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El Trooper Star Wars Silkscreen Print by JC Rivera Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Silkscreen Print Star Wars Sci-Fi Movie Storm Trooper Mask Face Stylized. El Trooper Star Wars Silkscreen Print by JC Rivera El Trooper Star Wars silkscreen print by JC Rivera is a striking fusion of sci-fi iconography and street pop art & graffiti artwork. This hand-pulled screenprint, produced in 2013, transforms the classic stormtrooper helmet into an intricate, stylized composition filled with bold colors and elaborate patterns. Signed and numbered in a limited edition of 50, this 18x24-inch artwork merges the recognizable aesthetic of Star Wars with the raw energy and cultural influences of contemporary urban art. Rivera’s signature artistic approach is evident in the design, making this piece a standout within both the Star Wars and street art communities. The Artistic Composition and Cultural Influences Rivera’s interpretation of the stormtrooper helmet departs from its traditional sleek, monochromatic look, instead infusing it with organic, swirling patterns that evoke the feel of hand-carved masks and folk art. The vivid color palette, featuring deep reds, yellows, greens, and blacks, adds a dynamic, almost tribal energy to the piece. The intricate detailing within the contours of the helmet mimics the ornate patterns often found in tattoo art and indigenous design, creating a piece that is both familiar and completely reimagined. The use of strong black outlines and layered inks gives the print a textured quality that reflects the physicality of hand-pulled screenprinting. This method enhances the artwork’s boldness, ensuring that each line and pattern stands out against the fine art paper. The result is a stormtrooper helmet that feels less like a piece of sci-fi armor and more like a living, breathing entity—an emblem of rebellion, culture, and artistic evolution. Rivera’s choice to reinterpret this iconic character through the lens of street pop art & graffiti artwork elevates it beyond fan art, positioning it within a larger artistic movement that embraces reinvention and cultural storytelling. Street Pop Art & Graffiti Artwork Meets Star Wars Star Wars has long been a source of inspiration in street pop art & graffiti artwork, with its themes of resistance, authoritarianism, and individualism resonating deeply within urban art culture. The stormtrooper, as a symbol of faceless conformity, is frequently reimagined by street artists seeking to subvert its original meaning. Rivera’s version of the helmet takes this idea further by transforming it into something highly personal and expressive. The ornamental patterns covering the faceplate reject uniformity, suggesting a break from control and an embrace of artistic freedom. The use of street pop art techniques, including high-contrast color blocking and stylized linework, connects this piece to the larger graffiti and street art tradition. The stormtrooper helmet, originally designed to be void of emotion, is now alive with character, reflecting the essence of rebellion found both in the Star Wars universe and in the urban art movement. Rivera’s reinterpretation allows the viewer to see the stormtrooper not as an anonymous soldier, but as an individual entity, filled with identity and purpose. The Collectibility and Impact of the Limited Edition Print As part of a limited edition of only 50, El Trooper Star Wars silkscreen print is a highly sought-after piece among collectors of both Star Wars memorabilia and contemporary street pop art & graffiti artwork. The 18x24-inch format allows for Rivera’s intricate details to be fully appreciated, while the hand-pulled screenprinting process ensures that each piece retains a unique, tactile quality. The rarity of this print adds to its desirability, making it not just a work of art but a statement piece that bridges the gap between pop culture and fine art. JC Rivera’s ability to fuse sci-fi iconography with street pop art aesthetics showcases his skill in pushing artistic boundaries. By transforming a universally recognized symbol into something deeply personal and culturally resonant, he challenges the viewer to reconsider the role of pop culture within contemporary urban art. This print is not just a tribute to Star Wars—it is a testament to the power of artistic reinvention, proving that even the most established imagery can be reshaped through the lens of street art.

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Trooper- Some Like It Hoth 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Brian Ewing Rare Street Art Famous Pop Artwork Artist. 2021 Some Like It Hoth Edition of 50 Signed and Numbered

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That's No Moon Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Max Dalton, Street Pop Art Graffiti Legend. 2022 Numbered Edition of 350 Size 18x24

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Apollo 13 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Rare Street Art Famous Pop Artwork Artist. AP Artist Proof

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Bubble Limited Edition Giclée Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Giclée print with silkscreen gloss by Scott Listfield. 26" x 18" Signed and numbered by artist Edition of 100 Digital print with silkscreen gloss

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Duality Fox Mulder X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Fox Mulder X FIles. Duality Fox Mulder X-Files Silkscreen Print by Jeremy VanCleef Duality Fox Mulder is a limited edition silkscreen print created by Jeremy VanCleef in 2013, featuring a haunting interpretation of the iconic character from The X-Files. This hand-pulled screenprint, measuring 18x24 inches, was produced in a signed and numbered edition of only 25, making it a rare and highly collectible piece. The artwork captures the psychological complexity of Fox Mulder, using a bold, minimalist composition combined with high-contrast halftone textures and neon green accents. The print reflects VanCleef’s signature fusion of Street Pop Art & Graffiti Artwork, where pop culture subjects are reimagined through an urban, contemporary lens. Concept and Visual Symbolism The composition of Duality Fox Mulder plays with the themes of truth, paranoia, and perception, central to The X-Files narrative. Mulder’s portrait is partially fragmented, with sections of his face missing, replaced by stark, negative space. This deconstruction reinforces the character’s struggle between belief and skepticism, reality and illusion. The hollowed-out eyes add a ghostly effect, suggesting his relentless search for answers has made him both enlightened and consumed by obsession. The surrounding typography includes phrases like Trust No One and The Truth Is Out There, iconic to the series, enhancing the sense of mystery and intrigue. The grainy, distressed background texture mimics photocopied conspiracy files, further reinforcing the idea of secrecy and government cover-ups. The limited color palette, dominated by green and black, directly references the eerie glow often associated with extraterrestrial themes in science fiction, making the print feel both vintage and futuristic. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef’s work often draws from the aesthetics of Street Pop Art & Graffiti Artwork, and this print is no exception. The use of halftone printing techniques, stencil-inspired portraiture, and distressed text elements are reminiscent of the wheatpaste posters seen in urban environments. The neon green accents give the piece a cyberpunk, underground zine quality, reinforcing the DIY ethos of street art culture. The layering of text and imagery, as well as the calculated use of negative space, allows for an interplay between structured design and raw, unfiltered expression. This technique mirrors how graffiti artists use walls as their canvas, layering different visual elements to create an evolving narrative. The deliberate imperfections in the ink application further connect the piece to the handcrafted, analog processes that define the screenprinting movement within street art. Collectibility and Cultural Impact With only 25 prints in existence, Duality Fox Mulder stands as an exclusive collectible within the world of Street Pop Art & Graffiti Artwork. Jeremy VanCleef’s ability to reinterpret pop culture figures through a subversive, street-inspired approach makes this print highly sought after by collectors of both contemporary printmaking and science fiction memorabilia. The X-Files continues to be a cultural touchstone, with themes of government secrecy, alien life, and truth-seeking remaining relevant in modern discourse. This print captures that ongoing relevance, using street art techniques to elevate Mulder’s character into an iconic visual statement. The meticulous craftsmanship of the hand-pulled silkscreen process ensures that each print retains a unique quality, reinforcing its place as a significant piece in the fusion of urban art and cult television mythology.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Bigger on the Inside Dr Who Silkscreen Print by Tracie Ching Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24 Silkscreen Print of Doctor Who Tardis Police Box Spaceship. From 50th Anniversary of Doctor Who Show. Bigger on the Inside Doctor Who Silkscreen Print by Tracie Ching The Bigger on the Inside Doctor Who silkscreen print by Tracie Ching is a stunning tribute to the 50th anniversary of one of the most beloved science fiction series of all time. This limited edition hand-pulled screenprint, created in 2013, captures the essence of the Doctor’s iconic time-traveling spaceship, the TARDIS, in a striking, layered composition. Signed and numbered on the back, with only 40 pieces in existence, this artwork blends the aesthetics of street pop art & graffiti artwork with a futuristic, almost hypnotic approach. The silkscreen technique used in its production gives it a rich texture and depth, making it a visually dynamic piece that feels both nostalgic and contemporary. The Visual Concept and Design of the Print Tracie Ching’s interpretation of the TARDIS plays with the idea of movement and time distortion, two core elements of the Doctor Who universe. The print features multiple overlapping images of the blue police box, creating a cascading effect that suggests the ship is phasing between dimensions. The sharp geometric edges and high-contrast lighting add to the sense of kinetic energy, making the artwork feel alive. The deep blue tones, combined with a carefully executed halftone shading technique, give the piece a sense of atmospheric depth that resonates with the mystery and excitement of time travel. Typography plays a significant role in the composition, with the words Doctor Who presented in a clean, futuristic style. The incorporation of the show’s logo and the phrase The Fiftieth Anniversary at the bottom of the print reinforces the celebratory nature of the piece. The minimalistic yet bold approach allows the TARDIS to remain the focal point while still acknowledging the historic milestone of the series. This balance between graphic design and artistic craftsmanship makes the print stand out as both a collectible and a striking work of contemporary street pop art & graffiti artwork. The TARDIS as an Icon in Street Pop Art & Graffiti Artwork The TARDIS has long been a subject of fascination in street pop art & graffiti artwork, representing adventure, escape, and the limitless possibilities of time and space. Street artists have often depicted it in murals, stencils, and wheatpaste posters, placing it in unexpected urban settings to create the illusion of it materializing in the real world. The police box design itself is an iconic image, instantly recognizable even to those unfamiliar with Doctor Who, making it a powerful visual symbol in public art. Ching’s rendition of the TARDIS takes this concept further by exploring its metaphysical properties. By illustrating the police box as if it is shifting between different moments in time, the print mirrors the way graffiti and street art function—temporary, ever-changing, and existing in multiple states of being. The overlapping layers of the TARDIS in the print reflect the way street art often builds upon itself, with artists adding new tags, designs, and textures to existing works, creating an evolving canvas of visual storytelling. This parallel between time travel and the fluid nature of street pop art & graffiti artwork reinforces the TARDIS as more than just a sci-fi artifact but as a symbol of artistic reinvention. The Significance of the Limited Edition Screenprint As part of a hand-pulled silkscreen print edition, Bigger on the Inside carries a unique craftsmanship that digital reproductions cannot replicate. The layering of ink, the texture of fine art paper, and the precision of the printing process all contribute to its distinctiveness. With only 40 pieces available, the artwork is an exclusive collector’s item that merges the fandom of Doctor Who with the aesthetics of street pop art & graffiti artwork. The limited edition nature of the print increases its desirability, ensuring that each piece holds value both as a cultural artifact and as a work of fine art. Tracie Ching’s ability to merge pop culture with intricate, modern design techniques makes this silkscreen print a standout piece in the world of contemporary urban art. Her vision of the TARDIS encapsulates the excitement and wonder of Doctor Who while pushing the boundaries of visual storytelling. Through its dynamic composition, rich textures, and conceptual depth, this artwork serves as a testament to the power of combining science fiction mythology with the expressive, ever-evolving world of street pop art & graffiti artwork.

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Duality Dana Scully X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Dana Scully X FIles. Duality Dana Scully X-Files Silkscreen Print by Jeremy VanCleef Duality Dana Scully is a limited edition silkscreen print created by Jeremy VanCleef in 2013, presenting a visually striking interpretation of the iconic character from The X-Files. This hand-pulled screenprint, sized at 18x24 inches, is part of a signed and numbered edition of only 25, making it a rare and sought-after piece. The artwork captures the essence of Dana Scully through a minimalist yet haunting composition, incorporating fragmented portraiture, high-contrast halftone textures, and bold typography. The use of a red and black palette intensifies the psychological depth of the piece, aligning with the visual aesthetics commonly found in Street Pop Art & Graffiti Artwork. Concept and Visual Symbolism Duality Dana Scully explores the tension between logic and belief, a core theme in The X-Files. Her face is partially removed, leaving an open void that suggests the struggle between science and the unknown. The stark white cutout interrupts her form, reinforcing the duality between skepticism and faith that defines her character. Her hollowed-out eyes, a recurring motif in VanCleef’s work, add an eerie, almost supernatural quality, mirroring the unsettling mysteries she investigates. The background features distressed textures and muted grain, reminiscent of aged documents and conspiracy files, further reinforcing the secretive undertones of the composition. Text elements such as Logic, Reason, and Skeptic punctuate the artwork, emphasizing the defining attributes of her character. The inclusion of a small, floating cross necklace subtly acknowledges her spiritual dilemma, adding an additional layer of complexity to the piece. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef employs techniques rooted in Street Pop Art & Graffiti Artwork, incorporating stencil-like portraiture, distressed typography, and layered textures that evoke urban wheatpaste posters. The rough, unpolished aesthetic, combined with sharp-edged design elements, mimics the feel of underground zine culture and guerrilla street art. The limited color scheme of deep reds and monochrome tones creates a high-impact visual statement, much like the bold graphics found in stencil graffiti. The interplay between printmaking traditions and digital deconstruction gives the artwork a sense of immediacy and rawness, qualities often seen in modern street murals. VanCleef’s ability to distort familiar imagery while maintaining strong cultural references aligns with the core principles of urban artistic expression, where themes of rebellion, questioning authority, and challenging perception play a central role. Collectibility and Cultural Impact As a signed and numbered edition of 25, Duality Dana Scully holds significant value within the world of Street Pop Art & Graffiti Artwork. The scarcity of this print makes it highly desirable among collectors, especially those who appreciate the intersection of science fiction and contemporary urban aesthetics. The X-Files remains a cultural touchstone, and this artwork encapsulates the enduring mystery and intellectual depth of the series. Jeremy VanCleef’s reinterpretation of Dana Scully transforms her from a television character into an abstract symbol of truth-seeking and existential inquiry. His handcrafted silkscreen process ensures that each print maintains a unique, tactile quality, reinforcing the authenticity and artistic integrity of the work. The continued relevance of conspiracy theories, government secrecy, and scientific skepticism makes this piece a powerful visual representation of the ongoing dialogue between fact and belief, securing its place as a defining example of pop culture-inspired street art.

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Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Spock Vulcan Sci Fi Star Treck TV & Movie Character in Los Angeles LA Standing on Vasquez RocksDuring a Sunrise or Sunset Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen The Vulcan Vasquez Rocks LA Star Trek silkscreen print by Justin Van Genderen is a striking example of how street pop art & graffiti artwork can merge cultural nostalgia with minimalist modernism. This 2014 hand-pulled screenprint, limited to an edition of 50, presents an evocative depiction of Vasquez Rocks in Los Angeles County, a location famously associated with the Star Trek universe. The print captures the stark, alien-like landscape in a bold, graphic composition, reinforcing the cinematic significance of this natural landmark while paying tribute to one of the most iconic science fiction franchises in history. The Artistic Vision Behind the Silkscreen Print Van Genderen’s approach to this piece emphasizes minimalism, using sharp geometric forms, a limited color palette, and strong contrasts to create a visually arresting composition. The towering rock formations are rendered in deep shadow, juxtaposed against a massive, glowing sun that dominates the background. A lone figure, representing Spock or a traveler from the Star Trek universe, stands at the peak, reinforcing a sense of isolation and exploration. The typography is bold and futuristic, with the word Vulcan standing prominently at the top, reinforcing the extraterrestrial theme. The print’s use of space and color reflects key influences from street pop art & graffiti artwork, particularly in the way it simplifies complex landscapes into striking, high-impact visuals. The textures and distressed finishes evoke a vintage aesthetic reminiscent of classic sci-fi posters, adding to the timeless appeal of the piece. By stripping away extraneous details, Van Genderen creates an image that is immediately recognizable yet open to interpretation, allowing viewers to project their own narratives onto the scene. Vasquez Rocks as a Cultural and Artistic Landmark Vasquez Rocks has long been a favored location for filmmakers, particularly within the science fiction genre. Its jagged, otherworldly formations have served as the backdrop for numerous Star Trek episodes, making it an enduring symbol of exploration and discovery. By selecting this site for his artwork, Van Genderen taps into a collective cultural memory, using street pop art & graffiti artwork techniques to recontextualize a familiar setting into something fresh and thought-provoking. The silhouette of the lone figure atop the rocks adds a narrative element to the composition, inviting speculation about the character’s identity and purpose. Whether viewed as Spock gazing into the unknown or as an anonymous wanderer lost in the vastness of space, the scene encapsulates themes of solitude, curiosity, and the eternal search for meaning. The rising or setting sun adds to the sense of transition and timelessness, reinforcing the idea of exploration as both a personal and universal journey. The Significance of the Limited Edition Silkscreen Print As part of the Location Location Location series, this print continues Van Genderen’s exploration of how places—both real and fictional—shape cultural narratives. Each piece in the series distills the essence of a specific location into a minimalist, cinematic aesthetic, drawing on elements of street pop art & graffiti artwork to create a sense of immediacy and impact. This limited edition of 50, signed and numbered on the back, adds an element of exclusivity, making it a prized collectible for both art enthusiasts and Star Trek fans alike. The silkscreen printing process itself lends a tactile, handcrafted quality to the piece, distinguishing it from digital reproductions and mass-produced prints. Each print carries slight variations, reinforcing the uniqueness of the artwork and its connection to traditional printmaking techniques. The 18x24-inch format ensures that the piece makes a strong visual statement, whether displayed in a gallery, private collection, or as part of an urban art installation. Van Genderen’s Vulcan Vasquez Rocks LA Star Trek silkscreen print exemplifies the intersection of pop culture, cinematic history, and contemporary street pop art & graffiti artwork. By transforming a real-world location into an abstract, symbolic representation of exploration and science fiction mythology, the artwork continues to resonate with audiences who appreciate both visual storytelling and the timeless appeal of Star Trek’s visionary universe.

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Jurassic Galaxy- Glow in Dark Limited Edition 7-Color Hand-Pulled Silkscreen Print on 100lb Cougar White Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Life on Earth Is But a Flash of Thought 5-Color Split Fountain Glow in the Dark Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Russell Moore Rare Street Art Famous Pop Artwork Artist. 18″ x 24″ 6-color Screenprint featuring glow-in-the-dark and semi-transparent metallic ink as well as a split fountain.

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Boys Night Out II 4-Color Hand-Pulled Glow In The Dark Limited Edition Silkscreen Print on Fine Art Paper by Russell Moore Rare Street Art Famous Pop Artwork Artist. GID Artist: Russ Moore Title: Boys Night Out II Medium: 4 Colour Screen Prints w/ G.I.T.D Size: 18 x 24 Inches Edition: 100

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Icarus 5-Color Hand-Pulled Limited Edition Silkscreen Print on Yellow Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. Planet of the Apes Space Ship Airplane Reference.

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Dalek Doctor Who Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24Silkscreen Print of Dalek Alien from Doctor Who Machine in Ruins & Destructions of a Town. From 50th Anniversary of Doctor Who Show. Dalek Doctor Who Silkscreen Print by Andrew Ghrist The Dalek Doctor Who silkscreen print by Andrew Ghrist is a stunning example of how street pop art & graffiti artwork can merge with science fiction to create a visually compelling narrative. This 2013 hand-pulled screenprint, produced in a limited edition of 40, presents a striking depiction of a Dalek surrounded by destruction and decay. The detailed linework, dramatic use of color, and intricate textures make this piece an exceptional blend of pop culture and urban art aesthetics. The silkscreen medium enhances the print’s tactile quality, reinforcing the raw energy and chaos of the ruined landscape. The Artistic Elements of the Screenprint Andrew Ghrist’s approach to this artwork showcases a high level of technical skill, using precise linework and meticulous shading to create depth and realism. The Dalek, a feared alien machine from Doctor Who, is the focal point of the piece, appearing damaged yet still exuding an ominous presence. Wrapped in swirling golden energy, the mechanical menace seems caught between destruction and resurgence, a visual metaphor for its relentless nature. The broken wooden structures and shattered debris that surround it amplify the sense of devastation, adding a layer of storytelling that speaks to conflict and resistance. The composition features dynamic contrasts between the muted, desaturated background tones and the striking metallic elements of the Dalek. The warm gold energy swirling around the machine further intensifies the dramatic effect, guiding the viewer’s eye through the chaotic setting. The typography used for the word Dalek integrates seamlessly into the design, appearing as a broken nameplate that reinforces the theme of destruction. The calculated placement of textures, mechanical details, and distressed elements aligns with techniques often seen in street pop art & graffiti artwork, making this piece feel like an urban mural translated onto fine art paper. The Influence of Science Fiction in Street Pop Art & Graffiti Artwork Science fiction themes have long been a source of inspiration for street pop art & graffiti artwork, allowing artists to reimagine iconic imagery through an urban lens. The Dalek, as a pop culture symbol, represents fear, dominance, and an unwavering pursuit of conquest. By placing this mechanical being in a decayed, almost post-apocalyptic environment, Andrew Ghrist transforms it into a symbol of destruction and resilience. This visual storytelling technique aligns with many graffiti and street art traditions, where large-scale murals often depict dystopian or futuristic narratives that critique societal issues. The ruined landscape in the artwork serves as a reflection of broader themes often explored in street pop art & graffiti artwork, such as rebellion, decay, and the passage of time. The incorporation of science fiction elements adds a layer of escapism, blending fantasy with reality to create an immersive visual experience. Much like how graffiti artists reclaim and repurpose urban spaces, this print takes a familiar sci-fi character and reconstructs it within a new, grittier context. The use of hand-pulled silkscreen printing further reinforces the authenticity of the piece, giving it a tactile, raw quality reminiscent of traditional graffiti techniques. The Significance of the Limited Edition Artwork This limited edition print, signed and numbered on the back by Andrew Ghrist, holds significant value for collectors of both pop culture and street pop art & graffiti artwork. The 18x24-inch format ensures that the intricate details and bold compositions remain impactful when displayed. With only 40 pieces in existence, this print is a rare and sought-after work that bridges the worlds of sci-fi fandom and contemporary urban art. The fusion of Doctor Who’s dystopian themes with the visual intensity of graffiti-style artwork makes this piece stand out as more than just a pop culture tribute. It represents the intersection of storytelling, street art, and traditional printmaking, capturing the energy of urban destruction in a way that resonates beyond the subject matter. Andrew Ghrist’s meticulous approach to composition, shading, and layered textures brings this vision to life, making the Dalek Doctor Who silkscreen print a compelling work of art that transcends its genre inspirations.

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Wasted AP Artist Proof 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2015 Signed & MArked AP Limited Edition Artwork Size 18x24 Silkscreen Printed by SerioPress. Distinction of Artist Proofs in Street Pop Art & Graffiti Artwork Artist Proofs, commonly denoted as AP, represent a tradition in printmaking where a small number of prints are made for the artist's personal use. In the context of Street Pop Art and graffiti Artwork, these proofs are often viewed as more valuable due to their rarity and the artist's personal touch. "Wasted" by Low Bros is a striking example of an AP Artist Proof, a 6-color hand-pulled silkscreen print showcasing the artists' meticulous craft and creative prowess. Creation and Significance of "Wasted" by Low Bros The "Wasted" AP silkscreen print stands out with its 6-color hand-pulling technique, executed on Coventry Rag Paper. This choice of paper is significant for its texture and durability, which is particularly conducive to the silkscreen process, allowing for a high-quality finish that captures the vivid color palette and intricate details of the artwork. The piece's dimensions, 18x24 inches, make it a commanding presence, ideal for collectors who appreciate the interplay of fine art techniques within the street art genre. Limited Edition and Collectibility As an AP limited edition, "Wasted" holds a special place in the collection of Low Bros works. Signed and marked as an Artist Proof, this print was created in 2015 and serves not only as a piece of art but also as an artifact within the Street Pop Art and graffiti Artwork movement. The artist's signature on an AP print is a testament to its authenticity and a direct connection to the creators' hands. These factors contribute to the print's desirability and potential investment value. Silkscreen Printing by SerioPress The production of "Wasted" was in the hands of SerioPress, a fine art printer known for its expertise in silkscreen printing. This collaboration between the artists and the printer ensures that each print meets the high standards expected in fine art circles. The process involves layering each color individually and pulling them by hand, a labor-intensive method that results in a work of art with depth and texture. Artistic Impact of "Wasted" The artwork itself, with its bold graphics and symbolic imagery, reflects the core themes explored by Low Bros in their body of work. The title "Wasted" could allude to various interpretations, ranging from commentary on societal excesses to the transient nature of street art. This complexity of meaning, paired with the striking visual design, encapsulates the essence of the Low Bros' impact on Street Pop Art and graffiti Artwork. "Wasted" AP Artist Proof by Low Bros is a significant contribution to the genres of Street Pop Art and graffiti Artwork, merging traditional printmaking techniques with street art's edgy and dynamic energy. Its status as an Artist Proof elevates its importance, offering collectors a rare opportunity to own a piece closely tied to the artists themselves. As street art continues to gain recognition, such limited edition prints by prominent artists like Low Bros are pivotal in bridging the gap between street culture and the high art world.

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Marching to Oblivion Blue Raspberry Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Blue Raspberry Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Blue Raspberry by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Blue Raspberry is a limited edition silkscreen print released in 2025 by American artist James Marshall, known professionally as Dalek. Measuring 18 by 24 inches, this vibrant screenprint was produced in a small run of twelve, each signed and numbered by the artist. Printed by hand using thirteen colors on Blue Raspberry card stock from the French Paper Company, this work demonstrates the technical precision and conceptual intent that Dalek brings to Street Pop Art & Graffiti Artwork. Marshall first gained recognition for his Space Monkey character, which served as a foundation for his exploration of identity, repetition, and urban visual culture. This piece reflects his continued evolution through high-contrast compositions, bold color fields, and animated character design rooted in both street art and contemporary pop aesthetics. Visual Language and Character Aesthetics The central figure in Marching to Oblivion Blue Raspberry is a hyper-energized creature with bright green limbs, circular mouse-like ears, and a wide, exaggerated mouth punctuated with polka-dot colors. The character is captured mid-motion, rhythmically juggling toy-like mallets while dancing atop a minimalistic gray platform. The cyan-blue background offers striking contrast, pushing the character forward in a burst of visual noise and balance. Each limb and accessory has been carefully positioned to evoke movement, volume, and rhythm without relying on traditional depth cues. This precise, graphic composition speaks to Dalek’s background in illustration and graffiti, where storytelling often happens in frozen frames of chaos. The use of bright, flat colors, iconic shapes, and cartoon logic aligns this piece firmly within Street Pop Art & Graffiti Artwork, blending urban visual codes with gallery-level execution. Material Process and Printmaking Precision Executed through a thirteen-color hand-pulled silkscreen process, this print demonstrates a refined commitment to craft and color theory. The Blue Raspberry cardstock provides an unconventional foundation that transforms the background into an active visual element rather than a passive support. This material choice amplifies the fluorescent color palette while maintaining a sense of tactile richness. Each ink layer was applied manually, reinforcing the physical labor often associated with graffiti and mural practices. The careful registration and color saturation required for this level of quality elevate the piece to a standard of contemporary printmaking rarely achieved in editions this small. The hand-pulled nature of the print ensures that subtle variations exist between each copy, emphasizing the importance of uniqueness even in a multiple. Cultural Relevance and Street Pop Evolution Dalek’s Marching to Oblivion Blue Raspberry serves as more than a static image—it operates as a cultural document of the fusion between street energy and pop precision. James Marshall continues to explore visual intensity without sacrificing clarity or depth. His art speaks to the performative and repetitive aspects of daily life, represented through his chaotic yet controlled characters. The tension between play and purpose, repetition and spontaneity, mirrors the structure of graffiti itself: repetitive tags, ritualistic motion, and bursts of controlled energy in public view. This print brings those values to the collector’s wall without erasing their roots. It exists within Street Pop Art & Graffiti Artwork as both homage and innovation, offering a clean yet electric artifact that speaks directly to audiences familiar with the pulse of contemporary visual culture.

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Night Song Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Exploring the Essence of Adrian Cox's Night Song Archival Print Adrian Cox's "Night Song" is a compelling piece within the Street Pop Art and graffiti Artwork movement. This archival pigment fine art limited edition print is a testament to the fusion of contemporary pop influences with street art's raw, expressive energy. The artwork, rendered on 290gsm bright white Moab Entrada Rag Paper, speaks to the modern collector's desire for pieces that are accessible and profound, grounded in modern techniques yet flirting with the ephemeral nature of graffiti. The print, sized 18x24 inches, offers a visual narrative that balances the line between fantasy and reality, a joint thematic exploration of Street Pop Art and graffiti Artwork. Limited to a run of just 50, "Night Song" exclusivity is part of its allure, each piece signed and numbered by Cox himself in 2023. This practice harkens back to the personalized touch often found in street art, where each piece is unique to its environment and moment. The Visual Dynamics of Night Song At first glance, "Night Song" captures the viewer with its bold use of color and form. The print boasts a vibrant juxtaposition of a night sky brimming with stars encased in a fiery outline, which can be interpreted as a portal or a boundary between different realms. This imagery is particularly resonant within Street Pop Art and graffiti Artwork, where the conversation between the artwork and its environment is pivotal. Here, the boundary could represent the often contested space of street art within the public domain, a place where beauty meets resistance, where the night sky can be engulfed in the flames of public scrutiny or policy. The figures within the piece – spectral and otherworldly – carry their narrative weight. They are at once part of the landscape and distinctly separate from it, much like graffiti artists who leave their mark on the urban canvas. Using rag paper for the print underscores the textural qualities of street art, where the medium interacts with the message, and the tactile experience is as essential as the visual one. Cultural Significance and Collectibility "Night Song" holds its ground in the realm of collectible art. The limited edition nature of the print ensures that each piece is a slice of history, a fixed point in the ever-evolving story of Street Pop Art and graffiti Artwork. This type of artwork appeals to the modern collector for its vibrancy, its edge, and its capacity to communicate complex themes through the lens of pop culture and street aesthetics. The choice of Moab Entrada Rag Paper is a conscious nod to quality and longevity, countering the transient nature of traditional street art. Entrada Rag Paper is renowned for its color reproduction, a crucial aspect for preserving the vivid hues and deep contrasts that make "Night Song" stand out. By translating street art's immediacy and vibrancy onto a medium designed to endure, Cox bridges the gap between graffiti's fleeting nature and the permanence collectors seek. Adrian Cox's Contribution to Modern Art Adrian Cox's "Night Song" is a significant contribution to the broader conversation about modern artwork. It reflects the ongoing dialogue about the place of Street Pop Art and graffiti Artwork within the art world. Like many others within the genre, this piece challenges traditional notions of what fine art can be. It pushes boundaries, literally and metaphorically, and invites the viewer to reconsider preconceived notions about value, permanence, and the space art occupies in our lives. As a piece that defies easy categorization, "Night Song" symbolizes how modern artists blend styles and philosophies. Cox's work stands at the intersection of street art's rebellious spirit and the pop artist's embrace of mass culture and iconography. It is at once a celebration of individual expression and a collective experience, much like the best of street art, which speaks to communities and individuals alike. The artistry of Adrian Cox's "Night Song" is a testament to the fusion of pop culture and street-inspired artistry, a blend that continues to captivate and provoke. It is a print that encapsulates the zeitgeist of our times, where the lines between high art and accessible art are increasingly blurred and where the voice of the street is as powerful and as poignant as any established gallery.

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Label 907 Vol III Sunset Silkscreen Print by UFO907 Hand-Pulled on 140lbs. Pure White French Art Paper Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 5-color Split Fountain Screen Print Silkscreen Print Label 907 Vol III Sunset Silkscreen Print by UFO907 The Label 907 Vol III Sunset Silkscreen Print by UFO907 captures the energy and playful rebellion that has made this underground graffiti artist a cult figure within Street Pop Art & Graffiti Artwork. Released in 2019 as a signed and numbered limited edition of only 50 pieces, this 18 x 24 inch artwork is a five-color split fountain screenprint, hand-pulled on 140lbs pure white French art paper. The piece reflects the raw yet whimsical spirit of UFO907's iconic characters—particularly the wide-eyed alien cephalopod with spray can in hand, painted over a United States Postal Service priority mail sticker backdrop. This visual pun on identity and tagging is not only humorous, but deeply rooted in graffiti’s long tradition of postal label bombing. Cosmic Characters with a Street-Level Voice In Label 907 Vol III Sunset, UFO907 presents one of his signature tentacled figures dressed in a hoodie and New York Yankees cap, holding a classic spray paint can mid-action. The oversized eyes and rounded limbs give the creature an innocent appearance, yet its posture and the act of painting imply intent and defiance. The gradient background shifts through sunset hues—pinks, oranges, and yellows—achieved through a skillful split fountain technique that mirrors the spray effect of actual aerosol art. Combined with bold black linework and fluorescent green detail spray, this print vibrates with both nostalgia and new energy. It’s a direct translation of wall-to-paper graffiti, preserving the movement’s spirit through print media. Graffiti’s Material Language and Collector Appeal The use of USPS Priority Mail labels as visual anchors is no coincidence. Graffiti artists have long used these free labels as mini canvases to bomb mailboxes, poles, and phone booths. UFO907’s decision to formalize that in a silkscreen edition connects the underground past to a collector-friendly present without losing authenticity. His character’s expression and stance add a layer of narrative—combining street mischief with pop sensibility. The silkscreen medium reinforces its value in the Street Pop Art & Graffiti Artwork world where texture, print layers, and production technique become integral to the message. Being signed and numbered by the artist makes each copy not only a print but a certified moment in his evolving catalog. UFO907’s Role in Street Pop Art & Graffiti Artwork Known for his elusive presence and interstellar characters, UFO907 has remained a staple of unsanctioned art in New York City and beyond. His work often blends innocence with resistance, showing characters that feel pulled from a cartoon dimension but acting with real-world urgency. Unlike artists who transition entirely into fine art spaces, UFO907 maintains his connection to walls, freight trains, and found surfaces—yet prints like Label 907 Vol III Sunset offer a portal for collectors to experience his world without compromising its edge. Each detail in this piece—from the alien figure to the branded spray can—points to a love for graffiti’s absurdity, danger, and color-soaked spontaneity. It’s not just a print, but a celebration of UFO907’s persistent vision and his place in the ever-evolving language of Street Pop Art & Graffiti Artwork.

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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Wasted 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Silkscreen Printed by SerioPress. Street Pop Art & Graffiti Artwork Street Pop Art and graffiti Artwork have become a vital facet of contemporary art, often blurring the lines between legality and artistry, between the gallery and the street. In this realm, the "Wasted" silkscreen print by the artist collective Low Bros stands out as a quintessential piece. Created in 2015, this artwork is part of a limited edition of just 60 prints, highlighting the exclusivity and demand for this unique piece of art. Creation and Technique The Low Bros, known for their angular and geometric figures that often include anthropomorphic characters, have utilized a six-color hand-pulling technique to create "Wasted." This method, while traditional, requires immense skill to ensure that each layer of color is meticulously applied. Coventry Rag Paper, chosen for its high quality, offers a durable and pristine canvas that complements the silkscreen printing process carried out by SerioPress, a well-respected name in the fine art printing industry. Dimensions and Design The artwork measures 18x24 inches, a size that is substantial enough to command attention yet suitable for display in various settings, from a personal collection to a gallery wall. The design of "Wasted" is complex, featuring a melange of abstract and figurative elements that are hallmarks of the Low Bros' style. The use of space and color within the print captures the viewer's gaze and invites them to contemplate the juxtaposition of shapes and patterns. Significance in Street Art This piece is not merely an artwork but a commentary on the culture of street art and pop art, where the disposable is often celebrated. The title "Wasted" itself might be interpreted in various ways, from a reference to the excesses of modern society to the repurposing of space and materials in street art. By bringing this piece to a limited edition print, the Low Bros bridges the gap between the ephemeral nature of street art and the permanence collectors seek. Collectibility and Value Signed and numbered by the artists, each print of "Wasted" carries the hallmark of authenticity and the promise of increasing value. Collectors and enthusiasts of street art and pop art find significant value in these limited editions, representing a snapshot of the artist's work at a particular time in their career. The rarity of these prints adds to their collectibility, making them sought-after pieces for art lovers and investors. Impact on Pop and Graffiti Art The Low Bros' "Wasted" is a testament to the evolving nature of pop and graffiti art. It encapsulates the movement's spirit, often taking the ordinary and making it extraordinary. The artwork stands as a cultural artifact, embodying the energy and innovation of street pop art, and continues to influence emerging artists within the scene. It is a vibrant example of how traditional techniques can be reinvented to create something that resonates with the contemporary zeitgeist. The "Wasted" print by Low Bros is a compelling illustration of how street pop art and graffiti have permeated contemporary art's fabric. Its limited edition nature, distinctive style, and meticulous creation underscore its importance and appeal. As a piece of art, it carries the narrative of street art into the homes and galleries of enthusiasts, ensuring that the vibrancy and message of the streets are preserved in a tangible form for generations to

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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