Skeletons & Skulls

Ayejay Pop Sub Final #5 Silkscreen Print by Ayejay

Pop Sub Final #5 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ayejay Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #5 Silkscreen Print by Ayejay: Crunk Culture in Raw Graphic Form Pop Sub Final #5 by Ayejay is a loud, irreverent piece of Street Pop Art & Graffiti Artwork that celebrates the exaggerated spirit of subcultural identity through bold minimalism. Released in 2014 as a numbered limited edition of 100, this 7x7 inch hand-pulled two-color silkscreen print is a striking piece that fuses humor, rebellion, and a gritty edge into a compact format. The skeletal figure, mid-toast with a branded cup labeled Crunk Juice, is a humorous yet pointed visual that merges late-2000s crunk hip-hop culture with punk and hardcore visual traditions. The phrase Crunk’s Not Dead explodes in jagged blood-red text above the figure, capturing a defiant message in a style that is equal parts parody and allegiance. Ayejay’s Graphic Voice in Street Pop Expression Ayejay, also known as Justin Aversano, is an American artist who channels the aesthetics of zine culture, punk flyers, and underground graphics into clean, impactful compositions. Pop Sub Final #5 showcases Ayejay’s knack for distilling complex cultural commentary into raw, visceral visual language. The black and white skeletal figure, detailed yet exaggerated, leans into grotesque cartooning, while the high-contrast red typography punctuates the piece with an almost anarchic urgency. At only two colors, the print thrives on its simplicity, allowing the energy of the composition to take full control of the viewer’s attention. It plays with the absurd while honoring the visual traditions of street culture, making it both comedic and culturally incisive. Subversive Nostalgia and Street Humor This artwork captures a very specific cultural moment while critiquing the fleeting nature of trends through the permanence of print. The skeletal form holding up a celebratory drink is a sarcastic tribute to crunk as both a musical and cultural phenomenon. Rather than fading away, the spirit of the genre is rendered as undead, satirical, and unrelentingly confident. The use of skeletal imagery ties this work to classic punk motifs and tattoo iconography, while the exaggerated text mimics hardcore record art and DIY poster design. By compressing all this visual and cultural density into a 7x7 inch print, Ayejay emphasizes how small-scale works can still deliver outsized impact when rooted in honest cultural expression. Edition Craftsmanship and Cultural Relevance Printed in a limited run of 100, each piece in this edition carries the hand-pulled quality that is central to Ayejay’s art practice and the ethos of Street Pop Art & Graffiti Artwork. The use of fine art paper and screen printing techniques grounds the work in tradition, but the message and delivery are unmistakably modern. Pop Sub Final #5 stands as a visual artifact of irreverent humor and cultural preservation. It celebrates the endurance of underground voices while mocking the idea that any scene or spirit can ever truly die. Through this print, Ayejay reinforces the notion that bold, satirical art can preserve and mutate cultural memories into permanent, punchy symbols of resistance.

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$60.00
Guggimon Lights Out 10 Guggimon Chop Chop Art Toy Guggimon x SuperPlastic

Lights Out 10"- Guggimon Chop Chop Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Guggimon 2021 Limited Edition of 1555 Artwork Size 10" Tall Guggi’s Chop Chop Series Wouldn’t Be Complete Without This Horrifyingly Radiant 10” Night Terror. 1555 made 2021

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$256.00
Rob Bowyer The Knight Hell Chamber Sculpture by Rob Bowyer

The Knight- Hell Chamber Limited Edition Porcelain Incense Chamber Art Collectible Artwork by street graffiti artist Rob Bowyer. 2021 10" Porcelain Incense Chamber Limited Edition "Kill Them All" Made predominantly of porcelain and boasting an accurate likeness to Rob Bowyer's artwork "Kill Them All" comes The Knight (Hell Chamber). The Knight (Hell Chamber) is a piece of functional art. Featuring high gloss painted porcelain, the incense chamber has a subdued palette and features a removable base for easy cleaning. Artfully placed openings allow smoke to rise out of the brawny silhouette, accentuating the ethereal look and feel of The Knight (Hell Chamber). Refrain from touching when in use as the surface is hot and may cause burns. Do not use more than two incense cones at one time.*

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$291.00
Jacob Bannon Pop Sub Final #4 Silkscreen Print by Jacob Bannon

Pop Sub Final #4 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bannon Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #4 by Jacob Bannon: A Dark Emblem of Street Pop Expression Pop Sub Final #4 is a visually arresting 7x7 inch one-color silkscreen print by Jacob Bannon, released in 2014 as a numbered limited edition of 100. Printed on fine art paper, this haunting monochromatic image encapsulates Bannon’s signature visual language—one that thrives on raw emotion, layered texture, and existential symbolism. The design appears as a spectral fusion of a skull and a cratered celestial surface, evoking lunar imagery overlaid with a decayed human face. Rendered in coarse halftones and distressed gradients, the print does not merely suggest decay but embraces it as the very fabric of visual construction. The tactile roughness and obscured features challenge the viewer to interpret the image emotionally rather than analytically. This technique aligns the piece firmly within Street Pop Art & Graffiti Artwork, where instinct often overrides polished perfection. Jacob Bannon: Raw Signal in Urban Silence Jacob Bannon is a multidisciplinary American artist known for his work in visual art, graphic design, and music, particularly as the vocalist for the band Converge. His creative practice merges visceral abstraction with thematic intensity, often touching on mortality, emotional fracture, and spiritual displacement. His artworks are marked by dense visual layering, distressed surfaces, and a commitment to translating sound into image. Pop Sub Final #4 reflects this approach perfectly—an artwork that resonates like feedback from an amplifier. It captures the ghostly echo of urban anxiety, a worn currency of identity that has passed through too many hands. This print does not shout, it vibrates. It is not an illustration but a signal. Printmaking as Annihilation and Revelation As a one-color hand-pulled silkscreen print, the physical process behind Pop Sub Final #4 is as integral to its meaning as the image itself. The ink is uneven, the textures are chaotic, and the breakdown of form into shadow and void mirrors the themes Bannon regularly explores. At 7x7 inches, the small scale intensifies the print’s claustrophobic energy, drawing the viewer in for a closer inspection of what feels like a decayed artifact. This limited edition format speaks to the ethos of Street Pop Art & Graffiti Artwork—accessible, raw, and designed for impact without dilution. It is not simply hung on a wall but pressed into the experience of the viewer like a worn badge or underground symbol. Symbolism and Dissonance in Street Pop Language The circular format enclosing a skull-like visage evokes universal symbols of mortality and time. Bannon’s print pushes against decorative tendencies by refusing to clarify its meaning, instead evoking a sensation of unrest, loss, and timeless ruin. Unlike clean vectors or digital graphics, this work feels buried in a deeper emotional register. Pop Sub Final #4 communicates in tones of erosion, deterioration, and silence. Within the wider street and pop art culture, where loud colors and recognizable icons often dominate, Bannon's approach provides an antidote—proof that Street Pop Art & Graffiti Artwork can whisper with the same power it screams. His print is a meditation, a relic, and a confrontation, all in one stark square.

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$80.00

Symbolism of Skeletons and Skulls in Street Pop Art and Graffiti Artwork

Skeletons and skulls have been a prominent motif in art for centuries, embodying themes of mortality, impermanence, and the human condition. In Street Pop Art and Graffiti Artwork, these symbols have been recontextualized, taking on new meanings and forms. Street artists utilize skeletons and skulls to communicate messages from the political to the personal, often infusing these macabre icons with vibrant colors and bold patterns that challenge their traditional associations with death and darkness. In the urban tapestry of cities worldwide, skeletons and skulls are not just symbols of fear and decay but are reimagined as expressions of life's vitality and the celebration of existence despite its fleeting nature. Graffiti artworks featuring these elements become public meditations on life's cyclical nature, reminding viewers of their mortality in a confronting and enlightening manner. The stark depiction of a skull in a mural or a sticker can be a social commentary on issues such as war, inequality, or the brevity of human life amidst the chaos of the modern world.

Artistic Exploration of Existential Themes Through Bones and Craniums

The artistic exploration of existential themes through the imagery of bones and skulls in Street Pop Art and Graffiti Artwork has led to diverse interpretations. Some artists may portray skulls with a sense of humor or irony, subverting their traditionally ominous weight. Others may revere them, creating shrines out of alleyways and building facades. This duality reflects the multifaceted nature of skeletons and skulls as symbols — they are at once a universal sign of humanity's shared destiny and a canvas for exploring individual and collective narratives. The ubiquitous nature of these symbols in street art speaks to their enduring power to fascinate and provoke. Every skull or skeleton rendered on a wall represents a common thread in the tapestry of human experience, connecting us across cultures and time. The depiction of these symbols in Street Pop Art and Graffiti Artwork serves as a reminder of the democratizing power of art and its ability to distill complex ideas into potent, universal images.

In conclusion, the representation of skeletons and skulls in Street Pop Art and Graffiti Artwork is a testament to the enduring fascination with what lies beneath the surface of living beings. These depictions are a bold confrontation with the ultimate truths of existence, rendered in styles that range from the realistic to the abstract. Through these powerful symbols, street artists continue to engage with profound themes, inviting onlookers to reflect on the mysteries of life and death amidst the everyday landscapes of the urban environment.