Smiley Face
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Bask Face Invader Pork Chop HPM Print by Bask
Face Invader- Pork Chop Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK
$533.00
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Bask Face Invader Sugar High HPM Print by Bask
Face Invader- Sugar High Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK
$533.00
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Atomik Untitled III Original Acrylic Painting by Atomik
Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Untitled III by Atomik: The Smiling Orange as Icon of Street Pop Art & Graffiti Artwork Untitled III is a 12 x 12 inch original acrylic painting on canvas by Atomik, a Miami-based artist widely recognized for his recurring character—the grinning orange with exaggerated features and slick green leaves. Created in 2020, this one-of-a-kind signed piece captures the energy and wit that defines Atomik’s work in the worlds of Street Pop Art & Graffiti Artwork. The subject, affectionately known as the Atomik Orange, emerged as a response to the demolition of Miami’s Orange Bowl in 2008 and has since evolved into a vibrant symbol of community memory, local pride, and artistic defiance. In Untitled III, the orange character is presented in a tightly cropped view, its cartoonish grin stretched across the lower canvas, eyes glinting with thick, comic-style highlights. The paint is layered with precision, bold black linework creating a crisp barrier between vivid orange and lime green tones. Shades of blue and white bring depth to the character’s eyes and smile, while the use of directional hatching nods to print-era comic illustrations. The background, rendered in a calm sky blue, allows the character’s electric palette to explode off the canvas. This color relationship enhances the orange’s buoyant personality, which is humorous, manic, and defiant all at once. The Atomik Orange and the Language of Urban Reclamation The character at the center of Untitled III represents more than just visual branding—it is a reclamation of space and memory. When the Orange Bowl was razed, a piece of Miami’s identity was lost. Atomik, born and active in the United States, responded with a visual intervention that turned grief into vibrancy. His orange character began to appear across the city on walls, mailboxes, rooftops, and abandoned buildings, acting as both a tribute and a defiant marker of presence. In canvas form, as seen here, the character retains all of its street energy while transitioning into a collectible artifact. The cheeky grin and raised brow act as visual shorthand for Miami’s blend of attitude, warmth, and creative resistance. Atomik’s work embodies the style and function of Street Pop Art & Graffiti Artwork, where characters serve as symbolic graffiti tags, social commentary, and public avatars. His orange exists in multiple states—rebel, clown, mascot—and its simplicity is its power. The use of expressive line, exaggerated proportion, and strategic highlights is directly linked to the language of muralism and comic book art, both of which feed into graffiti’s visual vocabulary. From Street to Canvas: Atomik’s Expansion into Gallery Culture Untitled III represents an important aspect of Atomik’s practice: the movement of street-born characters into formal art spaces without sacrificing edge or identity. By bringing his orange to canvas, Atomik maintains the same boldness and accessibility found on city walls. The work is not diluted but concentrated, focusing all its pop intensity into a contained format. The painting retains the urgency and charm of its graffiti roots, made sharper through studio technique and acrylic detail. This transition from public wall to private collection is central to many Street Pop Art & Graffiti Artwork artists, who continue to operate in both spheres simultaneously. Atomik remains prolific in Miami’s streets, but his gallery pieces like Untitled III allow collectors to engage with the movement in intimate, long-lasting ways. These pieces become cultural documents, embodying not only the energy of a character but the broader movement it represents. Visual Identity and Cultural Commentary in the Work of Atomik Atomik’s orange is more than an aesthetic motif—it is a cultural signal. The bold grin, the splash of citrus color, and the playful features all contribute to a language of visual activism. It communicates joy while remembering loss, mischief while asserting presence. Untitled III, with its clean composition and signature style, preserves this energy on canvas in a way that invites repeated viewing. The piece pulses with the same character-driven ethos that has defined pop art figures since the mid-twentieth century, while remaining grounded in graffiti’s rebellious tradition. As a singular work of Street Pop Art & Graffiti Artwork, Untitled III captures a moment in time when characters were not just imagined but lived across a city’s architecture. Atomik’s orange continues to smile—on walls, on canvases, in print, and in spirit—reminding viewers that personality and protest often share the same line.
$655.00
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Jason Naylor- OPN Heart My Blossoming Heart Giclee Print by Jason Naylor- OPN Heart
My Blossoming Heart Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Jason Naylor. 2022 Signed "My Blossoming Heart" by Jason Naylor Giclée Print on Paper Measures Mothership's Lonely Hearts Club~ 16" tall x 12" wide Edition of 30. Numbered and Signed by the Artist.
$214.00
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Ron English- POPaganda Vader Grin Archival Print by Ron English- POPaganda
Vader Grin Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered #2 (Originally Reserved As PP Printers Proof) Limited Edition of 100 Artwork Size 12x12 Star Wars Darth Vader Skeleton Grin Smiley. Ron English's Vader Grin and the Warped Language of Iconography Ron English’s Vader Grin fuses dystopian sci-fi symbolism with the subversive vocabulary of Street Pop Art & Graffiti Artwork. Released in 2020 as a limited edition archival pigment print, the piece measures 12x12 inches and was produced on 290gsm Moab fine art paper. This particular edition, originally held as Printer’s Proof #2, forms part of a 100-print run, each signed and numbered by the artist. The work reimagines the helmeted visage of Darth Vader—one of cinema’s most recognizable figures—by seamlessly embedding English’s trademark skeletal grin beneath the mask. The result is a jarring yet alluring hybrid that simultaneously honors and mocks the power of cultural icons. The work relies on visual contradiction. The hyper-glossy black helmet, reflecting cool blues and menacing reds, feels ominous and theatrical. Yet the grin beneath it introduces grotesque levity. It is not merely a skull, but a warped, cartoonish smile that undermines the mythic power typically associated with the character. English uses this visual tension to create discomfort, inviting viewers to question what lies beneath their cultural obsessions. By merging a corporate media character with his skeletal smile, English distills themes of decay, commodification, and spectacle. Visual Tactics Rooted in Street Pop and Graffiti Art Ron English built his career on hijacking visual systems. His approach combines photorealism with absurdity, blending polished fine art techniques with aesthetics borrowed from street murals and graffiti culture. Vader Grin sits at the intersection of these traditions. Though the print is created with archival precision, the electric glow surrounding the helmet mimics the energy of neon street lighting or aerosol fades. The blue halo contrasts sharply with the blood-red reflections on one side of the mask, giving the image a radioactive aura that feels both synthetic and urgent. English’s background in billboard takeovers and illegal mural work informs every detail of the piece. His choice to deface an archetype of cinematic villainy with a smile nods to graffiti’s function as cultural resistance. It reflects the artist’s long-standing interest in how images dominate urban space and public imagination. Street Pop Art & Graffiti Artwork often collapses the barrier between fine art and mass media, and Vader Grin thrives in that collapse. It operates as both parody and portrait, critique and celebration. Skeletal Symbols and the Politics of Satire The skeletal grin, a recurring motif throughout Ron English’s body of work, serves as more than a visual joke. It operates as a critique of power, often layered over figures who symbolize authority, consumer manipulation, or mythologized violence. In Vader Grin, the deathly smile strips the character of gravitas, revealing a hollowed-out husk beneath layers of narrative and merchandising. The mask is no longer a tool of intimidation—it becomes a vessel of emptiness, the face of a brand designed for mass appeal but drained of human substance. The work fits into a broader history of Street Pop Art where artists interrogate the allure of media-generated heroes and villains. English’s satire does not merely poke fun at pop culture—it exposes how symbols are consumed without critical engagement. The skeletal transformation represents the erosion of meaning beneath constant reproduction. In Vader Grin, the viewer is left to contend with a familiar face turned alien, a symbol of evil turned into a smirking relic, smiling through the collapse of its own mythology.
$550.00
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Ron English- POPaganda Stormtrooper Grin PP Archival Print by Ron English- POPaganda
Stormtrooper Grin PP Printer Proof Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 12x12 Dissecting "Stormtrooper Grin" by Ron English- POPaganda "Stormtrooper Grin" is a provocative work by Ron English- POPaganda, a revered name in modern pop art, street art, and graffiti art. This Printer's Proof (PP) limited edition archival pigment print from 2020, signed and marked in English, is a testament to his signature fusion of high art and street culture. Presented on 290gsm Moab Fine Art Paper, this print, measuring 12x12 inches, captures the essence of English's impactful aesthetic. Known for his use of color and distortion, English transforms familiar imagery from popular culture into something new, often with a subversive twist. Ron English- POPaganda's Vision in Pop Art and Street Culture English's "Stormtrooper Grin" reimagines the iconic helmet of the Stormtrooper from the Star Wars franchise, overlaying it with a human skull. This juxtaposition is emblematic of English's style, often combining a bright, almost cartoonish palette with darker themes. His work is recognized for its critical commentary on consumerism, corporate strategies, and idolizing popular culture icons. By placing a skeletal grin within the context of a symbol associated with conformity and the loss of individuality, English invites viewers to reflect on the nature of identity and mortality within the seemingly benign trappings of entertainment. Impact of Ron English- POPaganda's Work on Street Pop Art Ron English- POPaganda is credited with the proliferation of "culture jamming," a practice where familiar visual symbols are altered to challenge the status quo. His "Stormtrooper Grin" directly reflects this, taking a ubiquitous symbol from science fiction and turning it into a conversation piece that questions the narratives we consume and the ideologies they perpetuate. The print embodies the transformative potential of street pop art and graffiti artwork, where the lines between commercial and countercultural are blurred, creating a space for dialogue and dissent. The meticulous craftsmanship in "Stormtrooper Grin" is evident in the precision of the archival pigment print, a method chosen for its fidelity to the artist's original vision. This technique allows for a wide range of vibrant colors and deep blacks, ensuring that the work is a piece of street pop art and a fine art collectible. English's choice of fine art paper and archival pigments serves to solidify the permanence of a piece that, in another context, might have been a temporary fixture on a city wall. Through "Stormtrooper Grin," Ron English- POPaganda continues to challenge perceptions, using his art to provoke thought and encourage a deeper examination of the symbols that permeate our culture. His ability to bring street art sensibilities into the realm of fine art printmaking has established him as a pivotal figure in the street pop art movement. Like much of English's oeuvre, this artwork serves as a stark reminder of the power of visual language in articulating, critiquing, and redefining the narratives fed to society by mass media and entertainment conglomerates.
$563.00