Stabbing & Backstabbing

2 artworks


  • Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson

    Cleon Peterson Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson

    Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

    $1,750.00

  • Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson

    Cleon Peterson Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson

    Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Exploring the Circular Narrative: Cleon Peterson's 'Revolution Is a Mother' "Revolution Is a Mother Who Eats Its Children Bone Tondo," a silkscreen print by Cleon Peterson, encapsulates a poignant message through its unique circular format. The 2024 limited edition, with only 100 signed and numbered prints, dramatically portrays the revolution's cyclic and often self-destructive nature. This artwork, sized at 24x24 inches, is meticulously crafted on hand-deckled circle cut 290gsm Coventry Rag fine art paper, highlighting the contrast between the piece's delicate presentation and its powerful content. Symbolism in Cleon Peterson's Tondo The tondo, a round piece of art, has a rich history dating back to the Renaissance and is often used to symbolize perfection or the divine. Peterson's adaptation of this format into street pop art and graffiti artwork is an inventive means of capturing the perpetual motion of conflict and societal upheaval. The circular frame compels the viewer's eye to move continuously around the image, echoing the cyclical and repetitive nature of the struggles depicted within. While bearing the starkness of Peterson's characteristic black-and-white palette, the print gains a new dimension through its shape, emphasizing the never-ending cycle of revolution and its consequences. The figures within the tondo engage in acts of violence and dominance, with no clear beginning or end, a poignant metaphor for the often unending turmoil of societal change. The Cultural Resonance of Peterson's Work Cleon Peterson's work stands at the crossroads of cultural reflection and artistic expression. "Revolution Is a Mother Who Eats Its Children Bone Tondo" is an artistic creation and a commentary on the nature of social movements and the recurring patterns of history. Peterson confronts the viewer with the paradox of revolution: it is both necessary for evolution and destructive by nature. This tondo silkscreen print contributes to the ongoing dialogue about the role of street pop art in modern discourse. Much like the street artists and graffiti artists before him, Peterson utilizes public forms of expression to comment on private pains and societal dilemmas. The limited edition nature of this work, along with the artist's renown, ensures that this piece will hold its place in contemporary art conversation for years to come. Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Bone Tondo" is a compelling portrayal of the perpetual nature of social upheaval. It serves as a stark reminder of revolution's transformative yet often destructive power. This limited edition silkscreen print encapsulates the essence of street pop art and graffiti artwork, melding historical, artistic formats with contemporary themes to provoke thought, encourage reflection, and challenge the viewer's perspective on the cycles of change.

    $1,750.00

Stabbing & Backstabbing
Graffiti and street art prints have long been a powerful medium for artists to express themselves, convey complex ideas, and tackle controversial subjects. One such theme that has seen its presence in these art forms is the concept of stabbing and backstabbing, both figuratively and literally. Although the topic may be deemed sensitive or provocative, artists worldwide have effectively utilized it to spark conversation and create thought-provoking masterpieces. This exploration of stabbing and backstabbing serves to portray various themes such as trust, betrayal, and societal issues. Within the realm of graffiti and street art prints, stabbing is often represented as a symbol of conflict, aggression, and the violent side of human nature. This portrayal might include depictions of actual knives or sharp objects, the act of stabbing, or simply the incorporation of sharp, jagged lines and shapes that evoke a sense of danger or unease. These representations allow the artists to expose the raw, darker facets of human existence, which are often obscured by the veneer of civilization. In contrast, backstabbing typically represents betrayal and deceit. This theme can be observed in artworks featuring faceless or untrustworthy characters, scenes of double-crossing, or allegorical representations of broken trust. The interpretation of backstabbing in graffiti and street art prints also extends to the broader societal context, exploring themes such as political deception, corporate greed, and personal vendettas. The artists might use elements such as two-faced beings, broken trust symbols, or images of treachery to highlight the prevalence of backstabbing in our daily lives. Artists specializing in graffiti and street art prints often use color and form to enhance the emotional impact of their work on stabbing and backstabbing. The choice of color palette is particularly important, with artists frequently employing darker, more somber hues, such as deep reds, blues, and blacks, to convey a sense of menace or danger. This stark visual representation creates a striking contrast against the backdrop of our otherwise mundane urban environments, which further intensifies the feelings of unrest and disturbance associated with these themes. One of the reasons that artists explore the themes of stabbing and backstabbing in graffiti and street art prints is to initiate dialogue and raise awareness about the darker aspects of society. Through the vivid and often confrontational nature of these art forms, artists aim to provoke thought and challenge prevailing notions of morality, loyalty, and trust. By doing so, they create opportunities for viewers to confront and re-evaluate their beliefs and assumptions about human behavior and relationships. The themes of stabbing and backstabbing in graffiti and street art prints offer a unique opportunity to delve into the darker aspects of human existence. These striking and often disturbing images serve to challenge our perceptions of trust, betrayal, and aggression, while simultaneously opening up important conversations about societal issues. Through the exploration of these themes, artists worldwide have effectively contributed to a larger dialogue surrounding our values and beliefs as a society, while demonstrating the powerful ability of art to transform and provoke.

© 2024 Sprayed Paint Art Collection,

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