Soda

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  • What Drones? HPM Spray Paint Wood Stencil by Denial- Daniel Bombardier

    Denial- Daniel Bombardier What Drones? HPM Spray Paint Wood Stencil by Denial- Daniel Bombardier

    What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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    $9,997.00

  • Coca-Cola Archival Skateboard Deck by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Coca-Cola Archival Skateboard Deck by Denial- Daniel Bombardier

    Coca-Cola Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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    $466.00

Soda Graffiti Street Pop Artwork
Soda is a ubiquitous beverage that has been a part of popular culture for decades. It has been depicted in various forms of art, including graffiti and pop art. Graffiti art is an art form that involves creating images and text on public spaces, often using spray paint. Pop art is an art movement that emerged in the 1950s and is characterized by the use of popular culture imagery and bright colors. In this essay, I will explore how soda has been portrayed in graffiti art and pop art. Graffiti art has been used to express social and political commentary, as well as personal statements. Soda has been used as a subject matter in graffiti art to convey messages about consumerism and the negative effects of mass consumption. Soda cans and bottles are commonly used as a symbol of consumer culture, and their bright colors and logos make them a popular choice for graffiti artists. In many cases, graffiti artists use soda imagery to criticize the negative impact that corporations have on society. One notable example of soda in graffiti art is the work of the artist Banksy. Banksy is a British street artist who is known for his politically charged and subversive artworks. In one of his most famous works, a soda can is shown with a grenade pin attached to it. The image is a commentary on the way that consumer culture has become weaponized, with corporations using their power to manipulate and control people. Pop art, on the other hand, has also used soda as a subject matter, but in a different way. Pop art is characterized by the use of bright colors and bold imagery, and soda cans and bottles have been used as a popular motif. The bright colors and distinctive logos of soda brands lend themselves well to the aesthetic of pop art, and artists have used them to create visually striking works. One of the most famous pop art works featuring soda is Andy Warhol's "Campbell's Soup Cans." Warhol created a series of paintings in which he depicted soup cans from the Campbell's brand in various colors. The works were meant to comment on consumer culture and the way that mass-produced goods had become a ubiquitous part of everyday life. Warhol's use of repetition and bright colors was a hallmark of pop art, and the "Campbell's Soup Cans" series is one of the most iconic examples of the movement. In addition to Warhol, other pop artists have used soda imagery in their works. Claes Oldenburg, for example, created sculptures of everyday objects, including a giant Coca-Cola bottle. The sculpture was meant to be a playful take on consumer culture, with the oversized bottle drawing attention to the absurdity of the way that corporations market their products. Soda has been a popular subject matter in both graffiti art and pop art. In graffiti art, soda cans and bottles have been used to critique consumer culture and the negative impact of corporations on society. In pop art, soda imagery has been used to create visually striking works that comment on consumer culture in a more playful way. The bright colors and distinctive logos of soda brands have made them a popular motif in both art forms, and their continued use speaks to the enduring influence of soda on popular culture.

© 2024 Sprayed Paint Art Collection,

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