Ceci n'est Pas Un Singe Giclee Print by Brett Crawford Artwork Limited Edition Print on Somerset Fine Art Paper Graffiti Pop Street Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 22x22. Crease in upper left margin. Ceci n'est Pas Un Singe by Brett Crawford – Identity, Irony, and Flight in Street Pop Art & Graffiti Artwork Ceci n'est Pas Un Singe is a 2018 limited edition giclee print by American artist Brett Crawford, printed on Somerset fine art paper in a 22 x 22 inch format. Released in a signed and numbered edition of 50, the work showcases Crawford’s signature mix of realism, parody, and surrealism within the context of Street Pop Art & Graffiti Artwork. The central figure is a chimpanzee outfitted in red gloves, a superhero-style mask, and a bright yellow backpack adorned with pop culture patches. Perched atop a floating astronaut helmet in a sky of clouds and soft gradients, the chimp raises a peace sign as it gazes out from a dreamlike elevation. Every detail, from the fur texture to the sheen of the helmet and the subtle gleam in the eyes, is carefully rendered, blending classical painting discipline with the irreverent humor and cultural remixing that defines Crawford’s visual language. Visual Wordplay and the Challenge of Classification The title Ceci n'est Pas Un Singe, which translates to this is not a monkey, borrows from René Magritte’s surrealist phrase while introducing questions of identity, misrepresentation, and context. Crawford toys with both literal and symbolic interpretation. The chimpanzee, a common stand-in for human behavior and scientific curiosity, becomes a layered character—a rebel, a child, a cosmonaut, and a cultural echo all in one. The use of a non-human protagonist, paired with human accessories and posturing, challenges viewers to rethink what symbols actually represent. Within Street Pop Art & Graffiti Artwork, where iconography is constantly reinterpreted and re-contextualized, Crawford’s work finds power in absurdity. The message is not defined, but rather delivered through tone, detail, and visual contradiction. Technical Precision and Symbolic Density Crafted using high-resolution giclee printing, Ceci n'est Pas Un Singe achieves remarkable depth, ensuring every hair on the chimp’s body, every glint on the backpack’s surface, and every cloud in the sky is faithfully reproduced. Somerset fine art paper provides a soft, velvety base that enhances the vibrancy of Crawford’s color palette. The artist’s command of light and surface texture brings photographic clarity to fantastical subjects, allowing each symbolic element to register visually before it registers conceptually. The chimp’s backpack features patches referencing pop culture—such as the masked raccoon and animated faces—inviting interpretation while anchoring the piece in a shared visual lexicon. Brett Crawford’s Commentary on Adventure, Persona, and Urban Mythology Brett Crawford’s visual narratives frequently place hybrid creatures or anthropomorphic characters in surreal or heroic contexts. In Ceci n'est Pas Un Singe, this figure is both explorer and joke, astronaut and outcast. Its peace sign gesture undercuts the seriousness of the title while enhancing the mystery of its intent. The floating helmet below it evokes flight, exploration, or perhaps abandonment. With no ground in sight, the figure is literally and metaphorically suspended. This print, like much of Crawford’s work, distills humor, reflection, and spectacle into a single moment. It speaks through suggestion rather than statement, a hallmark of Street Pop Art & Graffiti Artwork where visual power is amplified by cultural fragments, attitude, and the unexpected. Crawford’s chimp is not just a character—it is an avatar of exploration, uncertainty, and transformation.
$850.00 $765.00
Sacrifices Were Made Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12
$134.00
New Leaf Archival Print by Sarah Joncas Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 New Leaf Archival Print by Sarah Joncas – A Dreamlike Reflection of Modern Femininity in Street Pop Art & Graffiti Artwork New Leaf is a 16x16 inch archival pigment print created by Canadian artist Sarah Joncas in 2019. This limited edition work was produced in a run of only 50 signed and numbered copies on fine art paper, underscoring both its exclusivity and the artist’s careful attention to craft. Known for her surreal and emotionally resonant imagery, Joncas captures the essence of introspection, femininity, and transformation in this piece. The image portrays a young woman with softly rendered features and a contemplative expression, her eyes closed as if drifting through memory or emotion. Her long dark hair flows outward, merging with soft, cartoon-like storm clouds that drip like melting paint. The clouds are both whimsical and melancholic, wrapping around her figure in delicate, surreal forms that evoke both dream and mood. Symbolism, Sentiment, and Modern Visual Language Sarah Joncas brings a deeply personal lens to contemporary pop-influenced portraiture, blending elements of surrealism, anime aesthetics, and emotive realism. In New Leaf, the subject wears a retro pink polka-dotted dress, open in the back and tied with a large bow. This fashion detail anchors the image in a nostalgic sense of style, while the leaf-shaped earring she wears speaks to the title’s metaphor of growth, transformation, and renewal. The idea of turning over a new leaf is expressed visually through the earring and through the evolving interplay of organic and symbolic forms surrounding her. The clouds serve not just as visual decoration but as emotional language. They symbolize transitory thought, sadness, or confusion—evoking states of being that are intangible but deeply felt. The tension between the clean softness of the woman’s figure and the loose, dripping cloud forms adds visual contrast and emotional ambiguity. Sarah Joncas and the Feminine Narrative in Street Pop Art & Graffiti Artwork Sarah Joncas, born in Canada in 1986, is known for her work that explores themes of female identity, self-reflection, and psychological states. She emerged from the lowbrow and new contemporary art movement but continues to innovate by merging fine art technique with pop culture influence. New Leaf presents a quietly powerful narrative without overt symbolism or political statement. Instead, it invites viewers to witness a private moment, rendered in tones that are delicate yet striking. While not created in a traditional graffiti setting, Joncas’ work maintains a connection to Street Pop Art & Graffiti Artwork through its visual language and cultural accessibility. Her figures feel like they belong equally in a gallery or on a mural wall, bridging fine art traditions with emotionally intuitive storytelling rooted in contemporary life. New Leaf as a Limited Edition Statement of Modern Pop Surrealism The archival quality of New Leaf ensures that its visual clarity and tonal subtleties are preserved in print form, capturing the softness of skin, the shine in flowing hair, and the translucent layering of clouds with high fidelity. The artist’s technical skill in digital and traditional painting translates seamlessly into this edition, which brings both collectors and fans a piece of deeply intimate and meticulously crafted art. The choice to limit the edition to 50 reinforces the specialness of the piece, positioning it as not only a collectible artifact but as a timeless portrayal of emotional interiority. New Leaf balances technical mastery with quiet symbolism, giving voice to a modern feminine perspective that is often gentle but never passive. It stands as a contemplative and beautifully executed example of Street Pop Art & Graffiti Artwork that speaks softly but stays with the viewer long after.
$210.00
God Is Dead, But...#13 Archival Print by Hikari Shimoda Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Size 22x22 Archival Pigment Fine Art The Cultural Significance of Hikari Shimoda's "God Is Dead, But...#13" The visual narrative of Hikari Shimoda's "God Is Dead, But...#13" reflects a profound narrative through Street Pop Art and Graffiti Artwork. As a limited edition archival print on Moab Entrada fine art paper, this piece is a testament to Shimoda's prowess in melding pop culture aesthetics with a graffiti art ethos. The piece is part of a limited edition of 50, each signed and numbered by the artist, underscoring the exclusivity and collectibility of Shimoda's work. At 22x22 inches, the artwork commands attention with its size and the potency of its message. The Visual Language of "God Is Dead, But...#13" This artwork is a vibrant foray into the complex emotional and societal narratives Shimoda is renowned for. It features a childlike figure, a recurring motif in Shimoda's oeuvre, set against a backdrop that radiates a dreamlike yet unsettling energy. Large and filled with galaxies, the eyes suggest a universe of thought and feeling beyond the immediate visual impact. This symbolism is characteristic of Street Pop Art's intention to communicate deeper meanings beneath a visually accessible surface. The use of archival pigment in fine art print ensures that the depth of color and detail remains pristine, preserving the emotional intensity of the original work. Shimoda's Integration of Street Art Ideals in Modern Artwork In "God Is Dead, But...#13," Shimoda exemplifies how Street Pop Art can transcend the boundaries of traditional graffiti artwork to enter the realm of fine art. The piece is not just a representation of Shimoda's internal musings but also a cultural commentary that reflects the zeitgeist. The title itself, "God Is Dead," resonates with the philosophical musings of Friedrich Nietzsche, suggesting a society amid existential contemplation. This aligns with the ethos of street art, which often grapples with grand narratives of existence and identity within the urban landscape. The Emotional Resonance in Shimoda's Limited Edition Print The emotional resonance of this piece is palpable. The child's expression is ambiguous, caught between innocence and a knowing sadness that speaks to the loss of divine certainty implied by the title. The tears that seem to be galaxies suggest mourning this loss or perhaps crying out for a new form of divinity or hope within the void. The choice of fine art paper and the precision of the archival pigment technique adds a layer of durability to the transient nature of the subject, allowing the work to stand as a lasting icon of contemporary Street Pop Art and Graffiti Artwork. In crafting "God Is Dead, But...#13," Shimoda asserts her place in the modern art world, proving that Street Pop Art and Graffiti Artwork have a vital role in contemporary art discourse. Her limited edition print is not just a collector's item but a piece of cultural significance that encapsulates the spirit of our times.
$309.00
San Francisco Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.
$134.00
