Stencil Fine Art

Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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As Seen on TV- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Emotions- Green Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2020 Signed & Numbered Hand Stenciled Limited Edition of 5 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green Stencil" is a striking 2-color silkscreen limited edition print on fine art paper, created by the renowned artist AIKO. A masterful blend of contemporary pop artwork, the piece resonates deeply with the intense spectrum of human emotions, specifically diving into the dynamics between men and women. The artwork captures a moment, a feeling, and an expression that brings to light the ongoing discourse on gender equality and the challenges faced by women and minorities. AIKO's meticulous hand-stenciled technique is evident in this piece, emphasizing the rawness and authenticity of her message. Limited to just five signed and numbered pieces, this artwork measures 20x24, making each print exceptionally exclusive. The vibrant green hues combined with the contrasting elements create a visually captivating piece that's hard to look away from. The stencil technique adopted by AIKO, traditionally associated with street art and graffiti, infuses a sense of urgency and rebellion into the artwork, making it all the more compelling. Reflecting on the progression of gender equality and societal views, AIKO acknowledges the strides that have been made since our grandparents' era. Yet, she remains acutely aware of the existing challenges that women and minorities face in areas such as education, job opportunities, and health. Through "Emotions- Green Stencil", AIKO conveys her ardent hope for a future where every individual, regardless of gender or background, is presented with equal opportunities to thrive. The artwork serves as a reminder and a call to action, urging society to ensure a fair chance for everyone to seize the day. The piece, in its entirety, stands as a testament to AIKO's commitment to amplifying voices that often go unheard and her unwavering dedication to instigating change through art.

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Cool Down Sunset HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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Solidarity- Yellow Limited Edition Hand-Embellished Hand-Stenciled Spray Paint and Acrylic on Coventry Fine Art Paper by Praxis Graffiti Street Artist Modern Pop Art. "Solidarity, this feeling of mutual support present not only in us humans but identifiable all around the animal kingdom, is what has brought us to overcome, as a society, and as individuals, obstacles and situations that otherwise, many groups, human and non-human, in history, wouldn’t have been able to overcome. "To these days where the worlds duality is part fire and part flooding waters is time to reconsider the way we coexist with it and those living in it. Nature gives us all we need to exist, but we need to protect it, take action and be aware of its importance. I want you to embrace that feeling, I want you to make a better world for all." –Praxis

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Long Distance Reality- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Spider Andy- White Suit 5-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x Spider Man Marvel Comics. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 7. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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Escape Original Mixed Media Painting by Snik One of a Kind Artwork Framed on Panel by Street Art Pop Artist. 2018 Signed Mixed Media Painting Original Artwork Size 15.5x9.5 Framed 18.5x11.5 Escape by Snik – Frozen Descent and Poetic Stillness in Street Pop Art & Graffiti Artwork Escape is a 2018 original mixed media painting by the UK-based artist duo Snik, measuring 15.5 x 9.5 inches and presented in a custom frame at 18.5 x 11.5 inches. Executed with meticulous stencil layering and spray technique on panel, this one-of-a-kind work captures a suspended female figure mid-fall or mid-flight, her body arched in a moment of release, struggle, or transcendence. The blackened background becomes a void, while the figure, rendered in stark tones and delicate surface detail, floats like a ghost tethered to the edge of control. Known for their hand-cut stencil mastery and emotionally charged portraiture, Snik creates a composition in Escape that embodies tension, grace, and haunting visual poetry. In the space of Street Pop Art & Graffiti Artwork, the piece speaks to physical fragility and spiritual rupture using only the language of form and light. Layered Craftsmanship and Dimensional Emotion Snik’s signature process is grounded in precision: each layer of stencil is hand-cut and individually sprayed, allowing for a depth of detail and realism that transforms the spray medium into something near sculptural. In Escape, the folds of the subject’s dress, the flowing strands of her hair, and the delicate articulation of her limbs are all built through this exacting method. Her body is both grounded and weightless—tied in places, partially obscured, with limbs caught between movement and stillness. The tension created by the ropes suggests confinement, yet her airborne posture evokes release. This duality is central to Snik’s visual language: moments of beauty held within systems of restraint. In Street Pop Art & Graffiti Artwork, this emotional precision redefines what is possible with spray-based portraiture, pushing beyond the visual into the psychological. Blackened Void and Emotional Isolation The dark void that surrounds the figure in Escape is not merely background—it is conceptual space. It isolates the subject from any specific setting or context, forcing the viewer to focus only on form and feeling. This stark negative space amplifies the floating quality of the figure, making her appear suspended in thought or dream, rather than trapped by gravity. Subtle surface textures, fine spray line edges, and highlights along the limbs and fabric folds reveal a practiced control of light and atmosphere. The blackness becomes a mirror to the unknown—symbolic of trauma, transcendence, or the silent aftershock of an escape long attempted. This use of minimalism within Street Pop Art & Graffiti Artwork shows how absence can become as emotionally potent as visual excess. Snik and the Anatomy of Release Escape distills everything Snik is known for: masterful technique, female-centered storytelling, and a persistent exploration of emotional stillness through physical motion. The work is theatrical but never overdone, symbolic but rooted in real feeling. It reflects themes of vulnerability, personal confinement, and the bittersweet sensation of letting go. With Escape, Snik reaffirms their ability to create work that is both compositionally exact and emotionally unflinching. The piece invites viewers to interpret their own version of what is being fled from or toward, using only the pose, the silhouette, and the void. As a singular expression within Street Pop Art & Graffiti Artwork, Escape proves that beauty, when rendered with patience and purpose, can speak softly and still leave a lasting mark.

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Vandalism Print on Wood Panel Framed Ready to Hang by Nick Walker Street Art Modern Pop Artist. 2018 Vandalism Stencil Wood HPM Print by Nick Walker Framed 17 x 20 in. (43.18cm x 50.80cm) Vandalism by Nick Walker DCon exclusive limited edition of 50 fine art wood prints each hand-signed and numbered. Each print comes with a signed and numbered Certificate of Authenticity Fine art wood print on 1/2" sustainable Birch, Bright White finish

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I Was Here Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed Limited Edition of 50 Artwork Size 12x12 "This piece explores the longevity that graffiti is normally susceptible to. The buff, white washing or the grey is a street artists worst enemy. Many mornings I have gone out to look at a piece in public I did the night before to see nothing but fresh paint over it. This piece entitled "I was here" pays tribute to those lost nights and depressing mornings" - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Aquarius- Pink Stencil 10-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2019 Signed & Numbered Hand Stenciled Limited Edition of 35 Artwork Size 20x24 "Since this project is to help people who are suffering from water in Flint, I wanted to use this image of a girl with spirit of water. Like the angel of water; she is chilling in the glass of water. Water should be free and clean for everyone, we are all part of nature. I was working on this print throughout February hand coloring one by one, and it was period of Aquarius, zodiac sign, which is the symbol of the water server. I also discovered that the word Aquarius actually referred to the public water system in ancient Rome. When I discovered what happened with the Flint Water Crisis I couldn’t believe that it was happening now, and I am very furious about how government cannot do anything with it. Shame, why people in ancient times were able to provide clean water to everyone but not in Michigan in 2018?" - Aiko Aquarius – Pink by Aiko: Spirit of Water in Street Pop Art & Graffiti Artwork Aquarius – Pink is a 2019 hand-stenciled, multi-layered silkscreen print by Japanese-born contemporary artist Aiko, widely celebrated for her bold compositions blending femininity, rebellion, and cultural iconography. This limited edition of only 35 works is sized at 20 x 24 inches and printed on fine art paper using a combination of silkscreen techniques and hand-applied stencil coloring. Each print was uniquely touched by the artist, giving every piece an intimate sense of authorship and visual variation. The artwork was created to raise awareness and support for the Flint water crisis, linking Aiko’s vibrant aesthetic with a cause rooted in real human urgency and environmental justice. Visual Symbolism and Composition At the center of the composition is a stylized nude female figure, rendered with sharp lines and vivid color, lounging gracefully inside a glass of water. The woman wears a butterfly mask, an Aiko hallmark, symbolizing transformation and delicate strength. Her body appears relaxed, cradled by crystalline water and immersed in heart motifs and stenciled flora that float gently around her. This symbolic guardian of water evokes a divine or mythological presence, a visual nod to both natural elements and spiritual caretakers. Behind her, a large heart-shaped frame and scattered motifs recall both urban muralism and the layered complexity of traditional Japanese woodblock printing, affirming Aiko’s cross-cultural fluency. Hand-Crafted Detail and Political Resonance Each print in the edition was carefully hand-colored by Aiko over the course of February 2019. This choice was intentional, aligning the creative process with the astrological season of Aquarius, the water bearer. Aiko’s connection between ancient Rome’s aqueducts and modern water crises further reinforces the historical irony and injustice embedded in the Flint situation. She channels her rage and disbelief through the aesthetics of joy, sensuality, and beauty—a visual protest cloaked in sweetness. The layering of stenciled color, from fluorescent hearts to pastel butterflies, emphasizes the duality between artistic beauty and societal failure. Aiko’s Influence in Contemporary Graffiti and Feminist Expression Lady Aiko, also known as Aiko Nakagawa, is a globally respected figure in the Street Pop Art & Graffiti Artwork world. Her visual language merges influences from Japanese manga, Western pop art, feminist iconography, and urban stencil tradition. Through Aquarius – Pink, she not only reinforces her mastery of the silkscreen process but also uses her platform to speak to systemic issues. This artwork is not merely decorative—it is activist-driven, balancing delicacy with confrontation. The edition’s focus on clean water access, female empowerment, and historical reflection encapsulates Aiko’s ability to transform cultural critique into layered visual storytelling. Aquarius – Pink remains a testament to the power of art to inspire awareness and emotional connection in the face of environmental and political failure.

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Captain Andy Grey 3-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 7 HPM Artwork Size 13.7x19.6

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What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Unknown Embellished Arrows 2015 Limited Edition Hand-Embellished HPM Silkscreen Print, Paint, Spray Paint, Stencil on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. I don't remember the name of this artwork, if you know please contact tme.

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ABCNT Masked Bust- Ivory White Limited Edition Rare Hand Casted Solid Resin Sculpture Artwork by graffiti street artist modern pop artist ABCNT. 2020 Signed & Numbered Edition of 25 Artwork Size 5x6 Comes in Hand Spray Painted Box, Signed & Numbered. BCNT Ivory White Edition 6" Hand Casted Solid Resin Sculpture Limited Edition of only 25 made Hand Stenciled Box by the artist ABCNT Signed & Numbered

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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What The Hell Am I Doing With My Life- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Spray Can Raw Series 7897 Original Graffiti Painting by Seen UA One-of-a-kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Stencil Multi Tags Series Acrylic & Spray Paint Painting Size 18x30 The artwork titled "Spray Can Raw Series 7897" is a distinctive original graffiti painting created by Seen UA, a revered figure in urban art. This piece is a one-of-a-kind fusion of spray paint and acrylic, boasting a raw energy that encapsulates the spirit of street pop art and graffiti artwork. Crafted in 2022, the painting is part of the Original Stencil Multi Tags Series, a collection that showcases the artist's adeptness in combining various elements of street art and fine art. Spanning a size of 18x30, the artwork is rendered on stretched canvas, a medium that offers a traditional touch to the otherwise rebellious art form. UA's signature is prominently featured, affirming the authenticity and originality of the piece. The use of spray cans, a hallmark tool in the graffiti world, is evident in the bold, swooping lines that dominate the visual field, lending a sense of movement and immediacy to the work. This piece reflects the broader aesthetic movements of pop art and graffiti, which have long been intertwined. Pop art's influence on graffiti is visible in the bright colors, the incorporation of commercial and urban imagery, and the emphasis on visual impact. Conversely, graffiti lends a raw, unfiltered voice to the polished surfaces of pop art, infusing it with a sense of urgency and authenticity. "Spray Can Raw Series 7897" exemplifies this cross-pollination, embodying the energy of the streets while holding its own as a piece of fine art. The result is a vibrant and thought-provoking piece that challenges boundaries and continues to shape the evolving narrative of contemporary art.

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Captain America HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2018 Signed Custom Framed Spray Paint, Acrylic Paint Mixed Media HPM Embellished Artwork Size 48x36. Stylistic Norman Rockwell Inspired Boy & Girl Children on Bench Admiring Graffiti Art in Classic Vintage Style with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Antiqued hammered Style Bronze Colored Frame Size 48x60 Norman Rockwell Reimagined Through Street Pop Art In an evocative blend of nostalgic Americana and the energetic chaos of street art, Thierry Guetta, under his alias Mr. Brainwash, crafted a striking piece of work in 2018. His "Captain America" stands out as a testament to the potential of Street Pop Art and Graffiti Artwork to bridge periods and stylistic genres. This particular artwork marries the innocence and warmth of Norman Rockwell's depictions of American life with graffiti art's vibrant, raw expressiveness, creating a juxtaposition that is both thought-provoking and visually captivating. Guetta's artwork is a silkscreen print on fine art paper, rendered unique through his signature hand-embellished spray and acrylic paint techniques. The piece portrays a boy and girl seated on a bench in a classic vintage pose reminiscent of Rockwell's iconic illustrations. However, instead of a peaceful, pastoral backdrop, the children are set against a riot of colorful graffiti, representing the urban landscape's artistic undercurrents. It's a canvas that tells a story of contrasts - the timeless and the modern, the planned and the spontaneous. This particular work by Guetta is a commentary on the enduring nature of specific cultural symbols and their recontextualization within modern frameworks. Though inspired by a bygone era, the subjects are brought into the present day through graffiti, which splatters and sprawls across the canvas with abandon. With their backs to the viewer, the children seem to be contemplating the graffiti, symbolizing perhaps the new generation's contemplation of street art's place in the continuum of American artistic tradition. Guetta's Captain America Technique: A Fusion of Mediums The layering of paint and the strategic use of color in "Captain America" showcase Guetta's skill in creating depth and movement. The hand-embellishments serve to individualize each piece in the limited edition series and highlight the textural contrasts intrinsic to Street Pop Art. The ornate antiqued hammered-style bronze-colored frame, much like the ones that might encase a traditional Rockwell, adds a layer of irony and commentary on art forms' perceived value and framing. As with much of Guetta's work, "Captain America" has been met with acclaim and discussion, sparking conversations about the intersections of street art with other artistic movements. By placing traditional subjects within the framework of graffiti, Guetta invites the viewer to reconsider preconceived notions about the legitimacy and beauty of street-inspired art. The piece is an invitation to witness and participate in the evolution of Street Pop Art as it continues to infiltrate and influence the broader art world. Collectibility and Cultural Relevance of Street Pop and Graffiti Art The collectibility of Guetta's work lies not only in its aesthetic appeal but also in its ability to capture and convey the pulse of contemporary culture. "Captain America" is a snapshot of the moment when street art's vibrancy and relevance became undeniably apparent to the world. Owning such a piece is akin to holding a fragment of the zeitgeist, a remembrance of the era when the mainstream fully embraced street art without losing its edge or authenticity. In the final analysis, Thierry Guetta's "Captain America" is a richly layered homage to the power of art to transcend boundaries and speak to successive generations. It's a visual celebration of Street Pop Art and Graffiti Artwork's unique ability to weave together disparate threads of the American artistic narrative. As Mr. Brainwash continues to leave his indelible mark on the art scene, works like "Captain America" will remain as vibrant testaments to a time when the streets rose to claim their space on the walls of galleries and the halls of cultural institutions.

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Thoughtcrime Ant Limited Edition Hand-Painted Embellished Paint, Stencil, Acrylic on Wood by Bask Graffiti Street Artist Modern Pop Art. "These pieces are a continuation of my Thoughtcrime series. The Ant image is painted on a series of weathered panels. This set was completed within the past month. It’s hard to say how long they took to create because salvaging the panels from a variety of places over a long time is just as much of a part the art as laying down the paint on top of them. Each piece has it’s own history embedded onto itself.Each piece is hand crafted and each panel has been painted and processed by me. I like the idea of small production works that let people get a original piece of art for the cost of some prints these days.I have been saving these panels for a while and finally it was time to cut them down and make some art out of them. Paintings of the same stenciled image but each looking 100% original to itself. Each piece has it’s own distinct character and personality while keeping the repetition of the Thoughtcrime." - BASK

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War 100 Tablets AP HPM Stencil on Board by Ben Frost Hand-Painted Multiple Panel Graffiti Street Artist Modern Pop Art. AP Artist Proof 2023 Signed & Marked AP HPM Spray Paint & Acrylic Print Artwork Size 11x14 (Total Run of 10 + 2AP) Ben Frost's Artistic Commentary The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a provocative piece that epitomizes modern pop art's daring and often subversive nature. Created as a hand-painted multiple (HPM) and a part of a limited edition series, this work reflects the artist's critical eye on societal issues, employing a combination of stencil artistry, spray paint, and acrylic techniques to render his vision on an 11x14 inch board. Frost's piece is bold in its aesthetic and message, immediately capturing attention with the stark contrast of the black and white imagery juxtaposed with the striking red accents. The presence of the word "WAR" in capital letters alongside the words "CONTROLLED DRUG" and "KEEP OUT OF REACH OF CHILDREN" suggests a powerful commentary on the nature of conflict and the pharmaceutical industry's role in society. As an Artist Proof (AP) in 2023, it is marked distinct from the total run of 10 with an additional 2 APs, signifying its rarity and the artist's direct involvement in its creation. Techniques and Style Frost is renowned for his street pop art and graffiti artwork, which often utilizes the visual language of advertising and consumerism to explore deeper themes. The "War 100 Tablets" is a clear example of this, as it mimics the look of a medication box, suggesting that war is being 'sold' to the public much like any over-the-counter drug. The stencil technique used by Frost is a hallmark of street art, allowing for sharp, precise lines often associated with mass-produced items, further emphasizing the piece's commentary on commercialism. The artist's use of spray paint and acrylic lends the work a textured, layered look characteristic of graffiti art. This blend of materials and techniques is a deliberate choice by Frost to blur the lines between high art and street art, creating a piece that is accessible yet complex, with a finish that invites closer inspection. Cultural Impact and Collectibility Frost's "War 100 Tablets" is a visually striking piece and a collectible item within the art community. The limited number of panels produced, coupled with the hand-painted aspect, ensures that each piece within the series is unique. The AP designation indicates that the artist kept this piece as proof, marking it as an essential part of the edition's history. Collectors and enthusiasts of street pop art and graffiti artwork are often drawn to such pieces for their cultural relevance, investment potential, and as a means of supporting the arts. Frost's wWithical edge and contemporary style appeal to Frost's work to those looking to own art that speaks to the zeitgeist of the current era. Legacy and Influence Ben Frost's work, including "War 100 Tablets," contributes to the ongoing dialogue about the intersection of art, commerce, and social issues. By bringing the techniques and styles of street art into a fine art context, he challenges preconceived notions about the value and message of graffiti and street pop art. The artist's signature on the piece is a testament to its authenticity and his reputation in the art world, ensuring that it will remain a significant work for years to come. The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a poignant critique of modern society, utilizing the visual strategies of street pop art and graffiti artwork to engage with contemporary issues. Its creation as a hand-painted multiple adds to its exclusivity and allure, marking it as a significant piece within the modern pop art movement and a valuable collector's item. Frost's astute blend of accessible art forms with nuanced social commentary ensures his work remains relevant and thought-provoking, inviting viewers to question and contemplate the world around them.

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Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey Hand-Painted Multiple Unique Graffiti Street Artist Modern Pop Art on 100% Cotton Rag Fine Art Paper Framed. 2022 Signed & Numbered Edition #12 HPM Unique Original Spray Paint Artwork Size 20.5x26.5 VSE- Variable Stencil Edition Custom Mated and Framed "The "OBEY Icon" (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with unique variations in background painting and relief texture created with a thick application of acrylic medium through pattern stencils. The Obey Icon face evolved at the end of 1995 out of the desire to move further away from the association with Andre the Giant and toward a more streamlined and universal "Big Brother" (as in George Orwell's 1984) image." –Shepard Fairey Obey Icon VSE #12: Shepard Fairey and the Evolution of Surveillance Imagery in Street Pop Art Obey Icon VSE #12 represents a critical moment in the visual trajectory of Shepard Fairey, created in collaboration with artist Ernesto Yerena Montejano in 2022. This edition—part of the Variable Stencil Edition (VSE) series—is a 20.5 x 26.5 inch original spray paint piece on 100% cotton rag fine art paper. Signed and numbered, each print is unique, layered with hand-applied stencil work and spray-painted backgrounds. This version, labeled HPM #12, builds upon Fairey’s now-iconic Obey face by incorporating organic floral motifs, distressed textures, and a visually assertive red OBEY logo near the bottom. The central figure is the evolved version of Fairey’s original Andre the Giant icon, streamlined into a symbol with ambiguous power. As Fairey moved away from direct association with celebrity and toward ideological critique, this face became a representation of omnipresent authority. Influenced by George Orwell’s concept of Big Brother, the image no longer functions as parody—it has become an emblem of anonymous control and propaganda. The stencil format reinforces its reproducibility, aligning it with graffiti’s tradition of mass visual intervention while also preserving the aesthetic refinement found in Street Pop Art & Graffiti Artwork. Stencil Method as Commentary on Repetition and Power The hand-painted stencil technique used in Obey Icon VSE #12 is a deliberate visual language in itself. Fairey and Yerena build each work with layers of patterned textures and colored washes beneath the stark black facial features. These underlayers—often containing floral, ornamental, or textile-like patterns—soften the image’s authoritarian undertones while introducing visual contradiction. The face is harsh and emotionless, but the background is rich with cultural detail, especially in Yerena’s contributions which often draw on Mexican-American visual traditions. This clash reinforces the tension between systemic control and grassroots creativity. Spray paint drips, stencil misalignments, and layering imperfections are retained as aesthetic decisions rather than errors. These marks echo the history of street-based image-making where precision is often sacrificed for immediacy and message. Yet within this edition, those street elements are placed within the polished context of fine art materials—cotton rag paper, archival spray mediums, and custom framing. That duality plays with the boundaries between institutional art and insurgent expression. Collaborative Resistance and the Role of the Icon The collaboration between Shepard Fairey and Ernesto Yerena adds depth to the cultural subtext of Obey Icon VSE #12. Yerena’s Hecho Con Ganas movement is rooted in Chicano identity, social activism, and visual empowerment. The shared visual territory between Fairey and Yerena in this work situates the Obey face not just as a commentary on media and control, but as a multicultural symbol—one that can carry meaning in spaces impacted by surveillance, displacement, and systemic inequality. The image does not demand literal interpretation. Its power lies in its ambiguity. It recalls propaganda posters, corporate logos, revolutionary iconography, and even police sketches. Viewers project meaning onto it, shaped by their experiences with authority and imagery. In that way, the Obey face becomes a mirror of the visual systems that govern daily life—branding, ideology, control. Its framing and repetition across cities and galleries alike challenge the idea that art is separated from power. Obey Icon VSE #12 carries forward the legacy of Street Pop Art & Graffiti Artwork by balancing aesthetic force with conceptual weight. It refuses to choose between rebellion and refinement. The image stares back, unchanged and unblinking, forcing a question: Is this face watching us—or are we the ones obeying its silent command?

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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Dignity Prevails HPM Limited Edition Hand-Embellished HPM Stencil Spray Paint Artworks on Deckled 100% Cotton Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 10 Artwork Size 20x26 Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges "Dignity Prevails HPM" emerges as a standout work within the oeuvre of Ernesto Yerena, a contemporary street artist whose works are imbued with modern pop art sensibilities and a distinct sociopolitical consciousness. This hand-embellished, limited edition series, comprising only 10 signed and numbered pieces, was brought to life in 2021. Each artwork within this exclusive collection features an artwork size of 20x26 inches, rendered on 100% cotton rag paper known for its durability and high quality. The edges of the paper are meticulously hand-deckled, giving each piece a textured, refined finish that complements the tactile nature of the stencil spray paint technique employed by Yerena. Yerena's "Dignity Prevails HPM" is a visual testimony to his mastery in stencil spray paint, a medium that has become synonymous with graffiti and street art. Through this medium, Yerena constructs a layered, vibrant composition that converges bold patterns and striking symbolism. At the heart of this piece lies a mandala-like pattern, which exudes both a meditative symmetry and a fiery dynamism. This central motif is surrounded by waves that may allude to the ebbs and flows of social movements, suggesting that within the chaos of struggle, there is beauty and order to be found in the pursuit of dignity. The hand embellishments on each print ensure that while each piece remains a part of a cohesive series, it stands alone as a unique piece of art. Yerena's use of vibrant colors and bold shapes is characteristic of pop art. Yet, his method and message are deeply rooted in the traditions of street art, which often serve as a platform for commentary and a voice for the underrepresented. The small number of editions amplifies the value and collectibility of the artwork, making it not just a piece of art but a collectible artifact that captures a moment in the artist's creative journey and the more extensive dialogue of contemporary societal issues. In the hands of collectors, "Dignity Prevails HPM" transcends its material form to become a symbol of the resilience and enduring nature of human dignity as depicted through the lens of modern pop and street art.

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Ambition 24X36 HPM Hand-Pulled 1-Color Silkscreen Print on Butcher Paper by Artist Eddie Colla Limited Edition Pop Art Artwork. 2021 Signed HPM Limited Edition Artwork Size 24x36

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Picnic Limited Edition Hand-Embellished Hand-Painted Stencil on Prolux 300gsm Base Paper by MAD Graffiti Street Artist Modern Pop Art. Picnic Unique HPM Stencil Print by Mad He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

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Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.

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Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

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Cool Down HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

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Are We There Yet? HPM Stencil Acrylic Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x11 on Cradled Wood Ready to Hang. Are We There Yet? HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents Are We There Yet?, a thought-provoking stencil spray paint print that embodies the bold aesthetic of Street Pop Art & Graffiti Artwork. This signed and numbered hand-painted multiple, created in 2020 as part of a limited edition of 20, measures 11x11 inches on cradled wood, making it a ready-to-hang piece that merges modern pop culture influences with the raw energy of urban art. The composition features a striking female figure rendered in a classic pop art style, complete with halftone dots, bold black outlines, and a vibrant color palette. Her expressive, wide-eyed gaze is paired with the phrase Are We There Yet?, positioned prominently in a comic book-style text box. Behind her, a fractured peace sign stands out against a vivid pink background, hinting at themes of disillusionment, societal unrest, and the seemingly endless pursuit of progress. The sharp contrast between the bright, polished aesthetics and the underlying message creates a tension that is characteristic of Denial’s work, inviting viewers to engage with its deeper meaning. The Social Commentary Behind Are We There Yet? Denial is known for his satirical take on contemporary culture, using recognizable visual tropes to critique consumerism, politics, and societal expectations. Are We There Yet? plays on nostalgia while delivering a sharp commentary on the state of global affairs, particularly issues surrounding peace, stability, and progress. The use of the fractured peace sign suggests an erosion of ideals, questioning whether society is moving forward or stuck in a cycle of unresolved conflict. The expression on the female figure’s face conveys uncertainty, frustration, and perhaps even a sense of resignation. The phrase Are We There Yet? echoes a familiar sentiment of impatience, typically associated with long journeys, but within this context, it becomes a metaphor for social change and the struggles associated with achieving true peace. By utilizing pop art imagery reminiscent of mid-century comic book illustrations, Denial draws a connection between past ideals and present realities, emphasizing the contrast between what was promised and what has been delivered. The Artistic Techniques and Style of Denial Denial employs a mix of stencil-based street art techniques and pop art influences to create works that are both visually striking and conceptually engaging. His use of spray paint, bold colors, and sharp edges gives his work a sense of immediacy, while the incorporation of hand-painted elements ensures that each piece within the edition is unique. This method aligns with the tradition of Street Pop Art & Graffiti Artwork, where mass production aesthetics meet the raw individuality of street culture. The halftone dot effect, a signature element of pop art, references the mechanical printing techniques used in comic books and advertising, reinforcing the themes of mass media influence and consumer-driven narratives. The juxtaposition of the vintage-inspired aesthetic with modern socio-political themes creates a compelling dialogue, challenging viewers to reconsider the images and messages they consume daily. The cradled wood panel adds depth and texture to the artwork, making it feel like an object rather than just a two-dimensional print, further reinforcing its presence as a bold statement piece. The Impact of Are We There Yet? in Contemporary Urban Art Are We There Yet? stands as a powerful example of how Street Pop Art & Graffiti Artwork can be both visually captivating and socially reflective. Denial’s ability to blend humor, nostalgia, and critique allows his work to resonate with a broad audience, from pop culture enthusiasts to collectors seeking meaningful contemporary art. His commentary on peace and societal progress feels especially relevant in an era where global issues of conflict, inequality, and environmental crises remain at the forefront of public discourse. Denial continues to push boundaries within urban art, using his work as a platform for discussion and reflection. Are We There Yet? captures a moment of collective questioning, urging viewers to consider not only how far society has come but also how much further there is to go. Through his masterful use of pop culture iconography and street art sensibilities, Denial ensures that his work remains both impactful and unforgettable, solidifying his place within the ever-evolving landscape of modern Street Pop Art & Graffiti Artwork.

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Chanel Dark Side HPM Stencil on Wood by Ben Frost Hand-Painted Multiple Panel Ready to Hang by ARTIST Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Edition of 3 HPM MEDIA Print Artwork Size 27.5x23.5 Acrylic and spray paint on board with synthetic rope handles

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Diving deep into the world of modern pop and street art, one can't help but be captivated by the hand-painted creations of PREFAB77. The artist, known for blending unique graffiti techniques with elements of pop culture, has yet again introduced an exceptional piece titled “Heist Eyes”. This artwork is a brilliant amalgamation of stencil spray paint and silkscreen techniques, seamlessly marrying the two art forms. Set on a high-quality 300gsm Somerset Fine Art Paper, the “Heist Eyes” showcases a close-up of a woman's gaze, fierce and mysterious. The eyes, being the windows to the soul, are central in this artwork, perhaps symbolizing the depth and layers of our modern culture. What's unique about this particular piece is its intricate details. Not only does it present the intense gaze, but it also intricately intertwines elements of pop culture, serving both as a reflection of contemporary society and a warning of the fleeting nature of fame and recognition. This piece is not just any regular print; it's a hand-painted multiple (HPM). This means each piece, though part of a series, has its own unique touch. The utilization of seven distinct colors brings life to the print, and the luxurious layer of UV black ink against a hand-painted background only adds to its allure. With only 60 pieces in existence, each signed, stamped, and numbered, it truly is a testament to PREFAB77's dedication to craftsmanship and exclusivity. In the realm of pop art, street art, and graffiti art, such works emphasize the evolution of traditional art forms. They signify a move from the conventional to the contemporary, bringing in fresh perspectives while keeping rooted in authentic techniques. The “Heist Eyes” is not just a piece of art; it's a narrative of the times we live in, urging viewers to delve deeper, to look beyond the surface, and to interpret the myriad of stories it seeks to tell.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!!  One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.

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The End Pt2- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.

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Until Debt Do Us Part Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 "Me and my friend and cousin made these over a 2-week stint in my studio. I have been really focusing on more tactile and animated shapes as my canvases. It has been really interesting working on nonrectangular canvases." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Crying Woman Art HPM Spray Paint Stencil Silkscreen on Fabriano Fine Art Paper Painting Artwork by street pop culture artist Copyright. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 19.75x27.5 Spray Paint Stencil Silkscreen Artwork of Wonder Woman Close Up To Face Crying. In the expansive realm of street and pop culture art, a particular piece that resonates deeply is "Crying Woman" crafted by the renowned street artist, Copyright. Created in 2019, this artwork harnesses the potency of spray paint stencil techniques combined with silkscreen, both applied on the rich texture of Fabriano Fine Art Paper. Its dimensions, 19 3/4 x 27 1/2 inches (or 50 x 70 cm), serve as a canvas to the emotionally charged portrayal of Wonder Woman in an intimate close-up, capturing a raw moment where tears flow freely down her face. What makes this piece even more exclusive is the limited edition nature of its existence. Only 25 pieces were ever produced, making each a treasured possession, with each piece bearing the signature of Copyright, authenticating its originality and affirming its place in the annals of pop culture art. The decision to depict Wonder Woman, an emblem of strength, resilience, and empowerment, in a vulnerable state is both striking and paradoxical. It underscores the multifaceted nature of humanity, where even the mightiest are not impervious to emotions and moments of fragility. The medium chosen by Copyright also speaks volumes. Spray paint stencil, inherently linked with graffiti art, brings forth a certain rawness, an unfiltered edge that aligns well with the raw emotions displayed. Silkscreen, on the other hand, introduces an element of finesse, contrasting and yet complementing the stencil work. Fabriano paper, with its rich heritage and fine texture, offers a base that gives the artwork a timeless appeal. Through "Crying Woman", Copyright not only presents a visual feast but also instigates a dialogue about vulnerability, strength, and the interplay of contrasting emotions and mediums in the world of street pop culture art.

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Get A Job HPM Silkscreen Stencil on Wood by Shepard Fairey- OBEY Hand-Painted Multiple Panel Ready to Hang Street Artist Modern Graffiti Pop Art. 2012 Signed & Numbered Edition of 6 HPM Silkscreen Stencil Print Artwork Size 18x24 on Wood Panel. Framed without glass. Framed Dimensions 25 X 19 Inches. Shepard Fairey Get A Job HPM Silkscreen Stencil on Wood 2012 The 2012 Get A Job hand-painted multiple by Shepard Fairey, the American artist behind the OBEY name, is a striking fusion of silkscreen stencil work and hand-applied detailing on a wood panel. Measuring 18 x 24 inches, this piece forms part of an extremely limited edition of only six, each signed and numbered by the artist. Known for his politically charged, socially conscious imagery, Fairey uses the visual language of propaganda posters to deliver a biting commentary on labor, authority, and societal expectations, here reframed through the lens of Street Pop Art & Graffiti Artwork. Propaganda-Inspired Composition The central figure in the artwork points directly outward, recalling iconic recruitment poster imagery, but the directive here is satirically altered to read “I Want You to Get a Job.” This layered messaging both mimics and critiques the authoritative tone of historic propaganda, drawing attention to the commodification of work and the pressures of productivity. The composition is infused with radiating golden rays against a dominant red background, with two strong, uniformed workers flanking the scene, reinforcing the militaristic aesthetic while heightening the visual impact. Technique and Materiality This work is not a standard print but a hand-painted multiple, meaning each panel is individually worked on by the artist, resulting in subtle variations across the edition. The use of wood as a base surface adds warmth, texture, and durability, contrasting with the crispness of the silkscreen stencil application. Fairey’s layering of paint and stencil work produces depth and complexity, with areas of intentional distress and imperfection that enhance the street-art authenticity. The absence of glass in the framing invites closer inspection of the texture and the tactile qualities of the wood grain beneath the paint. Shepard Fairey’s Cultural Commentary Born in 1970 in Charleston, South Carolina, Shepard Fairey emerged from the skateboarding scene with his OBEY sticker campaign before becoming a central figure in contemporary political street art. His works frequently challenge power structures, media influence, and consumer culture. In Get A Job, Fairey uses the aesthetics of socialist realism and wartime propaganda to deliver a layered critique of modern labor dynamics, while maintaining the bold graphic style that has made his work internationally recognizable. With its combination of rare edition size, mixed media execution, and socially pointed message, this piece is a powerful example of Fairey’s ability to merge visual seduction with political provocation in the sphere of Street Pop Art & Graffiti Artwork.

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American Flag Black HPM Watercolor Unique Stencil by Saber Hand-Painted Multiple on Watercolor Fine Art Paper Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Mixed Unique Edition of 40 HPM Hand-Embellished Watercolor Stencil Artwork Size 5x5 Original Mini Painting of the US American Flag with Black Stripes. Deconstructing Symbols in Street Pop Art The 'American Flag Black HPM Watercolor Unique Stencil' by Saber is an evocative piece of modern pop art, reflecting the artist's nuanced approach to symbol deconstruction and cultural commentary. In this signed and numbered unique edition of 40 HPM (Hand-Painted Multiple) watercolor stencil artworks, the conventional image of the US American Flag is reimagined. Measuring 5x5 inches, the original painting presents the flag's iconic stripes in black, a bold departure from their traditional red and white. Saber's Technique and Style Saber's work is characterized by its layered complexity, both in the physical layers of paint and the conceptual layers of meaning. This piece, created on watercolor fine art paper, employs a stencil technique often used in street art to produce sharp, clean images that can be replicated multiple times. However, each piece in the series remains unique, a testament to the artist's hand that guides the process. The choice of watercolor as a medium adds a fluidity and softness to the otherwise stark imagery of the flag, suggesting a sense of ephemerality and change. The black stripes dominate the visual field, standing out against the subtle hues of the watercolor background. This alteration of the flag's color scheme may speak to many social and political interpretations, from mourning and protest to strength and unity. The work becomes a canvas for dialogue, inviting viewers to project their thoughts and emotions onto the flag's transformed image. Reflections on National Identity and Patriotism In street pop art, the flag is a powerful symbol that is loaded with meaning and often employed to express pride, dissent, or a complex combination of both. Saber's rendition of the American flag calls into question national identity and patriotism notions. By altering the flag's traditional colors, the artist prompts a reevaluation of what these symbols represent and how they resonate within the current socio-political climate. The graffiti street artist's decision to work with an emblem as potent as the American flag indicates a willingness to engage with themes that are at once universal and deeply personal. The flag, an icon meant to unite, becomes a site of divergence in Saber's hands, a space where the tensions and contradictions of American life are laid bare. Like much of street pop art, this artwork is not confined to the public walls and alleyways where graffiti is commonly found. It enters the more intimate spaces of galleries and private collections, yet it retains the raw, provocative energy that is the hallmark of street art. Saber, an American artist, navigates this transition with ease, bringing the spirit of the streets into the fine art arena without losing the potency of his message. In this unique series, Saber continues challenging the boundaries of street pop art and graffiti artwork, reaffirming his position as a leading figure. The 'American Flag Black HPM Watercolor Unique Stencil' is a testament to the enduring power of street art to provoke thought and inspire conversation. It is a bold statement in the ongoing discourse about identity, belonging, and the symbols we hold dear.

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He Andy 4-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x He-Man MOTU. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 25. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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