Spray Paint

Risky I Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Cyan Formula Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One x Czee13. 2020 Box Signed Size 5.5" Limited Edition of 200 "Box Signed. The OG legend Sket One has teamed up with Czee13 & Clutter to bring you a killer series of Canz that are Classics. Standing at 5.5” with its trademark rattle, this dope Canbot Canz fits perfectly with the rest of the Canz family!" -Clutter

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Decycled Coach Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 4 Denial’s Decycled Coach: Pharmaceutical Luxury and Brand Disruption in Street Pop Art Denial’s Decycled Coach is a mixed-media archival pigment print that merges collage, aerosol, pencil, and varnish techniques into a hand-embellished visual attack on luxury branding. Released in 2021 as an extremely limited edition of only 4, each print is signed, numbered, and custom framed, measuring 17.8125 by 23.75 inches. At the center of the composition lies a stylized capsule—rendered in clean, glossy layers—branded with the Coach logo. Its form is both pharmaceutical and sculptural, set against a fragmented background of splattered paint, screenprint halftones, and broken gradients that suggest movement, chaos, and intentional vandalism. The pill, labeled 100MG, serves as a pointed metaphor. It reframes luxury as medication, treating identity, insecurity, and social status as symptoms to be relieved by consumption. This is not a critique from the outside; it is a surgical strike from within. Denial borrows from the brand’s own aesthetic language—its serifed typeface, equestrian motif, and minimal labeling—then disrupts it with gestures that belong to graffiti: sprayed arcs, color streaks, intentional imperfections. The capsule becomes a fetish object, reduced to something digestible, addictive, and ultimately disposable. Corporate Logos as Emotional Currency Denial’s recurring use of logos in his work is not about parody; it is about exposure. In Decycled Coach, the brand’s heritage and refinement are stripped of context and placed into an environment of instability. The work becomes an autopsy of commercial trust. Coach, like many fashion houses, trades on nostalgia, elegance, and aspirational identity. By embedding it within the shape of a pill, Denial questions what it means when a logo provides emotional relief. The suggestion is not subtle—brands function like medicine, numbing pain and offering belonging in exchange for loyalty. The background’s visual noise reinforces this dissonance. Torn patterns and abrupt texture shifts interrupt the central figure, refusing to let the viewer settle into comfort. A traditional ornate gold frame surrounds the chaos, an ironic nod to classical portraiture. It presents the artwork as something precious, even regal, despite its abrasive content. This friction between polish and resistance defines much of Denial’s work in Street Pop Art & Graffiti Artwork. Material Hybridity and Street-Informed Technique What makes Decycled Coach stand out is its physicality. Unlike digitally composed editions, this hand-embellished multiple incorporates real layers of texture through collage and varnish. Each print becomes a hybrid between printmaking and painting. The surface is manipulated with street-level tools—spray paint and pencil—suggesting the rapid, instinctual mark-making of graffiti writers. Yet the pill shape remains controlled and pristine, emphasizing the clash between authority and rebellion, product and protest. Denial, whose real name is Daniel Bombardier, continues to expand the vocabulary of Street Pop Art by interrogating how capitalist culture manufactures meaning. His art exists not just in critique, but in confrontation. Decycled Coach exemplifies this through its fearless dismantling of visual systems. The framed artwork becomes a mirror to modern consumer logic, where even rebellion can be bought, and where the cure to identity confusion is offered in branded, digestible doses.

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Work Well Together- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Williamsburg Bridge NYC Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Supreme Drip Original One of a Kind Wheatpasters, Ink & Spray Paint Painting Artwork on Layered Wood by Popular Street Graffiti Artist Peter Van Flores. 2022 Signed Original SUPREME Drip Wood Cut A homage to SUPREME. Ink, Spraypaint, and wheatpaste on several layers of hand cut wood. 1 of 1 original. Medium in size. Unique dimensions with curves. Supreme Drip Original Spray Paint Collage Painting by Peter Van Flores

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Chaz Bojorquez Matte Black Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2025 Stamped Matte Black  Color Limited Edition of 1000 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Chaz Bojorquez Matte Black Montana MTN Spray Paint Can Object Artwork The Chaz Bojorquez Matte Black Spray Paint Can by Montana MTN is a 2025 limited edition object artwork that celebrates the connection between graffiti culture, collectible design, and functional artist materials. Produced in a limited edition of 1000, this special release features a Montana MTN spray paint can wrapped in vivid custom artwork and packaged inside a branded wooden display box. Measuring approximately 3 x 8 inches, the piece transforms a traditional graffiti tool into collectible Street Pop Art & Graffiti Artwork. Unlike standard commercial paint products, this edition was designed as a crossover between studio practice and contemporary object art, while still remaining filled with usable Matte Black paint. Chaz Bojorquez and Los Angeles Graffiti History Chaz Bojorquez is an American graffiti artist recognized as one of the foundational figures in West Coast graffiti culture. Emerging from Los Angeles during the 1970s, Bojorquez became known for blending Cholo-style lettering traditions with influences from calligraphy, urban signage, and contemporary street expression. His iconic handstyle helped define a distinctly Californian graffiti aesthetic separate from the subway-based lettering systems developing in New York during the same era. The stylized signature featured prominently on this Montana MTN can reflects Bojorquez’s instantly recognizable script approach, which remains influential across modern Street Pop Art & Graffiti Artwork. His work has been exhibited internationally and continues to bridge underground graffiti culture with gallery and museum recognition. Spray Paint as Functional Sculpture and Collectible Art The spray paint can has become one of the most important visual symbols within graffiti culture. Artists rely on it not only as a tool but also as a representation of freedom, rebellion, identity, and public expression. This Montana MTN edition elevates the spray can into sculptural object artwork through detailed printed imagery featuring a flaming skull motif rendered with vibrant gradients and layered color effects. The addition of the custom wooden presentation box reinforces the collectible nature of the release while maintaining direct ties to graffiti authenticity. Within Street Pop Art & Graffiti Artwork, artist-designed spray cans have evolved into highly sought-after crossover pieces that merge industrial design, packaging, and fine art aesthetics. Montana MTN Collaborations and Graffiti Collectible Culture Montana MTN has established itself as one of the leading spray paint brands associated with international graffiti culture. Through collaborations with influential artists, the company has helped preserve the visual language and history of street art within collectible editions like this release. The Chaz Bojorquez Matte Black edition demonstrates how functional materials from graffiti practice continue gaining recognition as legitimate contemporary art objects. Collectors are drawn to these works because they preserve the authenticity of graffiti culture while presenting it in a format suitable for display. The combination of the stamped edition, artist collaboration, custom packaging, and functional paint contents gives this release significance beyond traditional merchandise, placing it firmly within the expanding world of Street Pop Art & Graffiti Artwork.

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Spraying Clouds Blotter Paper Archival Print by El Pez Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

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Grinbot Signed Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artists Ron English- POPaganda x Czee13. 2022 Signed Autograph by Ron English- POPaganda x Czee13 Limited Edition of 300 New In Box Rare Ron English- POPaganda Canbot Canz Art Toy Artwork Size 3x5.5. Ron English- POPaganda Grin Smiley Skeletons Smile x Czee13 Canbot Canz . Vast Majority Not Signed. The Fusion of Icons: Grinbot Signed Canbot Canz by Ron English- POPaganda x Czee13 The fusion of iconic styles in Street Pop Art & Graffiti Artwork takes a tangible form in the Grinbot Signed Canbot Canz . This limited edition vinyl art toy marks the collaboration between pop culture artist Ron English- POPaganda and the street art maverick Czee13. This collectible stands at 3x5.5 inches, representing a cross-pollination of distinct artistic signatures—the audacious and often controversial English, with his Grin Smiley Skeletons Smile and Czee13's gritty, urban Canbot Canz aesthetic. Released in 2022, the Grinbot Signed Canbot Canz is a rarity, with a limited edition run of only 300 pieces. Each art toy comes new in its box, embodying the pristine condition sought by serious collectors. Most of these pieces are unsigned, making the signed editions particularly coveted. The autographs of Ron English- POPaganda and Czee13 on these select Canbot Canz s are not mere scribbles; they are the artists' endorsement, a seal of authenticity on a work of art that bridges their worlds. Cultural Significance of the Grinbot Canbot Canz The Grinbot Canbot Canz is more than a collectible item; it symbolizes the subversive humor and critique that Ron English- POPaganda is renowned for. His work often challenges the viewer to re-examine the visual components of our pop culture landscape. The smiling skeleton, a motif regularly featured in English's work, is a commentary on the superficiality of happiness in consumer culture. It is both a smile and a skull, a paradoxical image that resonates with modern society's ephemeral nature of joy. Czee13's Canbot Canz , on the other hand, speaks the language of the streets. It is gritty, raw, and honest. It tells the story of the urban environment, its resilience, and the culture that burgeons within it. The collaboration between these two artists on the Grinbot Canbot Canz is a testament to the power of Street Pop Art & Graffiti Artwork to reflect society's complexities, using the urban landscape as both canvas and inspiration. Investment and Collectibility of the Grinbot Canbot Canz As a collectible, the Grinbot Signed Canbot Canz holds significant value. Collectors of Street Pop Art & Graffiti Artwork understand that the worth of such pieces transcends their physical form. Owning a signed Grinbot Canbot Canz resembles holding a piece of contemporary art history. It is an investment that carries the potential to appreciate as the legacies of Ron English- POPaganda and Czee13 continue to unfold and influence the art world. For enthusiasts of street art, the Grinbot Canbot Canz is a must-have. Its limited edition status ensures exclusivity, and the signatures of Ron English- POPaganda and Czee13 imbue it with a personal touch from the artists themselves. This art toy is a fusion of cultural commentary and street sensibility, a physical representation of the dialogue between pop culture and graffiti art. Impact of Ron English- POPaganda and Czee13 in Artistic Collaboration Ron English- POPaganda's influence in the world of pop art is indelible. Known for coining POPaganda, his work often features a mash-up of high and low cultural touchstones. English's collaboration with Czee13 on the Grinbot Canbot Canz highlights the latter's rising stature in the Street Pop Art & Graffiti Artwork scene. Czee13, with his distinct style that resonates with the pulse of the streets, brings a raw and authentic edge to this joint venture. The result of this collaboration is a piece that stands at the intersection of pop culture critique and street art expression. It embodies art's dynamic and often unpredictable nature that straddles these genres. The Grinbot Canbot Canz becomes a conversation piece, a medium through which the narratives of pop culture and street art are not only told but also questioned and reimagined. The Grinbot Signed Canbot Canz by Ron English- POPaganda, and Czee13 is a testament to the vibrancy and relevance of Street Pop Art & Graffiti Artwork. It encapsulates the essence of two divergent artistic philosophies, creating a unique piece that is both a critique of contemporary culture and a homage to the spirit of street art. For the collectors who seek to own a part of this narrative, the Grinbot Canbot Canz is not just an art toy but a piece of cultural commentary, a remembrance of the ever-evolving story of street art and its indelible impact on the pop culture landscape.

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Elevated Train- Katzs- One Way Sign Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Bucket Head #4 Original Mixed-Media, Acrylic, Metal, Spraypaint Sculpture Artwork on Real Vintage Paint Can with reclaimed elements by graffiti street artist modern pop artist Ron Zakrin. “This exhibition looks to both the recent past -- how technical advances in the music industry shaped a generation -- and to the near future for motifs and possible outcomes due to developments in artificial intelligence. This expansive body of work tells a story of adaptation and the integration of technology.” - Ron Zakrin

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Zest- Orange Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Montpellier writer ZEST (TNB, WALLNUTS, RS, KD) has been the protagonist of our latest Limited Edition. A self-taught illustrator, sculptor and writer since the early 1990s, he has managed to define a style characterized by characters who follow the figurative cans of the old school with an abstract and advanced touch.

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Mac & Retna- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. 2009 Limited Edition of 500 Montana MTN Artist Series Spray Paint Can. No Box. Mac & Retna Black Montana MTN Artist Series Spray Can The Mac and Retna Black Montana MTN Artist Series spray paint can from 2009 represents a rare crossover between product design and Street Pop Art & Graffiti Artwork. Released as part of the Montana MTN limited artist series, this edition of 500 transforms a functional spray can into a collectible art object. The cylindrical surface features a monochromatic portrait rendered in soft grayscale tones alongside Retna’s signature typographic script layered vertically across the design. The collaboration merges figurative portraiture with stylized calligraphy, reinforcing the deep connection between graffiti tools and the artists who define contemporary urban visual culture. Unlike standard production cans, this edition was conceived as both usable material and display piece, reflecting Montana MTN’s recognition of graffiti writers as influential cultural figures. Retna Script and Mac’s Figurative Influence Retna was born Marquis Lewis in 1979 in the United States and remains active. He is widely recognized for developing a distinctive script inspired by global calligraphic traditions, including Gothic, Arabic, and Asian typographic systems. His letterforms operate as abstract language structures within Street Pop Art & Graffiti Artwork, often layered over figurative imagery. The portrait element on this can reflects the collaborative dialogue between Retna’s symbolic script and Mac’s painterly aesthetic. The interplay between facial form and typographic pattern creates a visual tension between identity and coded language. In the context of graffiti culture, the spray can is not merely a container of paint but a foundational instrument of expression, making this artist series release culturally significant beyond its surface graphics. Edition Details and Collector Significance Produced in 2009 as a limited edition of 500, the Mac and Retna Black Montana MTN spray can stands as a documented artifact of graffiti’s evolution into recognized collectible design. The absence of the original box does not diminish the historical relevance of the piece, as the can itself carries the complete graphic identity of the collaboration. Montana MTN, a Spanish graffiti paint manufacturer founded in Barcelona, has played a major role in professionalizing aerosol production for artists worldwide. As a crossover object within Street Pop Art & Graffiti Artwork, this limited artist series can embodies the fusion of tool and artwork, bridging functional graffiti equipment with curated collectible culture.

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Roid- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in 82, London Based artist Roid began painting in the late 90’s spending the last ten years building a solid in- international reputation for innovation and technical skill. His constant evolution of the conventions of New York Subway graffiti has never stayed still and neither has he. After his sellout debut solo show in summer 2012 he is now working as a fine artist and creative director from his south London studio, continuing to influence and change the way people think about graffiti.

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Mini Abstract Shadowbox 05_5a Original Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Paper Framed by Street Art Pop Artist. 2022 Signed Mixed Media Spray Paint Acrylic Colored Pencil Original Painting Size 7x5. Each box is hand sanded. Each piece is signed and titled, Each shadowbox comes ready to hang "These are little gems! This series was particularly interesting when my son shined a black light on them. I stumbled upon these shadow boxes, which inspired me to work on different series. The pieces are leftover paper tears from handpainted multiples from my past. I save the painted paper scraps that I like. Each one is an original piece, and I enjoyed spending time working with each miniature painting." -Saber

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Wall Frame- Red Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Slick Hand Luke T30 Hand Embellished HPM Giclee Print by OG Slick x Luke Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed by Luke & OG Slick Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM.  Luke and Slick: From Assistant to Collaborator in 2024 Beginning in 2018, Luke began working alongside OG Slick on mural projects defined by bold, graphic, large-format imagery. While Luke’s personal art practice leaned more toward realism and reference-based rendering, he enthusiastically embraced the opportunity to contribute to Slick’s stylized compositions. Over the next several years, the duo collaborated on installations across various cities, developing a working relationship built on mutual respect and shared creative ambition. By early 2024, that trust had evolved into a deeper artistic partnership. Slick, recognizing Luke’s growth and commitment, offered him a chance to move from supporting role to full creative contributor. That invitation manifested through a reimagining of Slick’s 2016 piece Hand to Hand, which was itself an homage to M.C. Escher’s iconic 1948 work Drawing Hands. The concept featured two hands illustrating each other—an image that speaks to co-creation and mirrored skill. Slick saw an opportunity to revisit the piece in a way that would highlight both his and Luke’s strengths: the fusion of clean, stylized design with highly detailed, realistic technique. The result would be a dual-authored work, merging two distinct visual languages into a single composition. The updated version of Hand to Hand would serve not only as a tribute to artistic legacy but also as a statement of evolution—where an assistant becomes a collaborator, and where two styles meet at the point of mutual respect and creative dialogue. Slick Hand Luke T30 by OG Slick x Luke: Dual Technique in Street Pop Art & Graffiti Artwork Slick Hand Luke T30 is a 2025 hand-embellished giclee print collaboratively created by OG Slick and Luke. Released as a signed and numbered edition of only 25 pieces, each print is produced on 310gsm deckled fine art paper and hand-enhanced with custom embellishments, including paint splatters, spray marks, and gesture-based accents. With dimensions of 30x30 inches, every work in this series stands alone as a unique expression of dual artistic vision, executed in high-resolution giclee with added layers of spontaneous texture and color. Each print is hand signed by both artists and varies in detail, making every collector's piece an individual translation of their combined styles. As a product of two distinctly different approaches—OG Slick’s bold, graphic cartoon language and Luke’s refined photorealistic rendering—this edition solidifies itself as a landmark collaboration in Street Pop Art & Graffiti Artwork. Visual Dialogue Between Illustration and Realism The centerpiece of Slick Hand Luke T30 is a concept that pays tribute to M.C. Escher’s 1948 work Drawing Hands, reinterpreted through the lens of modern graffiti culture and fine art printing. One hand is a gloved cartoon figure wielding a paint marker, rendered in OG Slick’s unmistakable style, dripping ink and filled with animated life. The other is a hyper-realistic human hand, meticulously painted to evoke photographic precision, holding its own identical marker. Together, the hands are locked in a recursive creative loop—each drawing the other into existence. This dual execution speaks to collaboration, respect, and transformation, as two artists with opposing aesthetics engage in a visual conversation. The design is clean, minimal in composition, and powerful in symbolism. Against a white crinkled paper background, the contrast between ink, texture, and light brings an added layer of dimensionality. OG Slick and Luke: Collaboration as Evolution OG Slick, a graffiti legend with decades of influence rooted in West Coast street culture, is known for fusing cartoon references with biting cultural critique. Luke, an emerging fine artist and muralist, brings photorealistic mastery and a studied approach to form. Since assisting OG Slick on large-scale murals beginning in 2018, Luke has evolved from apprentice to full collaborator. Slick Hand Luke T30 marks their first true co-signed edition, reflecting a relationship built on shared trust, aesthetic contrast, and mutual inspiration. Their partnership is not simply visual; it is philosophical, embodying the fusion of disciplines and the dissolving of traditional boundaries between graphic art and realism in Street Pop Art & Graffiti Artwork. HPM Print as Living Collaboration Each piece in the Slick Hand Luke T30 edition is hand-embellished with varying applications of spray, drips, splashes, and painterly overlays, making no two alike. Some prints are energized with pink or magenta flourishes, others lean into subtler monochrome variations, reflecting the tension and harmony between the two contributors. The deckled edges enhance the print’s presence as a fine art object while keeping the rebellious soul of graffiti intact. As with all HPM editions by OG Slick, the uniqueness of each work underscores the value of unpredictability and raw intervention. In the scope of Street Pop Art & Graffiti Artwork, this collaboration stands as a statement of growth, respect, and creative duality—where the animated and the anatomical co-create, and where concept becomes practice through the hands of two artists drawing each other into being.

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Gold Rush- White Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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London With Rolls Royce Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Unit1 Lil Qwiky 5oz Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Quiccs x Czee13. Last colorway of the Lil Qwiky released 2021 at Five Points Fest, a limited run of 50.

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Cekios- Vampire Violet Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Cekios is an Australian artist, who started off with no idea what he was doing and using his father's old paint from the garage. In later years he studied graphic design, which helped shape his style into what it is today. His favorite tool is the astro cap, this helps him complete his pieces quickly when needed, creating a structure with letters and add dimension with layers.

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Bardot Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Rita Gold Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Gold Paper Collage of THE Woman Amara Karan From India & Movie The Darjeeling Limited Stylized Look. Kevin Stanton's "Rita Gold": A Harmony of Tradition and Innovation Kevin Stanton's "Rita Gold" stands as a profound expression of creativity and cultural homage within the modern art scene, particularly within the genres of Street Pop Art and Graffiti Artwork. This piece is a hand-cut HPM (hand-painted multiple) Giclee print. This limited edition fuses traditional paper-cutting techniques with the contemporary flair of spray paint and the luxury of a gold paper collage. Released in 2013, "Rita Gold" is an exclusive series with only four signed and numbered prints. Each piece measures 11.75x15.75 inches and is presented on layered glitter fine art paper, further hand-embellished by the artist. The work reflects Stanton's intricate paper-cutting skills, a foundational aspect of his artistic journey that shapes his systematic approach to composition—prioritizing the form and silhouette before the detail of line. Capturing Cultural Essence Through Cut-Paper Artistry "Rita Gold" is a celebration of Indian aesthetics, depicted through the stylized portrayal of a woman whose gaze and posture exude a sense of contemplative serenity. Stanton's use of gold paper collage works with hand-embellishments to elevate the artwork, infusing it with a tactile depth that cannot be replicated by digital means alone. The contrast between the reflective gold elements and the matte textures of the spray-painted background creates a dynamic visual experience that draws the viewer into a deeper engagement with the piece. The artwork's layered composition is a nod to the complexity of Indian culture and its rich tapestry of symbols, colors, and historical references. Stanton's work delves into storytelling through visual cues, where each cut and hue is a deliberate choice meant to convey meaning and provoke thought. Blending Fine Art with Street Art Sensibilities Street pop art and graffiti artwork are often characterized by their public accessibility and vibrant immediacy, qualities that Kevin Stanton skillfully incorporates into "Rita Gold." By choosing to work on a small scale and with a limited edition series, Stanton bridges the typically vast and open-ended world of street art with the exclusivity and intimacy of fine art. This piece embodies the versatility and adaptability of street art influences when placed in the hands of an artist who respects the medium's history while pushing its boundaries. The hand-cut elements and spray paint application are reminiscent of the graffiti artist's stencil and can technique, yet the final product is more delicate and refined. Kevin Stanton: An Artist of Precision and Passion Kevin Stanton's commitment to his craft is evident in the meticulous execution and thoughtful presentation of "Rita Gold." His dedication to blending traditional art forms with modern techniques makes his work stand out in a crowded field of contemporary artists. The limited nature of this print series speaks to his artwork's exclusivity and bespoke quality, ensuring that each piece is not merely a visual spectacle but also a collector's item. Stanton's "Rita Gold" is more than a print; it is a testament to the power of art to transcend cultural barriers and to resonate with a universal audience. The print remains a captivating piece within Stanton's oeuvre, capturing the essence of street pop art and graffiti artwork through a unique lens that is both innovative and respectful of its diverse influences.

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The Band Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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John Lennon 02 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Holy Bell Hand-Painted Spray Paint Multiple on Cut Wood Panel Ready to Hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Gold Limited Edition of 5 Artwork Size 8.5x13.5

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Misfits Unique on Paper 5 HPM Silkscreen by Hijack Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & HPM Original Hand Spray Painted Limited Edition of 5 Each Unique Artwork Size 50x38

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Sole of the Artist: CFYW Portrait Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist CFYW x KJ Shows. Sole of the Artist: CFYW Portrait • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed, dated, numbered and embossed by KJ Shows Additionally signed by Geoff Hargadon (Cash For Your Warhol) Limited edition of 25

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Roya HPM Hand Embellished Archival Print by Mateo Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2025 Signed & Numbered HPM Hand Embellished Print Limited Edition of 10 HPM Uniques Artwork Size 17x24 Archival Pigment Fine Art Roya HPM by Mateo: Sacred Identity Rendered Through Street Pop Art & Graffiti Artwork Roya HPM is a 2025 hand-embellished archival pigment print by French artist Mateo, produced in a limited edition of only 10 hand-painted multiples. Each edition within this exclusive HPM series is individually enhanced, transforming the fine art print into a one-of-a-kind mixed media statement. Printed on 290gsm Moab Entrada Fine Art Paper, the artwork measures 17x24 inches and carries the physical presence of a richly layered and deeply symbolic Street Pop Art & Graffiti Artwork. Mateo’s combination of sacred geometry, cultural portraiture, and lavish visual language is fully realized in this exquisite piece. Symbolism, Ornamentation, and Personal Identity In Roya, the central portrait emerges from a tapestry of intricately detailed motifs, gold embellishments, and sacred ornamental patterns that frame and fill the subject’s face and body. The woman’s features are composed with sharp photorealistic clarity, yet Mateo overlays her identity with a reverent layering of design—a nod to heritage, divinity, and beauty. The use of golden motifs radiating from the subject’s cheeks echoes Islamic and Persian architectural elements, honoring spiritual aesthetics while grounding the figure in cultural specificity. The artwork suggests not just a face, but a monument to memory, ancestry, and pride. Mateo’s masterful stencil work and embellishment with hand-painted elements makes each HPM in the edition a singular interpretation of the larger concept. No two prints are the same, as the artist deliberately injects variations in pattern, gilded detail, and color saturation. The result is an artwork that feels both universally symbolic and personally devotional. Luxury Techniques with Urban Grit The tactile brilliance of Roya HPM stems from its hybrid creation process—archival pigment printing ensures sharp fidelity to Mateo’s original design, while the Moab Entrada paper provides a lush, heavyweight surface for further hand embellishment. Each embellishment is a conscious act of layering history and meaning, blending graffiti-adjacent aerosol energy with fine art methodologies. Mateo’s work straddles public and private space, from murals to gallery walls, and this piece captures the tension between those two domains. This HPM print reflects Mateo’s ability to turn the language of street art into sacred visual storytelling. Gold-painted filigree evokes spiritual icons while celebrating global cultural traditions often excluded from western fine art narratives. Roya becomes not only a portrait but a tribute—a face carrying generations of stories, both visible and veiled. Street Pop Art that Honors Culture and Memory Mateo’s Roya HPM is a rare convergence of craft, message, and material. It speaks to the essence of Street Pop Art & Graffiti Artwork: the elevation of marginalized voices through visual spectacle and emotional resonance. The work feels regal and revolutionary, sacred and defiant. In Mateo’s hands, portraiture becomes a canvas for cultural restoration, not through nostalgia but through transformation. Roya is not merely seen—it is experienced, celebrated, and remembered.

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From The Ground Up Round 2- #22 Original Hand-Painted Multiple 2-Color Screen Print on Reclaimed Wood ready to hang by Meggs Graffiti Street Artist Modern Pop Art. 2015 From The Ground Up Round 2 #22 Original HPM Painting Print by Meggs Ready To Hang Meggs Adapting his street art and graffiti to fine art has granted Meggs extensive opportunities to travel, professionally exhibit his work, and participate in mural festivals around the globe. His street art and gallery works are recognized nationally and internationally in cities such as Melbourne, Sydney, London, San Francisco, Paris, Tokyo, Hawai‘i, Mexico, Los Angeles, and Hong Kong. Meggs’ artworks are included in the permanent paper collections of the National Gallery of Australia and the Victoria & Albert Museum of London.

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Sole of the Artist: The Sucklord Portrait Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist The Sucklord x KJ Shows. Sole of the Artist: The Sucklord Portrait • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed, dated, numbered and embossed by KJ Shows Additionally signed by The Sucklord Limited edition of 25

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Face Invader- Pork Chop Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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Beach Club- Embellished 22 4-Color HPM Edition Hand-Pulled Limited Edition Silkscreen Print on 100% Cotton Rag Rives BFK Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to Ava Gardner. Hand-Embellished HPM #22 Limited edition 4 color silkscreen print, (4 screens used), signed and numbered in pencil. Printed on heavy 100% Cotton Rag Rives BFK paper, 250 gsm weight.

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Railroad Spike Track Teeth Black Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Black by RD-357 – Reclaimed Object in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Black is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist whose work explores the intersection of street authenticity and industrial minimalism. This piece features a reclaimed metal railroad spike measuring 6 x 1 inches, transformed through the addition of RD’s distinct black tag. Executed in spray and marker, the tag cuts across the rusted shaft in a tight, angular form, accented by an arrow pushing forward. This object functions as both a sculptural work and a symbolic message, channeling graffiti’s mobile essence into a handheld relic. The spike—once a mechanical element of motion—becomes the vessel for name-based authorship, connecting the physical infrastructure of rail transit with graffiti’s legacy of distribution, presence, and personal signature. Tag as Sculpture and Object as Surface RD-357’s choice of object echoes graffiti’s foundational principle of using what is available to communicate identity and energy. Unlike traditional street surfaces like walls or doors, this object carries its own embedded story before it is ever painted—steel forged for permanence, wear from transit and time, dents from labor. The tag laid upon it becomes a layer of personality over raw material, marking the spike as no longer industrial but autobiographical. The black line curves through the space with purpose and direction, controlled yet expressive. The arrow flaring from the D propels the tag with motion, continuing graffiti’s tradition of symbolizing flow, travel, and attack. The artist’s use of black ink on a distressed, brown-and-steel base emphasizes legibility and intent, evoking early handstyle culture in its most stripped-down form. Graffiti Culture, Movement, and Found Object Authenticity Railroads have always played a central role in graffiti’s evolution—not only as literal canvases for mobile expression, but as metaphors for movement, rebellion, and connectivity. By placing his tag on a spike rather than a train, RD-357 draws attention to the mechanisms behind motion. This object represents the understructure of transit—what holds tracks together, what enables trains to move, and by extension, what allowed graffiti to gain visibility across cities and boroughs. The object becomes a fragment of cultural infrastructure, repurposed through the graffiti writer’s hand into an artifact of identity. It is as much about claiming authorship as it is about preserving the overlooked materials that define how cities are built and traversed. Street Pop Art & Graffiti Artwork in Micro Form In the context of Street Pop Art & Graffiti Artwork, Railroad Spike Track Teeth Black is a testament to how graffiti can inhabit small-scale objects without losing impact. This piece condenses the energy of a full burner into a six-inch form. It distills namewriting into something tactile and permanent, a tool transformed into a sculpture. As a collectible artifact, it speaks to both the material history of the city and the personal history of the artist. The spike becomes a bridge—between labor and expression, between transportation and authorship, between anonymity and signature. It is graffiti boiled down to one tag, one object, and one gesture—yet it contains the weight of movement, story, and presence.

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SABER ONE Hand-Pulled 5-Color Silkscreen Print on Cotton Fine Art Paper by Desirable Artist Saber Limited Edition Pop Art Artwork. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 20x16 SABER ONE, 2009 5-Color Screen Print on 100% cotton archival paper 20 x 16 in (50.8 x 40.64 cm) Limited Edition of 100 Signed and Numbered by the Artist

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Red Wall Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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Lion Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Getting Up Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100lb Metallic Cougar Paper Stock by Skinner Graffiti Street Artist Modern Pop Art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos. His work has been shown all over the world in various museums, universities, and galleries. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Untitled- Shark Creatures Running Original One of a Kind Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Street Art Pop Culture Artist El Pez. 2015 Signed Original Spray Paint & Silkscreen Marked 1/1 Painting Size 19.75x27.63 El PEZ (b. 1976) Untitled, early 21st-century Screenprint with spray paint hand-embellishments on paper 27-5/8 x 19-3/4 inches (70.1 x 50.2 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along lower edge

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Supreme Montana Cans Mini Can Set Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. 2021 Limited Edition Set of six 1.7 oz spray paint cans with printed logos. 3.5" height with 1.3" radius. Sold as a set, made exclusively for Supreme. In a striking meld of street credibility and high-end fashion, the Supreme Montana Cans Mini Can Set emerges as a testament to the expansive influence of street culture in contemporary aesthetics. Launched in 2021, this collection represents a partnership between Supreme, a brand synonymous with the intersection of counterculture and luxury, and Montana MTN, a stalwart in the graffiti art supplies industry. The limited edition set features six 1.7 oz spray paint cans, each standing at a height of 3.5 inches with a radius of 1.3 inches. The vibrancy of the colors—blue, yellow, gray, pink, and the iconic Supreme red—mirror the eclectic palette often found in urban graffiti art, making the set an attractive piece for collectors and enthusiasts of street art and pop culture. This collaboration indicates the ever-evolving landscape of pop art, where the convergence of utilitarian objects and artistic expression forms a new narrative. Supreme's bold logos printed on the miniature Montana cans speak a language of urban artistry and exclusivity, attributes highly regarded in both street art circles and the high fashion domain. These cans, while fully functional, transcend their primary purpose of painting to become collectible artworks in their own right. They are sold as a cohesive set, underscoring the idea that their value is compounded not just by their rarity but by their association with the cultural zeitgeist. By creating these cans exclusively for Supreme, Montana MTN ensures that this crossover resonates with a sense of scarcity and unique appeal. These are not just tools for creating art but are themselves a statement, a symbolic nod to the culture from which they've been born, and a reflection of the world they decorate. In the hands of enthusiasts, these cans hold the potential to unleash creativity. At the same time, in the eyes of collectors, they stand as a representation of a cultural fusion that has come to define a generation. Such collaborations are milestones marking the journey of street art from the peripheries into the mainstream. This journey continues to challenge and redefine the boundaries between everyday objects and fine art.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Graffiti Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. In 2003, Chueh moved to Los Angeles to further pursue a career in design. However, a lack of employment opportunities left him resorting to painting as a way to keep busy. From there, he got his start showing in the Los Angeles underground art scene, specifically in the Cannibal Flower art shows. Since then Chueh has quickly worked his way up the ranks of the LA art scene, establishing himself as an artist not to be ignored. Employing minimal color schemes, simple animal characters, and an endless list of ill-fated situations, Chueh stylistically balances cute with brute, walking the fine line between comedy and tragedy.

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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