Subway Train & Railroad

DMC Released! Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Mare139 Graffiti Street Artist Modern Pop Art. "This work was the cover art designed Sal Buscema who is known as one of the legendary artists from the time period known at Marvel as its' Golden Age of Comic books he is affectionately known as "Our Pal Sal" in the Marvel Bullpen Bulletins. His unforgettable work on some of their biggest titles including his phenomenal penciling on The Avengers, Captain America, Incredible Hulk, Thor, and Spider-Man defined the look of those characters for decades. He has even worked for DC Comics on Batman, Superman, Superboy, Creeper, and Wonder Woman. That puts me in good company as well as some of the artists who share the cover of the graphic novel." - Mare139

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Two Train Wreck Artwork Giclee Limited Edition Print on Heavy Paper by Pop Culture Graffiti Artist Lady Pink. Giclee print on heavy paper. Size 11” x 17”. The image is 9” x 15”. Hand-signed by Lady Pink ‘05. Partial scene from a mural painted in Brooklyn. Edition of 6

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Double Vision Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by CES pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Railroad Spike Track Teeth Blue Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Blue by RD-357 – Original Object Art in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Blue is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist and designer known for integrating traditional tagging culture with found-object experimentation. This unique piece features RD’s iconic handstyle tag executed in bright blue spray paint across the surface of a reclaimed railroad spike, measuring 6 x 1 inches. A powerful collision of industrial form and street symbolism, the object retains the weight and texture of its original function while transforming into a three-dimensional graffiti artifact. The signature arrow, a common motif in graffiti letterforms, extends from the letter D, pointing forward with intentional motion—signaling movement, defiance, and direction. As a tagged artifact, this spike not only references the rail systems central to graffiti’s early distribution but becomes a piece of urban archaeology infused with authorship and attitude. Tag Culture and Object as Canvas In graffiti, the tag is the most distilled form of artistic identity. It is name, logo, and signal. RD-357’s application of his tag on a metal spike recontextualizes this signature within the aesthetics of artifact and utility. By placing a clean, fluid handstyle on a corroded and heavy object, the artist plays with contrasts—impermanence marked on permanence, fluid gesture on solid form, gesture on function. The use of blue against the spike’s blackened surface brings a vibrancy and clarity that stands out even on this miniature scale. It becomes a physical message, less about the space it occupies and more about what it carries—a name rooted in street history etched onto a tool once used to anchor systems of transit and division. The object is no longer a spike; it is a signed sculpture, a mobile tag, a symbol of permanence in a culture built on motion. Railroads, Movement, and the Foundation of Style Railroads are more than infrastructure in the graffiti narrative—they are symbols of distribution, escape, and style travel. Writers from the 1970s forward used trains to extend the visibility of their names across boroughs and regions. RD-357 honors that history not with a painting of a train, but with the spike that once fastened steel to wood, that once anchored a system which graffiti artists hijacked to spread messages. This spike is a poetic repurposing. It holds the weight of transit and turns it into voice. It turns the ghost of industrial decay into the object of modern subcultural celebration. The use of an authentic railroad component makes this piece not just art, but a relic transformed—a utilitarian object made iconic by graffiti’s mark of authorship. Street Pop Art & Graffiti Artwork as Object-Based Language Railroad Spike Track Teeth Blue is a rare example of graffiti object art where the artist refuses to be confined to wall, canvas, or digital format. RD-357 embraces the object as both message and material, infusing his tag with dimension, tactility, and context. This approach bridges graffiti’s traditional emphasis on repetition and surface with the collectible logic of pop and conceptual art. It is a handstyle made sculptural, an industrial artifact made personal, and a name that resists being forgotten. In Street Pop Art & Graffiti Artwork, such pieces remind us that graffiti lives not only on surfaces we walk past, but also in the objects we carry, the materials we recover, and the symbols we choose to elevate. This work is not merely seen—it is held, it is felt, it is signed in steel.

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All Aboard Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Lyle Graffiti Street Artist Modern Pop Art. "This painting is part of my current show titled 'Everyone's a critic." This series presents a caustic commentary on the art world and what mystifies the public about the art world – art that is not made by the artists themselves, money as an end game, art-speak, etc. The idea behind this piece is basically about the acceptance and commercialization of graffiti. Where in the past, graffiti was looked at as an illegal eyesore to the public and now it is adorned and used in the main stream media, sold as fine art and used for commercial purposes." - David Lyle

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Sunset On The 5 And The 110 PP Archival Print by Stephanie Buer Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 20x13 Archival Pigment Fine Art Stephanie Buer's "Sunset On The 5 And The 110 ": A Moment Captured in Urban Landscape Stephanie Buer's "Sunset On The 5 And The 110" captures a moment in time, a snapshot where the urban landscape meets the transient beauty of the sunset. This archival print, produced in 2019, is a testament to Buer's dedication to exploring the often-overlooked nooks of city life. As a Printer's Proof (PP) on 290gsm Moab Entrada fine art paper, the work is part of a limited series that has been personally overseen and approved by the artist. Each print within this limited edition is signed and marked 'PP,' distinguishing it as a direct artifact of Buer's vision. Measuring 20x13 inches, the artwork is rendered with archival pigment, ensuring that the subtle gradations of light and the vividness of the urban graffiti are preserved. Buer is known for her detailed and nuanced portrayal of derelict and abandoned urban spaces, often focusing on the textural interplay between the natural world and human-made structures. Her work in "Sunset On The 5 And The 110" is emblematic of this style, as it meticulously depicts the convergence of nature and the urban environment at a specific moment. The print showcases Buer's ability to capture the essence of street pop and graffiti artwork within a fine art context, inviting contemplation on the transient nature of the urban sprawl and the art that adorns it. The interplay of Light and Texture in Buer's Work Buer's attention to detail is evident in the realistic rendering of the scene. The contrast between the organic silhouettes of the hills and the concrete geometry of the overpass is softened by the warm hues of the sunset, encapsulating the dialogue between the built environment and the natural one. The graffiti, a hallmark of street art, is depicted not as an act of vandalism but as an intrinsic part of the urban tapestry. This perspective indicates Buer's approach to her subjects, where elements often seen as decay are portrayed with a sense of dignity and inherent beauty. The choice of Moab Entrada fine art paper speaks to the quality and longevity of the print. Known for its premium feel and ability to hold pigments without degradation, the paper complements Buer's intricate and layered technique. The archival pigment used in the printmaking process ensures that the work's refined details, down to the texture of the concrete and the fading light of the sky, are captured with fidelity. Reflections of Street Pop Art in Buer's "Sunset On The 5 And The 110" Buer's work stands at the intersection of street pop art and fine art, incorporating elements from both to create something transcending either category. "Sunset On The 5 And The 110" does not simply document a scene; it communicates the silent narratives within urban spaces. The graffiti present in the artwork is a nod to the street artists and an acknowledgment of the layers of history and expression that they contribute to the cityscape. "Sunset On The 5 And The 110" by Stephanie Buer is a poignant reminder of the beauty found in transient moments within the urban landscape. As a Printer's Proof, it holds an exceptional value for collectors and admirers of Buer's work, offering a tangible connection to her artistic process. Buer elevates the every day to the extraordinary by portraying the interplay between light, texture, and structure, inviting viewers to see the world around them through a lens of nuanced appreciation. Her work continues to resonate within the spheres of street pop art and graffiti artwork, capturing the quiet magnificence of scenes that might otherwise go unnoticed.

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Railroad Spike Track Teeth Black Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Black by RD-357 – Reclaimed Object in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Black is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist whose work explores the intersection of street authenticity and industrial minimalism. This piece features a reclaimed metal railroad spike measuring 6 x 1 inches, transformed through the addition of RD’s distinct black tag. Executed in spray and marker, the tag cuts across the rusted shaft in a tight, angular form, accented by an arrow pushing forward. This object functions as both a sculptural work and a symbolic message, channeling graffiti’s mobile essence into a handheld relic. The spike—once a mechanical element of motion—becomes the vessel for name-based authorship, connecting the physical infrastructure of rail transit with graffiti’s legacy of distribution, presence, and personal signature. Tag as Sculpture and Object as Surface RD-357’s choice of object echoes graffiti’s foundational principle of using what is available to communicate identity and energy. Unlike traditional street surfaces like walls or doors, this object carries its own embedded story before it is ever painted—steel forged for permanence, wear from transit and time, dents from labor. The tag laid upon it becomes a layer of personality over raw material, marking the spike as no longer industrial but autobiographical. The black line curves through the space with purpose and direction, controlled yet expressive. The arrow flaring from the D propels the tag with motion, continuing graffiti’s tradition of symbolizing flow, travel, and attack. The artist’s use of black ink on a distressed, brown-and-steel base emphasizes legibility and intent, evoking early handstyle culture in its most stripped-down form. Graffiti Culture, Movement, and Found Object Authenticity Railroads have always played a central role in graffiti’s evolution—not only as literal canvases for mobile expression, but as metaphors for movement, rebellion, and connectivity. By placing his tag on a spike rather than a train, RD-357 draws attention to the mechanisms behind motion. This object represents the understructure of transit—what holds tracks together, what enables trains to move, and by extension, what allowed graffiti to gain visibility across cities and boroughs. The object becomes a fragment of cultural infrastructure, repurposed through the graffiti writer’s hand into an artifact of identity. It is as much about claiming authorship as it is about preserving the overlooked materials that define how cities are built and traversed. Street Pop Art & Graffiti Artwork in Micro Form In the context of Street Pop Art & Graffiti Artwork, Railroad Spike Track Teeth Black is a testament to how graffiti can inhabit small-scale objects without losing impact. This piece condenses the energy of a full burner into a six-inch form. It distills namewriting into something tactile and permanent, a tool transformed into a sculpture. As a collectible artifact, it speaks to both the material history of the city and the personal history of the artist. The spike becomes a bridge—between labor and expression, between transportation and authorship, between anonymity and signature. It is graffiti boiled down to one tag, one object, and one gesture—yet it contains the weight of movement, story, and presence.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Train 39 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. "Train 39" by LushSux: A Model of Street Art Innovation "Train 39" is a captivating work by the contemporary street and pop artist LushSux, who has carved a unique niche in the urban art scene. This original piece, created in 2014, is a prime example of how LushSux transposes the essence of graffiti onto an HO-scale model train box-car, measuring a mere 14x3 inches. Through this work, LushSux continues challenging the conventional perceptions of graffiti by taking the once exclusively urban art form into new and unexpected domains. The signature of LushSux not only authenticates the piece but also denotes his dual identity as both a street artist and a self-proclaimed "international graffiti asshole," a testament to his tongue-in-cheek approach to his public persona. Exploring the Dichotomy of "Train 39" In "Train 39," LushSux juxtaposes the orderly world of model train collecting with graffiti art's often chaotic and free-spirited nature. The artwork features a vibrant tag or "throw-up," characterized by its bubbly letters and bold, outlined edges—a hallmark of LushSux's style. The interplay of colors and the strategic placement of the tag disrupt the traditional aesthetics of the model train, infusing it with a contemporary edge that is both striking and thought-provoking. This piece exemplifies how street pop art can extend beyond the walls of city buildings and into the more intimate spaces of personal collections, retaining its power to engage and challenge viewers. The Cultural Resonance of LushSux's "Train 39" The creation of "Train 39" and its subsequent release into the art market underscores the evolving nature of street pop art as a cultural expression. The piece reflects a broader trend in contemporary art, where the lines between high art and subcultural expressions continue to blur. LushSux's work on this model train encapsulated a moment in the street art movement when artists began seeking new frontiers and mediums. As a collectible, "Train 39" represents the intersection of various enthusiast communities, from graffiti aficionados to model train collectors, showcasing the universal appeal of LushSux's artistry. Through his innovative use of unconventional canvases, LushSux expands the reach of graffiti artwork, ensuring its presence is felt across diverse cultural landscapes.

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CN Rail Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Stephanie Buer, Street Pop Art Graffiti Legend. Signed & Numbered Archival Pigment Print on Hand-Deckled 290gsm Moab Fine Art Paper Size: 18.5 x 14 Inches Release: March 13, 2020 "This piece is a drawing I made from images gathered while exploring the Packard Plant years ago. It was taken before the Packard Plant was purchased and renovated, back when I used to live in Detroit and wander the plant regularly. That place is very special to me and my early development as an artist." –Stephanie Buer

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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Train 34 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. The Fusion of Model Trains and Street Art in LushSux's "Train 34" In the eclectic domain of street pop art and graffiti artwork, "Train 34" stands out as a testament to LushSux's innovative approach to the genre. This piece, a marriage of a classic HO scale model train box-car with the raw vibrancy of graffiti art, showcases the artist's signature style. Created in 2014, the original acrylic work is not confined to a traditional canvas; it explores form and space, blurring the lines between sculpture and painting. LushSux, an artist from Australia, is known for his often controversial and boundary-pushing works in public spaces. However, in "Train 34," he redirects his creative expression to the controlled confines of a model train, an object often associated with precision and collectibility, now transformed into a moving canvas that conveys the rebellious spirit of street art. LushSux: Bringing Graffiti into Unconventional Spaces LushSux's decision to tag a model train car symbolizes the ingenuity inherent in street art culture. LushSux challenges the expectations of where street art can exist and what it can adorn by choosing an HO-scale train, a beloved item among model train enthusiasts. The work features a graffiti tag or throw-up painting, a style characterized by quick execution and often used by graffiti artists to mark territory. Yet, when applied to a model train, the artwork transcends territorial claims and enters the realm of collectible art. The size of the piece, 14x3, is modest, yet it commands attention with its bright colors and bold design, echoing the larger-than-life presence of LushSux's full-scale works. Significance of "Train 34" in Contemporary Art Collectibles "Train 34" represents a convergence of subculture and hobbyist culture, reflecting the increasing acceptance and celebration of graffiti art within mainstream collectibles. This piece, hand-painted and signed by LushSux, is a one-off creation that captures the essence of street pop art—transient by nature yet immortalized through the permanence of model craftsmanship. The work's unique blend of a traditional pastime with the urban art form makes it a standout addition to the oeuvre of LushSux, whose reputation as both a male model and self-described "international graffiti asshole" underscores his multifaceted identity as an artist. Through works like "Train 34," LushSux continues to push the boundaries of street art, inviting us to reconsider the contexts in which art can be appreciated and challenging the preconceived notions of what constitutes a canvas.

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Wicker Park Chicago 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ian Ferguson- Hydeon Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2013 Signed & Marked AP Limited Edition Wicker Park by Ian Ferguson 1-Color Screen Print Size: 16" x 20" Wicker Park, Chicago, Illinios. Wicker Park AP Silkscreen Print by Ian Ferguson. Neighborhood Art Series Wicker Park Silkscreen Print by Ian Ferguson – Hydeon Wicker Park is a striking one-color hand-pulled silkscreen print by Ian Ferguson, also known as Hydeon, a renowned figure in street pop art & graffiti artwork. This signed and marked artist proof from 2013 is a rare and highly sought-after limited edition piece that captures the energy and architectural character of Wicker Park, a vibrant neighborhood in Chicago, Illinois. Measuring 16x20 inches, this intricate composition highlights Ferguson’s signature illustrative style, blending urban storytelling with meticulous line work and detailed cityscapes. This piece embodies Hydeon’s ability to merge historical, architectural, and surreal elements into a cohesive visual experience. The print showcases elements of Wicker Park’s well-known streets, vintage signage, historic buildings, and the iconic elevated train, all woven together in an elaborate and layered perspective. The black-and-white aesthetic further emphasizes the intricate craftsmanship and adds a timeless quality to the piece, making it both a tribute to the neighborhood and an outstanding example of contemporary urban art. The Architectural Complexity of Wicker Park Ian Ferguson’s fascination with urban architecture is evident in the detailed structures and layered composition of Wicker Park. This print brings together a variety of elements that define the neighborhood, including vintage storefronts, historic residential buildings, and the elevated transit system that runs through the heart of the area. His approach to architectural illustration is far from conventional; rather than rigidly replicating the scene, he reconstructs it in an imaginative, almost dreamlike arrangement that encapsulates the essence of the location. The depth and perspective in this piece create a visual journey through Wicker Park, guiding the viewer’s eye from the bustling streets to the elevated train tracks above. The warped and exaggerated structures give the impression of movement, as if the city itself is alive and shifting. This dynamic rendering is a hallmark of Hydeon’s style, transforming static buildings into vibrant and expressive components of the urban landscape. Symbolism and Everyday Urban Life Beyond its architectural focus, Wicker Park also incorporates symbolic imagery that reflects everyday life in the neighborhood. A bicycle, a common mode of transportation in Chicago’s creative communities, is prominently featured in the foreground, reinforcing the area’s reputation as a hub for artists, musicians, and independent thinkers. An ice cream cone adds a playful element, suggesting a sense of nostalgia and local culture. These details help personalize the scene, capturing both the physical and cultural identity of Wicker Park. By integrating elements of daily life into the piece, Ferguson creates a work that feels immersive and relatable. The inclusion of street signs, cars, and scattered urban textures further enhances the authenticity of the scene. The choice to render these details in a single color keeps the focus on the composition and line work, allowing the viewer to appreciate the craftsmanship without distraction. Hydeon’s Artistic Influence in Street Pop Art & Graffiti Artwork Ian Ferguson’s work under the Hydeon moniker stands out in the street pop art & graffiti artwork landscape due to his commitment to intricate hand-drawn compositions and narrative-driven urban scenes. Wicker Park exemplifies his talent for capturing the soul of a location while maintaining a unique and artistic perspective. Unlike traditional graffiti, which often prioritizes bold color and speed, his work takes a more meticulous approach, reminiscent of historical engravings and architectural sketches. Hydeon’s work continues to push the boundaries of what street pop art & graffiti artwork can achieve, blending classical illustration techniques with contemporary urban themes. Wicker Park is not just a representation of a neighborhood; it is a celebration of its culture, history, and artistic spirit. This print remains a standout example of how detailed illustration and urban storytelling can merge, creating a lasting impression in the ever-evolving world of street art.

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Hello Kitties AP Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Paper by Artist Matthew Grabelsky, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed & Marked AP 30x35.5 Limited Edition of Mother Cat With Hello Kitty Stylized Kittens In Humanized Form on Subway On Large Format Print. Diving into the eclectic world of contemporary art, one is often met with audacious blends of reality and imagination. Such is the allure of "Hello Kitties" by Matthew Grabelsky. This fine art piece seamlessly marries the urban aesthetic of street art with the playful nostalgia of pop culture, delivering a whimsical tableau set against the backdrop of a subway carriage. Grabelsky, a recognized name in the street pop art graffiti circuit, showcases his flair for infusing everyday scenes with elements of the fantastical. The artwork, crafted meticulously using archival pigment on 300gsm Signa Smooth Paper, spans a generous 30x35.5 canvas. The central figure, a poised mother cat with arresting blue eyes, anchors the composition. Yet, it's her companions – three kittens styled in Hello Kitty attire – that inject a sense of playful irreverence into the scene. These characters, dressed in vivid pink tracksuits, exude an air of childlike innocence, a stark contrast to the mundane setting of the subway. Their humanized form, juxtaposed with feline features, challenges the viewer's perception of reality, urging them to delve deeper into the realm of imagination. Released as an Artist Proof in 2021, "Hello Kitties" stands as a testament to Grabelsky's unique artistic vision. Each print is signed and marked AP, elevating its value and exclusivity. The artwork invites onlookers to suspend disbelief and embrace the extraordinary, all while reminiscing about a beloved pop culture icon. It's a celebration of the surreal, set amidst the ordinary, exemplifying the transformative power of art.

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Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Wicker Park Silkscreen Print by Ian Ferguson – Hydeon The Wicker Park silkscreen print by Ian Ferguson, known artistically as Hydeon, is a striking representation of one of Chicago’s most iconic neighborhoods. This one-color hand-pulled limited edition silkscreen print from 2013, measuring 16x20 inches, captures the architectural and cultural vibrancy of Wicker Park through an intricate and surreal composition. As part of Ferguson’s Neighborhood Art Series, this piece blends detailed urban landscapes with elements of street pop art & graffiti artwork, offering a visually compelling exploration of the city. The Architectural Complexity of Wicker Park Wicker Park has long been known for its historic architecture, diverse creative community, and bustling streets, all of which are intricately depicted in Ferguson’s artwork. His highly detailed line work brings out the ornate features of vintage Chicago buildings, brownstones, and storefronts, creating a layered cityscape that feels alive with history and movement. The elevated Damen Blue Line train plays a central role in the composition, visually cutting through the print and grounding the neighborhood’s well-known connectivity to the broader Chicago landscape. Ferguson’s ability to meld perspective and scale results in an architectural collage that defies traditional linear space. Buildings appear to bend, streets converge at surreal angles, and the typography of “Wicker Park” integrates seamlessly into the structure of the print. This style recalls classic urban etchings, yet Ferguson’s interpretation includes surreal elements that make the neighborhood feel both familiar and dreamlike. Cultural References and Symbolism Beyond its architecture, Wicker Park has a rich cultural identity rooted in its music, art, and street scene, and Ferguson nods to these aspects through various visual motifs. The presence of a bicycle, vintage cars, and classic signage all serve as references to the neighborhood’s history and evolving subcultures. Ferguson’s choice to include the Rainbow Club sign further acknowledges the importance of local businesses in shaping Wicker Park’s creative landscape. The imagery also includes floating clouds, exaggerated depth, and layered urban elements, adding a dreamlike quality to the piece. The decision to use black and white emphasizes the depth of detail and creates a timeless effect, making it feel like an archival document of the neighborhood’s energy. Ferguson’s approach highlights both the reality and mythology of Wicker Park, turning it into a symbolic representation of urban creativity. The Influence of Ian Ferguson in Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series places him firmly within the street pop art & graffiti artwork movement, using silkscreen techniques to reinterpret the visual landscapes of major urban spaces. Unlike traditional mural-based street art, Ferguson’s work translates these urban narratives into limited-edition fine art prints, allowing collectors to engage with his interpretations on a more intimate scale. His work resonates with fans of both architectural illustration and urban surrealism, as he transforms familiar cityscapes into dynamic compositions filled with movement and storytelling. The Wicker Park silkscreen print serves as both a tribute to the neighborhood and an exploration of how cities evolve, making it a significant piece within Ferguson’s broader artistic practice. This print stands as a visual love letter to one of Chicago’s most iconic areas, preserving its cultural essence through a highly detailed and meticulously crafted artwork.

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NY Tripway Map I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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161 Street-Yankee Station- Gold HPM Hand-Embellished Limited Edition Screenprint Art on #100 Cougar Smooth Fine Art Paper by Artist Cope2- Fernando Carlo Subway Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 30 Artwork Size 24x12 Graffiti Spraypaint Tag Different on Each HPM, Exact Print You Recieve Will Vary From Image. Hand-Embellished 3-Color Screen Print on Cougar 100# Smooth Fine Art Paper Size: 24 x 12 Inches Release: July 19, 2022 Run of: 30

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New York City Subway Map Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Cope2 street artist modern pop art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 17x24 "Having a print made from an original New York City subway map piece that I created and collaborated with 1xRun on is a really great idea in the sense that many art collectors are able to own a piece of my New York City history.The whole concept of doing a New York City subway map goes perfect with my history as being a New York City graffiti art legend cause the subway system is were I made my bones and a name for my self tagging up and getting my name on every subway line and subway system in the whole city." - Cope2 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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33rd Street Station Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Cope2. Signed & Numbered Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 31.5 x 18 Inches Release: March 11, 2020 Run of: 100 Cope2 has always shown his respect for the writers before him and in his first steps in the world of graffiti, he was interested in learning from them. This is the way he described his first encounter with them in an interview with Widewalls in 2006: “When I started, to see these graffitis one subway cars was great – the colors, the letters – I wanted to learn from the original artists, not just copy. New York is the motherland of graffiti, I am part of the second generation and I wanted to get my special style.”

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Laid Up- Red Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Rag Paper by Freddy Diaz Graffiti Street Artist Modern Pop Art. Freddy Diaz is an artist born in Detroit and raised on the South West side of the city. He has been hired for custom airbrushing at corporate events, children's parties, and painting graffiti murals, throughout Detroit and across the world. Growing up he was brought into art through graffiti and his biggest influences on art have been trains.

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Subway Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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GT Graffiti- IV Original Spray Paint Can Sculpture Artwork by street artist graffiti legend Lyric One. Lyric One (Joey Novotny) is a born and raised Coachella valley graffiti artist living life in the Inland Empire these days. At an early age, fat cap tags and graffiti pieces along the freeways in downtown caught the attention of Lyric One.

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Double-Sided Exit Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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SECHOR train #2 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Sechor. 2021 Signed, 7x2 inches, Custom painted Vintage ho scale train with acrylic paint.

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Adventure Time Mystery Train- Blue Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Officially created by Mondo from Cartoon Network Adventure Timer show.

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Subway Series- 10 Photo Original OTP Archival Pigment Print on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Orignal 1 of 1 Unique Subway Graffiti Photo Framed “I’ve always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I’ve been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It’s what made me Cope2. But me, I like to change it up and show all my different styles. So with this show, I’m able to show my evolution of style and how I’ve progressed. “Versatile” shows where I came from and what I’m doing now,” Cope2 said from his studio in New York. -Cope2 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Blue Boy Artwork Giclee Limited Edition Print on Heavy Paper by Pop Culture Graffiti Artist Lady Pink. 2005, Edition size 25 giclee prints on heavy paper. Signed and numbered, size 17" x 17"

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I Love Graffiti Original Painting Acrylic on Linen Canvas by LushSux Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Graffiti Painting on Stretched Canvas Artwork Size 15.75x19.6 Text Type Art Reading "I Love Graffiti." The Essence of "I Love Graffiti" by LushSux "I Love Graffiti," a striking acrylic on linen canvas by LushSux, captures the heart of street pop art and graffiti artwork with a bold simplicity that speaks volumes. Created in 2014, this signed original measures 15.75x19.6 inches and presents a text type art reading the declarative sentence "I Love Graffiti." LushSux, an Australian street artist known for his controversial and often humorous work, uses this piece to make a direct statement about his passion for graffiti, a sentiment shared by many within and outside the graffiti community. The straightforward message, underscored by the artist's choice to render the text in a style reminiscent of graffiti lettering, conveys a candid appreciation for the art form while also alluding to the complex relationship society has with graffiti. Stylistic Elements and Cultural Commentary in LushSux's Work The artwork's design, characterized by thick black outlines filled with a sky blue, reflects the quintessential graffiti aesthetic—bold, readable from a distance, and unabashed in its existence. This visual approach is not just an artistic choice but also a nod to the origins of graffiti as a form of street-level communication, often used to convey messages or mark territory. LushSux's use of a stretched linen canvas as the substrate for this piece elevates the traditionally illicit act of graffiti into the realm of fine art, challenging viewers to reevaluate the distinctions between vandalism and art. The inclusion of a sardonic footnote, "as long as it's not on my property," adds a layer of self-aware commentary, acknowledging the contentious nature of graffiti as both celebrated art and criticized public nuisance. LushSux's Contribution to the Dialogue on Street Art With "I Love Graffiti," LushSux contributes to the ongoing dialogue about the place of street art in contemporary culture. By bringing a declaration of love for graffiti into the gallery space, the artist bridges the gap between the raw, often unsanctioned expressions found on city walls and the sanitized, curated experience of viewing art in conventional settings. This piece serves as a reminder of the roots of street pop art, grounded in a love for bold expression and the desire to make a mark on the world. As a modern pop artist, LushSux navigates the fine line between irreverence and homage, using his platform to both celebrate and critically examine the art form to which he has dedicated his career. "I Love Graffiti" stands as a testament to the enduring appeal of graffiti and its ability to provoke, inspire, and resonate with a wide audience.

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New York City Subway Maps IV PP Printers Proof Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x24. New York City Subway Maps IV, Archival pigment print in colors with hand-embellishments on Moab Fine Art paper Cope2's Artistic Legacy in "New York City Subway Maps IV PP Printers Proof" The "New York City Subway Maps IV PP Printers Proof" by Cope2 represents a confluence of street authenticity and artistic innovation within modern Pop Art. The 2019 Printers Proof edition, signed and marked by the artist, is a limited series that pays homage to the raw spirit of New York's street culture. The artwork, measuring 17x24 inches, is a hand-embellished archival pigment print on Moab Fine Art paper, echoing the gritty essence of urban life through vibrant spray paint and bold tagging styles. As a seminal Graffiti Street Art movement figure, Cope2's work encapsulates the city's visual vibrancy and chaotic energy that never sleeps. His "New York City Subway Maps IV" represents the iconic transit system and a canvas showcasing the layered history of graffiti that has become synonymous with the city's subways. The hand-embellishments signify Cope2's personal touch, making each piece a unique fragment of New York's urban narrative. Blending Traditional Techniques with Urban Aesthetics Cope2's Printers Proof edition blurs the lines between traditional printmaking techniques and the urban aesthetics of graffiti. By incorporating hand-embellishments, each print transcends its status as a mere reproduction, becoming a standalone work of art. The series showcases Cope2's versatility as an artist capable of adapting street capable of adapting street art's spontaneous natureine art printing. The "New York City Subway Maps IV" series is a cultural artifact that reflects the evolution of street art from an act of rebellion to a recognized form of artistic expression. Cope2's work has transitioned from the fleeting surfaces of subway cars to the permanence of fine art paper, enabling the transient nature of street art to be captured, preserved, and appreciated as part of contemporary art's expansive canon. The limited edition Printers Proof series is a testament to the enduring appeal of street art and its significance within the larger context of pop culture. It underscores the importance of preserving the ephemeral nature of graffiti while providing an accessible medium for art collectors and enthusiasts to engage with street art in a new way. In essence, Cope2's "New York City Subway Maps IV PP Printers Proof" is a vibrant homage to the streets of New York, a tangible slice of the city's artistic soul. Through his work, Cope2 continues to play a pivotal role in shaping the narrative of Street Pop Art and Graffiti Artwork, ensuring that the voices of the streets are heard and celebrated in galleries and collections across the globe. His artwork remains a dynamic intersection of color, form, and urban storytelling, capturing the city's pulse in each spray-painted line and hand-drawn tag.

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NYC Subway Map VII Bronx Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art NYC Subway Map VII Bronx Legend is a visually striking archival print created by Cope2, also known as Fernando Carlo, a respected figure in the street art scene. This limited edition print, confined to a series of just 35 signed and numbered pieces, brings a slice of New York's vibrant street culture to the world of fine art collectors. Each print, sized at 14x19 inches, is printed on premium 290gsm Moab Entrada fine art paper, known for its ability to present rich, lasting colors and sharp detail. Fernando Carlo's roots in the graffiti movement are evident in this piece, where he incorporates elements of the New York City subway map into his artwork, a nod to the historical significance of subway graffiti in the city's culture. The piece is a riot of color, typography, and symbolism that captures the gritty essence of Bronx street art. The artwork is a dynamic composition of tags, a signature element of graffiti, overlaid on a background that features the familiar layout of the subway system. This palimpsest effect, where newer layers of paint and text overlay older ones, is reminiscent of the subway cars that served as canvases for graffiti artists in the 1970s and 1980s. Carlo's work is not only a visual feast but also a narrative of the urban landscape and its continuous evolution, mirroring the ever-changing streets of New York City. Each print in the series is imbued with the spontaneous energy of street art despite being carefully reproduced to maintain the integrity of the original work. NYC Subway Map VII Bronx Legend is not just a representation of Cope2's artistry; it is also a cultural artifact that stands as a testament to the enduring influence of graffiti art within the broader context of contemporary art. Collectors of this print own a piece of New York City's legacy, as well as a moment in the timeline of an art form that continues to challenge and redefine the boundaries of visual expression.

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Made in the Midwest Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Hand-signed by all the artists in the show.

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NY Tripway Map V Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Cope2. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

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Life Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Hand Titled Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 "Life In Every Breath" Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Elevated Train- Katzs- One Way Sign Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Into The Great Wild Open Limited Edition Hand-Embellished HPM 28-Color Silkscreen Print on 300gsm Somerset Satin Paper by Alice Pasquini Graffiti Street Artist Modern Pop Art. 28 color screenprint on 300 gsm somerset paper hand finished in Windsor & Newton inks & Posca Pen’s all unique. edition of 100 signed and numbered by the artist 52.5 x 72cm 2015

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All Season Action- Hand-Embellished Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Ces One- Rob Provenzano . All Season Action • Autographed archival pigment print • Additional unique aerosol and ink embellishments on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist CES in a limited embellished edition of 10

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Blackbook- Two Hope 92 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14. Small Crease To Extreme Lower Left Facing Edge. Blackbook - Two Hope 92 by DocTC5 The 2019 giclee print titled Blackbook - Two Hope 92 by DocTC5 captures a raw and cerebral snapshot of graffiti’s evolution into narrative street pop art. Measuring 17 by 14 inches, this signed and numbered limited edition of 25 is a visual archive laced with coded language, cryptic references, and hyper-stylized aerosol typography. The work is not just a visual display of style writing but a layered commentary stitched together by phrases, symbols, and cartoon-like figures that reinforce graffiti’s connection to street culture, urban consciousness, and media critique. DocTC5 and the Legacy of Subway Style DocTC5, a member of The Cool 5 crew, represents a lineage in New York graffiti that embraced the subway car as a moving canvas during the late twentieth century. Blackbook - Two Hope 92 extends this history through the controlled chaos of colored outlines, highlighted text, and layered caricatures that recall the blackbook practice of early graffiti writers. It is a studio work that maintains the visual and textual density of its roots, showcasing a hybrid vocabulary of visual poetry and street messaging. Each phrase functions as a cultural timestamp from within the underground scene—references like Mushroom City, CIA, and Train Vibes channel a coded worldview shaped by years of subway bombing and street experience. Multilayered Symbolism and Commentary This print collides vibrant yellows, oranges, and reds with muted cyan and pink washes, creating a shifting landscape of psychological and cultural cues. Scattered graffiti tags, mental satire like Be Aware Cause the Glass Penis Has a Mouth That Laughs, and imagery such as disembodied hands and surreal characters turn this piece into a collage of urban satire. These aren’t random annotations—they mimic the marginalia found in blackbooks where artists build entire ideologies through doodles, ideas, and quotes layered between wildstyle letters and burner sketches. Here, the artwork doubles as a social artifact, archiving thought processes that reflect a specific moment in street-level art activism and consciousness. Street Pop Art & Graffiti Artwork as Cultural Archive Two Hope 92 is more than a tribute to an era. It is a preserved graphic journal—a stylized memory map that maintains graffiti's foundation in artistic resistance and coded identity. Printed on fine art paper with archival giclee technique, the piece delivers museum-quality execution while preserving its blackbook aesthetic. The limited edition is individually signed and stamped, reinforcing its rarity. A small crease at the lower left edge marks the human quality of the object, grounding its artistic merit in the physical wear of cultural production. DocTC5’s piece offers a rare and intimate entry point into the thought and visual process of a street art movement that continues to shape contemporary visual culture.

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The Professor Original Acrylic Spray Paint on Reclaimed MTA NYC Subway Panned Changes Notice Framed Painting by Dr Revolt One of a Kind Artwork by Street Art Pop Artist. 2022 Signed Acrylic & Spray Paint Painting Original Artwork Size 10.5x16.25 Reclaimed MTA New York Subway Train Notic Graffiti Artork by Dr Revolt. Framed Dimensions 20.25 X 14.25 Inches. The Professor by Dr Revolt – Spray-Painted Nostalgia on NYC Subway Ephemera in Street Pop Art & Graffiti Artwork The Professor is a 2022 original artwork by graffiti legend Dr Revolt, created using acrylic and spray paint on a reclaimed MTA New York City subway service changes notice. Measuring 10.5 x 16.25 inches and presented in a frame with dimensions of 20.25 x 14.25 inches, this piece exemplifies Dr Revolt’s iconic blend of graffiti heritage, comic illustration, and satirical urban commentary. Set atop an authentic F-line transit alert, the work brings together handstyle tags, wildstyle bursts, and a central cartoon character in a dynamic collision of color and street storytelling. The result is a one-of-a-kind fusion of lived infrastructure and pop narrative, transforming a routine public document into a canvas for visual mischief, rebellion, and style-driven identity. In the context of Street Pop Art & Graffiti Artwork, The Professor becomes both artifact and artwork, bridging functional signage with rebellious customization. Cartoon Authority and Urban Intelligence At the heart of The Professor is a blue-toned cartoon character rendered in Dr Revolt’s signature style, featuring thick outlines, oversized glasses, a scholarly cap, and dual spray cans. The character’s pose suggests both control and chaos, symbolizing the duality of graffiti culture—part scientific precision, part spontaneous eruption. The figure doesn’t just tag the wall; he commands it, studies it, and transforms it. This character can be read as a stand-in for the artist himself, or for the archetype of the graffiti writer as both outlaw and urban philosopher. The background retains legible fragments of the MTA’s bilingual text, timestamps, and service disruptions—markings of the everyday public rhythm now layered with an expressive intervention. Within Street Pop Art & Graffiti Artwork, the use of cartoon iconography as urban persona ties street visuals to mass culture and lowbrow illustration traditions. Handstyle, Wildstyle, and the Power of the Surface Spray fades in teal, violet, and neon yellow radiate across the surface, punctuated by splatters and black bubble forms. The word bubble motif becomes both graffiti cloud and comic exclamation. The handstyle tag in the lower left corner bears Dr Revolt’s recognizable moniker, with additional markings from RTW—Rolling Thunder Writers—paying homage to one of the most influential graffiti crews of the 1970s and 80s. These tags are not mere signatures; they are declarations of presence, lineage, and contribution to a culture built on walls and transit systems. The subway service notice beneath adds not just texture but meaning. It marks time and place. The repurposed paper substrate becomes a relic of New York’s transit ecosystem, layered with revolt, energy, and neon nostalgia. Dr Revolt and the Historic Legacy of Street-Based Disruption The Professor captures what makes Dr Revolt a defining force in the evolution of graffiti into Street Pop Art & Graffiti Artwork. He moves easily between character design, wildstyle legacy, comic influences, and social critique—all while remaining anchored in the core principles of graffiti: mark-making, disruption, authorship, and repetition. By using a reclaimed MTA service notice as his canvas, he links the rhythms of the city to the rhythms of art, echoing how writers hijacked infrastructure in the golden era of subway graffiti. This piece is not simply playful—it is historical. It is a reminder that graffiti is not just color or attitude but commentary, action, and remembrance. In The Professor, Dr Revolt delivers a witty, stylish, and layered love letter to New York, graffiti, and the endless possibilities of reimagining the surface.

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What A Graffiti Writer Sees Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by LushSux Graffiti Street Artist Modern Pop Art. Signed & Numbered Limited Edition of 40 Artwork Size 16x20 Graffiti Urban Industrial Street Scene Depicting Various Graffiti Throw Ups & Tags in Black & White. Insight into LushSux's "What A Graffiti Writer Sees" LushSux, the notorious graffiti street artist, presents a candid visualization of the urban landscape through the eyes of a graffiti writer with his work "What A Graffiti Writer Sees." This limited edition artwork, produced in a series of 40 archival pigment prints on 310gsm Museum Natural Fine Art Paper, measures 16x20 inches and is a signed and numbered offering from the artist. In black and white, the piece depicts a street scene brimming with various graffiti throw-ups and tags, capturing the raw essence of the graffiti artist's vision. Decoding the Urban Canvas in LushSux's Art The artwork is a monochromatic tribute to the graffiti culture, embodying the visual language and symbols that graffiti writers imbue in the urban environment. In this piece, buildings are not merely structures but potential canvases, bristling with opportunity and awaiting the artist's mark. LushSux translates the three-dimensional world into a flat surface yet retains the depth and complexity of the graffiti artist's perspective. Each element, from the roller tags to the dripping paint, is rendered authentically, highlighting the artist's intimate understanding of this art form. LushSux and the Graffiti Narrative Through "What A Graffiti Writer Sees," LushSux makes a poignant statement about perception and the often overlooked details in our surroundings. The piece transcends a simple depiction of graffiti; it explores the artist's psyche, the subcultural codes, and the often invisible dialogue between graffiti writers. It is a reflective piece, inviting the viewer to step into the shoes of those who see the city as a playground of expression. LushSux, as both a participant and observer in the graffiti scene, uses his artwork to bridge the street and the gallery, merging the visceral experience of street pop art with the contemplative space of fine art viewership. This artwork is not just a representation of a physical space; it is a window into the cultural and social underpinnings of the street art movement, a modern pop art phenomenon that continues to evolve and provoke.

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Arizona- Artist Proof AP Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Crash- John Matos Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2000 Hand Signed Edition of Only 20 APs Ever Man, No Regular Edition, Artist Collection. Massive Size 44x32.5 "Arizona" by John Matos, better known as Crash in the street art community, is a prime example of contemporary pop art's intersection with the raw energy of street aesthetics. This artist-proof (AP) is a limited edition, hand-pulled silkscreen print on fine art paper, showcasing Crash's ability to blend high art techniques with the immediacy and vibrancy of street art. Released in the year 2000, this AP edition is hand-signed and restricted to only 20 artist proofs worldwide, with no regular edition prints available, making it a highly exclusive piece for collectors and enthusiasts of the genre. Crash's work is characterized by a dynamic use of color and shape, and "Arizona" is no exception. It exhibits an explosive array of visuals referencing the urban environment and iconic elements of consumer culture, typical of pop art tradition. The massive size of the piece, measuring 44x32.5 inches, amplifies its visual impact and embodies the larger-than-life presence often associated with street art murals. The artist's background in graffiti is evident in the bold lines and the juxtaposition of text and imagery, which reflect the visual language of the streets. The rarity of this artist's proof adds a layer of desirability. APs are typically reserved for the artist's collection and are often more valuable than the regular editions due to their limited number. This exclusivity is further highlighted by the hand-signing by Crash himself, a mark of authenticity and a personal touch from the artist. Crash has been a pivotal figure in the transition of graffiti art from subway trains into galleries, and "Arizona" exemplifies the maturation of this art form. The piece serves not only as a statement of pop culture but also as a historical snapshot of the turn of the millennium, capturing the era's zeitgeist within its composition. It stands as a testament to the evolution of street art and its established place within the broader context of contemporary art.

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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Interpretation Limited Edition Hand-Embellished Archival Pigment Prints, Spray Paint on 310gsm Fine Art Paper by Wane One Cod Graffiti Street Artist Modern Pop Art. "This piece was created solely for my 1xRun print release. It is part of an ongoing series called Rasta, (respect all subway transit artists). All of the pieces are painted on NYC subway maps.I painted on a 1972 New York City subway map because this version was the best-designed map in my opinion. Also, graffiti took to the city in the early ’70s and at that time went from the walls to subways. I painted a signature 'Wane' piece as it has a strong letter foundation which is what subway art is based on." - Wane One Cod

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46th Street Station Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Cope2. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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In Every Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 "Life In Every Breath" Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

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