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Astronaut Snow Globe Limited Edition Glass and Resin Snowglobe Art Toy Collectible Artwork by street graffiti artist Billionaire Boys Club. 2020 'Astronaut Snow Globe' by Billionaire Boys Club, 20208 Inches 8.25 x 7.75 x 9 Inches (box) Glass snow globe with brushed resin base. Limited Edition. New in Box. Exploring the Novelty of Billionaire Boys Club's 'Astronaut Snow Globe' The 'Astronaut Snow Globe' is a distinctively modern collectible art toy that synthesizes the adventurous spirit of the Billionaire Boys Club (BBC) brand with the nostalgic charm of traditional snow globes. Released in 2020, this limited edition piece emerges as a prominent figure within pop art and street art genres, crafted by a brand that has seamlessly transitioned from streetwear to street art. The snow globe features a meticulous glass enclosure with a brushed resin base, housing a detailed astronaut figure that continues BBC's penchant for space-themed motifs. This collectible stands approximately 8 inches tall, with its original packaging measuring 8.25 x 7.75 x 9 inches, ensuring that the piece, when displayed, commands attention as a centerpiece. The 'Astronaut Snow Globe' merges the playful aspect of a toy with the sophistication of a sculpture, making it a unique piece that appeals to collectors of art toys and followers of street pop art & graffiti artwork alike. The astronaut within the globe nods to the BBC's logo and wider themes of exploration and innovation. Encased in the snow globe, the astronaut becomes a symbol of wonder and exploration, encapsulating the viewer's imagination in a world of swirling snowflakes. While diverging from the traditional canvas or murals associated with street art, this piece reflects the brand's innovative approach to artistry and design. In the broader context of street pop art & graffiti artwork, the 'Astronaut Snow Globe' from Billionaire Boys Club stands out as a testament to the evolving nature of art collectibles. It's a reminder that street art influences can transcend beyond two-dimensional spaces and become part of the three-dimensional objects we interact with daily. The 'Astronaut Snow Globe' is a celebration of BBC's artistic vision and a contribution to the world of pop graffiti art, where boundaries are constantly being redefined. The limited-edition nature of this snow globe makes it a sought-after item for those who appreciate the fusion of contemporary art with the aesthetics of urban culture. The fact that it comes new in the original box adds to its collectibility, promising that the piece retains its value as a work of art and as a memorable item from Billionaire Boys Club's diverse range of products. This snow globe is a shining example of how street art has expanded its reach, influencing a variety of mediums and finding new ways to express its inherently creative and rebellious spirit.

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After Rain Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist Naoto Hattori, Street Pop Art Graffiti Legend. Signed & Numbered Edition of 30 Archival Pigment Print on 310gsm Fine Art Paper Size: 16 x 20 Inches Release: April 11, 2016 Run of: 30 "I like the clear sky after the rain. Everything is refreshing with clean air with the earthy smell. Sometimes I feel clouded and raining in my mind, but it always lets up and able to see an angel in my mind, like the first star of the evening." - Naoto Hattori

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Ozymandias Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Girls With Stars In Their Hair 4 Artwork Giclee Limited Edition Print on Heavy Fine Art Paper by Pop Culture Graffiti Artist Gene Guynn.

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Spacemonkey Hot Pink MOG Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition New In Box MOG Museum of Graffiti Colorway Stamped/Printed Artwork Size 6.5 New With Box

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It eroded Astronaut Resin Sculpture by Daniel Arsham x Billionaire Boys Club Limited Edition Pop Graffiti Street Art Figure Artwork. 2023 Numbered Limited Edition of 500 Pop Art Sculpture Artwork Size 8.5x12 of Modern USA Stylized Astronaut with Eroded Elements in White Resin & Crushed Crystal. Displayed with Original Box. Intersecting Realms: Daniel Arsham's Eroded Astronaut Sculpture The 'Eroded Astronaut' is a profound piece of modern artwork that stands at the intersection of pop art, street art, and archaeology. A collaborative effort between the acclaimed artist Daniel Arsham and the fashion and lifestyle brand Billionaire Boys Club, this limited-edition sculpture explores time, space, and material. Released in a numbered series of 500, the artwork measures 8.5x12 inches and is crafted from white resin and crushed crystal, embodying a sense of decayed futurism. Daniel Arsham's work is characterized by his signature concept of 'fictional archaeology,' the 'Eroded Astronaut' sculpture is a striking example of this. The figure, a modern USA-stylized astronaut, is reimagined through the lens of erosion, suggesting the passage of time and the impermanence of human endeavors. White resin alludes to the purity and ambition of space exploration. At the same time, the inclusion of crushed crystal adds a layer of depth, creating a texture that implies centuries of degradation. This piece is a testament to the shared aesthetic sensibilities between Arsham and Billionaire Boys Club, marrying the worlds of street pop art & graffiti artwork with the meticulous craftsmanship of sculpture. The 'Eroded Astronaut' transcends traditional street art's two-dimensional constraints, bringing the raw energy and ethos of the streets into a three-dimensional form that challenges and captivates the observer. In the context of pop graffiti and street art, the 'Eroded Astronaut' is a physical manifestation of the themes commonly explored in these genres: the questioning of cultural icons, the deconstruction of modern myths, and the dialogue between the past and the future. Arsham's sculpture invites reflection on the narratives we construct around progress and the marks we leave on history. The limited edition 'Eroded Astronaut' is not just a collectible; it's a conversation piece that bridges the gap between art and object, between the ephemeral and the eternal. It is a bold statement that reflects the evolving nature of street pop art & graffiti artwork, capturing the spirit of exploration and the aesthetic of erosion that Daniel Arsham is renowned for. Collectors and admirers of Daniel Arsham's sculptures and Billionaire Boys Club's innovative designs will find the 'Eroded Astronaut' a compelling addition to their collections. Each sculpture, with its unique numbered status, is a fragment of a larger narrative that speaks to the passage of time and the enduring allure of space exploration. This artwork is a testament to the power of collaboration in pushing the boundaries of street pop art & graffiti artwork into new and uncharted territories.

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Grin Guard Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2021 Signed & Numbered Limited Edition of 150 Archival Pigment Print in Colors on Moab Entrada Fine Art Paper Artwork Size 24x20 "Grin Guard" stands out as a compelling exemplar of Ron English- POPaganda's artistic vision, where he seamlessly integrates elements of satire, pop culture, and street art. Known for his critical and humorous take on contemporary society, English's creation is a limited edition series comprising 150 signed and numbered prints, each rendered with archival pigment on Moab Entrada Fine Art Paper. This paper is renowned for its ability to present a broad spectrum of vibrant colors and preserve the fine details of the artwork, making it an ideal medium for English's detailed style. Sized at 24x20 inches, each piece in this series is a work of art and a collector's item. This print features a phalanx of stormtroopers from the iconic "Star Wars" franchise, each donning a different expression of Ron English- POPaganda's signature grin—a recurrent motif in his work that often symbolizes the subversive undercurrents of pop culture. Against a backdrop that evokes a surrealist landscape beneath an ominous UFO, the scene is familiar and jarringly otherworldly. This juxtaposition is emblematic of English's approach, which often places recognizable characters in unexpected contexts to critique and comment on media, consumerism, and the corporatization of American culture. Through "Grin Guard," English explores the concept of the 'trooper' not just as a faceless enforcer but as a being with an individual, if concealed, identity. The grinning skulls emblazoned on their helmets suggest a macabre sense of mortality and individuality within the conformity of their ranks. This piece is a powerful commentary on identity and anonymity, particularly within mass media and entertainment, where characters often become mere extensions of their fictional universes rather than being perceived as reflections of human nature. Ron English- POPaganda's work continues to challenge viewers, using the accessible mediums of street and pop art to provoke thought and discussion. "Grin Guard" is no exception, offering not only an aesthetic that resonates with fans of these genres but also conveying a more profound message about the complex interplay between individuality and cultural iconography. Through such works, English affirms his status as an innovative artist who can blur the lines between fine art and the rebellious spirit of street art.

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Love and Rockets Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Convergence Of Alternate Realities- HPM Hand Embellished Limited Archival Pigment Fine Art Prints on 300gsm Museum Bright White Fine Art Paper by Pop Culture Artist Ana Bagayan. Number 35 of 35, Hand-Embellished Archival Print on 300gsm Museum Bright White Fine Art Paper Size: 17 x 22 Inches Release: May 06, 2016 Run of: 35 "I created the piece partially in inversion so that the E.T. figure feels like a familiar dream. I wanted to recreate what it feels like to wake up from an exciting dream but to only grasp incoherent bits and pieces of it because the conscious mind is unable to decipher the nonlinear distorted timeline of events. The concept formed organically from a rough sketch to the finish. I didn't know exactly what this dream was going to be about until the image started to form in color. It went through many changes during the painting stage, as the story unfolded. While I think the relationship between the characters in the piece is all open to interpretation, the idea is that this is a place that exists in one's subconscious where they can access and experience multiple parallel dimensions at once. I named this particular place Germia, a word that my mind repeated during the construction of the piece." - Ana Bagayan

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Asstronaut 333 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The "Asstronaut 333" is transcending from another dimension, the third Asstronaut installment is a very limited edition of 33. Each Asstronaut comes with a holographic helmet, Hand Painted/Embellished by the artist, each print is unique on its own. "Asstronaut 333” 2021 20 inches x 25 inches Acrylic, Glaze, Giclée on Etching Rag Hand-Embellished, Signed, Numbered & Branded Minor Creases to Center of Image, Does Not Affect Image When Framed.

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Star Wars Church Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Archival Pigment Print Since the 1980s, Ron English- POPaganda has been regarded as a pioneer in pushing street art beyond its traditional wild-style lettering and towards more sophisticated forms of visual expression. His illegal murals and billboards are renowned for their striking imagery and incisive commentary on politics, consumer culture, and surrealism. Through his art, English has taken over public spaces worldwide, transforming them into thought-provoking artworks that challenge viewers to see the world in new ways.

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Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

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Filling Holes Archival Print by Dalek- James Marshall Limited Edition on 300gsm Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.72x23.62 Archival Pigment Fine Art  Filling Holes by Dalek: Precision and Play in Street Pop Art & Graffiti Artwork Filling Holes is a 2019 limited edition archival pigment print by American artist James Marshall, professionally known as Dalek. Created in an edition of 50 and printed on 300gsm Somerset fine art paper, the artwork measures 17.72 x 23.62 inches and is signed and numbered by the artist. Known for his character-driven abstractions and geometric pop constructions, Dalek has been a defining figure in the evolution of Street Pop Art & Graffiti Artwork. His work merges the visual language of cartoons, street tagging, skate graphics, and vector precision into hyper-saturated compositions filled with character, attitude, and formal rigor. Filling Holes features one of Dalek’s signature visual avatars—his Space Monkey—rendered in a dense, mechanical composition filled with surreal movement and playful tension. The central figure appears as a gray robotic organism with a USB symbol on its head, an enormous eye, a snout-like mouth, and shark-like teeth lining its pink inner jaw. Multiple mechanical limbs and sockets protrude from the figure at unexpected angles, while other strange appendages and cartoon-like forms interact with the space. A whimsical pink wormlike creature smiles from the bottom corner, adding a dose of absurdity to the controlled chaos. The print’s layout plays with perspective and layering, creating a depth that mimics both flat graffiti stylization and comic panel storytelling. Dalek’s Space Monkey and the Evolution of Character in Urban Narratives Dalek introduced the Space Monkey in the late 1990s as a stylized avatar for psychological commentary, subversive humor, and personal storytelling. In Filling Holes, the figure takes on a more evolved, robotic form—part sentient machine, part digital toy, part protest symbol. The composition appears surgically constructed, yet its subject matter is playful and filled with coded emotion. This duality is central to Dalek’s practice, where pop culture gloss coexists with complex design logic. The figure’s expressionless eye and mechanical extensions speak to digital overload and identity distortion, while the bold colors and rounded edges ground the piece in accessibility and familiarity. This stylized contradiction fits squarely within the philosophy of Street Pop Art & Graffiti Artwork, where the language of rebellion is often cloaked in polished forms. Dalek’s art challenges viewers to interpret chaos as intentional structure, to see repetition as pattern, and to recognize that humor and anxiety are often drawn from the same place. The title, Filling Holes, may suggest emotional repair, technological interference, or urban fragmentation—all concepts rooted in the lived experience of navigating systems that continuously deconstruct identity. Precision, Geometry, and Contemporary Graffiti Aesthetics Dalek’s background in mathematics, graphic design, and street culture informs the precise geometry of his compositions. Filling Holes exemplifies his ability to balance form and function while drawing from graffiti’s spatial dynamics and pop art’s color theory. His use of black outlines, flat fields of color, and symmetrical structure reflects a deep understanding of mural-scale composition, adapted here for fine art paper. The colors are intentional—muted grays contrast with vibrant pinks and teal greens, creating visual focal points and rhythm within the confined space. Printed on 300gsm Somerset paper, the artwork retains a tactile surface quality that enhances its architectural qualities. The archival pigment printing process ensures color depth and edge clarity, allowing each contour and form to hold its shape and tone. As with all of Dalek’s limited editions, the piece functions as both collectible object and micro-narrative—a piece of a larger, evolving language that speaks to systems, surrealism, and the strange joy of controlled chaos. Filling Holes as Conceptual Artifact and Visual Anthem Filling Holes represents Dalek’s unique synthesis of modern visual culture—an artwork that pulls from childhood cartoons, digital interfaces, industrial design, and graffiti codes. It is not just a composition of shapes and figures; it is a psychological diagram rendered in flat color and clean line. The robotic presence, USB port, and optical repetition suggest a world where identity is constantly plugged in and reprogrammed, and where playfulness masks deeper circuitry of critique. James Marshall’s place within the Street Pop Art & Graffiti Artwork landscape is cemented by his ability to evolve character-based art into formal innovation. Filling Holes is a snapshot of that evolution—an artwork that stands as precise as it is unpredictable, built from the materials of modern life and the vocabulary of visual rebellion. It is pop surrealism sharpened to a vector edge, endlessly repeating in vibrant loops of emotion and control.

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Lost Space Boy- Draco Polystone Sculpture Limited Edition Artwork by Artist Kerby Rosanes of Pop Graffiti Painting & Street Art Fame. 2022 Limited Edition New In Box At 6” tall and 9” long, Lost Space Boy: Draco by Kerby Rosanes is made from Polystone. The Draco constellation is engraved along the translucent body, paying homage to the group of stars that inspired this piece.

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Shutov Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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The Empire Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. The Galactic Empire Death Star Destroyer Weapon From The Sci-Fi Movie Star Wars. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Spacemonkey Classic Green Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2022 Signed 6.5" Tall Limited Edition of 100 New In Box Spacemonkey Classic Green Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkeycharacter, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Two Truths Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 45 Artwork Size 12x24  Silkscreen Print Two Truths Silkscreen Print by Andrew Ghrist Andrew Ghrist's Two Truths silkscreen print stands as a striking example of street pop art & graffiti artwork, merging intricate linework, surrealist themes, and a monochromatic palette that draws the viewer into a world of cosmic mystery. Created in 2013 as a hand-pulled, signed, and numbered limited edition of 45, this 12x24-inch silkscreen print showcases Ghrist’s ability to blend the urban aesthetic of street art with the dreamlike qualities of surreal illustration. His signature style, often seen in large-scale murals and fine art prints, is recognized for its dense patterns, flowing organic elements, and detailed rendering of mechanical and natural objects intertwined. Symbolism and Surrealist Influence The imagery in Two Truths plays with the contrast between science, mythology, and the unknown. A massive telescope, richly adorned with intricate carvings, points toward a star-streaked sky, creating an immediate sense of curiosity and exploration. The observatory appears aged and abandoned, while a single figure stands in the background, silhouetted against a full moon, possibly representing the eternal search for knowledge. The presence of crumbling ruins, overgrown roots, and surreal cosmic elements adds to the feeling of discovery and decay coexisting in the same space. The phrase "Two Truths" suggests a dual nature of reality, a concept deeply embedded in philosophy, science, and art. The piece challenges the observer to consider different perspectives—what is known and unknown, what is seen and hidden. The presence of mystical swirling clouds and intricate celestial objects hints at a deeper universal narrative, where the idea of absolute truth is questioned. Technique and Execution Ghrist’s line-heavy, meticulously detailed style aligns perfectly with the ethos of street pop art & graffiti artwork, where artists utilize high-contrast, graphic-heavy compositions to captivate the audience. The silkscreen process enhances the sharpness and depth of the illustration, allowing each intricate detail to stand out. His monochromatic color choices with subtle shades of gray and black lend a timeless, almost etching-like quality to the piece, reminiscent of classic scientific illustrations mixed with modern street art aesthetics. This piece is a testament to Ghrist’s ability to bridge fine art printmaking with contemporary street art motifs, ensuring that his work is not just visually arresting but also intellectually engaging. The layering of mythological and scientific imagery, combined with a sense of deterioration and rebirth, makes Two Truths a compelling piece within his portfolio. Impact in Street Pop Art & Graffiti Artwork As an artist with roots in both gallery work and large-scale murals, Andrew Ghrist has successfully infused elements of street art into fine art printmaking. His works are often found in urban spaces, whether through murals or collaborative exhibitions, reinforcing the connection between the ephemeral nature of graffiti art and the permanence of printmaking. Two Truths, with its blend of architectural decay, celestial wonder, and scientific curiosity, fits seamlessly into the larger conversation within street pop art & graffiti artwork, where artists explore themes of knowledge, perception, and the fleeting nature of time. Collectors of contemporary print art, especially those drawn to meticulously detailed compositions with deep narrative layers, find Two Truths to be a standout example of Ghrist’s craftsmanship and thematic depth. Its place in the broader movement of street-inspired fine art prints ensures that it remains both relevant and thought-provoking within the ever-evolving landscape of modern urban art.

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Cylon Glow in the Dark Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the TV show Battlestar Galactica. 3 color, metallic silver and glow in the dark, 9″ x 24″ screen-printed posters.

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Cosmica Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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Boba Fett- Variant Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Marly Mcfly. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 16x16 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Stylized Star Wars Villian Anti Hero Boba Fett. Marly McFly's "Boba Fett-Variant" is a dynamic limited edition artwork that embodies the spirit of one of the most enigmatic figures from the Star Wars saga. This fine art print is part of an exclusive release, limited to just 15 signed and numbered pieces, ensuring a level of rarity that befits the character it portrays. Created with archival pigment on 290gsm Moab Entrada Fine Art Paper, each 16x16 inch print vibrates with the energy and intensity that street art is known for while also reflecting the polished aesthetics of pop art. The artwork itself is a portrayal of Boba Fett, the notorious bounty hunter whose cult status among Star Wars fans has elevated him from a supporting role to a figure of lore. Mcfly captures the essence of Boba Fett's mystique through a combination of sharp, contrasting colors and fragmented textual elements reminiscent of graffiti's layered visual language. These elements combine to craft an image that is immediately recognizable yet distinct in its artistic vision. Mcfly has established himself as a noteworthy artist in street and pop art, known for his ability to distill pop culture icons into bold, graphic compositions that communicate beyond the confines of traditional art spaces. His choice to feature Boba Fett speaks to the character's significance as a symbol of both the dark and complex nature of heroism and the complexity of 'villainy.' Mcfly's rendition is a deep dive into this complexity, serving as a visual exploration of the character's narrative as much as it is an iconographic statement. The piece stands out not just for its vivid portrayal but also for its material quality. Moab Entrada Fine Art Paper, a choice material for fine art prints, allows for a high-fidelity representation of the artist's original vision. Each nuance, from the boldest swathe of yellow to the smallest scrawled letter, is captured with clarity. This confluence of a beloved pop culture figure with high-quality materials and a low edition run creates a print that is an asset for collectors and enthusiasts of both art and the Star Wars universe.

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Darkmatter Mini Nugs Mini Nugs Limited Run Handmade & Painted Art Toy Collectible Artwork by Pop Artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and is handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

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Love Life And Death Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Size: 32,5 x 60,9 cm // 12.8 x 24 inch Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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Passengers XIV AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2021 Signed & Marked AP Limited Edition 5/5 Artwork Size 12x14 Archival Pigment Fine Art. Some APs may have slight blemishes and margin differences; this was a working artist copy. "Passengers XIV," a striking archival print by the renowned artist Dave Pollot. This limited-edition print embodies the modernistic fusion of pop and street art, revealing the intricate depth of Pollot's artistic prowess. Cast on Matte Velvet Rag Fine Art Paper, the medium meticulously preserves the intensity and vivaciousness of the artist's palette. As an Artist's Proof (AP) edition from 2021, this print holds a special significance within Pollot's portfolio. The AP version denotes the initial prints run in a limited edition series, distinguished by the artist's direct involvement in their production. This copy is one of just five, adding a rare exclusivity to its charm. Each print in this series is individually signed and marked by Pollot himself, confirming its authenticity and the artist's personal touch. "Passengers XIV" holds dimensions of 12x14 inches, an inviting size that allows an intimate interaction with the artwork. Rendered with archival pigment, the print ensures an enduring vibrancy that encapsulates the dynamic expression of Pollot's vision. This amalgamation of detail and depth, from the striking colors to the unique textures, is a testament to the seamless blend of quality and creativity. Dave Pollot's "Passengers XIV" is more than just a print; it is a representation of modern artwork's evolution, echoing the ebbs and flows of pop and street art in the current era. This piece transcends the physicality of its existence, serving as a conversation starter and a reflection of the progressive trends in contemporary art. As a limited-edition print, it offers an intimate experience of Pollot's artistic journey, enhancing any art collection's value with its impeccable design and exclusive nature.

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Flying Rocket Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. Number 1 of 100. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 8.25x11.75 Based on Sunae Sand Art.

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Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print by Invader Hand-Pulled on Somerset Satin Cotton Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 28.35x24.02 Silkscreen Print of Artist Invader's Famous Space Invaders Glitch Stylized Art in Pink & Yellow. NVDR3-6 Invader's Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print The Camo Pink & Yellow Medium M-2C-M1 silkscreen print by Invader stands as a bold example of Street Pop Art & Graffiti Artwork that fuses digital nostalgia with contemporary fine art aesthetics. Released in 2024 as a signed and numbered limited edition of 100, this artwork draws upon the French artist's long-standing fascination with retro gaming, pixel art, and guerilla installation tactics. Printed on premium Somerset Satin Cotton Fine Art Paper using hand-pulled silkscreen methods, this edition measures 28.35 by 24.02 inches, offering collectors a vibrant and highly stylized composition. The Visual Power of Color and Pixelation Rendered in clashing neon pink and acid yellow, the M-2C-M1 silkscreen print distills the iconography of Invader's global Space Invaders project into a camouflaged digital tapestry. At first glance, the composition may seem like a disordered array of pixel blocks, but deeper inspection reveals the signature forms of an 8-bit alien buried in the chaos. The colors are deliberately chosen for visual dissonance, creating a pulsating optical experience that references both camouflage patterning and screen glitch aesthetics. This duality plays into Invader's ongoing commentary on visibility, surveillance, and anonymity—core themes in his urban art interventions. Conceptual Layering and Street Art Foundations As a pioneer of global street interventions, Invader—born in France as Franck Slama—has embedded thousands of mosaic Space Invaders in cities worldwide since the 1990s. While these works often exist at street level and are subject to weathering or removal, prints like the Camo Pink & Yellow Medium M-2C-M1 allow for permanence and museum-level preservation. Yet the silkscreen medium preserves the DIY ethos of the artist’s original practice. The geometry in this piece evokes his analog mosaic approach while emphasizing the systematic repetition and coding that define much of his digital-meets-physical output. The artwork's coding-style title M-2C-M1 hints at his classification system for organizing and archiving his global installations, adding an archival dimension to its aesthetic experience. Position Within Street Pop Art & Graffiti Artwork Invader’s work, including this print, occupies a definitive place within the evolution of Street Pop Art & Graffiti Artwork. He merges the mischievous transience of graffiti with the pixel-perfect precision of digital design. Unlike traditional graffiti rooted in letters and tags, Invader introduces game culture and technological critique into the street narrative. By abstracting his alien into camouflage and glitch formats, he blurs lines between resistance and assimilation—an aesthetic metaphor for how subversive art can both infiltrate and adapt to institutional spaces. The result is not just a collectible silkscreen, but a dynamic statement on modern visual culture, surveillance, and the role of play in public space. This edition offers not only a snapshot of Invader's continued evolution as a contemporary artist but also a rare opportunity for collectors to engage with a piece that translates the energy of street placement into a refined, tactile artifact.

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Wasted AP Artist Proof 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2015 Signed & MArked AP Limited Edition Artwork Size 18x24 Silkscreen Printed by SerioPress. Distinction of Artist Proofs in Street Pop Art & Graffiti Artwork Artist Proofs, commonly denoted as AP, represent a tradition in printmaking where a small number of prints are made for the artist's personal use. In the context of Street Pop Art and graffiti Artwork, these proofs are often viewed as more valuable due to their rarity and the artist's personal touch. "Wasted" by Low Bros is a striking example of an AP Artist Proof, a 6-color hand-pulled silkscreen print showcasing the artists' meticulous craft and creative prowess. Creation and Significance of "Wasted" by Low Bros The "Wasted" AP silkscreen print stands out with its 6-color hand-pulling technique, executed on Coventry Rag Paper. This choice of paper is significant for its texture and durability, which is particularly conducive to the silkscreen process, allowing for a high-quality finish that captures the vivid color palette and intricate details of the artwork. The piece's dimensions, 18x24 inches, make it a commanding presence, ideal for collectors who appreciate the interplay of fine art techniques within the street art genre. Limited Edition and Collectibility As an AP limited edition, "Wasted" holds a special place in the collection of Low Bros works. Signed and marked as an Artist Proof, this print was created in 2015 and serves not only as a piece of art but also as an artifact within the Street Pop Art and graffiti Artwork movement. The artist's signature on an AP print is a testament to its authenticity and a direct connection to the creators' hands. These factors contribute to the print's desirability and potential investment value. Silkscreen Printing by SerioPress The production of "Wasted" was in the hands of SerioPress, a fine art printer known for its expertise in silkscreen printing. This collaboration between the artists and the printer ensures that each print meets the high standards expected in fine art circles. The process involves layering each color individually and pulling them by hand, a labor-intensive method that results in a work of art with depth and texture. Artistic Impact of "Wasted" The artwork itself, with its bold graphics and symbolic imagery, reflects the core themes explored by Low Bros in their body of work. The title "Wasted" could allude to various interpretations, ranging from commentary on societal excesses to the transient nature of street art. This complexity of meaning, paired with the striking visual design, encapsulates the essence of the Low Bros' impact on Street Pop Art and graffiti Artwork. "Wasted" AP Artist Proof by Low Bros is a significant contribution to the genres of Street Pop Art and graffiti Artwork, merging traditional printmaking techniques with street art's edgy and dynamic energy. Its status as an Artist Proof elevates its importance, offering collectors a rare opportunity to own a piece closely tied to the artists themselves. As street art continues to gain recognition, such limited edition prints by prominent artists like Low Bros are pivotal in bridging the gap between street culture and the high art world.

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WODH Poster #3 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Celeste Byers. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Bowie Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist CES. 17 inch by 22 inch archival cotton paper. From an edition of 25 signed and numbered by the artist.

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Marching to Oblivion Blue Raspberry Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Blue Raspberry Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Blue Raspberry by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Blue Raspberry is a limited edition silkscreen print released in 2025 by American artist James Marshall, known professionally as Dalek. Measuring 18 by 24 inches, this vibrant screenprint was produced in a small run of twelve, each signed and numbered by the artist. Printed by hand using thirteen colors on Blue Raspberry card stock from the French Paper Company, this work demonstrates the technical precision and conceptual intent that Dalek brings to Street Pop Art & Graffiti Artwork. Marshall first gained recognition for his Space Monkey character, which served as a foundation for his exploration of identity, repetition, and urban visual culture. This piece reflects his continued evolution through high-contrast compositions, bold color fields, and animated character design rooted in both street art and contemporary pop aesthetics. Visual Language and Character Aesthetics The central figure in Marching to Oblivion Blue Raspberry is a hyper-energized creature with bright green limbs, circular mouse-like ears, and a wide, exaggerated mouth punctuated with polka-dot colors. The character is captured mid-motion, rhythmically juggling toy-like mallets while dancing atop a minimalistic gray platform. The cyan-blue background offers striking contrast, pushing the character forward in a burst of visual noise and balance. Each limb and accessory has been carefully positioned to evoke movement, volume, and rhythm without relying on traditional depth cues. This precise, graphic composition speaks to Dalek’s background in illustration and graffiti, where storytelling often happens in frozen frames of chaos. The use of bright, flat colors, iconic shapes, and cartoon logic aligns this piece firmly within Street Pop Art & Graffiti Artwork, blending urban visual codes with gallery-level execution. Material Process and Printmaking Precision Executed through a thirteen-color hand-pulled silkscreen process, this print demonstrates a refined commitment to craft and color theory. The Blue Raspberry cardstock provides an unconventional foundation that transforms the background into an active visual element rather than a passive support. This material choice amplifies the fluorescent color palette while maintaining a sense of tactile richness. Each ink layer was applied manually, reinforcing the physical labor often associated with graffiti and mural practices. The careful registration and color saturation required for this level of quality elevate the piece to a standard of contemporary printmaking rarely achieved in editions this small. The hand-pulled nature of the print ensures that subtle variations exist between each copy, emphasizing the importance of uniqueness even in a multiple. Cultural Relevance and Street Pop Evolution Dalek’s Marching to Oblivion Blue Raspberry serves as more than a static image—it operates as a cultural document of the fusion between street energy and pop precision. James Marshall continues to explore visual intensity without sacrificing clarity or depth. His art speaks to the performative and repetitive aspects of daily life, represented through his chaotic yet controlled characters. The tension between play and purpose, repetition and spontaneity, mirrors the structure of graffiti itself: repetitive tags, ritualistic motion, and bursts of controlled energy in public view. This print brings those values to the collector’s wall without erasing their roots. It exists within Street Pop Art & Graffiti Artwork as both homage and innovation, offering a clean yet electric artifact that speaks directly to audiences familiar with the pulse of contemporary visual culture.

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Night Song Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Exploring the Essence of Adrian Cox's Night Song Archival Print Adrian Cox's "Night Song" is a compelling piece within the Street Pop Art and graffiti Artwork movement. This archival pigment fine art limited edition print is a testament to the fusion of contemporary pop influences with street art's raw, expressive energy. The artwork, rendered on 290gsm bright white Moab Entrada Rag Paper, speaks to the modern collector's desire for pieces that are accessible and profound, grounded in modern techniques yet flirting with the ephemeral nature of graffiti. The print, sized 18x24 inches, offers a visual narrative that balances the line between fantasy and reality, a joint thematic exploration of Street Pop Art and graffiti Artwork. Limited to a run of just 50, "Night Song" exclusivity is part of its allure, each piece signed and numbered by Cox himself in 2023. This practice harkens back to the personalized touch often found in street art, where each piece is unique to its environment and moment. The Visual Dynamics of Night Song At first glance, "Night Song" captures the viewer with its bold use of color and form. The print boasts a vibrant juxtaposition of a night sky brimming with stars encased in a fiery outline, which can be interpreted as a portal or a boundary between different realms. This imagery is particularly resonant within Street Pop Art and graffiti Artwork, where the conversation between the artwork and its environment is pivotal. Here, the boundary could represent the often contested space of street art within the public domain, a place where beauty meets resistance, where the night sky can be engulfed in the flames of public scrutiny or policy. The figures within the piece – spectral and otherworldly – carry their narrative weight. They are at once part of the landscape and distinctly separate from it, much like graffiti artists who leave their mark on the urban canvas. Using rag paper for the print underscores the textural qualities of street art, where the medium interacts with the message, and the tactile experience is as essential as the visual one. Cultural Significance and Collectibility "Night Song" holds its ground in the realm of collectible art. The limited edition nature of the print ensures that each piece is a slice of history, a fixed point in the ever-evolving story of Street Pop Art and graffiti Artwork. This type of artwork appeals to the modern collector for its vibrancy, its edge, and its capacity to communicate complex themes through the lens of pop culture and street aesthetics. The choice of Moab Entrada Rag Paper is a conscious nod to quality and longevity, countering the transient nature of traditional street art. Entrada Rag Paper is renowned for its color reproduction, a crucial aspect for preserving the vivid hues and deep contrasts that make "Night Song" stand out. By translating street art's immediacy and vibrancy onto a medium designed to endure, Cox bridges the gap between graffiti's fleeting nature and the permanence collectors seek. Adrian Cox's Contribution to Modern Art Adrian Cox's "Night Song" is a significant contribution to the broader conversation about modern artwork. It reflects the ongoing dialogue about the place of Street Pop Art and graffiti Artwork within the art world. Like many others within the genre, this piece challenges traditional notions of what fine art can be. It pushes boundaries, literally and metaphorically, and invites the viewer to reconsider preconceived notions about value, permanence, and the space art occupies in our lives. As a piece that defies easy categorization, "Night Song" symbolizes how modern artists blend styles and philosophies. Cox's work stands at the intersection of street art's rebellious spirit and the pop artist's embrace of mass culture and iconography. It is at once a celebration of individual expression and a collective experience, much like the best of street art, which speaks to communities and individuals alike. The artistry of Adrian Cox's "Night Song" is a testament to the fusion of pop culture and street-inspired artistry, a blend that continues to captivate and provoke. It is a print that encapsulates the zeitgeist of our times, where the lines between high art and accessible art are increasingly blurred and where the voice of the street is as powerful and as poignant as any established gallery.

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Spacemonkey- Mustard Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition New In Box Stamped/Printed Artwork Size 6.5

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Spacemonkey Voodoo Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2023 6.5" Tall Limited Edition of 150 "Spacemonkey Voodoo Black Art Toy" by Dalek- James Marshall. James Marshall, also known as Dalek, is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Vader- Standard Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Marly Mcfly. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 16x16 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Stylized Star Wars Villian Darth Vader. Embracing the interplay between street art's raw edge and pop culture's omnipresence, Marly Mcfly's "Vader-Standard" is a striking limited edition piece that reimagines one of cinema's most iconic antagonists. This archival pigment print captures Darth Vader in a stylized form, employing bold colors and graphic elements that are the signature of graffiti and pop art. Each print is meticulously produced on 290gsm Moab Entrada Fine Art Paper, a high-quality substrate favored for its ability to render the rich, saturated colors and sharp details essential to Mcfly's aesthetic. With a limited edition of only 40 pieces, "Vader-Standard" presents exclusivity and collectibility, highly valued by art enthusiasts and collectors. Sized at 16x16 inches, the artwork provides a substantial canvas for Mcfly to explore the complexity of Darth Vader's character through a lens that is visually striking and culturally relevant. Mcfly's Vader is not just a reinterpretation of a film character but a representation of the villain as an icon in the global lexicon, resonant with symbolism and open to the interpretation inherent in street art. Mcfly's work often navigates the themes of fame, power, and the dichotomy of good versus evil, employing a vivid, comic book-like style that challenges and engages the viewer. By selecting Darth Vader as a subject, Mcfly taps into the collective consciousness, exploring the depths of the character's symbolism. The character's visage is layered over a collage of text and imagery that references the chaos and order inherent in the character's narrative and street art's traditional public dialogues. This piece stands as a testament to Marly Mcfly's ability to bring together the subversive streak of street art and the mass appeal of pop culture icons, creating a body of work that is not only aesthetically bold but also profoundly nuanced in its commentary. "Vader-Standard" is a prime example of how contemporary artists can bridge various forms of visual expression to create something entirely new, something that speaks both to the art lover and the pop culture enthusiast alike.

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Spacemonkey Grey Hulk Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2023 6.5" Tall Limited Edition of 150 New In Box Spacemonkey Grey Hulk Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Label 907 Vol III Sunset Silkscreen Print by UFO907 Hand-Pulled on 140lbs. Pure White French Art Paper Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 5-color Split Fountain Screen Print Silkscreen Print Label 907 Vol III Sunset Silkscreen Print by UFO907 The Label 907 Vol III Sunset Silkscreen Print by UFO907 captures the energy and playful rebellion that has made this underground graffiti artist a cult figure within Street Pop Art & Graffiti Artwork. Released in 2019 as a signed and numbered limited edition of only 50 pieces, this 18 x 24 inch artwork is a five-color split fountain screenprint, hand-pulled on 140lbs pure white French art paper. The piece reflects the raw yet whimsical spirit of UFO907's iconic characters—particularly the wide-eyed alien cephalopod with spray can in hand, painted over a United States Postal Service priority mail sticker backdrop. This visual pun on identity and tagging is not only humorous, but deeply rooted in graffiti’s long tradition of postal label bombing. Cosmic Characters with a Street-Level Voice In Label 907 Vol III Sunset, UFO907 presents one of his signature tentacled figures dressed in a hoodie and New York Yankees cap, holding a classic spray paint can mid-action. The oversized eyes and rounded limbs give the creature an innocent appearance, yet its posture and the act of painting imply intent and defiance. The gradient background shifts through sunset hues—pinks, oranges, and yellows—achieved through a skillful split fountain technique that mirrors the spray effect of actual aerosol art. Combined with bold black linework and fluorescent green detail spray, this print vibrates with both nostalgia and new energy. It’s a direct translation of wall-to-paper graffiti, preserving the movement’s spirit through print media. Graffiti’s Material Language and Collector Appeal The use of USPS Priority Mail labels as visual anchors is no coincidence. Graffiti artists have long used these free labels as mini canvases to bomb mailboxes, poles, and phone booths. UFO907’s decision to formalize that in a silkscreen edition connects the underground past to a collector-friendly present without losing authenticity. His character’s expression and stance add a layer of narrative—combining street mischief with pop sensibility. The silkscreen medium reinforces its value in the Street Pop Art & Graffiti Artwork world where texture, print layers, and production technique become integral to the message. Being signed and numbered by the artist makes each copy not only a print but a certified moment in his evolving catalog. UFO907’s Role in Street Pop Art & Graffiti Artwork Known for his elusive presence and interstellar characters, UFO907 has remained a staple of unsanctioned art in New York City and beyond. His work often blends innocence with resistance, showing characters that feel pulled from a cartoon dimension but acting with real-world urgency. Unlike artists who transition entirely into fine art spaces, UFO907 maintains his connection to walls, freight trains, and found surfaces—yet prints like Label 907 Vol III Sunset offer a portal for collectors to experience his world without compromising its edge. Each detail in this piece—from the alien figure to the branded spray can—points to a love for graffiti’s absurdity, danger, and color-soaked spontaneity. It’s not just a print, but a celebration of UFO907’s persistent vision and his place in the ever-evolving language of Street Pop Art & Graffiti Artwork.

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Cylon- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the TV show Battlestar Galactica. 2 color 9″ x 24″ screen-printed posters.

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Han Solo & Chewbacca Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 "Han Solo & Chewbacca" is a giclee print by contemporary artist Adam Lister, who is known for his signature pixelated, 8-bit style. This piece features the iconic characters from the Star Wars franchise: the charismatic smuggler Han Solo and his loyal Wookiee co-pilot, Chewbacca. Lister's reinterpretation of these beloved characters captures their essence while showcasing his unique artistic vision. In this artwork, Lister presents Han Solo and Chewbacca in simplified geometric forms, with distinct pixelation that brings a modern, digital aspect to the characters. The print highlights their unmistakable features and the strong bond they share as friends and allies throughout the Star Wars saga. A giclee print is a high-quality reproduction of an original artwork, created using a specialized inkjet printer. The process involves spraying microscopic dots of pigment-based ink onto archival-quality paper resulting in a long-lasting, vibrant, and highly detailed print. This method allows art enthusiasts and Star Wars fans to appreciate and collect Adam Lister's "Han Solo & Chewbacca" print at a more accessible price point than an original painting.

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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Deinonychus Original Oil Painting by Scott Listfield One of a Kind Artwork on Canvas by Street Art Pop Artist. 2022 Signed Oil Original Painting Size 10x10

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Wasted 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Silkscreen Printed by SerioPress. Street Pop Art & Graffiti Artwork Street Pop Art and graffiti Artwork have become a vital facet of contemporary art, often blurring the lines between legality and artistry, between the gallery and the street. In this realm, the "Wasted" silkscreen print by the artist collective Low Bros stands out as a quintessential piece. Created in 2015, this artwork is part of a limited edition of just 60 prints, highlighting the exclusivity and demand for this unique piece of art. Creation and Technique The Low Bros, known for their angular and geometric figures that often include anthropomorphic characters, have utilized a six-color hand-pulling technique to create "Wasted." This method, while traditional, requires immense skill to ensure that each layer of color is meticulously applied. Coventry Rag Paper, chosen for its high quality, offers a durable and pristine canvas that complements the silkscreen printing process carried out by SerioPress, a well-respected name in the fine art printing industry. Dimensions and Design The artwork measures 18x24 inches, a size that is substantial enough to command attention yet suitable for display in various settings, from a personal collection to a gallery wall. The design of "Wasted" is complex, featuring a melange of abstract and figurative elements that are hallmarks of the Low Bros' style. The use of space and color within the print captures the viewer's gaze and invites them to contemplate the juxtaposition of shapes and patterns. Significance in Street Art This piece is not merely an artwork but a commentary on the culture of street art and pop art, where the disposable is often celebrated. The title "Wasted" itself might be interpreted in various ways, from a reference to the excesses of modern society to the repurposing of space and materials in street art. By bringing this piece to a limited edition print, the Low Bros bridges the gap between the ephemeral nature of street art and the permanence collectors seek. Collectibility and Value Signed and numbered by the artists, each print of "Wasted" carries the hallmark of authenticity and the promise of increasing value. Collectors and enthusiasts of street art and pop art find significant value in these limited editions, representing a snapshot of the artist's work at a particular time in their career. The rarity of these prints adds to their collectibility, making them sought-after pieces for art lovers and investors. Impact on Pop and Graffiti Art The Low Bros' "Wasted" is a testament to the evolving nature of pop and graffiti art. It encapsulates the movement's spirit, often taking the ordinary and making it extraordinary. The artwork stands as a cultural artifact, embodying the energy and innovation of street pop art, and continues to influence emerging artists within the scene. It is a vibrant example of how traditional techniques can be reinvented to create something that resonates with the contemporary zeitgeist. The "Wasted" print by Low Bros is a compelling illustration of how street pop art and graffiti have permeated contemporary art's fabric. Its limited edition nature, distinctive style, and meticulous creation underscore its importance and appeal. As a piece of art, it carries the narrative of street art into the homes and galleries of enthusiasts, ensuring that the vibrancy and message of the streets are preserved in a tangible form for generations to

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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