Skeletons & Skulls

Pop Sub Final #1 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Florian Bertmer, Graffiti Street Artist, Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #1 Silkscreen Print by Florian Bertmer: Macabre Iconography in Modern Pop Form Pop Sub Final #1 by Florian Bertmer is a bold and visually aggressive piece that crystallizes the intensity and subversive themes of Street Pop Art & Graffiti Artwork. Released in 2014 as a numbered limited edition of 100, this 12x12 inch four-color hand-pulled silkscreen print embodies the tension between chaos and control through its fusion of skull iconography, punk motifs, and meticulous detail. The artwork presents a highly stylized skull adorned with a military-style cap, gritting a cigarette between jagged teeth, and crossed bones forming a menacing understructure. The bandana-style border, filled with symbols and intricate textures, adds to the tension and balance within the visual composition. Underground Influence and Symbolic Precision Florian Bertmer is a German-born artist whose work is deeply rooted in underground music, hardcore punk, and countercultural aesthetics. His command of line, symmetry, and iconography in Pop Sub Final #1 reflects his deep history in album cover design and screen printing culture. The crisp four-color palette, dominated by muted golds, reds, and navy tones, evokes a sense of timelessness and menace. The precision of the silkscreen process amplifies the tension in every detail—from the skull’s expression to the layered background that reads like a cryptographic tapestry. The military cap, rendered in dark maroon with pin-sharp hatching, implies authority, but the skull's manic grin and defiant cigarette shift the tone toward irreverence. This contrast is central to Bertmer’s visual language, which questions power, mortality, and self-determination in the modern age. Aesthetic of Rebellion in Street Pop Art & Graffiti Artwork Pop Sub Final #1 communicates its defiant tone without the need for slogans or text. The skull’s gaze, slightly off-kilter, and the tension in its expression speak directly to the viewer. The crossed bones, while referencing classic skull-and-crossbones symbology, are given new energy through Bertmer’s stylized rendering and surreal detail. Graffiti and pop art often rely on immediacy and semiotic familiarity, and this piece plays with those concepts by embedding iconographic layers into a deceptively simple format. The background acts like a visual echo chamber, with skull motifs, geometric shapes, and occult-like patterns swirling around the central subject. The effect draws the viewer inward, revealing more with each inspection. Collectibility and Cultural Weight This 2014 edition represents a moment in Street Pop Art & Graffiti Artwork when handmade processes like silkscreen printing reclaimed prominence against digital overload. The fact that Pop Sub Final #1 is hand-pulled and limited to only 100 copies elevates its importance as both a collectible and cultural artifact. Each piece is numbered, and many include subtle variations in ink application, further rooting the work in the ethos of punk DIY ethics and authenticity. Bertmer’s print captures the raw intersection of dark fantasy, social commentary, and graphic mastery, continuing to resonate with audiences seeking artwork that is both confrontational and obsessively crafted. Through Pop Sub Final #1, Florian Bertmer contributes a signature vision that pushes street and pop aesthetics into deeply personal and evocative territory.

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Carpe Diem Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Buff Monster Graffiti Street Artist Pop Art. Signed HPM 2022 Limited Edition of 70 Unique 9x12 At the core of Mister Melty's identity is that like us, he isn't going to be around forever. Much like the contemplative vanitas paintings of the Renaissance, the skull is a symbol of the certainty of death and a reminder to enjoy today. But we, like Mister Melty, are unwavering in our happiness and optimism despite our unavoidable fate. As I've done a few times before, I've taken some old sold-out prints and cut them down, spray painted them, and silkscreened them. There is so much variation in them; so they're all unique! Each one is 9 x 12" and will be signed and numbered.

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This Horror Never Undone Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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The Light Keeps It Away Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Pop Sub Final #6 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Matt Loomis Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #6 by Matt Loomis: Mysticism and Mortality in Ink Pop Sub Final #6 by Matt Loomis is a hauntingly intricate 12x12 inch one-color silkscreen print released in 2014 as part of a limited edition of 100. Printed by hand on fine art paper, this piece delivers powerful visual storytelling through expertly rendered black ink. The print depicts a vaporous skull fused with cosmic elements, holding a blade that slices across a night sky filled with stars and a crescent moon. Its monochromatic palette enhances the contrast between detail and negative space, pushing the viewer’s attention toward the surreal entanglement of death, night, and cosmic symbolism. With technical precision and a bold conceptual core, the work occupies a distinct space within Street Pop Art & Graffiti Artwork, channeling both illustrative mastery and street culture ethos. Matt Loomis and the Depth of Symbolic Street Imagery Matt Loomis is an American illustrator known for fusing fantasy, folklore, and esoteric iconography with contemporary design. His work often explores transformation, mythic duality, and the poetic violence embedded in subconscious landscapes. Pop Sub Final #6 exemplifies this approach. The skeletal form is not simply a depiction of death but a spirit being, wreathed in smoke, conjuring visions of the void. The scythe cutting across the circular night sky references the passage of time, the reaping of existence, and perhaps, the cyclical nature of rebirth. While Loomis’s style borrows from tattoo culture and heavy metal aesthetics, it transcends decorative boundaries to engage philosophical narratives. Within the broader movement of Street Pop Art & Graffiti Artwork, Loomis positions himself not as a provocateur but a mystic, visualizing ancient fears and eternal questions through modern ink. Print Process and Visual Intent This silkscreen edition is a testament to the power of one-color printing when applied with vision and precision. Every detail in the swirling smoke, lunar background, and spectral anatomy is carved into stark relief by the unforgiving medium. The decision to limit the palette allows viewers to focus on line weight, negative space, and compositional flow, reinforcing the idea that minimal tools can yield maximum psychological impact. The fine art paper serves as a clean stage for the spectral inkwork, adding physical presence to an image that feels otherworldly. The print’s 12x12 format enhances its sense of containment—an entire cosmic ritual encased in a square foot of surface. Street Pop Art Meets Occult Futurism Pop Sub Final #6 stands as a refined yet raw example of how graffiti-adjacent artists like Matt Loomis reinterpret classic themes such as death, night, and mystery through the lens of modern subcultures. While not characterized by traditional tagging or bold color fields, the print aligns with Street Pop Art & Graffiti Artwork in its irreverent spiritualism and boundary-defying content. By embedding ritualistic imagery into street-informed formats, Loomis speaks to the part of urban life that searches for meaning in chaos. This edition acts as a visual incantation—summoning attention, provoking introspection, and whispering dark truths into the eye of anyone willing to look closer.

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Sacrifices Were Made Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Sounds and Skulls, It is Enough Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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The Icky Apprentice Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Cassandra Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Tyrannosaurus Dinosaur Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art.

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Pop Sub Final #2 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Baizley Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #2 by John Baizley: A Vivid Collision of Decay and Desire Pop Sub Final #2 is a hand-pulled silkscreen print created by American artist John Baizley and released in 2014 as part of a numbered limited edition of 100. Measuring 12x12 inches and executed in four striking colors, the artwork combines the aesthetics of horror, iconography, and surrealism with the visual punch of Street Pop Art & Graffiti Artwork. The central image is a fusion of a bright violet apple and a human skull, masterfully rendered with intricate linework and surreal anatomical blending. Floating against a golden yellow background, the apple-skull hybrid pulses with visual tension—temptation and mortality locked in a single symbolic form. The work is immediately engaging and powerfully disturbing, pushing pop symbolism into darker terrain without sacrificing design clarity or impact. John Baizley: Musician and Street Pop Visionary John Baizley is a multidisciplinary creative based in the United States, widely recognized as the frontman and visual artist for the band Baroness. His contributions to the visual arts often explore themes of life, death, beauty, and corruption, all channeled through a precise illustrative style. Baizley’s artworks consistently merge symbolic storytelling with gothic sensibilities, positioning him uniquely in the Street Pop Art & Graffiti Artwork movement. His pieces feel both ancient and modern—referencing religious iconography, botanical studies, and comic book panels—while embracing the raw, bold aesthetics of silkscreen street prints. Pop Sub Final #2 is a clear extension of his visual ethos: detailed, emotionally evocative, and unafraid of confronting the darker truths hidden beneath seductive imagery. The Apple and Skull: A Pop Street Paradox This print centers on a singular image—a fruit with a skull embedded within its flesh. The apple’s familiar shape recalls cultural references to temptation, sin, and forbidden knowledge, while the embedded skull disrupts that familiarity with a message of inevitability and rot. The surreal juxtaposition evokes themes of consumption and consequence, presented with enough vibrancy to seduce before shocking. In the context of Street Pop Art & Graffiti Artwork, this visual strategy is essential. It lures with surface aesthetics but delivers substance through contradiction and discomfort. The use of bold pinks and golds, as well as the high-contrast rendering style, makes the image feel like it belongs on a wall, a poster, or a protest—alive in public, not locked in a gallery. Limited Print as Cultural Emblem Produced in a strictly limited edition of 100, Pop Sub Final #2 reinforces the handmade authenticity that defines effective street pop art. Each 12x12 print was screenprinted by hand, giving the work a tactile, material presence that mirrors the grit and immediacy of its subject. Unlike digital reproductions, this piece carries the imperfections and textures of the printing process, reinforcing the physicality of the art form. Baizley’s contribution to the Pop Sub series is not just an exercise in visual storytelling, but a testament to the role of contemporary printmakers in pushing graffiti and street aesthetics into layered, fine-art territories. This piece reminds the viewer that street pop can be both seductive and scathing, decorative and deadly.

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Jungle Tooth Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Velociraptor Dinosaur Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 18x12 Reviving the Cretaceous: Ron Guyatt's Velociraptor in Silkscreen The Velociraptor, a creature that has captivated the imagination of many since its discovery, leaps from fossil records into the realm of modern art through the hands of Ron Guyatt. His limited edition 2-color hand-pulled silkscreen print on fine art paper is a testament to the enduring fascination with these ancient predators. The 2013 artwork, part of a limited edition series of 50, sized at 18x12 inches, captures the essence of the Velociraptor with a stark, impactful design that resonates with the boldness of street pop art and graffiti artwork. Street Pop Art: A New Habitat for Ancient Predators Though long extinct, the Velociraptor finds a new habitat within the urban jungle through the pieces of street and pop artists like Guyatt. The streets, known for their vibrant dynamism, serve as an unexpected yet fitting backdrop for the representation of these prehistoric creatures. In the form of graffiti and street pop art, dinosaurs become symbols of a primal force, untamed by modern civilization's rules. While more aligned with fine art than illicit street tagging, Guyatt's work carries the same raw energy that fuels the graffiti art movement. The Silkscreen Technique and Its Impact on Pop Art The technique of silkscreen printing, used by Guyatt in creating his Velociraptor piece, holds a special place in the history of pop art. This method, known for its ability to produce vibrant, clean lines and layers of color, has been a favorite of pop artists since its popularization in the art world. Guyatt's choice of this technique for depicting the Velociraptor aligns with a long tradition of pop artistry, echoing the methods used by predecessors to bring their subjects into sharp, graphic relief. With its tactile quality and visual depth, the silkscreen print adds a contemporary dimension to the prehistoric subject, marrying the ancient with the cutting-edge in a piece of art that is both a collector's item and a statement piece. In Ron Guyatt's Velociraptor, the boundaries between past and present, between art and artifact, are blurred. This piece stands as a reminder of the power of art to transcend time, to resurrect the past, and to inspire awe and wonder in the future. Through street pop art and silk screen printing, the Velociraptor is not just a subject of scientific fascination but also a symbol of artistic innovation and the enduring human spirit of exploration.

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A Pirates Life Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Sick Icky Mouse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Sick Icky Mouse by Brandon Sopinsky- A ghastly play n Disney's Mickey Mouse, this creature's skull is bared raw as his fur turns a sickly green. Limited edition Giclée art print artwork by famous artist Brandon Sopinsky.

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Skull No Line Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Anatomical Meluxine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Wazzbone Squad Series 12 Limited Edition Vinyl Art Toy Collectible Artwork by toy sculpture artist Jason Freeny. 12” tall ABS, PVC, and alloy Art toy Produced by LAMTOYS & Mighty Jaxx Designed by Jason Freeny, INSON-SONG, and HEBZ WAZZUPbaby meets the edgy dissection style of Jason Freeny! In collaboration with the WAZZUPfamily, Jason Freeny shows us what it’s like to be street-style, inside and out! Inspired by street culture and extreme sports, the WAZZBONE Squad Series stands for freedom, creativity, and personal style. Go big and loud with this 12” figurine featuring neon green dissection in this cool chameleon!

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What Hideous Hope Arrives has Ruled Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Love and Rockets Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Death Valley Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. CASEY WELDON 'Death Valley' Fine art print on 290gsm paper Edition of 50 Signed and numbered by the artist 12x12 inches (30x30cm)

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Lil' Tuff Junk Left Silkscreen Print by Emek Golan Hand-Pulled on Marijuana Cannabis Foil Fine Art Paper Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 200 Artwork Size 8x12 Silkscreen Print on Marijuana Stylized Foil Paper Cannabis Smoking Robot Creature. Emek Golan's Artistic Synthesis Emek Golan's "Lil' Tuff Junk Left" is a distinctive silkscreen print that captures the essence of street pop art and graffiti artwork, reflecting the artist's innovative approach to content and medium. This piece is part of a limited edition run, intricately hand-pulled on marijuana cannabis foil fine art paper, demonstrating Golan's commitment to creating visually stimulating and conceptually challenging art. Golan's artwork is a captivating fusion of traditional and modern techniques, embodying the spirit of street pop art in its execution and the essence of graffiti in its stylistic undertones. "Lil' Tuff Junk Left" features a cannabis-smoking robot creature, a subject that offers a commentary on technology, substance use, and perhaps the organic versus the synthetic. By choosing marijuana-stylized foil paper, Golan not only references the counterculture associated with cannabis but also enhances the visual impact of the artwork through the reflective and textured qualities. Craftsmanship and Limited Edition Appeal The silkscreen print, sized at 8x12 inches, is a testament to Golan's mastery of the printmaking craft. The complexity of the image, with its intricate lines and layers, showcases his ability to handle the silkscreen process with precision and creativity. Each of the 200 pieces in the edition is signed and numbered, indicating the artist's direct involvement and the work's status as a collectible item. The limited nature of the edition ensures that each print is a unique artifact desired by collectors and enthusiasts of Golan's work. Conceptual Depth in Street Pop Art "Lil' Tuff Junk Left" is more than just a visual piece; it is imbued with the conceptual depth that characterizes Emek Golan's body of work. The robotic figure, adorned with mechanical and botanical elements, serves as a metaphor for the intersection of nature and technology. This artwork may invite the viewer to contemplate the increasing integration of artificial intelligence into daily life or consider how society medicates or alters consciousness through technology and substances. Integration of Street Art Aesthetics The artwork also aligns with the aesthetics of street art in its boldness and accessibility. Golan's use of vibrant colors and compelling subject matter resonates with the visual language of graffiti art, known for its powerful imagery and public engagement. "Lil' Tuff Junk Left" could easily find its place on the walls of urban landscapes, yet it is presented in a format that allows it to be appreciated in personal and intimate settings. Emek Golan's "Lil' Tuff Junk Left" contributes significantly to street pop art and graffiti artwork discourse. It embodies the artist's unique vision and underscores his role as an innovator. The piece is a testament to limited edition art's power to captivate and provoke, securing Golan's place in the pantheon of contemporary visual artists.

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Pig Snake Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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