Stabbing & Backstabbing

Luke Chueh Seppuku Giclee Print by Luke Chueh

Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

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$315.00
Cleon Peterson Orientations of the Night I Silkscreen Print by Cleon Peterson

Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night I by Cleon Peterson Orientations of the Night I is a 2025 silkscreen print created by contemporary American artist Cleon Peterson. Produced as a signed and numbered limited edition of 50 on hand-deckled 290gsm Coventry Rag fine art paper, this artwork measures 12 by 16 inches. With a stark contrast of black and white figures on a shimmering gold background, the piece speaks to Peterson’s longstanding exploration of dominance, submission, and the conflict between order and chaos. Known for his unsettling yet elegant style, Peterson crafts a visual language that feels both timeless and urgent, aligning with the tradition of Street Pop Art & Graffiti Artwork that pushes political and psychological boundaries. Visual Style and Symbolic Structure The print features Peterson’s signature figures rendered in flat silhouettes with smooth yet aggressive curves. In Orientations of the Night I, a black figure and a white figure are locked in a visually intense and ambiguous pose, emphasizing power dynamics and emotional tension. The golden backdrop contrasts sharply with the monochromatic bodies, heightening the theatricality and symbolic charge of the scene. The composition captures a sense of fluid motion and struggle while maintaining a rigid, almost classical structure. Peterson’s use of minimalism, symmetry, and stark abstraction invites viewers to question what they see and how they interpret conflict and vulnerability. Medium and Production Created using a traditional silkscreen process, this print reflects Peterson’s meticulous control over production. The gold background, layered beneath matte black and bright white inks, is printed on Coventry Rag paper, which is known for its archival quality and soft, deckled edges. This choice of materials not only enhances the visual impact but also reinforces the historical connection between fine art and street culture, where silk screening has long served as a vehicle for political posters, zines, and graffiti-based messages. The limited edition nature of the piece heightens its status within the Street Pop Art & Graffiti Artwork world, transforming a graphic aesthetic into a collectible fine art object. Cleon Peterson’s Role in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has built a distinct and confrontational visual voice in contemporary art. His work draws from both classical composition and raw, urban immediacy. While not traditionally a graffiti writer, his practice is rooted in the spirit of street art, using visual boldness and social critique to question power, justice, and societal control. His figures are often seen in dystopian scenarios where authority and resistance clash violently. Orientations of the Night I embodies this duality, depicting a struggle that feels psychological, mythological, and institutional all at once. The piece is a reflection of Peterson’s ongoing interest in exploring systems of dominance and the thin line between protection and oppression within modern life. Through his precise technique and symbolic storytelling, Peterson continues to contribute to the evolving discourse of Street Pop Art & Graffiti Artwork with uncompromising force.

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$450.00
Cleon Peterson Orientations of the Night II Silkscreen Print by Cleon Peterson

Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night II by Cleon Peterson Orientations of the Night II is a 2025 silkscreen print by Cleon Peterson, executed on hand-deckled 290gsm Coventry Rag fine art paper. Sized at 12 by 16 inches, this signed and numbered edition of 50 reflects Peterson’s relentless investigation of domination, conflict, and imbalance through the language of modern minimalism and ancient allegory. Known for his graphic silhouettes and visceral compositions, Peterson merges fine art practices with a raw street aesthetic, aligning this work directly with the visual and philosophical currents of Street Pop Art & Graffiti Artwork. Visual Language and Conceptual Framework The imagery in Orientations of the Night II features two entangled human forms, executed in stark black, white, and metallic gold. Each figure is drawn with exaggerated anatomy and stylized distortion, locked in a composition that evokes combat, intimacy, and psychological tension. The white and gold bodies are interlocked in a symmetrical struggle, suggesting an eternal push and pull between dualities—light and shadow, restraint and aggression, victim and oppressor. Unlike many traditional compositions of balance, Peterson’s work strips the serenity from symmetry, revealing instead a scene of instability cloaked in visual harmony. This dual reading is a signature aspect of his Street Pop Art & Graffiti Artwork: seduction through formal beauty, then confrontation through narrative discomfort. Production and Presentation The silkscreen method used in Orientations of the Night II enhances the work’s bold contrasts and textural precision. Gold ink is printed alongside black and white pigments on 290gsm Coventry Rag, a high-quality paper known for its archival integrity and elegant deckled edges. This method reflects not only Peterson’s technical refinement but also a commitment to elevating contemporary urban themes within a formal fine art context. The work’s limited nature underscores its collectibility, but also positions it as part of a larger visual essay where each edition speaks to different aspects of Peterson’s evolving exploration of power structures. Cleon Peterson's Place in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has become one of the most intellectually and visually provocative artists operating within the boundaries of Street Pop Art & Graffiti Artwork. His imagery, though influenced by classical figures and mythological compositions, always carries the pulse of contemporary struggle. His figures are often engaged in ritualistic violence, speaking to cycles of abuse, institutional corruption, and societal fracture. What makes his work distinct in the street art continuum is not graffiti lettering or mural-scale pieces, but a raw visual grammar that shares the urgency and defiance of graffiti culture. Orientations of the Night II is a continuation of this philosophy, rendered in striking detail and charged with the energy of resistance and reflection. It is not just an artwork—it is a confrontation, a meditation, and a mirror held up to the structures that define and divide modern human experience.

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$450.00
Cleon Peterson Orientations of the Night III Silkscreen Print by Cleon Peterson

Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night III by Cleon Peterson Orientations of the Night III is a 2025 silkscreen edition by Cleon Peterson, printed on 290gsm hand-deckled Coventry Rag fine art paper. This 12x16 inch artwork is part of a signed and numbered edition of 50, marking another powerful chapter in Peterson’s ongoing investigation of human behavior through stark visual allegory. With his uncompromising iconography and graphic forms, Peterson pushes the limits of Street Pop Art & Graffiti Artwork, using stripped-down composition to expose brutality, imbalance, and survival. Symbolism and Raw Aesthetic This composition captures a violent exchange between two abstracted humanoid figures, rendered in matte black and metallic gold on bright white paper. One figure looms over the other, holding a weapon aloft, frozen at the height of confrontation. Every element of posture, shape, and negative space is honed to communicate pressure, tension, and inevitable collapse. Unlike more traditional street art filled with tags and expressive marks, Peterson’s work offers a clinical precision that conveys narrative with the weight of monumentality. His use of gold in contrast with deep black flattens dimensional space, but amplifies symbolic duality—oppressor and oppressed, dominance and defense, darkness and power. Process, Material, and Fine Art Integration Produced as a silkscreen on Coventry Rag, Orientations of the Night III upholds high standards of craftsmanship while remaining true to its confrontational subject matter. Each edge of the paper is hand deckled, giving the piece a raw yet refined finish. The ink application is dense and deliberate, allowing the minimalist palette to pulse with emotional weight. While this is technically a studio-produced fine art print, its voice comes from the street—born out of Peterson’s roots in graffiti and skateboard culture. The language of rebellion and urban critique is alive in every line, proving that fine art and street ethos do not exist in conflict but can merge into one forceful visual gesture. Cleon Peterson’s Distinct Voice in Street Pop Art & Graffiti Artwork Born in the United States, Cleon Peterson is a key figure in the evolution of Street Pop Art & Graffiti Artwork. His bold, graphic compositions challenge traditional notions of beauty and instead focus on narratives of social collapse, historical cycles of violence, and power dynamics. Rather than replicating graffiti’s aesthetic tropes, Peterson channels its confrontational energy and ideological core into a distinct visual language. Orientations of the Night III continues this mission, making a statement not only about art but about civilization itself—its fragile agreements, constant tensions, and the masks worn by order and chaos alike. As part of the broader series, this work stands as a piercing reminder that behind every glossy surface is a structure shaped by conflict and control.

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$450.00

Graffiti and street art prints have long been a powerful medium for artists to express themselves, convey complex ideas, and tackle controversial subjects. One such theme that has seen its presence in these art forms is the concept of stabbing and backstabbing, both figuratively and literally. Although the topic may be deemed sensitive or provocative, artists worldwide have effectively utilized it to spark conversation and create thought-provoking masterpieces. This exploration of stabbing and backstabbing serves to portray various themes such as trust, betrayal, and societal issues. Within the realm of graffiti and street art prints, stabbing is often represented as a symbol of conflict, aggression, and the violent side of human nature. This portrayal might include depictions of actual knives or sharp objects, the act of stabbing, or simply the incorporation of sharp, jagged lines and shapes that evoke a sense of danger or unease. These representations allow the artists to expose the raw, darker facets of human existence, which are often obscured by the veneer of civilization. In contrast, backstabbing typically represents betrayal and deceit. This theme can be observed in artworks featuring faceless or untrustworthy characters, scenes of double-crossing, or allegorical representations of broken trust. The interpretation of backstabbing in graffiti and street art prints also extends to the broader societal context, exploring themes such as political deception, corporate greed, and personal vendettas. The artists might use elements such as two-faced beings, broken trust symbols, or images of treachery to highlight the prevalence of backstabbing in our daily lives. Artists specializing in graffiti and street art prints often use color and form to enhance the emotional impact of their work on stabbing and backstabbing. The choice of color palette is particularly important, with artists frequently employing darker, more somber hues, such as deep reds, blues, and blacks, to convey a sense of menace or danger. This stark visual representation creates a striking contrast against the backdrop of our otherwise mundane urban environments, which further intensifies the feelings of unrest and disturbance associated with these themes. One of the reasons that artists explore the themes of stabbing and backstabbing in graffiti and street art prints is to initiate dialogue and raise awareness about the darker aspects of society. Through the vivid and often confrontational nature of these art forms, artists aim to provoke thought and challenge prevailing notions of morality, loyalty, and trust. By doing so, they create opportunities for viewers to confront and re-evaluate their beliefs and assumptions about human behavior and relationships. The themes of stabbing and backstabbing in graffiti and street art prints offer a unique opportunity to delve into the darker aspects of human existence. These striking and often disturbing images serve to challenge our perceptions of trust, betrayal, and aggression, while simultaneously opening up important conversations about societal issues. Through the exploration of these themes, artists worldwide have effectively contributed to a larger dialogue surrounding our values and beliefs as a society, while demonstrating the powerful ability of art to transform and provoke.