Spacemonkey by Dalek

Translucid Giclee Print by Dalek- James Marshall Artwork Limited Edition Print on 308gsm Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x19.69 Translucid by Dalek: Psychedelic Geometry and Character Deconstruction in Street Pop Art & Graffiti Artwork Translucid is a 2022 limited edition giclée print by James Marshall, known globally under the moniker Dalek. Created in an edition of 50 and printed on 308gsm Hahnemühle fine art paper, the piece measures 19.69 x 19.69 inches and is both signed and numbered by the artist. Dalek’s work continues to explore the intersection of digital surrealism, animated abstraction, and character disassembly, all delivered through the lens of high-contrast saturation and urban visual syntax. In Translucid, Dalek revisits his Space Monkey universe but pushes it through an explosion of translucent layering, deconstructed movement, and psychedelic repetition, fully encapsulating the energy and philosophy of Street Pop Art & Graffiti Artwork. At the center of the composition is a hyper-stylized figure with bulbous limbs, cyclopean eyes, and aggressive posture. The colors are electric—neon greens, acid pinks, sky blues, and jet black clashing across a looping, rhythmic design. Each form appears duplicated in offset trails, creating a sense of motion, echo, and dimensional slippage. Arms extend wildly, one arm reaching into space as geometric beams stretch outward from the figure’s head, like a visual shout. Behind the main character, semi-transparent replications ripple outward, suggesting time-lapse, digital lag, or a multi-frame animation frozen in layered stillness. Color, Repetition, and Hyper-Controlled Chaos Dalek’s visual structure in Translucid is anything but accidental. His precise control over linework, curvature, and fill creates a sense of machine-assisted hallucination—balanced and ordered while still feverishly alive. The background cycles in soft circular shadows and bubble-like forms, contrasting against the sharper explosions of the foreground. The result is a tension between kinetic madness and graphic symmetry. This interplay mimics the visual philosophy of graffiti—where repetition, character tags, and layered symbols become identity marks in a sea of controlled chaos. The translucent effect is a key feature. Shadows, ghosted lines, and echo silhouettes hint at multiplicity within a single subject, blurring the boundary between the singular and the cloned. This approach mirrors the digital saturation of contemporary image culture, where icons are constantly remixed, repurposed, and looped across screens. Dalek captures this sensation of visual echo and overload in fine art form, reflecting the pulse of the street in a contained 19.69-inch square. Space Monkey Mutation and Visual Dialogue with Modern Culture The figure in Translucid may stem from Dalek’s iconic Space Monkey identity, but here it has mutated into something more abstract and dynamic. While earlier works presented Space Monkey as a flat, enigmatic observer, Translucid transforms the character into a conduit of movement, shape, and power. It dances, attacks, and glitches, no longer passive but fully integrated into the chaos it once surveyed. The distorted grin, radiating eyes, and disconnected limbs build a mood of paradoxical joy and digital exhaustion. Dalek’s work fits seamlessly into the language of Street Pop Art & Graffiti Artwork by maintaining an animated energy and conceptual looseness that still delivers refined structure. He distills pop culture, video game rhythm, and graffiti wall aesthetics into a composition that communicates without narrative. Translucid does not tell a story—it emits a frequency. It is a painting you can hear if you look closely enough. Translucid as Artifact of Pop Abstraction and Contemporary Identity Printed on 308gsm Hahnemühle fine art paper, the physical texture and pigment retention elevate Translucid into collector-grade territory while preserving the street-informed aesthetic integrity of Dalek’s work. Each edition carries the same intensity and depth of color, capturing every shadow trail and collision point with exact precision. It is both object and signal—a reminder that visual culture is not linear, and that repetition can be both expressive and destabilizing. James Marshall’s contribution to the Street Pop Art & Graffiti Artwork canon continues to expand through works like Translucid. This piece encapsulates the language of repetition, kinetic design, and psychedelic commentary, all while maintaining Dalek’s commitment to abstraction rooted in character evolution. Translucid is not about resolution—it is about motion, multiplicity, and the fragmented joy of navigating a world where meaning comes layered, duplicated, and infinitely alive.

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Space Monkey Green Yellow AP Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2002 Signed & AP Marked Limited Edition Run Artwork Size 18x24 James Marshall's "Space Monkey Green Yellow AP": A Vibrant Fusion of Street and Pop Art The "Space Monkey Green Yellow AP" silkscreen print by Dalek, also known as James Marshall, is a vibrant expression of the artist's distinctive style, which straddles the line between street art and a playful, pop art aesthetic. Created as an Artist Proof (AP) in 2002, this limited edition hand-pulled screen print on fine art paper reflects the merging of street culture sensibilities with the boldness of pop art. Signed and marked as an AP, this work is part of an exclusive run that remains highly sought after by collectors of street pop art and graffiti artwork. The piece measures 18x24 inches, allowing the iconic "Space Monkey" character to command attention, while the green and yellow color scheme enhances the visual impact. Dalek's "Space Monkey" character is a recurring figure in his work, often seen as an avatar for the artist's exploration of emotion, identity, and the human condition. This character, with its oversized eyes and cartoonish form, exudes a sense of playful curiosity and alienation, recurrent in street art and pop culture. Silkscreen printing adds a layer of complexity to the piece, with each hand-pulled layer contributing to the depth and texture that make the image pop. Exploring the Artistic Significance of Dalek's Silkscreen Print James Marshall's work as Dalek has contributed significantly to the artistic dialogue between street art and pop art. His "Space Monkey Green Yellow AP" print encapsulates the whimsical and provocative elements often at play in his art. The character, floating against a stark background, is in a state of playful exploration, a sentiment that resonates with the freedom and spontaneity of graffiti art. At the same time, the clean lines and bold colors reflect the influence of pop art, creating a bridge between the countercultural and the mainstream. The artist's choice of an artist proof for this piece underscores its uniqueness and the personal nature of the screen printing process. Artist proofs are traditionally the first prints pulled from the screen, used to judge the quality of the print run. By signing and releasing a limited number of these proofs, Dalek offers collectors a piece of the creative process, a snapshot of the work in its earliest stage. Cultural Resonance of "Space Monkey Green Yellow AP" in the Art Community The cultural resonance of Dalek's "Space Monkey Green Yellow AP" within the street pop art and graffiti artwork community cannot be overstated. As a part of the early 2000s art scene, this print represents a period when street art began gaining widespread recognition and acceptance in the art world. With its crossover appeal, Dalek's work has played a role in this transition, bringing the energy and ethos of street art into galleries and private collections. The screen print's limited edition status adds a sense of exclusivity, mirroring the often ephemeral nature of street art. Just as graffiti may be painted over or fade with time, the limited availability of "Space Monkey Green Yellow AP" captures the urgency and rarity of street art in a form that collectors can preserve and appreciate over time. James Marshall's "Space Monkey Green Yellow AP" is a powerful representation of the synergy between street pop art and graffiti. As an artist's proof, it holds a special place in the canon of Dalek's work. It offers a window into the artist's creative process and a tangible piece of the movement that has brought street aesthetics into the forefront of contemporary art. The print is a testament to the enduring appeal of street-inspired imagery and its capacity to challenge, delight, and engage audiences across the spectrum of art appreciation.

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Spacemonkey Grey Hulk Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2023 6.5" Tall Limited Edition of 150 New In Box Spacemonkey Grey Hulk Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Spacemonkey Happy Pants Gold Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2022 6.5" Tall Limited Edition of 150 New In Box Spacemonkey Happy Pants Gold Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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Spacemonkey Voodoo Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2023 6.5" Tall Limited Edition of 150 "Spacemonkey Voodoo Black Art Toy" by Dalek- James Marshall. James Marshall, also known as Dalek, is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Spacemonkey- Blue Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek. 2022 6.5" Tall James ‘Dalek’ Marshall’s new Spacemonkey vinyl art toy from 3DRetro debuts in a light blue edition. The figure features Dalek’s signature character with green shorts, a killer knife, and a massive mallet. The new figure features a compact profile with short arms, legs, and bare feet.

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Spacemonkey DCon Digital Exclusive Pink Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek. 2022 6.5" Tall Limited Edition The Artistic Allure of Dalek's "Spacemonkey DCon Digital Exclusive Pink" The "Spacemonkey DCon Digital Exclusive Pink" vinyl art toy collectible embodies the intersection of modern pop culture and the distinctive aesthetics of street pop art and graffiti artwork. Created by the acclaimed artist Dalek in 2022, this limited edition piece stands at 6.5 inches tall, encapsulating the essence of Dalek's artistic vision in a tangible form. The Spacemonkey character, a recurring motif in Dalek's oeuvre, is reimagined in a vibrant pink hue, infusing it with a playful and contemporary edge that resonates with collectors and modern pop culture art fans. This vinyl collectible is a prime example of how street art sensibilities have permeated other realms of collectible culture, bringing the ethos of the streets into people's homes and daily lives. The very medium of a vinyl toy reflects the urban art scene's fondness for non-traditional canvases, echoing the movement's origins in the provocative and often playful rebellion against established art forms. The Spacemonkey's exaggerated features, combined with the sleek finish of the vinyl, create a dialogue between the accessibility of toy design and the complex narratives often explored in street pop art. Dalek's "Spacemonkey" as a Modern Street Pop Art Icon Dalek's Spacemonkey has become an icon in the modern street pop art landscape, representing the fusion of graffiti's edge with bold graphics and saturated colors. The "Spacemonkey DCon Digital Exclusive Pink" edition continues this tradition, standing as a vibrant symbol of both the playfulness and the depth found in Dalek's art. The limited edition nature of this collectible makes it a coveted item for enthusiasts of the genre, mirroring the limited runs of screen prints and the exclusive nature of original graffiti pieces in urban settings. Creating the Spacemonkey vinyl art toy for DCon—a digital convention celebrating designer toys, art, and pop culture—further signifies street pop art's growing appreciation and commercialization. Through his Spacemonkey character, Dalek has effectively translated street art's visual language and expressive power into a form that engages new audiences, extending the reach of graffiti artwork beyond walls and canvases into everyday objects and collectibles. Cultural Significance of Vinyl Art in the Street Pop Art Movement The cultural significance of vinyl art toys like Dalek's "Spacemonkey DCon Digital Exclusive Pink" lies in their ability to capture the spirit of street pop art in a form that can be appreciated as a toy and an artwork. This duality is at the core of the street pop art movement, which often blurs the lines between commercial and fine art, inviting a broader discussion about the value and definition of art itself. The Spacemonkey, with its stylized design and collectibility, exemplifies this duality, serving as a physical manifestation of the movement's impact on contemporary culture. Dalek's Spacemonkey vinyl art toy represents a creative blend of street pop art aesthetics with the engaging world of collectibles. Its release as a limited edition piece at a digital convention dedicated to pop culture underscores the evolving landscape of art consumption and the innovative ways street pop art continues to influence and intersect with modern design and collectibility. The "Spacemonkey DCon Digital Exclusive Pink" is a collectible object and a testament to the enduring appeal of street-inspired artistry in contemporary pop culture.

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Spacemonkey- Mustard Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition New In Box Stamped/Printed Artwork Size 6.5

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Interdimensional Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Exploring the Vivid Realms of "Interdimensional Collab Cut AP" by KEF!, Simon Rohlen, and Dalek "Interdimensional Collab Cut AP" is an electrifying testament to the synergetic force that emerges when distinctive voices in pop art, street art, and graffiti converge. This artist-proof silkscreen print is the creation of a dynamic trio: KEF!, Simon Rohlen, and Dalek, also known as James Marshall. Their 2022 collaboration resulted in a hand-pulled 15-color screen print that bursts with the kinetic energy and chromatic intensity characteristic of limited-edition street pop artwork. At 18x24 inches, this artwork is a visual feast, encapsulating the spirit of modern street art through its amalgamation of forms, figures, and vibrant colors. Each color is meticulously layered to build a composition that is as complex as it is captivating, inviting viewers to delve into a world that transcends traditional visual boundaries. The term 'interdimensional' is apt, as the work offers a portal into a realm where the laws of space and form are reimagined, and vibrant energy spills from the confines of the canvas. The collaborative nature of "Interdimensional Collab Cut AP" is reflected in the seamless integration of each artist's distinctive style. KEF!'s fluid, calligraphic lines dance through the composition, weaving a tapestry that pulses with organic movement. Simon Rohlen's penchant for abstract, geometric forms adds a structural balance to the fluidity, grounding the piece in rhythmic visual harmony. Dalek's iconic Space Monkeys, represented in a new iteration here, inject a dose of irreverent character and narrative into the work. Together, they create an artwork that is more than the sum of its parts—a unified vision from the crossroads of their paths. This print is a testament to the artist's skill and the screen printing process, which requires high precision and expertise to manage the intricate overlays and interactions of 15 colors. The 'AP' marking denotes its status as an Artist Proof, a print traditionally kept aside from the main edition for the artists' personal use or archival purposes. As such, it bears a mark of authenticity and exclusivity, often sought after by collectors for its closeness to the artists' initial vision and its rarity. The "Interdimensional Collab Cut AP" is a vibrant emblem of the street pop art genre. This field continues to push the envelope of visual expression by bridging the gap between street-level grit and gallery-grade finesse. It challenges viewers to reconsider the boundaries between high art and urban art, suggesting that the division is unnecessary and limiting to the potential of artistic innovation. This print celebrates the creative spirit that drives street pop art and graffiti artwork forward. It is a testament to the power of collaboration and the endless possibilities that arise when artists unite to reinterpret the world around them. For collectors, enthusiasts, and newcomers to the art form alike, "Interdimensional Collab Cut AP" offers a tantalizing glimpse into the future of street pop art, where boundaries are blurred and the visual language is ever-evolving.

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Spacemonkey Classic Green Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2022 Signed 6.5" Signed Box Tall Limited Edition of 40 New In Box Series 2 Glow In The Dark SpaceMonkey Figure With Mallet & Axe Vinyl Toy. In the intricate intersections of pop art, street art, and graffiti, collectible art toys have emerged as a vibrant frontier, capturing the imagination of enthusiasts and collectors alike. Dalek- James Marshall, an esteemed figure in modern pop culture artistry, introduces a luminous masterpiece, the "Spacemonkey Classic Gree.". This limited-edition vinyl art toy is a testament to the artist's creative vision and reflects the evolving nature of art and its forms. Crafted with meticulous attention to detail, the 6.5" tall Spacemonkey is a sign. Its brilliant glow-in-the-dark green hu and iconic design make it stand out as a coveted piece in the world of collectible art toys. This particular piece is part of the Series 2 collection, which boasts bolder colors and enhanced graphics. The series also presents a new packaging design, strengthening the unboxing experience for collectors. In collaboration with UVD Toys, Dalek-James Marshall ensures that each toy embodies the essence of his artistry. Sculpted by the talented Oasim Karmieh, the Spacemonkey comes equipped with an array of weapons,s including a hatchet, mallet, knife, bat, and cleaver, adding to its unique character. The figure also boasts articulating arms, head, and ears, allowing for dynamic displays. Dated 2022 and limited to just 50 pieces, each signed Spacemonkey Classic Green is a treasure for those who appreciate the blend of art and collectibles. This creation underscores Dalek- James Marshall's indelible mark in art, offering fans a tangible piece of his imaginative universe.

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Through The Depths AP Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Through The Depths AP Silkscreen Print by Dalek – James Marshall “Through The Depths” is a 2023 Artist Proof edition by American contemporary artist Dalek, the alias of James Marshall. Sized at 18x24 inches and printed as a hand-pulled silkscreen on fine art paper, this signed and AP-marked limited edition reflects Dalek’s high-precision craftsmanship and evolving aesthetic vocabulary. Executed in a saturated palette of canary yellow, sky blue, orange, pink, and black, the composition bursts with kinetic intensity, centering on Dalek’s iconic Space Monkey figure whose limbs extend outward in dynamic motion. Space Monkey as Symbol and Structure The central character, the Space Monkey, is rendered with signature Dalek geometry—circular ears, a gridlike face, and exaggerated limbs that radiate with robotic intent. Armed with a pink hammer and seemingly suspended in a cosmic ritual, the figure is frozen in action, surrounded by a barrage of laser-like beams and geometric targets. The composition’s rhythm is tightly engineered yet playful, echoing the patterns of video game graphics, Japanese pop influence, and postmodern design theory. Dalek’s Space Monkey has long served as a vehicle for personal and societal commentary. While visually playful, it conveys narratives of surveillance, anxiety, identity, and conformity. In “Through The Depths,” the monkey appears caught between zones of order and explosion, as if navigating multiple psychic dimensions at once. The meticulously constructed background features layers of concentric circles and hard-edged squares, suggesting portals or conceptual thresholds. The title hints at a metaphysical plunge, as if this creature is pushing through layers of perception or psychological architecture. Technical Discipline in Multi-Layered Silkscreening Dalek’s mastery of silkscreen technique is showcased in the crispness of the lines, the seamless alignment of layers, and the even saturation of bold, high-contrast colors. Each color layer is independently pulled, requiring rigorous planning and precision. The final result feels like both a contemporary artifact and a psychedelic map, executed with razor-sharp control. The use of black outlines and vibrant fill tones roots the work in the traditions of graffiti and comic-based visual language while elevating it to fine art printmaking. The screen print’s surface is flat yet dimensional, built from intersecting fields of color and mathematical composition. The vibrant palette is balanced with structural weight, giving the artwork a formal elegance beneath its cartoonish exuberance. This duality—chaotic in imagery yet composed in execution—is central to the visual impact of Dalek’s Street Pop Art & Graffiti Artwork. Collectibility and Contemporary Resonance As an Artist Proof from a 2023 limited edition silkscreen series, “Through The Depths” holds unique value among collectors of street pop and urban contemporary art. Artist Proofs are often reserved for the artist’s personal archive, making them even more desirable due to their rarity and connection to the creator’s hand. James Marshall’s ability to translate the energy of street culture into a structured, collectible format positions him as a defining voice in the evolution of modern pop-infused abstraction. “Through The Depths” stands as a vivid declaration of Dalek’s continued innovation. It is a compact symphony of form and color, meditating on chaos, depth, and digital-age intensity while maintaining the optimism and graphic clarity that defines his Space Monkey mythos. This is a print that invites interpretation, demands attention, and rewards long-term contemplation.

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Night Time Manila Yellow Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Manila Yellow Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Manila Yellow Edition Night Time Manila Yellow Silkscreen Print by Dalek – James Marshall James Marshall, known in the art world as Dalek, brings his unmistakable aesthetic into radiant focus with the 2023 silkscreen edition “Night Time Manila Yellow.” This limited release, printed on French Manila Yellow Kraft cardstock, measures 18x24 inches and is restricted to a rare edition of only 15. Each hand-pulled screen print uses 14 carefully layered colors to construct an explosive and hypnotic composition that is as precise as it is playful. The print is signed and numbered by the artist, anchoring its place in the collector-driven Street Pop Art & Graffiti Artwork universe. Mechanized Play and Surreal Symbolism Dalek’s signature Space Monkey figures remain central to this print, yet here they multiply and entangle in a world of robotic mechanisms, riotous shapes, and layered structures. “Night Time Manila Yellow” feels like a visual symphony of saturation, with teal, fuchsia, neon yellow, and black elements collapsing into one another across a dreamlike grid. The figures wield mallets, spears, and geometric props, each one seemingly locked into an urgent task. This sense of choreography and visual automation transforms the print into more than a character study—it's an elaborate stage of organized chaos, one that balances between subconscious memory and futuristic design. Precision in Color and Structure The richness of this 14-color silkscreen process gives the artwork a luminous depth and tactile presence. Dalek’s use of French Manila Yellow cardstock as the paper base imbues the piece with a warmer, vintage sensibility—subtly grounding the neon, cartoon-drenched chaos that dominates the surface. The meticulous layering of color demonstrates Dalek’s technical discipline as well as his commitment to producing high-fidelity editions. Bold curves, repeating circular motifs, and structured overlaps give the artwork a sense of mechanical rhythm, echoing visual strategies seen in Op Art and Constructivism, but reimagined through a Street Pop Art lens. Color Theory Meets Urban Noise “Night Time Manila Yellow” stands as a contemporary artifact of street culture’s evolution into collectible fine art. Dalek’s work is deeply rooted in his early exposure to graffiti and punk iconography, yet here, his visual language has matured into complex architectural compositions. The use of saturation, repetition, and robotic characters reflects a commentary on technology, identity, and consumption, though without didacticism. The viewer is left to interpret the orchestration of symbols on their own terms. The balance between childlike excitement and structured precision makes this piece a compelling addition to Dalek’s growing body of highly sought-after silkscreen editions. With its rare edition count, rich color layering, and frenetic design, “Night Time Manila Yellow” is a defining example of modern screen printing intersecting with visual rebellion. It is a print that demands attention and invites exploration—a layered map of energy, control, and disintegration in full color.

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Spacemonkey Classic Green Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2022 Signed 6.5" Tall Limited Edition of 100 New In Box Spacemonkey Classic Green Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkeycharacter, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Marching Into Oblivion Green Pink AP 12-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Marching Into Oblivion Green Pink AP Silkscreen Print by Dalek – James Marshall Dalek, the creative alias of American artist James Marshall, continues to define a distinct voice within Street Pop Art & Graffiti Artwork through his bold visual vocabulary and evolving abstractions. The 2023 artist proof edition of “Marching Into Oblivion” presents a masterclass in color and chaos, combining Marshall’s signature Space Monkey character with a 12-color hand-pulled silkscreen technique. This AP edition print, sized 18x24 inches, showcases a saturated electric pink background contrasted by vibrant greens, yellows, and deep blacks to create a visual rhythm that feels both mechanical and organic. Every line is tightly rendered, while the palette pulses with cartoon surrealism and calculated energy. From Iconic Form to Emotional Abstraction Dalek’s work is often anchored in the evolution of the Space Monkey figure, a character originally born from his exploration of cultural disaffection and emotional detachment. In “Marching Into Oblivion,” the character takes on exaggerated motion, appearing multiplied and caught mid-march with arms raised, mouths agape, and eyes wild. The visual tempo created by repetition and movement invokes both celebration and disorder. This print is less about a literal narrative and more about symbolic propulsion—a march into overstimulation, into synthetic joy, into noise. With vibrant, almost synthetic precision, Dalek uses form to confront modern anxiety through hyperactive repetition and blinding optimism. Street Pop Energy Rendered in Pure Color Printed with archival pigment on fine art paper, each AP in the series carries the artist’s signature and the AP mark, denoting its rarity and place within the studio’s private production. The decision to use 12 individual silkscreen layers to construct the image shows Dalek’s commitment to traditional printmaking and craft. The richness of the ink, coupled with the mechanical consistency of the forms, creates an artwork that feels digitally native yet physically hand-wrought. The graphic explosiveness of this print is unmistakable—its aesthetic draws from video game glitch, graffiti boldness, urban decay, and punk flyers. Every circle, shadow, and color is strategically placed, lending the work a level of sophistication that transcends surface-level pop. Marching Toward the Inevitable Dalek’s work often blurs the line between playfulness and existential critique, and this piece continues that thread. While the colors may shout with confidence and energy, the title “Marching Into Oblivion” hints at a deeper commentary. There is a sense of automation, of characters driven forward without control, perhaps reflecting the cultural malaise of routine consumerism or the emptiness behind the facade of progress. The work exists in a liminal zone between celebration and collapse, between Street Pop Art’s commercial slickness and graffiti’s chaotic truth. It is this duality that gives Dalek’s prints their power—bright and loud, yet full of tension and coded meaning. This limited edition AP offers a vibrant, thought-provoking artifact of contemporary visual language.

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Spacemonkey Hot Pink MOG Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition New In Box MOG Museum of Graffiti Colorway Stamped/Printed Artwork Size 6.5 New With Box

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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The Button Pusher 2 AP 13-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 24x18 Diving into the vast spectrum of pop art, graffiti, and street artwork, there's a resonating essence that some pieces carry which makes them undeniably captivating. "The Button Pusher 2 AP 13-Color Silkscreen Print" by the renowned Dalek- James Marshall is one such mesmerizing artwork that reverberates with both energy and emotion. Hand-pulled screen prints have a unique allure, showcasing the artist's touch in every stroke, and this piece is no exception. Created on fine art paper, this artwork is a tangible testament to the artist's dedication to the craft. Characterized by a striking palette of 13 vibrant colors, "The Button Pusher 2" features a whimsical character, seemingly engrossed in the act of pushing a button. This central figure is enlivened by Dalek's signature style, a combination of geometric forms and fluid lines. The background, a mélange of explosive hues, juxtaposes against the creature, creating an impactful visual contrast that arrests the viewer's gaze. One can perceive the meticulous attention to detail and precision in the silkscreen print process, exemplifying the artist's mastery. Marking its exclusivity, this piece is designated as an Artist Proof (AP), a classification that holds significant value in the world of art. Dated 2023, it's part of a limited edition run, adding to its collectible stature. Each print is signed and marked with the distinctive "AP" label by Dalek- James Marshall, signifying its authenticity. In the contemporary realm where street art converges with pop influences, "The Button Pusher 2" stands as an emblem of Dalek's artistic journey, echoing the evolving narratives of modern artistry.

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Marching to Oblivion Blue Raspberry Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Blue Raspberry Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Blue Raspberry by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Blue Raspberry is a limited edition silkscreen print released in 2025 by American artist James Marshall, known professionally as Dalek. Measuring 18 by 24 inches, this vibrant screenprint was produced in a small run of twelve, each signed and numbered by the artist. Printed by hand using thirteen colors on Blue Raspberry card stock from the French Paper Company, this work demonstrates the technical precision and conceptual intent that Dalek brings to Street Pop Art & Graffiti Artwork. Marshall first gained recognition for his Space Monkey character, which served as a foundation for his exploration of identity, repetition, and urban visual culture. This piece reflects his continued evolution through high-contrast compositions, bold color fields, and animated character design rooted in both street art and contemporary pop aesthetics. Visual Language and Character Aesthetics The central figure in Marching to Oblivion Blue Raspberry is a hyper-energized creature with bright green limbs, circular mouse-like ears, and a wide, exaggerated mouth punctuated with polka-dot colors. The character is captured mid-motion, rhythmically juggling toy-like mallets while dancing atop a minimalistic gray platform. The cyan-blue background offers striking contrast, pushing the character forward in a burst of visual noise and balance. Each limb and accessory has been carefully positioned to evoke movement, volume, and rhythm without relying on traditional depth cues. This precise, graphic composition speaks to Dalek’s background in illustration and graffiti, where storytelling often happens in frozen frames of chaos. The use of bright, flat colors, iconic shapes, and cartoon logic aligns this piece firmly within Street Pop Art & Graffiti Artwork, blending urban visual codes with gallery-level execution. Material Process and Printmaking Precision Executed through a thirteen-color hand-pulled silkscreen process, this print demonstrates a refined commitment to craft and color theory. The Blue Raspberry cardstock provides an unconventional foundation that transforms the background into an active visual element rather than a passive support. This material choice amplifies the fluorescent color palette while maintaining a sense of tactile richness. Each ink layer was applied manually, reinforcing the physical labor often associated with graffiti and mural practices. The careful registration and color saturation required for this level of quality elevate the piece to a standard of contemporary printmaking rarely achieved in editions this small. The hand-pulled nature of the print ensures that subtle variations exist between each copy, emphasizing the importance of uniqueness even in a multiple. Cultural Relevance and Street Pop Evolution Dalek’s Marching to Oblivion Blue Raspberry serves as more than a static image—it operates as a cultural document of the fusion between street energy and pop precision. James Marshall continues to explore visual intensity without sacrificing clarity or depth. His art speaks to the performative and repetitive aspects of daily life, represented through his chaotic yet controlled characters. The tension between play and purpose, repetition and spontaneity, mirrors the structure of graffiti itself: repetitive tags, ritualistic motion, and bursts of controlled energy in public view. This print brings those values to the collector’s wall without erasing their roots. It exists within Street Pop Art & Graffiti Artwork as both homage and innovation, offering a clean yet electric artifact that speaks directly to audiences familiar with the pulse of contemporary visual culture.

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Spacemonkey Gray NYCC Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition of 100 New In Box Stamped/Printed Artwork Size 6.5

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Flags Hand-Pulled 9-Color Silkscreen Print on 290gsm Coventry Rag Paper by Pop Graffiti Artist Dalek- James Marshall Rare Street Art Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 50 Size 24x18 Screen Printed by Serio Press The Intricacies of "Flags" by Dalek - James Marshall The "Flags" silkscreen print by Dalek, the pseudonym of James Marshall, is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This nine-color hand-pulled print on 290gsm Coventry Rag Paper embodies the fusion of street culture and fine art, a hallmark of Dalek's work. Created in 2018, the limited edition of 50 pieces showcases Marshall's unique aesthetic, which has become widely recognized in art. Dalek's Signature Style and Technique Known for his space monkey character, a central figure in his works, Dalek's style is characterized by bold colors, geometric patterns, and animated forms that draw from his background in graffiti, Japanese pop art, and urban street culture. The "Flags" artwork, measuring 24x18 inches, is a testament to his meticulous silkscreen technique, requiring precise layering of colors to achieve the depth and texture evident in the print. Limited Edition and Collectibility Each print in the "Flags" series is signed and numbered, underscoring the exclusive nature of this limited run. Collectors of street pop art and graffiti artwork are often drawn to such pieces for their rarity and the prestige associated with owning a work by an artist like Dalek. The signature authenticates the print and signifies the artist's direct involvement in its creation. The Role of Serio Press in Production Serio Press, known for their expertise in screen printing, produced the "Flags" series. Their reputation for excellence ensures that each print meets the highest standards of quality, from the colors' vibrancy to the images' precision. The collaboration between Dalek and Serio Press highlights the importance of craftsmanship in producing limited-edition prints. Artistic Impact of "Flags" "Flags" is more than just an aesthetic statement; it carries the weight of Dalek's exploration into identity, society, and the individual's place. The repetition of the space monkey holding a flag is a metaphor for various interpretations, ranging from unity to division, from individual expression to mass culture. It reflects Dalek's ability to convey complex ideas through simple yet powerful imagery. Dalek's "Flags" silkscreen print significantly contributes to the genres of Street Pop Art and graffiti Artwork, bridging the gap between subversive street culture and the fine art printmaking tradition. As a limited edition piece, it embodies the urban experience's essence while holding a mirror to the broader human condition through its striking visual language.

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Spacemonkey Test Print Unique Silkscreen Artwork by Dalek- James Marshall Hand-Pulled 14-Color Screen Print on 330gsm Museum Smooth Cotton Rag Paper Limited Edition Pop Street Art Artwork. 2018 Signed Test Print Marked 1/1 Unique One-of-a-Kind Original Print Artwork Size 24x20 "Spacemonkey Test Print Unique Silkscreen Artwork" is a piece of contemporary art created by American artist Dalek, whose real name is James Marshall. Born in New London, Connecticut in 1968, Dalek is well-known for his signature Spacemonkey character, which he began painting in the late 1990s. The Spacemonkey character is an iconic figure in Dalek's body of work, strongly influenced by Japanese pop culture, street art, and graffiti. This particular piece, the "Spacemonkey Test Print Unique Silkscreen Artwork," is a unique silkscreen print featuring the Spacemonkey in a test print format. Silkscreen printing, also known as screen printing, is a popular method of printing images on various surfaces using a mesh to transfer ink. The technique allows for the creation of multiple unique prints, each with slight variations due to the handcrafted nature of the process. In the case of this piece, Dalek has chosen to create a unique, one-of-a-kind test print. The artwork features his signature bold colors, geometric patterns, and the Spacemonkey character. The test print format often shows various layers of the printing process, adding depth and intricacy to the piece. Collectors and fans of Dalek's work often seek out his Spacemonkey creations for their vibrant, edgy appeal and the way they represent a fusion of street art, pop culture, and fine art. As a unique test print, this particular piece is likely to be highly coveted among art collectors and enthusiasts.

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Flags AP Artist Proof Hand-Pulled 9-Color Silkscreen Print on 290gsm Coventry Rag Paper by Pop Graffiti Artist Dalek- James Marshall Rare Street Art Limited Edition Artwork. AP Artist Proof 2018 Signed & Marked AP Limited Edition Size 24x18 Screen Printed by Serio Press. Limited Edition Artwork by Dalek: A Study in Street Pop Art and Graffiti Dalek, the moniker for artist James Marshall, represents a confluence of street pop art and graffiti artwork that has significantly impacted the contemporary art scene. His 2018 release, an Artist Proof (AP) titled "Flags" is a hand-pulled, 9-color silkscreen print on 290gsm Coventry Rag Paper. It is a rare and exquisite example of his mastery in blending the rawness of street art with the finesse of pop art through silkscreen printing. Dalek's "Flags" - A Vibrant Display of Color and Form "Flags" by Dalek is a compelling visual narrative, showcasing his quintessential Space Monkey character in a repetitive, almost rhythmic arrangement. This limited edition piece, Screen printed by Serio Press, is signed by the artist and marked as an Artist Proof, highlighting its rarity and value to collectors and enthusiasts alike. The artwork spans 24x18 inches, a size that allows each element to command attention while contributing to a cohesive whole. Artistic Technique and Execution The process of creating "Flags" is as meticulous as it is creative. The 9-color silkscreen print is a testament to Dalek's skillful use of color theory and his precision in the manual printing process. The choice of Coventry Rag Paper, known for its durability and luxurious texture, underscores the quality and longevity of the artwork. Each color is laid down with care, ensuring that the vibrancy Dalek is known for is present in every inch of the piece. Influence and Significance in Street Pop Art In the landscape of street pop art and graffiti, "Flags" is a cultural artifact that embodies the spirit of both movements. Dalek has taken the rebellious energy of graffiti and channeled it through a process typically associated with more traditional forms of pop art, creating a bridge between two worlds often seen as disparate. The result is an artwork that is both a statement piece and a fine art collectible, reflecting the evolving nature of street-inspired art. Collectibility and Impact The collectibility of "Flags" is enhanced by its status as an Artist Proof, a distinction given to prints pulled before the regular edition for the artist's personal use. These proofs are often used to verify the quality and color of the print and are typically kept in smaller numbers, making them more desirable to collectors. Dalek's signature and the AP marking further authenticate the print as original and exclusive. Dalek's Ongoing Legacy Dalek's "Flags" is more than just a piece of artwork; it is a narrative about the journey of an artist who continues to push the boundaries of street pop art and graffiti. Through this piece and others like it, Dalek challenges perceptions, invites engagement, and broadens the understanding of what street art can be. His works are cherished for their aesthetic appeal and their capacity to provoke thought and conversation about the art world's status quo. "Flags" by Dalek is a remarkable addition to street pop art and graffiti artwork discourse. It encapsulates the dynamism of Dalek's artistic vision and serves as a beacon for the potential of street art to permeate and elevate the fine art domain. With its layered colors, iconic imagery, and limited availability, this print continues to captivate audiences and solidify Dalek's position as a trailblazer in the art world.

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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Spacemonkey Happy Pants Yellow Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2022 Signed & Numbered Box 6.5" Tall Limited Edition of 150 New In Box Spacemonkey Happy Pants Yellow Art Toy by Dalek- James Marshall is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Night Time Cotton Candy Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Cotton Candy Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Cotton Candy< Edition Night Time Cotton Candy Silkscreen Print by Dalek – James Marshall Dalek, the moniker of American artist James Marshall, returns with a sugar-rush symphony of geometry and color in “Night Time Cotton Candy,” a 2023 silkscreen edition crafted with meticulous hand-pulled precision. Printed on French Cotton Candy Kraft cardstock and sized at 18x24 inches, this limited edition of only 15 is signed and numbered by the artist. The print explodes with a joyful riot of saturated tones, anchored by Dalek’s iconic Space Monkey characters, which appear like mechanized avatars of urban energy and consumer commentary. Hyperstructure Meets Playful Chaos “Night Time Cotton Candy” is a dazzling example of visual complexity. Built through 14 individually pulled screens, the composition unfolds like a futuristic blueprint mashed with childhood iconography. Dalek’s Space Monkeys march and float through layers of concentric circles, mechanical appendages, and retro-futuristic gadgets. This visual symphony is rendered in a vivid palette of bubblegum pinks, bright aqua blues, highlighter yellows, and inky blacks. The Cotton Candy color base gives the entire work a surreal glow, as if the whole scene exists on the outer rim of a neon-lit dream. Despite the childlike exuberance of the figures and palette, the architectural arrangement and robotic motion convey themes of precision and repetition. The overall effect is a commentary on rhythm, routine, and the mechanical aspects of modern life, veiled in the soft aesthetics of confectionery joy. Dalek harnesses the dualities of cuteness and control, of chaos and symmetry, creating an aesthetic tension that elevates the print beyond decorative abstraction. Technical Discipline in the Print Studio Silkscreening at this level demands absolute control. Each of the 14 color layers must align with pinpoint accuracy, especially in a piece as intricate and tightly composed as this. The crisp layering of hard-edged lines, flat fills, and gradients reveals Dalek’s mastery not only as a designer but as a technician. The French Cotton Candy Kraft paper used as the base further enhances the visual harmony, offering a soft tint that complements the vibrant pigments without overpowering them. The surface is smooth, the print is saturated without being bloated, and each section interacts like cogs in a kinetic sculpture. The process reflects the graffiti artist’s foundational respect for precision and rhythm, reinterpreted through the lens of Street Pop Art & Graffiti Artwork. Dalek’s Visual Philosophy and Collectible Allure James Marshall’s artistic legacy is deeply rooted in the language of street art, psychedelia, anime, and mathematical form. “Night Time Cotton Candy” is an evolved meditation on those sources. It feels like a remix of old-school rave flyers, Atari-era graphics, and mechanical illustrations, transformed into a collectible fine art object. The Space Monkey character is more than a mascot—it is a cultural transmitter, speaking to cycles of identity, media overload, and hyper-stimulation. With only 15 editions in existence, this piece is a rare and powerful acquisition. For collectors, it serves not just as a snapshot of Dalek’s signature visual style but as a statement of where street art and pop surrealism intersect in today's market. “Night Time Cotton Candy” encapsulates an ethos of playful critique, rendered with the discipline of a master printmaker.

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Helping Hands Archival Print by Dalek- James Marshall Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 33 Off the Press Show Series Artwork Size 18x24 Archival Pigment Fine Art. Space Monkey Heads, Weapons & Trippy Shapes. Exploring the Psychedelic Geometry: Dalek's "Helping Hands" Dalek, also known as James Marshall, has emerged as a seminal figure in the transformation of street pop art into a form that fuses graffiti's raw, dynamic energy with the meticulous precision of fine art. His 2023 creation, "Helping Hands," is a limited edition archival print encapsulating this hybrid aesthetic. Limited to 33 signed and numbered pieces, the series is part of the "Off the Press Show Series," each print measuring 18x24 inches and printed on fine art paper. This artwork is a vibrant symphony of Marshall's iconic Space Monkey characters, a series of weapons, and a collection of shapes that defy the conventional perception of space and form. In "Helping Hands," the striking color palette and the array of trippy, psychedelic shapes invite the viewer into a world that is both familiar and alien. The Space Monkey heads, a recurrent motif in Dalek's work, are depicted with a visual language that speaks to the heart of street pop art and graffiti artwork. Each head, armed with an arsenal of whimsical weapons and surrounded by abstract forms, conveys a sense of playful aggression, a hallmark of Marshall's style. The Space Monkey Phenomenon in Modern Art The Space Monkey is more than just a character; it has become an emblem of Dalek's artistic journey and a symbol within the larger context of pop graffiti and street art. Initially a vehicle for Marshall to explore his style and identity, the Space Monkeys have evolved into a complex commentary on society, individuality, and the nature of conflict. With "Helping Hands," these characters are not passive but are actively engaging with the environment around them, which is a chaotic yet structured universe of shapes and colors. This archival pigment fine art print is a vibrant example of how street art motifs can transition into collectible fine art. The limited edition nature of "Helping Hands" elevates the Space Monkeys from urban walls to the sanctified space of galleries and private collections while still maintaining the accessibility and populist spirit that is intrinsic to street art. James Marshall's Visionary Contribution to Art James Marshall's contributions to the art world are characterized by a fearless blending of genres and a willingness to experiment with form and color. In works like "Helping Hands," he has distilled the essence of graffiti artwork into a format that challenges and expands the boundaries of pop art. His use of archival pigment on fine art paper signifies respect for the durability of art, contrasting with the ephemeral nature of traditional street art, which is often at the mercy of the elements and city ordinances. The complexity of "Helping Hands" lies in its visual impact and the layers of meaning each component represents. The Space Monkeys, armed and yet seemingly at ease, juxtaposed with the mind-bending geometric backdrop, create a tension that is both thought-provoking and visually arresting. Marshall's work is a dialogue between the viewer and the canvas, a conversation that delves into themes of existence, resistance, and the interplay between harmony and discord. James Marshall, who hails from the United States, has left an indelible mark on the contemporary art scene through his art. "Helping Hands" is a testament to his skill as an artist and his vision as a creator who seamlessly melds the street with the studio. As a piece of modern artwork, it not only represents a moment in time but also serves as a bridge to the future of art where the lines between street pop art, graffiti artwork, and fine art continue to blur and converge.

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Filling Holes Archival Print by Dalek- James Marshall Limited Edition on 300gsm Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.72x23.62 Archival Pigment Fine Art  Filling Holes by Dalek: Precision and Play in Street Pop Art & Graffiti Artwork Filling Holes is a 2019 limited edition archival pigment print by American artist James Marshall, professionally known as Dalek. Created in an edition of 50 and printed on 300gsm Somerset fine art paper, the artwork measures 17.72 x 23.62 inches and is signed and numbered by the artist. Known for his character-driven abstractions and geometric pop constructions, Dalek has been a defining figure in the evolution of Street Pop Art & Graffiti Artwork. His work merges the visual language of cartoons, street tagging, skate graphics, and vector precision into hyper-saturated compositions filled with character, attitude, and formal rigor. Filling Holes features one of Dalek’s signature visual avatars—his Space Monkey—rendered in a dense, mechanical composition filled with surreal movement and playful tension. The central figure appears as a gray robotic organism with a USB symbol on its head, an enormous eye, a snout-like mouth, and shark-like teeth lining its pink inner jaw. Multiple mechanical limbs and sockets protrude from the figure at unexpected angles, while other strange appendages and cartoon-like forms interact with the space. A whimsical pink wormlike creature smiles from the bottom corner, adding a dose of absurdity to the controlled chaos. The print’s layout plays with perspective and layering, creating a depth that mimics both flat graffiti stylization and comic panel storytelling. Dalek’s Space Monkey and the Evolution of Character in Urban Narratives Dalek introduced the Space Monkey in the late 1990s as a stylized avatar for psychological commentary, subversive humor, and personal storytelling. In Filling Holes, the figure takes on a more evolved, robotic form—part sentient machine, part digital toy, part protest symbol. The composition appears surgically constructed, yet its subject matter is playful and filled with coded emotion. This duality is central to Dalek’s practice, where pop culture gloss coexists with complex design logic. The figure’s expressionless eye and mechanical extensions speak to digital overload and identity distortion, while the bold colors and rounded edges ground the piece in accessibility and familiarity. This stylized contradiction fits squarely within the philosophy of Street Pop Art & Graffiti Artwork, where the language of rebellion is often cloaked in polished forms. Dalek’s art challenges viewers to interpret chaos as intentional structure, to see repetition as pattern, and to recognize that humor and anxiety are often drawn from the same place. The title, Filling Holes, may suggest emotional repair, technological interference, or urban fragmentation—all concepts rooted in the lived experience of navigating systems that continuously deconstruct identity. Precision, Geometry, and Contemporary Graffiti Aesthetics Dalek’s background in mathematics, graphic design, and street culture informs the precise geometry of his compositions. Filling Holes exemplifies his ability to balance form and function while drawing from graffiti’s spatial dynamics and pop art’s color theory. His use of black outlines, flat fields of color, and symmetrical structure reflects a deep understanding of mural-scale composition, adapted here for fine art paper. The colors are intentional—muted grays contrast with vibrant pinks and teal greens, creating visual focal points and rhythm within the confined space. Printed on 300gsm Somerset paper, the artwork retains a tactile surface quality that enhances its architectural qualities. The archival pigment printing process ensures color depth and edge clarity, allowing each contour and form to hold its shape and tone. As with all of Dalek’s limited editions, the piece functions as both collectible object and micro-narrative—a piece of a larger, evolving language that speaks to systems, surrealism, and the strange joy of controlled chaos. Filling Holes as Conceptual Artifact and Visual Anthem Filling Holes represents Dalek’s unique synthesis of modern visual culture—an artwork that pulls from childhood cartoons, digital interfaces, industrial design, and graffiti codes. It is not just a composition of shapes and figures; it is a psychological diagram rendered in flat color and clean line. The robotic presence, USB port, and optical repetition suggest a world where identity is constantly plugged in and reprogrammed, and where playfulness masks deeper circuitry of critique. James Marshall’s place within the Street Pop Art & Graffiti Artwork landscape is cemented by his ability to evolve character-based art into formal innovation. Filling Holes is a snapshot of that evolution—an artwork that stands as precise as it is unpredictable, built from the materials of modern life and the vocabulary of visual rebellion. It is pop surrealism sharpened to a vector edge, endlessly repeating in vibrant loops of emotion and control.

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