Spray Paint

5 artworks

  • Black Book Graffiti Drawing Journal by Stay High 149- Wayne Roberts

    Stay High 149- Wayne Roberts Black Book Graffiti Drawing Journal by Stay High 149- Wayne Roberts

    Black Book Graffiti Original Personal Drawing Journal by Stay High 149- Wayne Roberts Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. STAYHIGH149 x  2003 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Good, Some Wear And Tear And Some Pages Seem To Be Missing. This one-of-a-kind black book once belonged to the legendary STAYHIGH149, a true icon in graffiti history. It's more than just a sketchbook—it's a cultural artifact worthy of a museum collection. Inside, you’ll find over 130 pages filled with raw, authentic tags and pieces not only by STAYHIGH149 but also by his close collaborator Dead Leg and influential figures like TRACY 168, among others. This Black Book is bursting with visual history. The back cover is also adorned, making this a full-spectrum look into the underground art of an era. Historic Black Book from Graffiti Legend STAYHIGH149 This original drawing journal is a profoundly rare and culturally significant piece directly tied to the late Wayne Roberts, better known as STAYHIGH149. A cornerstone figure in the early development of New York City graffiti, STAYHIGH149 left an indelible mark on the movement with his iconic “smoker” tag and elevated letterforms. The black book featured here is not just a collection of pages—it is a museum-worthy artifact that reveals the soul of 1970s and 1980s graffiti culture through the hands of its pioneers. It is signed and marked throughout, and was actively used in the early 2000s, serving as a visual time capsule of creativity, brotherhood, and raw street energy. Hand-Tagged Pages from Graffiti’s Original School The black book, measuring 8.5 by 11 inches, contains over 130 pages of unfiltered tags, throw-ups, characters, and sketches—each one layered with markers, spray paint, stickers, and mixed media. Some pages are crossed out or worn, showing the passage of time and the frequent use by the artist and his close circle. Inside, the presence of Dead Leg, STAYHIGH149’s trusted collaborator, is heavily featured, along with pieces and dedications from other legends such as TRACY 168. These works are not curated—they are raw, spontaneous, and packed with style, making them some of the most authentic surviving street pop art & graffiti artwork on paper. Some pages are fully saturated with color while others feature quick bursts of lettering and iconic character drawings. Physical Condition and Artistic Integrity This one-of-a-kind black book carries the physical evidence of its use: some pages are missing, many have edge wear, and a few feature ghosting from marker bleed. Yet this only enhances its credibility as an active tool and companion for one of graffiti’s most visionary figures. The outside covers are heavily adorned in ink and paint, with the back featuring phrases like “Voice of the Ghetto”—a message that aligns directly with the legacy of Wayne Roberts. Inside, the mixture of bubble letters, classic tags, and stylized drawings represents decades of urban art tradition transferred from subway cars and city walls onto a personal canvas. Legacy Captured in Street Pop Art & Graffiti Artwork This black book isn’t a reproduction or retrospective. It is a living archive of graffiti history, created by the hands of those who built the culture from the ground up. STAYHIGH149 remains a towering figure in the world of graffiti, and this book reflects the camaraderie, influence, and unrelenting drive that defined an entire era. It is a powerful example of how street pop art & graffiti artwork evolved beyond city streets to become a revered form of contemporary expression. This black book is a rare opportunity to witness the underground art world as it was—personal, unfiltered, and immortal.

    $10,000.00

  • Holy Grail Gold HPM Wood Panel by Dan Christofferson- Beeteeth

    Dan Christofferson- Beeteeth Holy Grail Gold HPM Wood Panel by Dan Christofferson- Beeteeth

    Holy Grail Hand-Painted Spray Paint Multiple on Cut Wood Panel Ready to Hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Gold Limited Edition of 5 Artwork Size 8.5x13.5

    $533.00

  • Minksy Original Spray Paint Stencil Painting by Jeff Gillette

    Jeff Gillette Minksy Original Spray Paint Stencil Painting by Jeff Gillette

    Minksy Original One of a Kind Mixed Media Painting Artwork Hand-painted 7-color Spray Paint, Stencil on Fine Art Paper by Popular Pop Artist Jeff Gillette. 2018 Signed Original Painting Size 8.5x11 Jeff Gillette (b. 1959) Minksy, 2018 Mixed media on paper 11 x 8-1/2 inches (27.9 x 21.6 cm) (sheet) Signed and titled along the lower edge

    $820.00

  • Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Kaws- Brian Donnelly Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11.  Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.

    $25,000.00

  • Holy Bell Gold HPM Wood Panel by Dan Christofferson- Beeteeth

    Dan Christofferson- Beeteeth Holy Bell Gold HPM Wood Panel by Dan Christofferson- Beeteeth

    Holy Bell Hand-Painted Spray Paint Multiple on Cut Wood Panel Ready to Hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Gold Limited Edition of 5 Artwork Size 8.5x13.5

    $533.00

Spray Paint Graffiti Street Pop Art

The Role of Spray Paint in Street Pop Art and Graffiti

Spray paint, the quintessential medium of street pop art and graffiti has been an indispensable tool for urban artists around the globe. Its rise from a tool for simple markings to a respected artistic medium is a testament to the transformative power of street art. Spray paint offers unparalleled versatility, allowing for quick execution, a vibrant palette, and an ability to bridge the gap between fleeting street expressions and enduring pop art phenomena. Within street art, spray paint has evolved to embody the voice of the unheard and the spirit of the rebellious. It has provided artists the means to command public attention, converting blank walls into canvases that communicate personal and political messages. The fluidity and ease of use inherent to spray paint make it ideal for graffiti art's swift and often secretive nature. Its application ranges from precise stenciled works to expansive murals that adorn cityscapes, each telling its own story. The impact of spray paint extends beyond the streets and into pop art, where artists have used it to create pieces that reflect the commercialized and media-saturated environment of contemporary culture. Spray paint's ability to cover large areas and create bold, quick, graphic images has made it a favorite among pop artists looking to mirror the same mass-production techniques used in advertising and consumer goods. In essence, spray paint is not just a medium but a symbol of the street pop art and graffiti movement. It represents a democratization of art-making, proving that great art can emerge outside traditional spaces and without conventional tools. The cultural significance of spray paint in art will continue to be a topic of discussion as long as artists take to the streets to express their visions and voices.

The Evolution of Spray Paint in Artistic Expression

Spray paint has journeyed from the shelves of hardware stores to the studios of the world's most recognized street and pop artists, marking a significant evolution in its use and cultural significance. It has transitioned from a practical tool for utilitarian marking to a respected medium in the artist's toolkit, especially in street pop art and graffiti. This evolution reflects the changing landscapes of artistic expression and public space utilization.

Spray paint is an essential tool in both graffiti art and pop art. In graffiti art, spray paint is often the primary medium for creating large-scale murals and tags. Graffiti artists use spray paint because it is quick-drying, highly pigmented, and allows them to work quickly and efficiently on walls and other surfaces. They can create intricate designs and lettering using different nozzle tips, pressure, and angles to create various effects such as fades, drips, and gradients. Graffiti artists may also use other tools like markers and paint rollers, but spray paint is the most commonly used tool in this art form. Spray paint is also used in pop art to create bold and graphic designs. Pop artists often use stencils and spray paint to create repeated patterns and images that are highly stylized and instantly recognizable. The use of bright colors and bold lines is characteristic of this art form, and spray paint allows artists to achieve this effect quickly and efficiently. Spray paint can also create a textured and layered effect, adding depth and interest to pop art pieces. Spray paint is essential in graffiti and pop art, allowing artists to create bold and impactful designs quickly and efficiently. Graffiti and pop art have different origins and styles, but both use spray paint uniquely. In graffiti art, spray paint is often used to make political and social statements or express the artist's identity. Graffiti artists often work in public spaces, and spray paint allows them to create large-scale murals quickly and precisely. They may also use other materials, such as stencils or stickers, to add additional layers of meaning to their work. In pop art, spray paint creates images inspired by consumer culture and popular media. Pop artists often use bold graphic designs inspired by advertising and commercial art. Spray paint is an essential tool in creating the sharp, clean lines that are characteristic of this style, and it can also be used to add texture and depth to the artwork. Both graffiti art and pop art have had a significant impact on contemporary art, and the use of spray paint is an integral part of their respective styles. While some may view graffiti as vandalism, many artists see it as a legitimate form of self-expression, and spray paint is a vital part of this art form.

Defining the Aesthetic of Street Pop Art and Graffiti

On the other hand, pop art is often seen as a celebration of consumer culture, and spray paint is an essential tool in creating the bold, colorful designs that are characteristic of this style. There are several popular brands of spray paint makers for graffiti art, each with its unique characteristics and advantages. Here are some of the most well-known brands: Montana Cans is a German-based company offering various colors and finishes. They are known for their high-quality paint and easy-to-use nozzles. Ironlak is an Australian company that provides high-quality, low-odor paint for indoor and outdoor use. They also offer a wide range of colors and finishes. Krylon is a US-based company that offers affordable spray paint with a quick-drying formula and a wide range of colors. They are known for their smooth and consistent coverage. Belton Molotow is a German-based company that offers a range of high-quality, professional-grade spray paints. They are known for their vibrant colors and durable finishes. Rust-Oleum is a US-based company that provides a range of affordable spray paints with various finishes, including metallics and glitter. They are also known for their durable, long-lasting formula. These are just a few of the popular brands of spray paint makers for graffiti art. Each brand has unique characteristics, and finding the one that works best for your particular project and style is essential. The distinctive characteristics of spray paint define the aesthetic of street pop art and graffiti. Its quick-drying nature, bright colors, and ease of layering make it ideal for the dynamic visuals associated with these art forms. Spray paint has given street artists the ability to produce works quickly, a critical factor in the often illicit nature of graffiti art. Moreover, the portability of spray cans allows artists to carry their tools as they traverse urban environments, creating spontaneous and responsive art to the immediate surroundings. Spray paint has been pivotal in democratizing art. Its relatively low cost and high availability have empowered individuals from all walks of life to engage in artistic endeavors. In the hands of street artists, spray cans have become a means to challenge the status quo, making statements on societal issues while bypassing traditional gatekeepers of the art world. This accessibility has made spray paint a key player in the explosion of street pop art and graffiti across the globe.

Technical Innovation and Artistic Mastery

Technical innovation in spray paint has expanded its potential as a medium for fine art. Artists have mastered shading, texturing, and complex layering techniques, pushing the boundaries of what can be achieved with a can of paint. The precision and control exhibited by seasoned artists rival that of brushwork, allowing for intricate and sophisticated pieces that challenge previous misconceptions about the capabilities of spray paint. The perception of spray paint has shifted from being associated with vandalism to being valued as a legitimate artistic medium. As more artists adopt spray paint and more artworks gain recognition and value, the conversation around graffiti and street art is changing. The very medium that was once used to deface is now used to create pieces respected and sought after by collectors and art enthusiasts alike. Environmental considerations have also influenced the use of spray paint in art. As awareness of ecological impact grows, artists and manufacturers are seeking out and developing more sustainable and less toxic varieties of spray paint. This progression ensures that spray paint in street pop art and graffiti remains relevant and responsible, in line with contemporary concerns about the health of our planet. In conclusion, spray paint stands at the intersection of street credibility and pop art allure, embodying the raw energy of urban expression while holding its own in the gallery space. Its continued use and evolution in the art world signal a change in how art is made and how it is perceived by society. With each press of the nozzle, artists continue to challenge, engage, and redefine our times' visual and cultural landscape.
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