Sunset & Sunrise

Holiday Mural 2011 Artwork Giclee Limited Edition Print on 300gsm Archival Cotton Rag Paper by Pop Culture Graffiti Artist Dabs Myla. Edition of 50 20x16 inches Fine art print on Moab Entrada 300 gsm Archival Cotton Rag Paper Signed and numbered by DABSMYLA and photographer Carlos Gonzalez Carlos Gonzalez with Dabs Myla 'Holiday Mural 2011' Giclee print on Moab Entrada 300 gsm Archival Cotton Rag Paper 16x20 inches Edition of 50 Signed and numbered by Dabs Myla and Carlos Gonzalez Published by Thinkspace and Branded Arts Printed by Static Medium

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A Staged Race Has No Thunder Archival Pigment Limited Edition Print on Fine Art Paper by Artist Chris Austin Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Hand Deckled Artwork Size 20x20 Chris Austin – A Staged Race Has No Thunder in Street Pop Art & Graffiti Artwork Chris Austin’s A Staged Race Has No Thunder (2022) is a compelling archival pigment print that blends fine art discipline with themes central to Street Pop Art & Graffiti Artwork. This limited edition of only 50 signed and numbered pieces is rendered on fine art paper with hand-deckled edges and measures 20 by 20 inches. At first glance, the piece confronts the viewer with an impossible scene—a massive great white shark levitating through a dusk-red sky, surrounded by pigeons in flight. The surreal quality of this composition evokes both wonder and unease, a hallmark of Austin’s artistic voice. The title itself suggests commentary on artificiality—perhaps touching on the idea that forced or constructed competition lacks authenticity and power. The shark, a creature of unmatched predatory prowess in the ocean, is seen drifting in an unnatural element, stripped of its dominance and rendered passive in the air. The pigeons appear unbothered, even orchestrated around it, adding to the absurdity. This reversal of natural order serves as a metaphor for societal constructs—systems that force beings into roles they were never meant to inhabit. That theme resonates deeply within urban and street art culture, where identity, power dynamics, and freedom are core visual and philosophical motifs. Symbolic Creatures and Urban Commentary Austin’s use of wildlife as stand-ins for human emotion and systemic critique is one of his signature techniques. Sharks in his work often symbolize raw nature, strength, and survival. But here, elevated above the ocean and floating powerlessly through the sky, the shark becomes symbolic of misplacement and confinement. The birds, typically symbols of freedom, act like shepherds or bystanders—echoing themes of surveillance or forced coexistence. This strange dynamic is one that mirrors graffiti’s role in the urban landscape: often criticized, often revered, but always reacting to confinement, power, and space. Color, Composition, and Street-Level Energy The visual temperature of A Staged Race Has No Thunder is blistering. The red-orange twilight sky evokes urgency, suggesting environmental tension or societal unrest. The saturation of color mirrors mural-scale graffiti, where large washes of pigment draw the eye and trigger emotion. Austin’s style, though rooted in controlled studio practice, maintains the kinetic energy of outdoor street art, where visual shock is used to push messages quickly and forcefully. The shark's heavy, grounded form contrasts the fluttering lightness of the pigeons—further emphasizing imbalance and contradiction, which are core tools in the vocabulary of street pop visuals. Fine Art Format, Street Pop Message Though presented as a high-quality archival pigment print, Austin’s piece feels at home within the ethos of graffiti culture. Like wheatpaste posters or stencil bombs that turn alleyways into galleries, this work uses nature as a storytelling device to critique artificial constructs. Its fine art finish doesn’t dull the rebellious core—it enhances it. The controlled medium of pigment on paper combined with hand-deckled edges adds a layer of permanence to a message that, in other formats, might be fleeting. Through this blend of aesthetics and meaning, Chris Austin delivers not only an artwork but a meditation on authenticity, force, and the surreal consequences of staging what was never meant to compete.

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End Of Season Archival Print by Dulk- Antonio Segura Donat Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2018 Signed & Numbered Print Limited Edition of 50 Artwork Size 20x20 Archival Pigment Fine Art of a Stylistic Bird Comprised of Colorful Flowers in a Surreal Fantasy Setting. The Artistic Essence of "End Of Season" by Dulk - Antonio Segura Donat "End Of Season" is a striking archival print by the artist Dulk, the moniker of Antonio Segura Donat, who is acclaimed for his forays into pop art, street art, and graffiti art. This 2018 limited edition work is distinctive, with only 50 signed and numbered prints, each measuring 20x20 inches. Crafted on fine art paper, the piece showcases Dulk's capacity for blending natural elements with surrealistic overtones, presenting a stylistic bird that is an amalgamation of colorful flowers set against a fantasy backdrop. The artwork stands as a testament to Dulk's vision, where flora and fauna merge to create a bird that does not exist in reality but is vivid in the imagination. This bird is comprised of a diverse palette of flowers, each petal and color carefully selected to contribute to the overall harmony of the piece. The surreal landscape in which the bird resides further accentuates the fantastical theme, inviting viewers into a world where the end of a season brings about a literal and metaphorical transformation. Technical Brilliance and Symbolism in Dulk's Work In creating "End Of Season," Dulk employs archival pigment fine art printing, a method renowned for its long-lasting quality and ability to reproduce artworks' original colors and details faithfully. This technique ensures that each print retains the vibrancy and depth of the artist's original painting, allowing the artwork to stand the test of time. Fine art paper adds a tactile dimension to the prints, giving them a presence that resonates with the weight of a gallery piece. The symbolism in "End Of Season" is multilayered, reflecting the artist's commentary on the cycle of life and the transient beauty of nature. The bird, a creature often associated with freedom and the changing of seasons, is depicted in a state of splendid decay, as its body of flowers is both blooming and wilting, signifying the inevitable passage from life to death, from vibrancy to dormancy. Street Pop Art & Graffiti Artwork: Dulk's Contribution to Contemporary Art Dulk is an artist who straddles the lines between street art, pop art, and fine art, with "End Of Season" being a prime example of his ability to create works that are as much at home on the walls of a city as in a collector's private gallery. The piece's limited edition status adds to its desirability, marking it as a unique treasure in the landscape of modern art. The artist's influence on Street Pop Art and graffiti Artwork is considerable. His vibrant colors and fantastical themes capture the essence of graffiti's boldness and pop art's mass appeal. Dulk's work resonates with a broad audience, appealing to those captivated by the beauty and complexity of nature and those drawn to the fantastical and surreal elements of street art. "End Of Season" contributes significantly to the dialogue of what constitutes modern artwork in the street art genre. It transcends traditional boundaries, challenging viewers to find brief beauty and appreciate the artistry that can turn a season's end into a visual celebration of life's cyclical nature. Dulk's artistic narrative speaks to the transformative power of art, whether on the canvas of the natural world or the concrete surfaces of urban environments.

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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Abstract A4 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Abstract A3 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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