in cultural icons who challenge convention and expand artistic vocabulary. Edition Details and Artistic Significance This 18 by 24 inch silkscreen print is signed and numbered in a limited edition of 1910. The five-color hand-pulled process requires precise registration to achieve the smooth gradients and bold separations that define the portrait. The cosmic star field background and flowing graphic elements reinforce the sci-fi undertones of the original song while situating Bowie within a timeless visual space. Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Known for merging music, activism, and graphic design into cohesive visual statements, Fairey approaches Moonage Daydream as both tribute and reinterpretation. As a work of Street Pop Art & Graffiti Artwork, this print connects the rebellious energy of glam rock with the visual immediacy of contemporary screenprinted iconography, making it a significant collectible for admirers of both Bowie and Fairey’s socially engaged artistic practice.

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LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

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Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

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Love Catcher Red Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 6-Color on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 22x22 Silkscreen Print by Mr Brainwash- Thierry Guetta Mr. Brainwash, whose real name is Thierry Guetta, is a French-born, Los Angeles-based street artist and filmmaker. He was born on November 11, 1966, in Garges-lès-Gonesse, France. Mr. Brainwash came to prominence through the 2010 Oscar-nominated documentary "Exit Through the Gift Shop", which was directed by the renowned British street artist Banksy. Initially, Guetta began as a videographer who was interested in street art and decided to document the phenomenon. This endeavor led him to meet and film numerous street artists, including Shepard Fairey and Banksy. However, in a surprising twist, Banksy turned the camera on Guetta, encouraging him to become an artist himself. The result was Mr. Brainwash, a pop artist known for his large-scale productions and eclectic style, drawing heavily from pop culture references and the work of other street artists. His work often blends elements of pop art with the raw, edgy aesthetics of street art. Since his emergence, Mr. Brainwash has held numerous exhibitions and his work has gained significant attention in the art world, both for its bold, distinctive style and for the controversy surrounding his sudden rise to fame. He is known for his energetic and often humorous installations, sculptures, and stenciled artworks. Despite criticism from some quarters who view his work as derivative, Mr. Brainwash has continued to maintain a successful career in the contemporary art scene. Mother's Day is a celebration that honors mothers and motherhood, maternal bonds, and the influence of mothers in society. It is celebrated on various days in many parts of the world, most commonly in the months of March or May. The modern American holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia. Anna Jarvis's mother, Ann Jarvis, had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. Anna Jarvis wanted to honor her mother by continuing the work she started and to set aside a day to honor all mothers because she believed that they were "the person who has done more for you than anyone in the world". In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers. Since then, Mother's Day has become a day that children celebrate their mothers with cards, gifts, and activities. The holiday has been adopted by other countries and it's celebrated in different ways worldwide. For example, in the United Kingdom, it is traditionally known as Mothering Sunday and it's celebrated on the fourth Sunday of Lent. In Mexico, it's always celebrated on May 10th, regardless of the day of the week. It's important to note that Mother's Day can bring different feelings for different people. While it's a joyous occasion for many, it can be a difficult day for those who have lost their mothers or who have strained relationships with them. It's also a day to honor and remember mothers who have passed away.

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