Smiley Face

123 artworks

  • QR Code Smiley Silkscreen Print by RYCA- Ryan Callanan

    RYCA- Ryan Callanan QR Code Smiley Silkscreen Print by RYCA- Ryan Callanan

    QR Code Smiley Silkscreen Print by RYCA- Ryan Callanan Hand-Pulled 1-Color on Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 9.75x9.75 Silkscreen Print RYCA's QR Code Smiley Silkscreen Print: A Confluence of Technology and Street Pop Art The QR Code Smiley Silkscreen Print by RYCA, also known as Ryan Callanan, is a striking example of how contemporary artists blend digital motifs with traditional printmaking techniques. RYCA's decision to capture the essence of a QR code, an emblem of the digital age, and transform it into a piece of street pop art & graffiti artwork is innovative and reflective of our times. The smiley face hidden within the code's design adds a layer of playfulness and nostalgia, reminding us of the early days of digital communication while commenting on technology's pervasive nature in modern life. This artwork, a 2022 limited edition of 50, has been created through the labor-intensive process of hand-pulled silkscreen printing. Each print, signed and numbered by the artist, measures 9.75x9.75 inches and is printed on fine art paper. The choice to work in a monochromatic palette emphasizes the starkness and immediacy of the QR code, contrasting the often colorful and chaotic imagery found in street art. However, this very simplicity allows the piece to stand out, offering a visual pause in the frenetic visual language of urban environments. RYCA's Artistic Journey and the Intersection with Street Art RYCA's journey as an artist has been marked by his ability to infuse familiar cultural icons with new meaning. By taking a universally recognizable symbol such as the QR code and embedding the iconic smiley face within it, he bridges the gap between art and the audience, making his work both accessible and engaging. This piece is a testament to RYCA's skill in using pop art sensibilities to comment on the intersection of technology and human emotion, a prevalent theme in the digital age. The limited run of this print makes it a coveted item for collectors and reinforces the transient nature of street art, where the rarity and location of a piece can significantly enhance its value and impact. RYCA's work is a reminder of the transient nature of graffiti artwork, often here today and gone tomorrow, mirroring the fleeting nature of digital information in the internet age. The QR Code Smiley Silkscreen Print is more than a visual statement; it is a cultural artifact that encapsulates the zeitgeist of the 21st century. QR codes have become ubiquitous in our lives, a technical solution to a cultural desire for quick, seamless access to information. By incorporating this symbol into his art, RYCA comments on its pervasive nature and challenges the viewer to consider the relationship between the digital and physical worlds. With its minimalist aesthetic and conceptual depth, this print reflects a broader trend in street pop art & graffiti artwork, where artists are increasingly engaging with digital culture. RYCA's work is at the forefront of this movement, blending street art's immediacy with the connectivity of digital technology. RYCA's QR Code Smiley and Its Place in Modern Art As street pop art & graffiti artwork continue to evolve, artists like RYCA are leading the charge, breaking down barriers between art forms and exploring new mediums. The QR Code Smiley Silkscreen Print is a powerful example of this evolution, where a technology tool is repurposed into a medium for artistic expression. The print represents RYCA's creative vision and a commentary on the increasingly blurred lines between the virtual and the real. In a world where digital interactions often replace physical ones, RYCA's print serves as a poignant reminder of the importance of tangible art in a digital age. It stands as a bridge between two seemingly disparate worlds, inviting the viewer to reflect on the role of art in a society dominated by screens and codes. RYCA's QR Code Smiley Silkscreen Print is a defining piece within the genre of street pop art & graffiti artwork, offering a unique perspective on the intersection of art, technology, and culture. Its existence as a limited edition print further underscores the value placed on originality and authenticity in art. Through this work, RYCA invites us to ponder the pervasive nature of digital symbols in our lives and how they can be reimagined through the lens of art.

    $81.00

  • Lucky Cat Grin Convention Red Art Toy Sculpture by Ron English

    Ron English- POPaganda Lucky Cat Grin Convention Red Art Toy Sculpture by Ron English- POPaganda

    Lucky Cat Grin- Convention Red Limited Edition Vinyl Art Toy Collectible Artwork by Artist Ron English- POPaganda Contemporary Pop Artwork. 2018 Signed Limited Edition New In Box SFBI x Ron English- POPaganda presents Lucky Cat Grin.6 inches tall. Hand-signed by Ron English- POPaganda, 2018 SDCC Exclusive

    $333.00

  • Liberty Grin Pride of USA Sculpture Art Toy by Ron English

    Ron English- POPaganda Liberty Grin Pride of USA Sculpture Art Toy by Ron English- POPaganda

    Liberty Grin Pride of USA Limited Edition Vinyl Sculpture Artwork by Legendary Fine Graffiti Street Artist Ron English- POPaganda. 22 Inch Popaganda x Ron English- POPaganda Liberty Grin Pride Of USA Figure With Base (green) Size: 22" Vinyl Figure Ron English- POPaganda's Liberty Grin Statue celebrates the iconic and enduring symbol of freedom with his signature 'Grin' aesthetic. The just-released Pride of USA edition honors America with a patriotic design flowing with the Stars and Stripes. At 22" tall (with included base), the Liberty Grin Pride of USA vinyl statue is ready-made to be a conversation-starting centerpiece of your collection.

    $790.00

  • Signs Of The Crimes Orange Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Orange Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Red Orange Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Signs Of The Crimes Red Orange by Ron English- POPaganda: Satirical Symbolism in Street Pop Art & Graffiti Artwork Signs Of The Crimes Red Orange is a 2020 limited edition artwork by street pop culture icon Ron English- POPaganda, executed as a 24x24 inch UV-cured archival print on high-definition aluminum panel. Framed and ready to hang, this signed edition of 100 merges vivid minimalist color with hyperrealist distortion, spotlighting English’s deep critique of consumer icons and psychological contradiction. The piece features a single yellow smiley face against a blazing red-orange background, but upon closer inspection, the traditional happy visage is interrupted by a grotesque anatomical mouth. A photorealistic human jaw grins behind the synthetic emoji facade, exposing bone structure, gums, and teeth. The work forces a confrontation between surface happiness and hidden discomfort, rendered in the visual language of Street Pop Art & Graffiti Artwork. Visual Deconstruction and Cultural Parody Ron English- POPaganda is known for his ability to remix and mutate universally recognized icons, turning them into visual parodies that question their original intent. In Signs Of The Crimes Red Orange, the smiley face becomes a vehicle for satire. Originally created in the 1960s as a symbol of corporate friendliness and later adopted by rave and acid house subcultures, the smiley is often associated with euphoria, innocence, and mass appeal. English rips that association open—literally—by replacing the expected line-drawn mouth with a surgically precise rendering of a human grin. The result is uncanny and confrontational. It invites the viewer to smile along while forcing them to feel disturbed. This kind of visual tension is central to Ron English- POPaganda’s approach, where popular symbols are disassembled, reassembled, and shown in their most honest or exaggerated forms. Material, Print Process, and Presentation The piece is produced using archival UV-cured inks on a varnished HD aluminum panel, a process that ensures both color intensity and long-term preservation. The surface is sleek and durable, allowing the bold saturation of the background and the contrasting precision of the smiley’s face to take center stage. The print’s varnished finish gives it a luminous quality under light, making it ideal for display in gallery, commercial, or private settings. Each edition is hand-signed by Ron English- POPaganda, affirming its place within his broader body of collectible visual disruptions. Framed and ready to hang, this work is not just an artwork but a fully realized object of commentary, crafted for immediate impact. Ron English- POPaganda’s Influence in Street Pop Art & Graffiti Artwork Born in the United States in 1959, Ron English- POPaganda is a foundational figure in Street Pop Art & Graffiti Artwork, often credited with pioneering techniques in billboard liberation and subvertising. His career spans fine art, vinyl toys, political murals, and commercial design—all approached with the same intent to reveal the truths beneath modern mythologies. English’s work is consistently fueled by a distrust of corporate language and a fascination with the seductive power of visual repetition. Signs Of The Crimes Red Orange encapsulates that ethos, taking one of the most globally recognizable icons and turning it into a symbol of suppressed aggression, synthetic identity, and media manipulation. The piece serves as both homage and critique, a striking example of how a simple form can carry deep complexity when viewed through the lens of Street Pop Art & Graffiti Artwork.

    $371.00

  • Mad Happy Monk Grin Orange Art Toy by Ron English

    Ron English- POPaganda Mad Happy Monk Grin Orange Art Toy by Ron English- POPaganda

    Mad Happy Monk Grin- Orange Limited Edition Blacklight Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Ron English- POPaganda. 2019 Signed Limited Edition New In Box. Blacklight orange colorway of the Mad Happy Monk is 8 inches tall. Hand-signed by Ron

    $225.00

  • Mona Lisa Grin Gold Art Toy by Ron English

    Ron English- POPaganda Mona Lisa Grin Gold Art Toy by Ron English- POPaganda

    Mona Lisa Grin- Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda x Funko. Get ready to smile with the new Ron English- POPaganda Green Mona Lisa Grin Vinyl Figure created exclusively for the Funko Shop! Measuring 6.75'' x 4.75'' x 9'', this 500-piece limited edition figure is sure to add a vibrant and unique twist to any vinyl collection.

    $371.00

  • Signs Of The Crimes Blue Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Blue Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick

    OG Slick Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick

    Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

    $2,500.00

  • High Score Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Score Blotter Paper Archival Print by Denial- Daniel Bombardier

    High Score Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2020 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

    $385.00

  • Face Invader Sugar High HPM Print by Bask

    Bask Face Invader Sugar High HPM Print by Bask

    Face Invader- Sugar High Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

    $533.00

  • Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton

    D*Face- Dean Stockton Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton

    Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

    $3,938.00

  • Signs Of The Crimes Red Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Red Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Red Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Riot Cop 1000% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Brandalism & Brandalised Riot Cop 1000% Be@rbrick by Brandalised x Medicom Toy x Banksy

    Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

    $820.00

  • Signs Of The Crimes Seafoam Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Seafoam Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Seafoam Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Signs Of The Crimes Hot Pink Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Hot Pink Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Hot Pink Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Neon MC Supersized Grin Art Toy by Ron English

    Ron English- POPaganda Neon MC Supersized Grin Art Toy by Ron English

    Neon MC Supersized Grin Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Neon MC Supersized Grin' by Ron English- POPaganda, 2020 Collab. with toymaker Made by Monsters. 10 x 7" x 5" Inches Collectible soft vinyl art figure. Limited Edition NTWRK Exclusive colorway.

    $352.00

  • Signs Of The Crimes Goldenrod Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Goldenrod Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Goldenrod Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Welcome To Paradise Silkscreen Print by Buff Monster

    Buff Monster Welcome To Paradise Silkscreen Print by Buff Monster

    Welcome To Paradise Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print The "Welcome to Paradise" silkscreen print by Buff Monster stands as a vibrant example of Street Pop Art and Graffiti Artwork, blending street art's energy with pop art's playful vibrancy. Created in 2008, this piece is part of a limited edition series, with only 100 signed and numbered prints available, making it a collectible item among enthusiasts. The artwork measures 18x24 inches, a size that is substantial enough to impact any wall it adorns. Buff Monster has been a notable figure in the street art scene, with his work often characterized by bright colors, bold lines, and whimsical characters, all evident in this print. His signature style often incorporates influences from various sources, including Japanese culture and classic graffiti art. This has earned him a dedicated following and places his work in a unique position within contemporary art. Hand-pulling silkscreen prints are traditional and meticulous, ensuring each piece is unique with slight variations that add to its character and authenticity. This print on fine art paper captures the essence of Buff Monster's artistic vision, with its meticulously layered colors and textures providing depth and a tactile quality that machine-made reproductions cannot replicate. As a work of Street Pop Art and Graffiti Artwork, "Welcome to Paradise" embodies the spirit of urban creativity and the blurring of boundaries between high and low art. It is a testament to the artist's ability to translate the spontaneity and rebelliousness of street art into a fine art context, preserving the raw appeal of graffiti while elevating it through a more formalized art-making process. For collectors and enthusiasts, acquiring a piece like this offers a visual delight and a slice of the dynamic and ever-evolving story of street art's influence on contemporary culture.

    $563.00

  • Smiley Blotter Paper Archival Print by Mike Giant

    Mike Giant Smiley Blotter Paper Archival Print by Mike Giant

    Smiley Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Smiley graphic is one of my graffiti throw-ups, a “GI”. I started writing it on walls in the mid-1990s. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

    $352.00

  • Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick

    OG Slick Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick

    Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.

    $2,500.00

  • Starskull Blotter Paper Archival Print by Ron English

    Ron English- POPaganda Starskull Blotter Paper Archival Print by Ron English- POPaganda

    Starskull Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Smiley Grin Piggy Bank Art Toy by Ron English

    Ron English- POPaganda Smiley Grin Piggy Bank Art Toy by Ron English- POPaganda

    Smiley Grin Piggy Bank Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. 2010 Signed Limited Edition Vinyl 3 7/10 × 3 9/10 in 9.5 × 10 cm. Ron English- POPaganda's 2010 solo show at Status Factory NYC, Made by Monsters. Open/Loose in Perfect Condition

    $333.00

  • Teletubbies Status Factory Poster 2010 by Ron English

    Ron English- POPaganda Teletubbies Status Factory Poster 2010 by Ron English- POPaganda

    Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

    $164.00

  • Grinbot Canbot Canz Art Toy by Ron English x Czee13

    Ron English- POPaganda Grinbot Canbot Canz Art Toy by Ron English- POPaganda x Czee13

    Grinbot Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artists Ron English- POPaganda x Czee13. 2022 Limited Edition of 300 New In Box Rare Ron English- POPaganda Canbot Canz Art Toy Artwork Size 3x5.5. Ron English- POPaganda Grin Smiley Skeletons Smile x Czee13 Canbot Canz Grinbot Canbot Canz : A Cultural Artifact Blending Art and Pop Culture The Grinbot Canbot Canz emerges as a cultural artifact at the crossroads of street art innovation and pop culture iconography. This limited edition vinyl art toy results from a unique collaboration between pop culture artist Ron English- POPaganda and street artist Czee13. Limited to 300 pieces, each new in the box, the Grinbot Canbot Canz combines English's signature smiley skeletons with Czee13's renowned Canbot Canz design. The artwork stands at 3x5.5 inches, representing a tangible slice of street pop art & graffiti artwork that collectors and enthusiasts eagerly incorporate into their galleries. This collaboration showcases the synergistic power of two distinct artistic visions converging to create a singular piece that speaks volumes about contemporary art's trajectory. Ron English- POPaganda's recognizable grin, a motif that challenges viewers to find joy in the macabre, is reimagined in Czee13's Canbot Canz , a symbol deeply rooted in the graffiti and street art movement. The Canbot Canz is a canvas for English's explorations of the smiley symbol, delving into the complexities behind the universal symbol of happiness. Street Art's Dialogue with Pop Surrealism The Grinbot Canbot Canz reflects the ongoing dialogue between street art and pop surrealism, where familiar images are twisted and recontextualized to challenge perceptions and provoke thought. The collectible stands as a testament to the genre's evolution, highlighting the increasing incorporation of street art aesthetics into the broader scope of visual culture. The collaboration bridges the gap between lowbrow and high art, suggesting that the divide is more a matter of perception than substance. Collectors of the Grinbot Canbot Canz are not just acquiring a toy but investing in a piece of art history that captures the spirit of the times. Each Canbot Canz , while part of a more extensive series, carries its unique flair due to the hand-finished touches that Czee13 is known for. Owning a Grinbot Canbot Canz means holding a snapshot of street pop art's dynamic and ever-changing world, where every stroke and color choice is imbued with meaning and intent. The collaboration between Ron English- POPaganda and Czee13, culminating in the Grinbot Canbot Canz , marks a milestone in the vinyl art toy scene. It encapsulates the transformative journey of street art from the fringes to the mainstream while retaining its edge and ability to disrupt norms. This piece celebrates the merging of different art forms and commemorates the collective journey of artists who continue to push the boundaries of creativity and expression.

    $185.00

  • Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers

    OG Slick Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers

    Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers  Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2024 Limited Edition of 99 Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Smiley Face with Hand Spray Painting a Line Across The Face. Happy Endings Skateboard Art Deck: A Bold Fusion of Street Pop Art and Graffiti Culture The Happy Endings Skateboard Art Deck by OG Slick, created in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork. Released in 2024 as a limited edition of 99, this 8x31-inch skateboard deck transforms a functional object into a bold statement of urban art. Featuring OG Slick’s iconic Smiley Face motif, disrupted by a red spray-painted line across the eyes, the design evokes a thought-provoking blend of playfulness and rebellion. The incorporation of a gloved hand holding a spray paint can adds depth and narrative, making this piece as much about the act of creation as the final result. OG Slick and the Subversive Vision of Happy Endings OG Slick, a renowned artist with roots in graffiti culture, has built a career on merging pop culture symbols with the raw energy of street art. The Happy Endings Skateboard Art Deck embodies his signature aesthetic, using the universally recognized Smiley Face as a canvas for a commentary on perception and identity. The addition of the red spray-painted line across the face disrupts the familiar image, inviting viewers to reconsider their interpretations of happiness and conformity. By partnering with The Beautiful Losers, a collective known for celebrating the intersection of street culture and fine art, this collaboration elevates the piece to a broader cultural conversation. Design and Symbolism of the Skateboard Deck The minimal yet impactful design of the Happy Endings Skateboard Art Deck is a testament to OG Slick’s ability to convey powerful messages through simplicity. The bright yellow background serves as a stark contrast to the bold black and red elements, drawing immediate attention to the central Smiley Face. The red line, sprayed across the eyes, symbolizes censorship, disruption, or the act of redefining societal norms. The gloved hand at the bottom holding a spray paint can captures the essence of graffiti culture, emphasizing the artist’s role in reshaping familiar images. The skateboard’s shape and size provide a unique medium that blends the functionality of sports equipment with the storytelling potential of art. Functional Art for Collectors and Enthusiasts The Happy Endings Skateboard Art Deck is more than just a piece of sports equipment; it is a collectible artwork that embodies the rebellious spirit of Street Pop Art and Graffiti Artwork. Crafted from high-quality wood and printed with precision, the deck is designed to be both durable for use and visually striking for display. With only 99 pieces in this signed and numbered edition, the deck holds significant value for art collectors and street art enthusiasts alike. This collaboration between OG Slick and The Beautiful Losers transforms a simple object into a cultural artifact, highlighting the evolving role of street art in contemporary creative expression.

    $325.00

  • Grinbot Signed Canbot Canz Art Toy by Ron English x Czee13

    Ron English- POPaganda Grinbot Signed Canbot Canz Art Toy by Ron English- POPaganda x Czee13

    Grinbot Signed Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artists Ron English- POPaganda x Czee13. 2022 Signed Autograph by Ron English- POPaganda x Czee13 Limited Edition of 300 New In Box Rare Ron English- POPaganda Canbot Canz Art Toy Artwork Size 3x5.5. Ron English- POPaganda Grin Smiley Skeletons Smile x Czee13 Canbot Canz . Vast Majority Not Signed. The Fusion of Icons: Grinbot Signed Canbot Canz by Ron English- POPaganda x Czee13 The fusion of iconic styles in Street Pop Art & Graffiti Artwork takes a tangible form in the Grinbot Signed Canbot Canz . This limited edition vinyl art toy marks the collaboration between pop culture artist Ron English- POPaganda and the street art maverick Czee13. This collectible stands at 3x5.5 inches, representing a cross-pollination of distinct artistic signatures—the audacious and often controversial English, with his Grin Smiley Skeletons Smile and Czee13's gritty, urban Canbot Canz aesthetic. Released in 2022, the Grinbot Signed Canbot Canz is a rarity, with a limited edition run of only 300 pieces. Each art toy comes new in its box, embodying the pristine condition sought by serious collectors. Most of these pieces are unsigned, making the signed editions particularly coveted. The autographs of Ron English- POPaganda and Czee13 on these select Canbot Canz s are not mere scribbles; they are the artists' endorsement, a seal of authenticity on a work of art that bridges their worlds. Cultural Significance of the Grinbot Canbot Canz The Grinbot Canbot Canz is more than a collectible item; it symbolizes the subversive humor and critique that Ron English- POPaganda is renowned for. His work often challenges the viewer to re-examine the visual components of our pop culture landscape. The smiling skeleton, a motif regularly featured in English's work, is a commentary on the superficiality of happiness in consumer culture. It is both a smile and a skull, a paradoxical image that resonates with modern society's ephemeral nature of joy. Czee13's Canbot Canz , on the other hand, speaks the language of the streets. It is gritty, raw, and honest. It tells the story of the urban environment, its resilience, and the culture that burgeons within it. The collaboration between these two artists on the Grinbot Canbot Canz is a testament to the power of Street Pop Art & Graffiti Artwork to reflect society's complexities, using the urban landscape as both canvas and inspiration. Investment and Collectibility of the Grinbot Canbot Canz As a collectible, the Grinbot Signed Canbot Canz holds significant value. Collectors of Street Pop Art & Graffiti Artwork understand that the worth of such pieces transcends their physical form. Owning a signed Grinbot Canbot Canz resembles holding a piece of contemporary art history. It is an investment that carries the potential to appreciate as the legacies of Ron English- POPaganda and Czee13 continue to unfold and influence the art world. For enthusiasts of street art, the Grinbot Canbot Canz is a must-have. Its limited edition status ensures exclusivity, and the signatures of Ron English- POPaganda and Czee13 imbue it with a personal touch from the artists themselves. This art toy is a fusion of cultural commentary and street sensibility, a physical representation of the dialogue between pop culture and graffiti art. Impact of Ron English- POPaganda and Czee13 in Artistic Collaboration Ron English- POPaganda's influence in the world of pop art is indelible. Known for coining POPaganda, his work often features a mash-up of high and low cultural touchstones. English's collaboration with Czee13 on the Grinbot Canbot Canz highlights the latter's rising stature in the Street Pop Art & Graffiti Artwork scene. Czee13, with his distinct style that resonates with the pulse of the streets, brings a raw and authentic edge to this joint venture. The result of this collaboration is a piece that stands at the intersection of pop culture critique and street art expression. It embodies art's dynamic and often unpredictable nature that straddles these genres. The Grinbot Canbot Canz becomes a conversation piece, a medium through which the narratives of pop culture and street art are not only told but also questioned and reimagined. The Grinbot Signed Canbot Canz by Ron English- POPaganda, and Czee13 is a testament to the vibrancy and relevance of Street Pop Art & Graffiti Artwork. It encapsulates the essence of two divergent artistic philosophies, creating a unique piece that is both a critique of contemporary culture and a homage to the spirit of street art. For the collectors who seek to own a part of this narrative, the Grinbot Canbot Canz is not just an art toy but a piece of cultural commentary, a remembrance of the ever-evolving story of street art and its indelible impact on the pop culture landscape.

    $507.00

  • Dark Star Grin Bronze Figure Art Toy by Ron English

    Ron English- POPaganda Dark Star Grin Bronze Figure Art Toy by Ron English- POPaganda

    Dark Star Grin Bronze Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered edition of 50.

    $225.00

  • Spray Happiness Blue HPM Serigraph Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Spray Happiness Blue HPM Serigraph Print by Mr Brainwash- Thierry Guetta

    Spray Happiness- Blue Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

    $4,740.00

  • Signs Of The Crimes Sky Blue Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Sky Blue Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Sky Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Love Tripping- Standard Blotter Paper Archival Print by Mr André Saraiva

    Mr André Saraiva Love Tripping- Standard Blotter Paper Archival Print by Mr André Saraiva

    Love Tripping- Standard Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $450.00

  • Cosmic Overdose_P Offset Lithograph Print by Madsaki

    Madsaki Cosmic Overdose_P Offset Lithograph Print by Madsaki

    Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Unconventional Aesthetics of Madsaki's Artwork Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The resurgence of pop art in the contemporary art scene is epitomized by the creative convergence of street art and graffiti, with artists like Madsaki at the forefront. "Happiness Overdose Azul Mariano_P," a limited edition offset lithograph print by Madsaki, exemplifies this trend, blending the rebellious spirit of street art with the vibrant aesthetics of pop art. Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The Cultural Significance of Offset Lithograph Prints Offset lithography, a common technique for fine art reproduction, allows artists like Madsaki to reach a wider audience by creating multiple copies of original works. This print's size of 19.75x19.75 inches is substantial yet accessible, fitting the urban environments that often inspire street pop art. Hand-pulling each print ensures that every piece retains a touch of the artist's hand despite being part of a limited edition series. The choice of woven fine art paper as the medium further signifies a blend of street art's immediacy and fine art's enduring quality. In the context of street pop culture, limited edition artworks such as "Happiness Overdose Azul Mariano_P" reflect the exclusivity and collectibility that street art has gained in the art market. The limited edition of 100 pieces, each signed and numbered by Madsaki, speaks to the artist's personalized connection with his work and collectors. It represents a shift from the transient nature of traditional graffiti to a more permanent, revered form of artistic expression. Integration of Street Art into Mainstream Art Galleries Madsaki's collaboration with Kaikai Kiki Co. Ltd, Tokyo, a company known for its role in promoting contemporary artists, underscores the increasing integration of street pop art into mainstream art galleries and the broader art world. This partnership illustrates the potential for street-inspired artworks to be celebrated alongside more traditional acceptable art forms, signaling a shift in cultural perceptions and the breaking down of barriers between high art and popular culture. The impact of "Happiness Overdose Azul Mariano_P" extends beyond its visual composition; it encapsulates the evolution of street art into a form that is both a critical commentary on society and a coveted acceptable art commodity. Through his work, Madsaki challenges viewers to reassess their understanding of happiness, consumerism, and the role of art in modern culture. His street pop art & graffiti artwork continue to resonate with audiences around the globe, bridging the gap between underground art movements and the polished white walls of galleries.

    $2,188.00

  • Signs Of The Crimes Lime Green Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Lime Green Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Lime Green Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Signs Of The Crimes Purple Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Purple Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Shades of Dripple HPM Rainbow Foil Archival Print by Sket-One

    Sket-One Shades of Dripple HPM Rainbow Foil Archival Print by Sket-One

    Shades of Dripple HPM Rainbow Foil Archival Print Hand Embellished by Sket-One Limited Edition on Gloss Lamination 2pt Rainbow Foil Board Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Spray Paint HPM Hand Embellished Limited Edition of 25 Artwork Size 16x20 Archival Pigment Fine Art

    $482.00

  • Love Tripping- Pink Blotter Paper Archival Pigment Print by Mr André Saraiva

    Mr André Saraiva Love Tripping- Pink Blotter Paper Archival Pigment Print by Mr André Saraiva

    Love Tripping- Pink Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $450.00

  • The Swallow Save Our Seas Archival Print by Meggs

    Meggs The Swallow Save Our Seas Archival Print by Meggs

    The Swallow (Save Our Seas) Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. PangeaSeed’s Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). The festival will feature 30 world-renowned contemporary artists from across the globe, collaborating to bring vital ocean environmental issues into the spotlight. The festival’s educational workshops will engage local youth to learn more about critical marine environmental issues affecting their home island, and what they can do to help save our seas. Sea Walls aims to educate and inspire individuals and communities to protect the planet’s most important ecosystem: the ocean.

    $217.00

  • Dumpster Fire Black Friday Chrome by Kidrobot

    Kidrobot Dumpster Fire Black Friday Chrome by Kidrobot

    Dumpster Fire- Black Friday Chrome Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Kidrobot. Last year Kidrobot brought you the 2020 Edition to commemorate the Dumpster Fire of a year! This year Kidrobot will bring you the Black Friday 2021 Chrome Edition of the Dumpster Fire collectible - like the hood ornament of the speeding car that is modern life. Shiny, sleek, reflective chrome. Going places fast. Still a box of trash on fire. Based on the popular gif and pin by 100% Soft, this Kidrobot x 100% Soft Dumpster Fire Chrome Edition vinyl collectible is a Black Friday Exclusive.

    $95.00

  • Ms Rainbow Flower SP Silkscreen Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Ms Rainbow Flower SP Silkscreen Print by Takashi Murakami TM/KK

    Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. SP State Artist Proof 2020 Signed SP Edition of 25 Rare Takashi Murakami TM/KK Ms. Rainbow Flower Silkscreen Print Artwork 19.68x19.68in 50x50cm The Allure of Limited Editions in Street Pop Art: Takashi Murakami's Ms. Rainbow Flower Takashi Murakami's "Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper" vividly represents the symbiotic relationship between street pop art and limited edition prints. Takashi Murakami, a stalwart in the pop art movement, extends his canvas to street art, blurring the lines between commercial and high art. This piece, an Artist Proof (AP) from 2020, stands as a testament to Murakami's unique style that combines traditional Japanese aesthetics with contemporary pop culture, creating a colorful and optimistic depiction that resonates with pop art's ethos and street art's rawness. The work is part of an exclusive SP (Special Proof) edition of 25, highlighting the art market's rarity and desirability of limited editions. Artist Proofs are traditionally the first prints pulled from a run, kept aside due to their special status, and often marked by the artist's hand. Murakami's signature on "Ms. Rainbow Flower" authenticates the print and signifies its importance as a direct offspring of the artist's creative process. Each of the 13 colors is pulled by hand, a meticulous and labor-intensive process, which ensures that every print is imbued with a sense of individuality despite being part of a series. Takashi Murakami and His Influence on Modern Pop and Street Art Murakami's influence on modern pop and street art is substantial, with his art often characterized by its bright, explosive colors and incorporation of motifs from traditional and popular Japanese culture. His creation, "Ms. Rainbow Flower," with its cheerful persona and psychedelic hues, exemplifies 'Superflat'—a post-modern art movement pioneered by Murakami that flattens the image and merges the boundaries between different artistic genres. This particular piece, with its hand-pulled silkscreen technique, also pays homage to the methods of street art and graffiti, where the hand of the artist is central to the work's authenticity. At 19.68x19.68 inches (50x50cm), this silkscreen print is a collectible size, making it accessible to art enthusiasts and serious collectors. The edition size of 25 reinforces its rarity and elevates its status within the sphere of street pop art and graffiti artwork. Collectors of Murakami's work appreciate the visual appeal and the underlying commentary that the artist often embeds within his creations. Murakami's "Ms. Rainbow Flower" is not merely a decorative piece; it carries the weight of cultural symbols and the playfulness of pop art, infused with the artist's philosophical questions about the art world and its intersection with commerce. The Role of Limited Editions in Street Pop Art and Graffiti Artwork Limited edition prints like "Ms. Rainbow Flower" are crucial in disseminating street pop and graffiti artwork. They allow these traditionally ephemeral art forms to be preserved and appreciated over time. In the case of "Ms. Rainbow Flower," the limited edition run is particularly significant, as it represents a moment in Murakami's artistic journey, capturing the essence of his style during the year 2020. Owning such a piece means participating in the history of street pop art as it evolves from the streets and into the galleries and homes of art lovers. The Artist Proof status of this print positions it as a bridge between Murakami's archive and the public sphere. It underscores the intimate relationship between the artist and his work, offering insight into his process and the development of the final edition. For the artist, these proofs can function as a creative playground where they can experiment before the last series is completed. For the collector, they provide a piece of the artist's legacy, enriched with the potential of increased value over time due to their scarcity and the prestige associated with limited editions. In summary, Takashi Murakami's "Ms. Rainbow Flower- SP" is more than a mere representation of street pop art and graffiti artwork; it is a cultural artifact that encapsulates the spirit of its time and the artistic vision of one of contemporary art's most influential figures. Its existence as a limited edition print emphasizes the importance of rarity and artist interaction in art, offering collectors a chance to own a part of Murakami's expansive and colorful universe.

    $5,468.00

  • Smiley Face Balloon Yellow HPM Archival Print by Adam J O'Day

    Adam J O'Day Smiley Face Balloon Yellow HPM Archival Print by Adam J O'Day

    Smiley Face Balloon- Yellow Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Smiley Face Balloon: Yellow • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Smiley Face Balloon: Yellow" - Unique Hand-Painted Print - 24 x 24"

    $533.00

  • Graffiti Happy V30 Hand Embellished HPM Giclee Print by OG Slick

    OG Slick Graffiti Happy V30 Hand Embellished HPM Giclee Print by OG Slick

    Graffiti Happy V30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Graffiti Happy V30 by OG Slick: A Subversive Emblem in Street Pop Art & Graffiti Artwork Graffiti Happy V30 is a 2025 hand-embellished HPM giclee print created by acclaimed graffiti and street pop artist OG Slick. Limited to just 25 signed and numbered pieces, each 30x30 inch print is executed on 310gsm fine art paper with deckled edges and customized with spray paint splashes, brush strokes, and unique markings. While the giclee base maintains the integrity of the original image, each embellishment transforms it into a one-of-a-kind statement piece. At the heart of the work is a mutated version of the iconic yellow smiley face—a symbol long associated with innocence, peace, and pop culture—now visually sabotaged with graffiti expression. This artwork, with its glossy yellow surface and overlaid visual noise, becomes an artifact of commentary, mood, and contradiction within the language of Street Pop Art & Graffiti Artwork. Visual Strategy and Cultural Subversion The central image in Graffiti Happy V30 is OG Slick’s rendition of a yellow smiley face, instantly recognizable and historically tied to commercial branding, rave culture, and feel-good iconography. Here, the smile is intentionally distorted, painted across a vivid yellow canvas, with asymmetry and aggressive linework interrupting the synthetic cheer. The face's cheerful eyes are disrupted by scrawled black lines and harsh green sprays—tags that cut across the familiar and inject raw spontaneity into the polished symbol. Slick’s embellishment with dripping paint, overspray, and stenciled geometry fractures the illusion of perfection. The result is not a destruction of joy but a reframing of it, challenging viewers to question the simplicity of happiness in a chaotic, commercialized world. In Street Pop Art & Graffiti Artwork, this type of visual intervention forces public symbols to engage with personal expression, decay, and rebellion. OG Slick’s Technique and Street-Born Aesthetic OG Slick is a legendary figure in the Los Angeles graffiti movement whose career has been built on visual appropriation and redefinition. Known for inserting street sensibilities into polished imagery, Slick’s work navigates the space between satire and sincerity. In Graffiti Happy V30, he uses the giclee medium to maintain visual clarity while applying real-world graffiti techniques—splatter, masking, and drip work—directly onto each print. The HPM format ensures every copy is a standalone piece, marked with personal visual decisions made in-studio. Slick’s choice to work with the smiley face further deepens his dialogue with pop iconography, questioning its ubiquity and forced cheer. The print’s embellishments challenge the artificiality of corporate happiness and suggest an alternate narrative where happiness is imperfect, unpredictable, and at times aggressively painted over. Limited HPM Print as Urban Commentary Graffiti Happy V30 is a limited edition object that merges the high-end collectible world with the street’s unsanctioned urgency. Each print in the series is delivered with unpredictable markings—layers of paint splatters, harsh angle strokes, and incidental drips—that bring the chaos of outdoor walls into the structure of a fine art frame. The hand embellishment process ensures authenticity and visual energy, with each piece chosen at random to highlight uniqueness. The deckled paper adds a tactile edge to the piece, enhancing its position as both print and sculpture. Within the broader context of Street Pop Art & Graffiti Artwork, this edition operates not just as a visual remix but as a provocation—forcing its viewers to reassess joy, branding, and the mask of civility under the raw filter of urban commentary. OG Slick’s print does not simply depict a smile; it questions whether that smile has been earned, or painted on.

    $2,500.00

  • Love Tripping- Red Blotter Paper Archival Print by Mr André Saraiva

    Mr André Saraiva Love Tripping- Red Blotter Paper Archival Print by Mr André Saraiva

    Love Tripping- Red Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $450.00

  • Ron English Wall Clock Grin Smiley Art Object by Ron English

    Ron English- POPaganda Ron English- POPaganda Wall Clock Grin Smiley Art Object by Ron English- POPaganda

    Ron English- POPaganda Wall Clock- Grin Smiley Limited Edition Clock Art Object Collectible Artwork by street graffiti artist Ron English- POPaganda. 2021 ComplexCon Exclusive New Never Displayed.

    $168.00

  • Quasiconformal Resting Face Blotter Paper Archival Print by Pat Riot

    Pat Riot Quasiconformal Resting Face Blotter Paper Archival Print by Pat Riot

    Quasiconformal Resting Face (Kaczynski’s Grin) Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pat Riot pop culture LSD artwork. "Two of these blotter designs were created specifically for this project. They are both variations of pieces that I have been creating over the last year for a body of work revolving around the thematic similarities between Ted Geisel’s (Dr. Seuss) storybook, THE LORAX, and Ted Kaczynski’s (Unabomber) manifesto, “Industrial Society And It’s Future.”

    $352.00

  • Shades of Dripple HPM Archival Print by Sket-One

    Sket-One Shades of Dripple HPM Archival Print by Sket-One

    Shades of Dripple HPM Archival Print Hand Embellished by Sket-One Limited Edition on 290gsm Moab Entrada White Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Spray Paint HPM Hand Embellished Limited Edition of 25 Artwork Size 16x20 Archival Pigment Fine Art

    $482.00

  • West Mash U30 Hand Embellished HPM Giclee Print by OG Slick

    OG Slick West Mash U30 Hand Embellished HPM Giclee Print by OG Slick

    West Mash U30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. West Mash U30 by OG Slick: Hand Embellished Giclee Print as Street Pop Art & Graffiti Artwork West Mash U30 is a 2025 hand-embellished giclee print by renowned graffiti and street pop artist OG Slick. This limited edition artwork is released in a run of only 25 prints, each individually signed, numbered, and uniquely customized by the artist. Printed on 310gsm fine art deckled-edge paper and sized at 30 by 30 inches, this edition merges precision printing with raw artistic energy. The base giclee print is enhanced with hand-applied spray paint, splatter marks, brush strokes, and custom paint embellishments, ensuring that no two pieces are identical. Each variant showcases OG Slick’s signature blend of cartoon iconography, graffiti heritage, and layered cultural reference, reinforcing the work’s place within the language of Street Pop Art & Graffiti Artwork. Iconography, Layering, and Visual Tension The focal image of West Mash U30 is OG Slick’s stylized gloved hand, an emblematic reinterpretation of classic animation infused with West Coast attitude. The hand is presented in a bold graphic pose, popping out from a chaos of yellow and black wheatpaste-style backgrounds filled with repeat tags, stickers, and pop motifs. Slick’s name is woven throughout the collage in repetition, surrounded by screen-style illustrations of his iconic hand gesture and cartoon references. This layered backdrop creates both motion and noise, resembling a graffiti wall caked with years of tags and posters. The white hand in the center, outlined in bold black, emerges from this field with a controlled clarity that contrasts with the rawness of the embellishments. The addition of unique paint splatter, drips, and stroke work transforms each print into a singular artifact, reinforcing the handmade authenticity expected in Street Pop Art & Graffiti Artwork. OG Slick’s Cultural and Artistic Significance OG Slick, born in Hawaii and based in Los Angeles, is a pivotal figure in graffiti and street pop art culture. His work explores identity, rebellion, and cultural symbolism using a visual language built from animation history and West Coast graffiti traditions. The gloved hand motif, reimagined countless times in his oeuvre, serves as a stand-in for presence, power, and cultural commentary. With West Mash U30, OG Slick continues his tradition of remixing visual archetypes and layering them with satire and edge. His use of HPM—hand-painted multiples—blurs the lines between fine art print and street-marked original. The graffiti ethos of improvisation and raw visual spontaneity is alive in every embellishment, giving each collector a completely unique piece. Limited Edition Printmaking as Street Art Expression Each copy of West Mash U30 is printed using high-fidelity giclee technology, preserving the sharpness and color integrity of OG Slick’s original design. However, the real power of this edition lies in the embellishments. The hand-painted splatters and custom markings give every piece its own visual rhythm and attitude. The deckled edges add a tactile element, invoking traditional fine art printmaking, while the visual language remains grounded in contemporary urban aesthetics. The limited run of only 25 ensures rarity, and the fact that each HPM is assigned at random adds an element of surprise and authenticity. In the context of Street Pop Art & Graffiti Artwork, this print is not only a collector's item—it is a living extension of the artist’s wall-based practice, adapted for the gallery and personal collection with no loss of spontaneity or street-born energy.

    $2,500.00

  • Drip Phase Archival Print by Sket-One

    Sket-One Drip Phase Archival Print by Sket-One

    Drip Phase Limited Edition Archival Pigment Fine Art Prints on 290gsm Fine Art Paper by Graffiti Street Art and Pop Culture Artist Sket-One. Drip Phase • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 11 x 17 inches Hand-signed and numbered by artist SKET-ONE in a limited edition of 35 House of Roulx blind embossed stamping • Authentic Edition rubber stamp on verso • Letter of Authenticity

    $256.00

  • Hello There Orange Original Spray Paint Art Can by Atomik

    Atomik Hello There Orange Original Spray Paint Art Can by Atomik

    Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

    $225.00

  • Vader Grin Archival Print by Ron English

    Ron English- POPaganda Vader Grin Archival Print by Ron English- POPaganda

    Vader Grin Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered #2 (Originally Reserved As PP Printers Proof) Limited Edition of 100 Artwork Size 12x12 Star Wars Darth Vader Skeleton Grin Smiley. Ron English's Vader Grin and the Warped Language of Iconography Ron English’s Vader Grin fuses dystopian sci-fi symbolism with the subversive vocabulary of Street Pop Art & Graffiti Artwork. Released in 2020 as a limited edition archival pigment print, the piece measures 12x12 inches and was produced on 290gsm Moab fine art paper. This particular edition, originally held as Printer’s Proof #2, forms part of a 100-print run, each signed and numbered by the artist. The work reimagines the helmeted visage of Darth Vader—one of cinema’s most recognizable figures—by seamlessly embedding English’s trademark skeletal grin beneath the mask. The result is a jarring yet alluring hybrid that simultaneously honors and mocks the power of cultural icons. The work relies on visual contradiction. The hyper-glossy black helmet, reflecting cool blues and menacing reds, feels ominous and theatrical. Yet the grin beneath it introduces grotesque levity. It is not merely a skull, but a warped, cartoonish smile that undermines the mythic power typically associated with the character. English uses this visual tension to create discomfort, inviting viewers to question what lies beneath their cultural obsessions. By merging a corporate media character with his skeletal smile, English distills themes of decay, commodification, and spectacle. Visual Tactics Rooted in Street Pop and Graffiti Art Ron English built his career on hijacking visual systems. His approach combines photorealism with absurdity, blending polished fine art techniques with aesthetics borrowed from street murals and graffiti culture. Vader Grin sits at the intersection of these traditions. Though the print is created with archival precision, the electric glow surrounding the helmet mimics the energy of neon street lighting or aerosol fades. The blue halo contrasts sharply with the blood-red reflections on one side of the mask, giving the image a radioactive aura that feels both synthetic and urgent. English’s background in billboard takeovers and illegal mural work informs every detail of the piece. His choice to deface an archetype of cinematic villainy with a smile nods to graffiti’s function as cultural resistance. It reflects the artist’s long-standing interest in how images dominate urban space and public imagination. Street Pop Art & Graffiti Artwork often collapses the barrier between fine art and mass media, and Vader Grin thrives in that collapse. It operates as both parody and portrait, critique and celebration. Skeletal Symbols and the Politics of Satire The skeletal grin, a recurring motif throughout Ron English’s body of work, serves as more than a visual joke. It operates as a critique of power, often layered over figures who symbolize authority, consumer manipulation, or mythologized violence. In Vader Grin, the deathly smile strips the character of gravitas, revealing a hollowed-out husk beneath layers of narrative and merchandising. The mask is no longer a tool of intimidation—it becomes a vessel of emptiness, the face of a brand designed for mass appeal but drained of human substance. The work fits into a broader history of Street Pop Art where artists interrogate the allure of media-generated heroes and villains. English’s satire does not merely poke fun at pop culture—it exposes how symbols are consumed without critical engagement. The skeletal transformation represents the erosion of meaning beneath constant reproduction. In Vader Grin, the viewer is left to contend with a familiar face turned alien, a symbol of evil turned into a smirking relic, smiling through the collapse of its own mythology.

    $550.00

Smiley Face Graffiti Street Pop Artwork

Smiley Face: A Universal Emblem in Street Pop Art and Graffiti Artwork

The Smiley Face, a universal symbol of happiness and positivity, has permeated various art forms, including graffiti and street art. Its presence in the urban landscape, represented through a simple yet powerful icon, has garnered attention and admiration from artists and audiences alike. Graffiti and street art prints incorporating the Smiley Face demonstrate the power of this symbolic design and the way it has transcended its origins to become an enduring fixture of modern art. The emergence of the Smiley Face in graffiti art can be traced back to the counterculture movement of the 1960s and 1970s. As a symbol of happiness and peace, it was embraced by artists who wished to convey messages of optimism and unity amidst the social and political unrest of the era. As street art and graffiti became more prevalent, the Smiley Face naturally found its way onto the walls of urban environments, often as part of a larger artistic narrative or as an independent, standalone image. In contemporary graffiti and street art prints, the Smiley Face has evolved to take on various forms, reflecting the diverse styles and approaches of the artists themselves.
Some artists opt for a minimalist approach, utilizing simple lines and shapes to depict the iconic design. In contrast, others may incorporate more complex patterns, textures, or abstract elements to create unique interpretations. This adaptability has allowed the Smiley Face to flourish in street art, as it can be seamlessly integrated into a wide range of artistic styles. The smiley face, a simple depiction of a smiling face with two dots for eyes and a curved line for a mouth, has become one of the most ubiquitous symbols in modern culture. Its journey from a mere mood-lifter to a significant icon in street pop art and graffiti artwork is a testament to its versatile appeal and power as a means of communication. The smiley face transcends languages and cultures, embodying a universal message of happiness and goodwill that various art movements, including pop art, street art, and graffiti, have embraced. In street pop art, the smiley face has often been used to bring a sense of joy and whimsy to the urban landscape. Graffiti artists have adopted this icon to inject a playful character into their work, contrasting the cityscape's often severe and gritty nature. The simplicity of the smiley allows for quick recognition and direct emotional response, making it an effective tool for artists to connect with a broad audience. Whether splashed across a brick wall, stickered on a lamppost, or stenciled onto a sidewalk, the smiley face in graffiti artwork often serves as an unexpected interruption to the mundane, prompting passersby to pause and engage with their surroundings with a lighter heart.

The Evolution of the Smiley Face in Modern Art Forms

The evolution of the smiley face within modern art forms such as street pop art and graffiti has mirrored societal changes and the shifting tides of emotional expression in public spaces. From its inception, the smiley has been reimagined and recontextualized to fit the messages artists wish to convey. It has been depicted in many variations, from the classic bright yellow circle to more elaborate and sometimes subversive adaptations. The smiley face can often be found in street art as a standalone symbol and incorporated into larger pieces that address themes ranging from peace and love to irony and social critique. The versatility of the smiley face means that it can be both a nostalgic reference to the past and a contemporary commentary. Some artists have used it to invoke the carefree spirit of the 1960s and 70s, while others have adapted it to critique the commercialization of happiness and the pressures of modern life. In this way, the smiley face serves as a canvas upon which artists can project various narratives, making it a powerful and adaptable element in the visual language of street art. One of the most iconic examples of the Smiley Face in street art can be found in the works of renowned British artist Banksy. His satirical approach to street art often incorporates the Smiley Face in provocative and thought-provoking contexts. In one of his most famous pieces, a rioter is depicted wearing a Smiley Face mask, juxtaposing the symbol of happiness with the chaotic scene unfolding around it. This clever use of the Smiley Face challenges viewers to question the true nature of happiness in modern society.
Street artists like Shepard Fairey, creator of the Obey Giant, have reimagined the Smiley Face in their works. Fairey's version, called "Andre the Giant Has a Posse," is a hybrid of the Smiley Face and the visage of Andre the Giant, a professional wrestler. The piece is a commentary on the power of mass media and its ability to create influential symbols. By incorporating the Smiley Face into his work, Fairey effectively highlights the significance and omnipresence of such icons in popular culture. Graffiti and street art prints featuring the Smiley Face are highly sought after by collectors and enthusiasts alike. These works often embody a sense of optimism, resilience, and defiance despite the challenges faced in the modern world. The Smiley Face, in its various forms, continues to serve as a potent reminder that happiness can be found even amidst the most chaotic and unexpected circumstances. The Smiley Face has left an indelible mark on graffiti and street art prints. Its simple, universally recognized design and ability to adapt to various artistic styles make it a favorite subject among artists and collectors. As a symbol of happiness, peace, and positivity, the Smiley Face brings joy and inspiration to those who encounter it in the streets and on the walls of our urban landscapes.

The Smiley Face as a Cultural Icon in Street Art

As a cultural icon, the smiley face occupies a unique position within the world of street art. It symbolizes the counterculture and a mainstream motif, embraced by artists who appreciate its history and ability to speak to a broad audience. The smiley face has been used to foster a sense of community, to challenge the status quo, and to express solidarity or dissent. It is a symbol that can be found in the works of seasoned street artists and the scribbles of anonymous individuals alike, highlighting its democratic nature and its resonance with a diverse range of voices within the urban environment. In street pop art and graffiti, the smiley face often reflects the artist's intent and the cultural moment in which it is created. It connects the mood of a society or offers a counterpoint to it. As such, the smiley face in street art is not merely decorative; it is a potent means of expression, loaded with the potential to inspire, provoke, and connect. The enduring legacy of the smiley face in street pop art and graffiti artwork lies in its simplicity and depth. It is a motif that has been embraced and reinterpreted countless times, yet it retains its core message of happiness and positivity. The smiley face is a reminder of the power of art to influence mood and perspective, to bring light to dark places, and to offer a moment of connection in the fast-paced and often isolating urban environment. Through its various incarnations in street art, the smiley continues to engage with audiences, to challenge and delight, and to serve as a beacon of universal communication in the visual tapestry of the city.
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