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Made in USA Flag Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed US Flag Made in USA America Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Sticker. Unfurling the American Narrative Through Graffiti: The Made in USA Flag Sticker Art The potent symbol of the American flag has been a recurring motif in various forms of art, not least within the vibrant world of Street Pop Art and Graffiti Artwork. Within this context, the 'Made in USA' flag slap-up label sticker stands out as a canvas for expression, especially in the hands of graffiti artists. Layered with original tag art, these stickers serve as miniature yet powerful vehicles for cultural and political commentary, recontextualizing a national symbol within the urban landscape. Saber's Interpretation of the American Iconography Renowned graffiti artist Saber Ryan Weston Shook has significantly contributed to this expression. His original permanent marker art drawings on glossy US flag stickers are more than just aesthetic creations; they are a form of modern street artwork that captures the essence of American identity and the spirit of its people. His work, created in 2020 and signed, embodies a raw and compelling narrative, each tag measuring 4x4 inches – a small but striking testament to the artist's skill and vision. Saber's use of the American flag as a backdrop is particularly resonant, given the flag's strong associations with patriotism, freedom, and national identity. By superimposing his tags over this symbol, Saber disrupts the viewer's usual perception, challenging them to reconsider the meaning of 'Made in USA' in the context of street art. His bold and unapologetic strokes introduce a dialogue about ownership, creativity, and the very definition of what it means to be American-made. The Evolution of Tagging and Its Cultural Relevance Tagging has evolved from straightforward signatures to complex works of art that communicate the artist's identity and status within the graffiti community. It is a practice steeped in the history of street art, one that demands attention and commands space. Regarding the 'Made in USA' flag slap-up label stickers by Saber, the tags are not just marks of territory but statements of existence. The choice of gold and silver markers adds a layer of irony, contrasting precious metals' perceived value with graffiti art's often misunderstood value. The cultural relevance of such art is immense. It taps into ongoing conversations about national pride and consumerism, questioning the authenticity of the 'Made in USA' label in an era of globalization. Moreover, it embodies the ethos of Street Pop Art, a genre that borrows from popular culture to create art that is both accessible and deeply meaningful. In Saber's hands, the flag sticker transforms into a manifesto, a declaration that art made on the streets by the hands of the many is as quintessentially American as the flag itself. The 'Made in USA' flag slap-up label stickers adorned with Saber's tags represent a microcosm of the larger narrative that Street Pop Art and Graffiti Artwork continually narrate. Through such pieces, artists like Saber assert their place within the American saga, crafting a version of the flag that is as diverse, complex, and vibrant as the nation it represents. These stickers are not just tags; they are emblems of a culture that celebrates the freedom of expression and the indelible marks of individuality.

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Murderpants Sanctuary Gray Market Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist SSUR- Ruslan Karablin. 2023 Limited Edition of 2000 Artwork Size 15.5 New In Box Stamped/Printed Murderpants returns, now in the striking Sanctuary Gray Market edition, through an exclusive partnership with SSUR, a cutting-edge streetwear brand founded by the visionary, Ruslan Karablin. Hailing from Odessa, Ukraine, SSUR embodies a spirit of rebellious creativity, drawing inspiration from sources as diverse as classical art, clandestine gestures, and military-inspired propaganda. Murderpants Sanctuary is a vinyl art toy created by SSUR, an artist and designer named Ruslan Karablin. Born in Russia and raised in New York, Ruslan Karablin established SSUR, an acronym for "Sub Sur Face", in 1990. SSUR is a streetwear brand that transcends the conventional boundaries between art, design, and fashion, inspired by Karablin's diverse experiences and interests. The Murderpants Sanctuary vinyl art toy is a collectible piece that showcases the artist's unique style and aesthetic. It features a design that blends dark, urban elements with playful, imaginative concepts, as seen in many of Karablin's works. Vinyl art toys have grown in popularity among collectors and enthusiasts, who appreciate the originality and craftsmanship of each piece.

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Silver City Style B Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 25 Edition Artwork Size 24x18 Silver Metallic Ink City Style B Nightime 24x18

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The Dark Rider- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 19 x 28 inch. Hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. A small drop of ink by the tip of the sword from the printing process.

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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Swarovski Crystalized Ice Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. Edition of 100, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box 2021 Signed COA Crystalized ICE edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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Laocoon And Sons- Surrounded By Serpents Card Print on GAS Trading Card by SSUR- Ruslan Karablin. 2022 Printed Art For Ukraine War Protest. Limited Edition of 50. SSURO Images have had a global presence since the early 90's. His memorable and poignant messages with echoing visual potency have been seen in his art and street brand(s) for nearly three decades. SSUR has created graphics for a few of the world's favorite brands. G.A.S. Cards inspired by the roots and history of his origin, Odesa, Ukraine. SSUR's Laocoon And Sons: A Modern Interpretation with a Message The Laocoon And Sons - Surrounded By Serpents card is a powerful printed art piece created by SSUR, the pseudonym of artist Ruslan Karablin, as a part of the GAS Trading Card series. The 2022 limited edition of 50 prints serves as a poignant commentary on the Ukraine War, exemplifying how art can be a vessel for protest and storytelling. SSUR, an artist with a global presence since the early 90s, has been known for delivering memorable and impactful messages through his visual art and streetwear brands. SSUR: A Legacy of Impactful Art and Streetwear Ruslan Karablin, better known by his moniker SSUR, has carved a niche in Street Pop Art and Graffiti Artwork with his bold graphics and incisive social commentary. His work often features strong messages that resonate with a broad audience, utilizing a directness that is as candid as it is visually arresting. Over nearly three decades, SSUR has worked with some of the world's favorite brands, infusing them with his distinctive style and ethos. G.A.S. Cards and the Art of Cultural Commentary The Laocoon And Sons card is a prime example of how SSUR's art transcends traditional canvases, becoming a part of the cultural fabric through mediums like trading cards. This particular piece draws inspiration from the roots and history of the artist's origin, Odesa, Ukraine. It is a part of G.A.S. Trading Cards' efforts to create collectibles that hold aesthetic value and convey strong cultural and political statements. The choice of the Laocoon group, an ancient sculpture that depicts the Trojan priest Laocoon and his sons being attacked by sea serpents, is symbolic of the struggle and turmoil experienced by the people of Ukraine. By adapting this classical image, SSUR provides a contemporary context that reflects the ongoing conflict, showcasing how historical motifs can be re-envisioned to communicate modern narratives. Artistic Responses to Global Events SSUR's inclusion in the GAS Trading Card series with the Laocoon And Sons - Surrounded By Serpents card is a testament to the potency of art as a form of resistance and expression. The piece is a creative response to global events, capturing the attention of collectors and art enthusiasts drawn to the intersection of art, activism, and collectibility. As an artist, SSUR continues to influence and inspire within pop culture, streetwear, and art. His ability to address pressing issues through his work while maintaining a connection to his heritage underscores the role of artists as commentators on the human condition. The Laocoon And Sons card is not just a collectible item but a piece of art that challenges viewers to engage with the realities of the world around them, reflecting the enduring power of visual art to stir public sentiment and provoke thought.

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Street Friends- Silver 5-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Fine Art Paper by Pez x Flying Fortress Rare Street Art Famous Pop Artwork Artist. “Street Friends” (Silver Variant) 5 Colors screenprint. Size 40x50cm. Mohawck paper 296 grms. Signed and embossed by the 2 Artists Edition of 15

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Silver Bullet 75% Shoeuzi Art Sculpture by J-LDN aka Jack London Hand Cast & Painted Polystone Uzi Art Toy Limited Edition Artwork Street Graffiti Pop. 2024 Bullet Edition in Silver Limited Edition of 200 Signed COA New In Box Size 75% 5x7 Shoeuzi Stylized Gun Shoe Art Sculpture by J-LDN aka Jack London. Polystone Resin hand-cast painted with Shoeuzi Magnafix magnetic assembly includes a 4-part set with gloves, a display stand, and a box for each Uzi sculpture. All pieces are still in their original packaging. The sculptures are 75% SHOEUZI, measuring 5x7, and ready to impress. The Artistic Intersection of Fashion and Firepower: Silver Bullet Shoeuzi by J-LDN The Silver Bullet 75% Shoeuzi art sculpture by artist J-LDN, also known as Jack London, is a striking testament to street pop art's ingenuity and irreverence. This limited edition piece, a hand-cast, and painted polystone Uzi art toy embodies the fusion of street art's gritty edge with the sleek aesthetics of pop culture. Released in 2024, it encapsulates a moment where art, commentary, and consumerism collide. Craftsmanship Meets Cultural Commentary J-LDN's work on the Silver Bullet Shoeuzi is meticulous, utilizing polystone resin hand-cast to create each unique piece, which is then carefully painted to mimic the iconic colorway of the 'Silver Bullet' sneaker. The Shoeuzi, a stylized representation of a Uzi submachine gun, is transformed into a canvas for artistic expression. It mirrors the relationship between violence and consumer culture, presenting an object that conveys power, movement, and a sleek, almost alluring danger reminiscent of the sneaker it emulates. The limited edition of 200 pieces comes with a signed Certificate of Authenticity (COA), ensuring collectors of the authenticity and exclusivity of their acquisition. Each sculpture is equipped with Magnafix magnetic assembly, comprising a 4-part set that includes gloves, a display stand, and a box, preserving the pristine condition of the artwork. Measuring a compact 5x7, the sculptures pack a significant visual and conceptual punch, standing as an imposing yet accessible piece in any street pop art or graffiti artwork collection. J-LVN's Place in Contemporary Street Pop Art Jack London's contribution to street pop art and graffiti artwork with the Silver Bullet Shoeuzi underscores the importance of the commentary these forms of art provide on society. The Shoeuzi sculptures serve as a provocative conversation starter, blending street art's raw, communicative power and pop art's mass appeal. The detailed craftsmanship involved in the production of each Shoeuzi further emphasizes the attention street pop art pays to the message and the medium through which it is conveyed. In a time when art is as much about the statement as it is about the aesthetic, J-LDN's Silver Bullet Shoeuzi stands as a testament to the artist's ability to navigate the commercial and critical realms of art. With each piece still in its original packaging, the artist preserves the integrity of street art as an untouched, untainted force while also acknowledging the collector's desire for mint-conditioned pieces. Conclusion: The Impact of Silver Bullet Shoeuzi The Silver Bullet Shoeuzi by J-LDN does not merely represent the blending of two objects - the shoe and the gun - but symbolizes the complex interplay between commerce, art, and social narratives. It is an art piece that demands reflection on the nature of our consumption patterns, the objects we fetishize, and the symbols of power we glorify. Jack London, an artist who operates under the pseudonym J-LDN, has planted his flag within the landscape of street pop art, challenging onlookers and collectors alike to reconsider the everyday symbols that permeate our lives. This standout work will continue to resonate with art enthusiasts and critics, serving as a powerful reminder of street pop art's ability to encapsulate and challenge contemporary culture through its dynamic forms. Through the Silver Bullet Shoeuzi, J-LDN has created more than an art object; he has offered a piece of cultural discourse encased in polystone and paint, ready to engage the next generation of street pop art lovers.

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Silver City Style B Day AP White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. AP Artist Proof 2012 Signed Limited Edition Artwork Size 24x18 Silver Metallic Ink City Style B Daytime 24x18

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Silver Tall Tagged Original Metallic Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist Sechor Modern Street Artwork. 2021 Signed Original Slap Up Graffiti Art Tag 5.5x4.25 Marker Tagged on USPS Priority Mailing Label. Handling Creases Along Midsection.

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XXXtentacion III Limited Edition Hand-Embellished HPM Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Superbe Print Gray Silver White Signed Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper Size: 6 x 9 Inches Release: January 16, 2020 Run of: 5

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Murderpants Sanctuary Red Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist SSUR- Ruslan Karablin. 2022 Limited Edition of 666 Artwork Size 15.5 New In Box Stamped/Printed Murderpants returns, now in the striking Sanctuary Red edition, through an exclusive partnership with SSUR, a cutting-edge streetwear brand founded by the visionary, Ruslan Karablin. Hailing from Odessa, Ukraine, SSUR embodies a spirit of rebellious creativity, drawing inspiration from sources as diverse as classical art, clandestine gestures, and military-inspired propaganda. Murderpants Sanctuary is a vinyl art toy created by SSUR, an artist and designer named Ruslan Karablin. Born in Russia and raised in New York, Ruslan Karablin established SSUR, an acronym for "Sub Sur Face", in 1990. SSUR is a streetwear brand that transcends the conventional boundaries between art, design, and fashion, inspired by Karablin's diverse experiences and interests. The Murderpants Sanctuary vinyl art toy is a collectible piece that showcases the artist's unique style and aesthetic. It features a design that blends dark, urban elements with playful, imaginative concepts, as seen in many of Karablin's works. Vinyl art toys have grown in popularity among collectors and enthusiasts, who appreciate the originality and craftsmanship of each piece.

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Spacemonkey Gray NYCC Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition of 100 New In Box Stamped/Printed Artwork Size 6.5

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Silver City Style A XL Day White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Daytime 36x24

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Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Cleon Peterson's Gritty Reflection in "Cruelty Is the Message Bone" "Cruelty Is the Message Bone," a powerful silkscreen print by Cleon Peterson, presents a stark tableau as provocative as it is aesthetically arresting. Released in 2024, it forms part of a limited edition of 125 pieces, each bearing the artist's signature and individual number, confirming its exclusivity and importance in contemporary art. This artwork, measuring 44x14 inches, is printed on hand-deckled 290gsm Coventry Rag fine art paper, underscoring Peterson's commitment to quality and durability in his works. Dissecting the Visual Language of Conflict Peterson's monochromatic palette, dominated by bone-like whites and unforgiving blacks, delves into the dichotomy of chaos and order, power and vulnerability. Each figure is interlocked in scenes of violence and domination, creating a narrative that reflects on the inherent brutality within societal structures. The artwork resonates with the rawness of street pop art and graffiti artwork, carrying an unfiltered expression of human behavior stripped to its most primal forms. The imagery in "Cruelty Is the Message Bone" is characteristic of Peterson's oeuvre, wherein themes of conflict, authority, and aggression are recurrent. He employs a visual lexicon that is both universal and timeless, drawing parallels between historical cycles of power and contemporary instances of systemic violence. Peterson's work is a commentary not only on the societal but also on the personal realms of struggle and survival. The Impact of Peterson's Silkscreen on Street Art Discourse Peterson's work stands at the intersection of fine art and street art, drawing the meticulousness of printmaking into the often fleeting world of graffiti art. "Cruelty Is the Message Bone" is a testament to the potential of street pop art to transcend its origins and find a place within the more traditional art settings, all while retaining its edge and ability to provoke thought. The limited edition print's presence in the art market is a reminder of the genre's evolving dynamics, showcasing the shifting boundaries between high art and street art. With his stark depictions, Cleon Peterson captures the essence of the times, challenging viewers to confront uncomfortable truths about the world and their role within it. Cleon Peterson's "Cruelty Is the Message Bone" is a striking embodiment of the spirit of street pop art and graffiti artwork. It is a visual feast that delves into the depths of societal unrest and personal upheaval, serving as a mirror to the chaos and order that define the human condition. With its distinctive style and provocative themes, Peterson's work continues to contribute to the conversation around art's role in reflecting and shaping the socio-political landscape.

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Sexphyllum Classicum #14 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Mare139 Silver Chrome Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN x Mare139 Carlos Rodriguez. 2012 Limited Edition of 300 Montana MTN x Mare139 Carlos Rodriguez Spray Paint Can Loose, No Box. 'Street Play 'by Martha Cooper x Mare139 Carlos Rodriguez. Mare139: The Alchemist of Street Art and Sculpture Carlos Rodriguez, better known in the art world as Mare139, is a pivotal figure in the annals of street art. His journey from the gritty New York subway scene to the refined corridors of art galleries encapsulates the evolution of graffiti as a legitimate art form. The "Mare139 Silver Chrome Limited Edition" spray paint can, a collaboration with Montana MTN released in 2012, is a tangible homage to his storied career. This rare collectible, limited to 300 pieces and presented without a box, is an artifact that encapsulates the essence of Mare139's contribution to the graffiti movement. Mare139's artistry extends beyond the spray can. He is renowned for his metal sculptures, which carry the fluid dynamism of his street art into the solidity of three-dimensional forms. His work "Street Play" by Martha Cooper and his prominent role in the seminal documentary "Style Wars" are pivotal moments that have immortalized his name in the lexicon of street art history. His influence is a testament to the power of graffiti in shaping urban culture and its ability to forge unforgettable memories in the minds of its audience. The Legacy of Mare139 in Graffiti Culture Mare139's legacy in graffiti is multifaceted. As a pioneer of the early graffiti movement in New York, he was instrumental in propelling the art form from subway tunnels to the public eye. His signature style—a blend of sharp lines and flowing curves—has become a blueprint for aspiring graffiti artists worldwide. The "Mare139 Silver Chrome" can symbolize this legacy, as a marker of his street credibility and his role in elevating graffiti art. The can itself, with its sleek silver chrome finish, is a nod to the raw materials of the graffiti artist's craft. It is a vessel of paint and a canvas depicting Mare139 in the act of creation, a meta-commentary on the process and the artist. This object, stripped of any traditional presentation, is a bold statement of Mare139's impact on the art world—unboxed, unfiltered, and unapologetically authentic. The Artistic Evolution of Carlos Rodriguez 'Mare139' Carlos Rodriguez's evolution as Mare139 from a street artist to a respected figure in contemporary art is a transformation narrative. His sculptures, which often incorporate elements of graffiti's visual language, are a testament to his ability to traverse artistic mediums while retaining the essence of his street roots. Mare139's work has enriched the visual landscape and contributed to the critical discourse on the value and impact of street art. The release of the "Mare139 Silver Chrome" spray paint can by Montana MTN celebrates the artist's journey. Each limited edition can is a piece of that history, a physical manifestation of Mare139's enduring influence on street pop art and graffiti artwork. As Mare139 continues to create, his contributions connect the past, present, and future of graffiti, reminding us of the art form's power to innovate, inspire, and incite change. In the art community, Mare139's contributions stand as a testament to the transformative power of art and its ability to reshape perceptions and break new ground. His work continues to inspire artists and enthusiasts, ensuring that the vibrant, rebellious voice of the streets remains a vital part of the conversation in the world of art. As street pop art and graffiti artwork continue to evolve, the influence of artists like Mare139 will be revered, remembered, and revisited by those who understand the profound impact these movements have had on our collective cultural heritage.

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Bollywood Sugar In Blue- Silver Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Albatross- Silver Limited Edition 6-Color Hand-Pulled Metallic Ink Silkscreen Print on 100lb Cougar Cover White Paper by Ken Taylor Graffiti Street Artist Modern Pop Art. Melbourne-based Illustrator & Designer Ken Taylor works primarily within the music industry and is predominantly well known for his striking rock posters. Ken started in Perth Western Australia doing posters and album artwork for local bands. In 2001 He moved to Melbourne and slowly started to create a name for himself within Melbourne's music scene. In 2006 he went out on his own and started to work full time on music-based artwork. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Merica Ting Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Sket-One. 2021 Box Signed Limited Edition of 150 Artwork Size 7.5 inches Tall Displayed With Box.

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Ebb Tide Limited Edition 2-Color Hand Letterpress Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Smithe pop art graffiti famous artist art. 2022 Signed 2-Color Letterpress on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 20 x 21 Inches Release: January 17, 2022 Run of: 35

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Corey Kluber/ Old Miner- Indians Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Corey Kluber/ Old Miner- Indians

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Lines In The Slipstream #4 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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161 Street-Yankee Station- Silver HPM Hand-Embellished Limited Edition Screenprint Art on #100 Cougar Smooth Fine Art Paper by Artist Cope2- Fernando Carlo Subway Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 50 Artwork Size 24x12 Graffiti Spraypaint Tag Different on Each HPM, Exact Print You Recieve Will Vary From Image Hand-Embellished 3-Color Screen Print on Cougar 100# Smooth Fine Art Paper Size: 24 x 12 Inches Release: July 19, 2022 Run of: 30

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Respect the Land Silver Silkscreen by Gats- Graffiti Against The System Hand-Pulled 2-Color Screen Print on Black Sandpaper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 70 Artwork Size 9x11. Slight Natural Imperfections Found on Real Snadpaper From the Manufacturing Process, Including Small White Skuff. "Respect the Land Silver Silkscreen" by Gats- Graffiti Against The Systemby is an impactful piece of street art that uses traditional silkscreen printing to convey a powerful message about environmental conservation and respect for nature. This hand-pulled 2-color screen print on black sandpaper is a striking example of how Gats- Graffiti Against The System, a well-known figure in the street art community, blends gritty textures with poignant imagery to create art that resonates on both an aesthetic and a thematic level. Limited to a series of just 70, each 9x11 inch artwork is signed and numbered, emphasizing its uniqueness and the personal touch of the artist. The use of black sandpaper as a medium is remarkably evocative, as it introduces a tangible element of the urban environment into the viewer's space while also reflecting the roughness and resilience of the natural world. It's noteworthy that the sandpaper's natural imperfections, including tiny white scuffs that arise from the manufacturing process, contribute to the authenticity and rawness of each piece, underscoring the artwork's message about the imperfect but beautiful reality of our land. In this work, Gats- Graffiti Against The System employs iconographic elements that are recurrent in his art, such as stylized faces with elaborate patterns, which often represent the human connection to the earth and our responsibility towards it. The use of silver ink against the dark background not only brings contrast but also a sense of preciousness, as if to say that the land we inhabit is as valuable as any precious metal. The artwork serves as a reminder of street art's power to not only transform spaces but also to provoke thought and inspire action. Gats- Graffiti Against The Systemby has created a visually stunning work beyond mere decoration; it is a call to action, a reminder to recognize the intrinsic value of the land. This piece fits into the broader movement of pop art and graffiti that serves a social purpose, bringing the conversation about land stewardship into the spaces we inhabit every day. It's a bold statement in the quietest of tones, a whisper that carries the weight of a scream when protecting our planet.

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Dangerous When Wet Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy Flame Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Dangerous When Wet Label Uline S-176 Sticker.  Slap Up In Perfect Condition. Challenging Conventions with Street Pop Art The "Dangerous When Wet Label Uline S-176 Sticker" series, created by the renowned graffiti artist Saber, whose birth name is Ryan Weston Shook, stands as a compelling intersection of street art innovation and cautionary messaging. Saber's 2020 collection of 4x4 marker-tagged artworks embodies the essence of Street Pop Art and Graffiti Artwork, repurposing warning labels meant to signify potential danger into canvases that question and provoke thought about the inherent risks in our daily lives and the nature of perceived threats. Fluidity and Permanence in Saber's Art The warning labels Saber selects are traditionally designed to alert individuals of the immediate physical dangers of substances that react with water. However, by incorporating his signature tag into these labels, Saber invites a dialogue on the fluidity of art and its ability to leave a permanent mark on both the physical and cultural landscapes. Through tagging, these stickers, which once served a single helpful purpose, are now transformed into a statement on the juxtaposition of danger and beauty, impermanence and endurance. This speaks to the heart of graffiti's ethos – creating art that can withstand the elements, much like the substances the original labels warn against. Saber and the Assertion of Artistic Presence Each signed original slap-up graffiti art tag is a declaration of presence, asserting the artist's voice in a reserved space for warnings and prohibitions. The choice of the 'Dangerous When Wet' sticker is especially resonant in the year it was created, a year fraught with global challenges where the metaphorical concept of being 'dangerous when wet' could be extended to the idea of ideas, movements, and expressions that gain momentum and power when combined with the elements of social and political change. In exploring this theme, Saber utilizes the language of Street Pop Art and Graffiti Artwork to navigate the complexities of communication in public spaces. His work demands recognition for its aesthetic appeal and its ability to engage with and transform the messages embedded within our environments. As a respected figure in street art, Saber continues to push the boundaries of how art can interact with and alter the fabric of society. Each piece he creates is not just an artwork; it is a challenge, a question, and a statement rolled into one, symbolic of the power and potential of street art to recontextualize and redefine the symbols surrounding us.

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Exploring the Circular Narrative: Cleon Peterson's 'Revolution Is a Mother' "Revolution Is a Mother Who Eats Its Children Bone Tondo," a silkscreen print by Cleon Peterson, encapsulates a poignant message through its unique circular format. The 2024 limited edition, with only 100 signed and numbered prints, dramatically portrays the revolution's cyclic and often self-destructive nature. This artwork, sized at 24x24 inches, is meticulously crafted on hand-deckled circle cut 290gsm Coventry Rag fine art paper, highlighting the contrast between the piece's delicate presentation and its powerful content. Symbolism in Cleon Peterson's Tondo The tondo, a round piece of art, has a rich history dating back to the Renaissance and is often used to symbolize perfection or the divine. Peterson's adaptation of this format into street pop art and graffiti artwork is an inventive means of capturing the perpetual motion of conflict and societal upheaval. The circular frame compels the viewer's eye to move continuously around the image, echoing the cyclical and repetitive nature of the struggles depicted within. While bearing the starkness of Peterson's characteristic black-and-white palette, the print gains a new dimension through its shape, emphasizing the never-ending cycle of revolution and its consequences. The figures within the tondo engage in acts of violence and dominance, with no clear beginning or end, a poignant metaphor for the often unending turmoil of societal change. The Cultural Resonance of Peterson's Work Cleon Peterson's work stands at the crossroads of cultural reflection and artistic expression. "Revolution Is a Mother Who Eats Its Children Bone Tondo" is an artistic creation and a commentary on the nature of social movements and the recurring patterns of history. Peterson confronts the viewer with the paradox of revolution: it is both necessary for evolution and destructive by nature. This tondo silkscreen print contributes to the ongoing dialogue about the role of street pop art in modern discourse. Much like the street artists and graffiti artists before him, Peterson utilizes public forms of expression to comment on private pains and societal dilemmas. The limited edition nature of this work, along with the artist's renown, ensures that this piece will hold its place in contemporary art conversation for years to come. Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Bone Tondo" is a compelling portrayal of the perpetual nature of social upheaval. It serves as a stark reminder of revolution's transformative yet often destructive power. This limited edition silkscreen print encapsulates the essence of street pop art and graffiti artwork, melding historical, artistic formats with contemporary themes to provoke thought, encourage reflection, and challenge the viewer's perspective on the cycles of change.

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