Street Signs

Caution Bump Metal Street Sign Giclee Print by OG Slick Artwork Limited Edition Print Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition Artwork Size 12x12 Metal Stylized Street Sign Mickey Hand with Cocaine Bump of Drugs. Ready to Hang. "The sign is a cautionary tale to stay clear and to beware of the pitfalls of drug abuse with a humorous twist. I have been clean and sober going on 22 years and take sobriety very seriously, but my art, not so much." -OG Slick Caution Bump by OG Slick: Street Sign Subversion in Street Pop Art & Graffiti Artwork Caution Bump is a 2025 signed and numbered limited edition artwork by OG Slick, executed on a stylized metal street sign and measuring 12x12 inches. The piece features a yellow caution sign with the word BUMP in bold black type, interrupted by a gloved cartoon hand appearing to scoop a bump of white powder from the surface. This hand, instantly recognizable from OG Slick’s recurring iconography, reinterprets familiar cartoon symbolism into sharp-edged satire. Slick merges public signage, pop culture references, and controversial content into a compact visual confrontation, producing a piece that functions both as a sculptural object and a warning, delivered with biting humor. Ready to hang and fabricated in metal, this edition exemplifies the dimensional push of Street Pop Art & Graffiti Artwork into tangible, everyday objects reshaped by urban commentary. Concept, Satire, and Cultural Double Meaning The humor in Caution Bump masks a serious undertone. The imagery plays on a literal and figurative reading of the word bump—referencing a road hazard while also suggesting the use of illicit drugs. The white powder and hand gesture reinforce the double entendre, creating a tension between slapstick visual language and stark realism. The cartoon glove is stylized yet suggestive, positioned mid-act in a way that speaks directly to the viewer. The entire work operates as a visual pun, repurposing a familiar street symbol into a cautionary tale about substance abuse, recklessness, and glamorized vice. OG Slick’s ability to inject layered meaning into a simple configuration is a hallmark of his work in Street Pop Art & Graffiti Artwork. He doesn’t lecture or sanitize. Instead, he uses visual familiarity to disarm and challenge. Material Format and Sculptural Adaptation What sets Caution Bump apart is its format. Rather than being confined to canvas or paper, the piece is printed on a real metal street sign, lending it authenticity and urban texture. The rust, scratches, and scuffs are part of the aesthetic—reminders of public space, decay, and civic visual language. By transforming a sign meant for regulation into an artwork designed for disruption, OG Slick blurs the boundary between functional object and cultural statement. The inclusion of his signature cartoon glove motif adds continuity to his visual universe while recontextualizing it into a different material narrative. The print is giclee-based but enhanced by its hard surface and physical depth, aligning it with both graffiti installation and gallery-ready sculpture. OG Slick’s Personal Message and Artistic Irreverence OG Slick, a Los Angeles-based pioneer in graffiti culture, brings personal experience into this piece. Having been sober for over two decades, Slick approaches drug imagery not to glorify but to critique and deflate. His perspective is rooted in lived experience, yet his art retains an irreverent, comedic tone. Caution Bump becomes a commentary on perception—the way serious topics are often cloaked in humor, and how familiar imagery can carry dangerous implications. In Street Pop Art & Graffiti Artwork, this balance of sincerity and sarcasm is essential. Slick leans into this contradiction, using parody and design to challenge the viewer to think twice about what’s being referenced. It’s a sign to laugh at—but also one to heed. A reminder, not just of physical bumps in the road, but of choices, danger, and the cultural tendency to disguise serious problems in pop gloss.

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Zombie Hand Tag Original Street Sign Painting by RD-357 Real Deal Spray Paint Mixed Media One of a Kind of Artwork on New York City No Parking Notice Sign Pop Graffiti Street Art Artwork. 2014 Signed Spray Painting Original Artwork on Real NYC Reclaimed No Parking Metal Urban City Street Sign Size 18x12 of a Decapitated Zombie Hand Grasping & Spraying a Can of Krylon Spray Paint with the RD Tag in Purple. RD-357's Vivid Depiction of Urban Rebellion: The Zombie Hand Tag The 'Zombie Hand Tag' original street sign painting by RD-357, also known as Real Deal, is a provocative piece of street pop art and graffiti that embodies the rebellious spirit of urban street culture. Completed in 2014, this artwork uses a New York City 'No Parking' metal sign as its canvas, transforming a mundane object of urban regulation into a striking visual statement. The depiction of a decapitated zombie hand grasping and actively using a can of Krylon spray paint infuses the piece with a sense of post-apocalyptic creativity and survival. Interpreting the Symbolism in RD-357's Art This piece is rich with symbolism that resonates with the ethos of graffiti and street pop art. The zombie hand, often a symbol of horror and the macabre, is presented here as a vessel of artistic creation, subverting its usual connotations of death and decay. By wielding a can of Krylon, the hand breathes life into an art form that thrives on the fringes of society. The RD tag in purple spray paint marks the artist's signature and serves as an act of claiming territory, a fundamental aspect of graffiti culture. The choice of a 'No Parking' sign as the medium is deliberate and insightful. It represents the restrictions and boundaries imposed by society, which street art often aims to transgress. The act of a zombie hand, a symbol of defiance against mortality, spraying over such a sign is a metaphor for the resilience of street art. It refuses to be confined or controlled, much like the undead refusing to remain in the grave. The Aesthetics and Technique in RD-357's Zombie Hand Tag RD-357's technique in creating this piece highlights street art's raw and unapologetic beauty. The artwork, measuring 18x12 inches, showcases the artist's skill in manipulating spray paint, a medium often dismissed by the traditional art world but revered in street culture. The dripping paint from the Krylon can, the textured portrayal of the zombie flesh, and the striking contrast between the hand and the sterile sign it occupies all contribute to a composition that is as much a visual triumph as a statement piece. The use of mixed media, incorporating both the physical sign and the spray paint, reflects the layered nature of street art. It is both an object and a message, a tangible piece of the city's fabric and a commentary. The artwork challenges viewers to see beyond the surface to understand the depth and complexity of the messages conveyed through this unique artistic expression. Conclusion: The Cultural Impact of RD-357's Work The 'Zombie Hand Tag' is a potent example of how street pop art and graffiti can alter perceptions and engage with viewers on a visceral level. RD-357's work demonstrates street art's transformative power, which can turn a simple traffic sign into a thought-provoking piece that questions authority and celebrates the irrepressible nature of human creativity, even in the face of societal collapse. RD-357, whose real name and country of origin remain unknown, much like the enigmatic nature of street art itself, has created a piece that stands as a testament to the enduring spirit of street pop art and graffiti. The 'Zombie Hand Tag' is a visual spectacle and a narrative of resistance, a declaration that even in a world overrun by the metaphorical zombies of conformity and control, the artist's spirit remains unvanquished.

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Vandalism Is A Crime- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Hael. Over the last 30 years Hael has traveled the world taking photos and writing graffiti. He is one of the most prolific graffiti writers in North America.

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